B.A. IST YEAR (HONOURS) W.E.F
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1 B.A. IST YEAR (HONOURS) W.E.F SAMESTER-1 OUTLINES OF TEST Paper No. I Name of Paper Max. Marks Time Allowed Musicology-Theory of Indian Music (General). Max.Marks (Theory) + 20 (int.assessment) 3 Hours II Practical min. (Per Students )
2 SYLLABUS AND COURSES OF READING Paper-I: Musicology- Theory of Indian Music (General). M.M (80Th. +20 I.A.) Time: 3 Hours Note:- In all nine question will be set in this paper out of which the candidates are required to attempt any five questions all questions will carry equal marks. A. General discussion of the following:- (1) Sangeet (2) Saptak (3) Shruti (4) Thaat (5) Raag (6) Naad (7) Gamak (8) Taan (9) Swar (10) Vadi (11) Samvadi (12) Anuvadi, Vivadi (13) Varjit Swar. B. Historical study and detailed description of Ragas prescribed in the syllabus (1) Bhupali (2) Yaman (3) Alhiya Bilawal C. Ability to write Thekas with dugun in the following Talas:- (i) Teental (ii) Rupak (ii) Ektal
3 Paper-II (Practical). M.M Time : 20-30min. (Per Students) (a) One vilambit Khayal/MaseetKhani/ gat in any Raga prescribed in the syllabus with extempore alaps and Tanas/Toras. (b) (c) One Tarana/ Jhala in any of the Raga of the syllabus One drut Khayal/Rajakhani gat with alaps and Tanas/ toras in the Prescribed Ragas. (d) Ability to demonstrate talas prescribed in the syllabus with reciting bols by hand in Thah and Dugun Layaaris.
4 B.A. IST YEAR (HONOURS) W.E.F SEMESTER-II Paper No. I OUTLINES OF TEST Name of Paper Max. Marks Time Allowed Musicology-Theory of Indian Music (General) Max.Marks (Theory) + 20 (int.assessment) 3 Hours II Practical Min (Per Students)
5 SYLLABUS AND COURSES OF READING Paper-I: Musicology- Theory of Indian Music (General). M.M (80Th. +20 I.A.) Time: 3 Hours Note:- In all nine question will be set in this paper out of which the candidates are required to attempt any five questions all questions will carry equal marks. A. General discussion of the following:- (1) Gaan (2) Alap (3) Gat (4) Taal (5) laya (6) Alankar (7) Jhala, Meend, Khatka, Murki, Kan (8) Time Theory of Indian Music (9) Alptav Bhutav (10) Varan B. Historical study and detailed description of Ragas prescribed in the syllabus (1) Hameer (2) Varindavani Sarang (3) Asawari C. Ability to write Thekas with dugun in the following Talas:- (i) Kehrva (ii) Jhaptal
6 Paer-II (Practical). M.M.-100 Time : min. (Per Students) (a) One vilambit Khayal/MaseetKhani gat in any Raga prescribed in the syllabus with extempore alaps and Tanas/Toras. (b) One drut Khayal/Rajakhani gat with alaps and Tanas/ toras in the Prescribed Ragas. (c) (d) National Anthem Ability to demonstrate talas prescribed in the syllabus with reciting bols by hand in Thah and Dugun Laykaris.
7 B.A. IIND YEAR (HONOURS) W.E.F Paper No. I II SEMESTER-III OUTLINES OF TEST Name of Paper Max. Marks Time Allowed Biographies and Important Musicians and composers Musicology-Theory of Indian Music (General) Max.Marks (Theory) + 20 (int.assessment) 80(Theory) + 20 (int.assessment) 3 Hours 3 Hours III Practical min. (Per Students )
8 SYLLABUS AND COURSES OF READING Paper-I: Biographies and Important Musicians and Composers. M.M (80Th. +20 I.A.) Time: 3 Hours Note:- In all nine question will be set in this paper out of which the candidates are required to attempt any five questions. All questions will carry equal marks. (1) Bade Gulam Ali Khan (6) Jaidev (2) V.N. Bhathkn Kande (7) Tayag Raj (3) Panna lal Gosh (8) Vilayat Khan (4) Pt. Ravi Shankar (9) Vishnu Digambar Paluskar (5) Amir Khan (10) Alladin Khan (11) Sharang Dev
9 Paper- IInd Musicology- Theory of Indian Music.(General) M.M (80Th. +20 I.A.) Time: 3 Hours Note:- In all nine question will be set in this paper out of which the candidates are required to attempt any five questions. All questions will carry equal marks. 1. Historical study and detailed description of Ragas prescribed in the syllabus (1) Jai/Jai/wanti (2) Bhairavi (3) Chhayanut 2. Ability to write Thekas with dugun in the following Talas:- Tivra (ii) Dadra (iii) Sultal 3. Ability to write Notations of Ragas Prescribed in your syllabus 4. Deshi and Margi Sangeet 5. Origin and Development of Indian Music 6. Relationship of Folk and Classical Music 7. Correct Intonation of Swaras 8. Role of Music in National integration 9. Role of Science in promoting educational and cultural aspects of music during modern period. 10. Vadyon ka Vargikaran 11. Detail study of Sitar 12. Detail Study of Taanpura
10 Paper-III (Practical) M.M.-100 Time : min. (Per Students) (a) One vilambit Khayal/MaseetKhani gat in any Raga prescribed in the syllabus with extempore alaps and Tenas/Toras. (b) One drut Khayal/Rajakhanigat with alaps and Tanas/ toras in the Prescribed Ragas. (c) One Tarana or Dhrupad /Jhala or Thumari in any of the Raga of the syllabus (d) Ability to demonstrate talas prescribed in the syllabus with reciting bols by hand in Thah and Dugun Layakaris.
11 B.A. IIND YEAR (HONOURS) W.E.F SEMESTER-IV I Paper No OUTLINES OF TEST Name of Paper Max. Marks Time Allowed Biographies and Important Musicians and composers Max.Marks (Theory) + 20 (int.assessment) 3 Hours II Musicology-Theory of Max.Marks Hours Indian Music (General) 80(Theory) + 20 (int.assessment) III Practical min. (Per Students )
12 SYLLABUS AND COURSES OF READING Paper-I: Biographies and Important Musicians and Composers. M.M (80Th. +20 I.A.) Time: 3 Hours Note:- In all nine question will be set in this paper out of which the candidates are required to attempt any five questions. Al questions will carry equal marks. (1)Taansen (6) Bharat Muni (2) Haridas (7) Nikhil Banerjee (3) Surdas (8) Raja Maan Singh Tomar (4) Feyaz Khan (9) Mushtak Ali Khan (5) Amir Khusro (10) Inayat Khan (11) Bhimsen Joshi
13 Paper- IInd Musicology- Theory of Indian Music (General). M.M (80Th. +20 I.A.) Time: 3 Hours Note:- In all nine question will be set in this paper out of which the candidates are required to attempt any five questions. All questions will carry equal marks. 1. Historical study and detailed description of Ragas prescribed in the syllabus (1) Malkauns (2) Kedar (3) Gaur Sarang 2. Ability to write Thekas with dugun in the following Talas:- (i) Tilwara (ii) Ada Chutal 3. Ability to write Notations of Ragas Prescribed in your syllabus 4. Voice Culture 5. Principles of Indian Music Drone 6. Detail study of different Gharana of Indian Music 7. Origin and Development of notation systems 8. Sangeet mein Kaku 9. Gram 10. Murchhana 11. Samprakratic Rag 12. Rag Vargikaran
14 Paper-III (Practical) M.M Time : min. (Per Students) a. One vilambit Khayal/Maseet Khani Gat in any Raga prescribed in the syllabus with extempore alaps and Tenas/Toras. b. One drut Khayal/Rajakhanigat with alaps and Tanas/ toras in the Prescribed Ragas. c. One Bhajan /Dhun in any of the Raga of the syllabus d. Ability to demonstrate tales prescribed in the syllabus with reciting bols by hand in Thah and Dugun Laykaris.
15 B.A. IIIRD (HONORS) W.E.F SEMESTER - V OUTLINES OF TEST Paper No. Name of Paper Max Marks Time Allowed I Musicology-Theory Max. Marks Hours of Indian Music 80 Theory+20 (Int. (General). Assessment) II Musicology- Theory 80 Theory+20 (Int. 3 Hours of Indian Music Assessment) (Applied). III Practical minutes Per Students. Syllabus and Courses of Reading
16 Paper - I - Musicology - Theory of Indian Music (General). M.M (80Th. +20 I.A.) Time: 3 Hours Note - In all nine questions will be set in this paper out of which the candidates are required to attempt any five questions in all. All Questions will carry equal marks. 1. Role of music in all round development of child 2. Relation of Raga with season and time 3. Lalit Kalan Mein Sangeet ka Sthan 4. Origin and development of Indian Orchestra 5. Folk dances of Haryana and Punjab 6. Comparison between the Ancient and Modern education system of music 7. Folk instruments of Haryana 8. Principles of Good alap and Taan 9. Music & Asthetics 10. Detail study of Tabla and Sarod 11. Haveli Sangeet.
17 Paper- II Musicology Theory of Indian Music (Applied). M.M (80Th. +20 I.A.) Time: 3 Hours Note- In all nine Questions will be set in this paper out of which the candidates are required to attempt any five questions in all. All Questions will carry equal marks. 1. Historical study and detailed description of the Ragas Prescribed in the Syllabus (i) Todi (ii) Deshkar (iii) Bihag (iv) Bhimplasi 2. Ability to write thekas with dugun in the following talas:- (i) Dhamar (ii) Jhumra 3. Prabandh 4. Dhrupad 5. Ability to write Notations of Ragas Prescribed in Your Syllabus 6. Dhamar 7. Khyal 8. Thumari 9. Tappa 10. Tarana 11. Bharat Naltyam 12. Kuchipuri
18 Paper-III Practical M.M.-100 Time :20-30 min. (Per Students) a) One Vilambit Khayal/maseetkhani Gat with alaps and Tanas/Toras in all the Prescribed Ragas b) One drut Khayal/Rajakhani Gat with alaps and tanas/toras in all the Prescribed Ragas c) One Dhrupad / Dhun in any of the Raga of the Syllabus d) Ability to demonstrate talas prescribed in the syllabus with reciting bols by hand in Thah, dugun and chougun layakaris.
19 B.A. IIIrd (HONOURS) W.E.F SEMESTER - VIth Outlines of Test Paper No. Name of Paper Max Marks Time Allowed (100) I Musicology-Theory 80 Theory+20 (Int. 3 Hours of Indian Music Assessment (General) II Musicology- Theory 80 Theory+20 (Int. 3 Hours of Indian Music Assessment (Applied) III Practical minutes Per Students.
20 Syllabus and Courses of Reading Paper - I - Musicology - Theory of Indian Music (General). M.M (80Th. +20 I.A.) Time: 3 Hours Note - In all nine questions will be set in this paper out of which the candidates are required to attempt any five questions in all. All Questions will carry equal marks. 1. Music & Spirituality 2. Globalization and Indian Music 3. Relationship between Music and Rhythm 4. Music and Psychology 5. Suggestions for popularizing classical music in school and colleges 6. History of Indian Music during Vedic Period 7. History of Indian Music during Medieval Period 8. History of Indian Music during Modern Period 9. Healing through Music 10. Difference between Hindustani and Karnataki Sangeet.
21 Paper-II Musicology Theory of Indian Music (Applied). M.M (80Th. +20 I.A.) Time: 3 Hours Note- In all nine Questions will be set in this paper out of which the candidates are required to attempt any five questions in all. All Questions will carry equal marks. 1. Historical study and detailed (i) Puriya (ii) Ramkali (iii) Kamod 2. Ability to write Thekas with dugun in The following talas (i) Deep Chandi (ii) Chautal 3. Bhajan 4. Geet, Kawali 5. Gazal 6. Kathak 7. Manipuri 8. Baowl 9. Bhatiyali 10. Dadra, Sadra
22 Paper- III Practical M.M.-100 Time :20-30 min. (Per Students) a) One Vilambit Khayal/ Masetkhani Gat with alaps and Tanas/Toras in all the Prescribed Rages b) One Drut Khayal / Rajakhani Gat with alaps and Tanas/ Toras in all the Prescribed Ragas c) One Dhrupad / Dhun in any of the Raga of the syllabus d) Ability to demonstrate talas prescribed in the syllabus with reciting bols by hand in Thah, dugun and chaugun layakares
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