Introduction to Music
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1 Introduction to Music
2 Review Johann Sebastian Bach Baroque Suite Chorale and Church Cantata Organ Music George Frideric Handel Oratorio
3 Seven Years War
4 Seven Years War Louis XVI in France
5 Seven Years War Louis XVI in France Am. Declaration of Independence 1776
6 Seven Years War Louis XVI in France Am. Declaration of Independence 1776 French Revolution 1789
7 Seven Years War Louis XVI in France Am. Declaration of Independence 1776 French Revolution 1789 Napoleon: first French consul 1799
8 Seven Years War Louis XVI in France Am. Declaration of Independence 1776 French Revolution 1789 Napoleon: first French consul 1799 Napoleonic Wars
9 Seven Years War Louis XVI in France Am. Declaration of Independence 1776 French Revolution 1789 Napoleon: first French consul 1799 Napoleonic Wars Goethe: Faust 1808
10 Seven Years War Louis XVI in France Am. Declaration of Independence 1776 French Revolution 1789 Napoleon: first French consul 1799 Napoleonic Wars Goethe: Faust 1808 Austin: Pride and Prejudice 1813
11 Scientific advances changed world view
12 Scientific advances changed world view Faith in the power of reason
13 Scientific advances changed world view Faith in the power of reason Undermining of traditional authority
14 Scientific advances changed world view Faith in the power of reason Undermining of traditional authority Age of Enlightenment
15 Scientific advances changed world view Faith in the power of reason Undermining of traditional authority Age of Enlightenment Rise of the middle class worker
16 Scientific advances changed world view Faith in the power of reason Undermining of traditional authority Age of Enlightenment Rise of the middle class worker Visual arts moved away from the ornate Baroque style
17 Scientific advances changed world view Faith in the power of reason Undermining of traditional authority Age of Enlightenment Rise of the middle class worker Visual arts moved away from the ornate Baroque style Favored light colors, curved lines, and graceful ornaments
18 Classical Style Transition to Period
19 Classical Style Transition to Period C.P.E. and J.C. Bach: early pioneers
20 Classical Style Transition to Period C.P.E. and J.C. Bach: early pioneers Concentrated on simplicity and clarity
21 Classical Style Term Classical
22 Classical Style Term Classical Greek and Roman antiquity
23 Classical Style Term Classical Greek and Roman antiquity Supreme accomplishment of lasting appeal
24 Classical Style Term Classical Greek and Roman antiquity Supreme accomplishment of lasting appeal Anything that is not rock, jazz, folk, or popular
25 Classical Style Term Classical Greek and Roman antiquity Supreme accomplishment of lasting appeal Anything that is not rock, jazz, folk, or popular Music and visual arts stress balance and clarity of structure
26 Three main composers: Joseph Haydn Wolfgang Amadeus Mozart Ludwig van Beethoven
27 Characteristics of the Classical Style Contrast of Mood
28 Characteristics of the Classical Style Contrast of Mood Contrasts both between & within movements
29 Characteristics of the Classical Style Contrast of Mood Contrasts both between & within movements Flexibility of Rhythm
30 Characteristics of the Classical Style Contrast of Mood Contrasts both between & within movements Flexibility of Rhythm Multiple rhythmic patterns for variety
31 Characteristics of the Classical Style Contrast of Mood Contrasts both between & within movements Flexibility of Rhythm Multiple rhythmic patterns for variety Texture
32 Characteristics of the Classical Style Contrast of Mood Contrasts both between & within movements Flexibility of Rhythm Multiple rhythmic patterns for variety Texture Mostly homophonic, but with frequent shifts
33 Characteristics of the Classical Style Melody
34 Characteristics of the Classical Style Melody Tuneful, easy to remember
35 Characteristics of the Classical Style Melody Tuneful, easy to remember Composers borrowed popular tunes
36 Characteristics of the Classical Style Melody Tuneful, easy to remember Composers borrowed popular tunes Dynamics
37 Characteristics of the Classical Style Melody Tuneful, easy to remember Composers borrowed popular tunes Dynamics Emotions expressed in shades of dynamics
38 Characteristics of the Classical Style Melody Tuneful, easy to remember Composers borrowed popular tunes Dynamics Emotions expressed in shades of dynamics Use of gradual dynamic changes
39 Characteristics of the Classical Style Melody Tuneful, easy to remember Composers borrowed popular tunes Dynamics Emotions expressed in shades of dynamics Use of gradual dynamic changes Related to development of the piano soft/loud
40 The Classical Orchestra
41 The Classical Orchestra Increase in size of orchestra standard group of four sections
42 The Classical Orchestra Increase in size of orchestra standard group of four sections Strings: first & second violins, violas, cellos, double bass
43 The Classical Orchestra Increase in size of orchestra standard group of four sections Strings: first & second violins, violas, cellos, double bass Woodwinds: 2 each flutes, oboes, clarinets, bassoons
44 The Classical Orchestra Increase in size of orchestra standard group of four sections Strings: first & second violins, violas, cellos, double bass Woodwinds: 2 each flutes, oboes, clarinets, bassoons Brass: 2 each French horns, trumpets
45 The Classical Orchestra Increase in size of orchestra standard group of four sections Strings: first & second violins, violas, cellos, double bass Woodwinds: 2 each flutes, oboes, clarinets, bassoons Brass: 2 each French horns, trumpets Percussion 2 timpani
46 The Classical Orchestra Composers exploited individual tone colors
47 The Classical Orchestra Composers exploited individual tone colors Each section had a special role
48 The Classical Orchestra Composers exploited individual tone colors Each section had a special role Strings most important with violins taking the melody
49 The Classical Orchestra Composers exploited individual tone colors Each section had a special role Strings most important with violins taking the melody Woodwinds added contrasting tone
50 The Classical Orchestra Composers exploited individual tone colors Each section had a special role Strings most important with violins taking the melody Woodwinds added contrasting tone Horns & trumpets brought power to loud passages
51 The Classical Orchestra Composers exploited individual tone colors Each section had a special role Strings most important with violins taking the melody Woodwinds added contrasting tone Horns & trumpets brought power to loud passages Timpani used for rhythmic bite & emphasis
52 Classical Forms Instrumental works consist of several movements that contrast in tempo & character
53 Classical Forms Instrumental works consist of several movements that contrast in tempo & character First movement fast
54 Classical Forms Instrumental works consist of several movements that contrast in tempo & character First movement fast Second movement slow
55 Classical Forms Instrumental works consist of several movements that contrast in tempo & character First movement fast Second movement slow Third movement dance related
56 Classical Forms Instrumental works consist of several movements that contrast in tempo & character First movement fast Second movement slow Third movement dance related Fourth movement Fast
57 Classical Forms Movements might use different forms
58 Classical Forms Movements might use different forms A B A
59 Classical Forms Movements might use different forms A B A Theme and Variations
60 Classical Forms Movements might use different forms A B A Theme and Variations Sonata
61 Classical Forms Movements might use different forms A B A Theme and Variations Sonata Minuet and Trio
62 Classical Forms Movements might use different forms A B A Theme and Variations Sonata Minuet and Trio Rondo
63 Classical Forms Movements might use different forms A B A Theme and Variations Sonata Minuet and Trio Rondo Movements often contrast themes vividly
64 Composer, Patron, and Public in the Classical Period Changing society affected musicians
65 Composer, Patron, and Public in the Classical Period Changing society affected musicians Haydn: worked 30 years for aristocratic family
66 Composer, Patron, and Public in the Classical Period Changing society affected musicians Haydn: worked 30 years for aristocratic family Mozart: began at court, broke away, died poor
67 Composer, Patron, and Public in the Classical Period Changing society affected musicians Haydn: worked 30 years for aristocratic family Mozart: began at court, broke away, died poor Beethoven: successful as an independent musician
68 Composer, Patron, and Public in the Classical Period Prospering middle class wanted aristocratic pleasures (theatre, literature, music)
69 Composer, Patron, and Public in the Classical Period Prospering middle class wanted aristocratic pleasures (theatre, literature, music) Public concerts became common, with middle class purchasing tickets
70 Composer, Patron, and Public in the Classical Period Prospering middle class wanted aristocratic pleasures (theatre, literature, music) Public concerts became common, with middle class purchasing tickets Demand for printed music, instruments & music lessons
71 Composer, Patron, and Public in the Classical Period Prospering middle class wanted aristocratic pleasures (theatre, literature, music) Public concerts became common, with middle class purchasing tickets Demand for printed music, instruments & music lessons Composers wrote music that would sell
72 Composer, Patron, and Public in the Classical Period Prospering middle class wanted aristocratic pleasures (theatre, literature, music) Public concerts became common, with middle class purchasing tickets Demand for printed music, instruments & music lessons Composers wrote music that would sell Serious compositions flavored by folk and popular music
73 Vienna in the 18th Century
74 Vienna Became the musical capital of Europe
75 Vienna Became the musical capital of Europe Musicians came to study and be recognized
76 Vienna Became the musical capital of Europe Musicians came to study and be recognized Aristocrats wintering there would bring their orchestras
77 Vienna Became the musical capital of Europe Musicians came to study and be recognized Aristocrats wintering there would bring their orchestras Musicians, including Mozart and Beethoven, frequently played gigs in wealthy homes
78 Vienna Became the musical capital of Europe Musicians came to study and be recognized Aristocrats wintering there would bring their orchestras Musicians, including Mozart and Beethoven, frequently played gigs in wealthy homes Many musicians also worked in serenading street bands
79 Theme and Variations Single part form no contrasting B section (A A A A )
80 Theme and Variations Single part form no contrasting B section (A A A A ) Basic idea repeated again and again
81 Theme and Variations Single part form no contrasting B section (A A A A ) Basic idea repeated again and again Each repeat alters (varies) the musical idea
82 Theme and Variations Single part form no contrasting B section (A A A A ) Basic idea repeated again and again Each repeat alters (varies) the musical idea Each variation is about the same length as the original idea
83 Theme and Variations Single part form no contrasting B section (A A A A ) Basic idea repeated again and again Each repeat alters (varies) the musical idea Each variation is about the same length as the original idea Variations may alter melody, harmony, rhythm, dynamics, timbre, or all of these
84 Haydn: Symphony No. 94 Surprise, Mvt. 2
85 Minuet and Trio Ternary form based upon stately court dance of the Baroque
86 Minuet and Trio Ternary form based upon stately court dance of the Baroque Each ternary part is itself ternary: Minuet Trio Minuet A B A : a : : b a : : c : : d c : a b a
87 Minuet and Trio Ternary form based upon stately court dance of the Baroque Each ternary part is itself ternary: Minuet Trio Minuet A B A : a : : b a : : c : : d c : a b a Return of the Minuet is usually marked on the music as da capo
88 Mozart: Eine kleine Nachtmusik, K. 525, Mvt. 3 Minuet and Trio Form Minuet Trio Minuet A B A : a : : b a : : c : : d c : a b a
89 Mozart: Eine kleine Nachtmusik, K. 525, Mvt. 3 Minuet and Trio Form Minuet Trio Minuet A B A : a : : b a : : c : : d c : a b a
90 Rondo Features a tuneful main theme that returns over and over
91 Rondo Features a tuneful main theme that returns over and over Lively, pleasing and simple to remember
92 Rondo Features a tuneful main theme that returns over and over Lively, pleasing and simple to remember Main theme alternates contrasting sections
93 Rondo Features a tuneful main theme that returns over and over Lively, pleasing and simple to remember Main theme alternates contrasting sections A B A C A (small rondo)
94 Rondo Features a tuneful main theme that returns over and over Lively, pleasing and simple to remember Main theme alternates contrasting sections A B A C A (small rondo) A B A C A B A (large rondo)
95 Rondo Features a tuneful main theme that returns over and over Lively, pleasing and simple to remember Main theme alternates contrasting sections A B A C A (small rondo) A B A C A B A (large rondo) Note similarity to modern Pop music forms
96 Beethoven: String Quartet in C Minor, Op. 18, No. 4 Fourth movement, Rondo
97 Beethoven: String Quartet in C Minor, Op. 18, No. 4 Fourth movement, Rondo
98 Sonata Form Refers to form of a single movement
99 Sonata Form Refers to form of a single movement Ternary form (A B A) three main sections
100 Sonata Form Refers to form of a single movement Ternary form (A B A) three main sections Exposition
101 Sonata Form Refers to form of a single movement Ternary form (A B A) three main sections Exposition Initial statement of first and second themes
102 Sonata Form Refers to form of a single movement Ternary form (A B A) three main sections Exposition Initial statement of first and second themes Entire section usually repeated
103 Sonata Form Development
104 Sonata Form Development Tension building section
105 Sonata Form Development Tension building section Themes broken into fragments motives
106 Sonata Form Development Tension building section Themes broken into fragments motives Recapitulation
107 Sonata Form Development Tension building section Themes broken into fragments motives Recapitulation Resolution of tension
108 Sonata Form Development Tension building section Themes broken into fragments motives Recapitulation Resolution of tension Re-statement of first and second themes
109 Sonata Form Development Tension building section Themes broken into fragments motives Recapitulation Resolution of tension Re-statement of first and second themes Often concludes with a tag or tail Coda
110 Beethoven: Symphony No. 5 in C Minor, First Mvt Sonata Form
111 Beethoven: Symphony No. 5 in C Minor, First Mvt Sonata Form Exposition
112 Beethoven: Symphony No. 5 in C Minor, First Mvt Sonata Form Exposition Development
113 Beethoven: Symphony No. 5 in C Minor, First Mvt Sonata Form Exposition Development Recapitulation
114 Beethoven: Symphony No. 5 in C Minor, First Mvt Sonata Form Exposition Development Recapitulation Coda
115 Beethoven: Symphony No. 5 in C Minor, First Mvt
116 Beethoven: Symphony No. 5 in C Minor, First Mvt
117 Looking Ahead Classical Symphony Classical Concerto Classical Chamber Music Joseph Haydn Wolfgang Amadeus Mozart Ludwig van Beethoven
118
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