1 Progression in Narrative Purpose: The purpose of narrative can be defined simply as to tell a story. However, that does not convey the many purposes of stories and the way that they work at different levels. The purpose of a narrator is to make the listener or reader respond in a particular way. Stories are written or told to entertain and enthral an audience. Stories can make us sad, horrify us, make us laugh, make us excited. They create imaginative worlds that can help us understand ourselves and the things around us and take us beyond our own experience. From the earliest times, stories have been a part of the way that people have explained their world, passed on their beliefs and memories and entertained one another. Narrative is central to learning, especially for young children who develop their understanding through making up stories about what has happened and what might happen. Children use narrative to organise their ideas, structure their thinking and, ultimately, their writing. Telling and writing stories is not simply a set of skills for children to learn, but an essential means for them to express themselves in creative and imaginative ways. Generic text structure This can be expressed simply as: opening that usually includes a setting and introduces characters a series of events that build up complication(s) resulting events resolution and ending Although this structure is evident in many stories, it can be adapted, modified or expanded. Children will hear and read many different stories and will gain an understanding of the ways that authors vary narrative structure, for example; using time shifts or starting the story with an exciting incident and then back-tracking. They will learn that stories in a particular genre tend to have distinctive structures, e.g. adventure stories often have a series of cliff-hangers before the final resolution. Children s growing awareness of more complex narrative structures in the stories they read or listen to is likely to be ahead of their development as writers. The aim is for them to internalise the basic structure and use it to organise their creative ideas when writing their own, original stories, rather than being constrained by having to imitate a particular style of story. Language features These will vary in different narrative genres, but can be summarised as: can be presented in oral or written form or with images and words on screen told/ written in first or third person told/ written in past tense (and occasionally in the present) chronological main participants are human or animal with contrasting qualities [ good and bad ] use of typical characters, settings and events (depending on genre) connectives that signal time, e.g. early that morning, later on, once connectives used to shift attention, e.g. meanwhile, at that very moment connectives used to inject suspense, e.g. suddenly, without warning connectives to move the setting for episodes, e.g. on the other side of the forest, back at home dialogue, in differing tenses verbs used to describe actions, thoughts and feelings language effects used to create impact on reader, e.g. adverbs, adjectives, precise nouns, expressive verbs, metaphors, similes etc. Knowledge for the writer: decide the intended impact of the story on the reader
2 plan before writing, be sure of key events and ensure that all the events lead towards the ending tell and re-tell the story orally before writing and rehearse sentences orally whilst writing try to visualise the story whilst writing plan a limited number of characters and describe a few key details that show something about their personalities try to show rather than tell, for example, show how a character feels by what they say or do use all the senses when imagining and then describing the setting, for example, include the weather, season, time of day make use of ideas from reading, for example, using a question to draw the reader in or using repetition to create an effect at the end, show how the main character has changed as a result of the narrative reread the completed story aloud, for example, to a small group Progression is achieved through: reading and listening to a wide range of stories storytelling oral rehearsal before writing teacher modelling and scribing preceding children s independent attempts at different points in the composing, reading the writing aloud to a partner and revising it on the basis of having read it aloud increased understanding by the children of particular aspects of narrative, for example, characterisation and dialogue, and control of the form, for example, writing sustained narratives divided into chapters or using techniques to engage the reader increased independence in children s ability to plan and write their own stories Links to key aspects of learning Units of work on narrative will involve children in using elements from many of the cross curricular, key aspects of learning explored in Learning and Teaching in the Primary Years - creative thinking, communication, empathy, enquiry, evaluation, information processing, managing feelings, motivation, problem solving, reasoning, self awareness and social skills. In listening to, speaking, reading and writing narrative children will particularly use self-awareness Example FS: listen to stories being read and talk about likes and dislikes empathy Example Y5 Look for evidence of characters changing during a story and discuss possible reasons, e.g. in response to particular experiences or over time creative thinking Example Y3 explore relationships and situations through drama evaluation Example Y1 Listen with sustained concentration and then talk about how the author created interest or excitement in the story Cross curricular links Across the age phases many opportunities for reading and writing narrative occur in all other of areas of the curriculum. For example, History and Geography provide plots and settings. Songs, programme music, ballet, opera and oratorio tell stories. Paintings show settings, portray character and even the plot. Examples from the National Curriculum programmes of study/stepping stones that could be linked to narrative texts in literacy include: history/ knowledge and understanding of the world (FS) FS: past and present events in the lives of people KS1 POS: the way of life of people in the more distant past KS2 POS: the study of Romans, Anglo-Saxons, Vikings,Tudors, Victorian Britain or Britain since the 1930s geography/ knowledge and understanding of the world (FS) FS stepping stone; show an interest in the world in which they live
3 KS1/2 POS: localities Children with Special Educational Needs and/ or Learning Difficulties/ Disabilities Learning objectives should be chosen which are related to the aspect on which the whole class is working. If with appropriate access strategies and support a child can not work towards the same learning objective as the rest of the class, teachers may want to track back to an earlier objective. The structure and the new electronic format of the renewed frameworks for literacy and mathematics support multi-level curriculum planning, and allow teachers to easily track back through a progression strand to locate earlier learning objectives. It also makes direct links to a wealth of other useful materials which will help to plan teaching and children s learning. Further guidance and principles on tracking back can be found in: Including all children in the literacy hour and daily mathematics lesson: management guide Ref: DfES 0465/. Further useful references for children working significantly below age related expectations can be found in the QCA/DfES documents Planning, teaching and assessing the curriculum for pupils with learning difficulties (QCA/01/736 and the QCA DVD 'Using the P scales' QCA/05/1589. Planning for individual children or groups of children based on assessment for learning will be informed by knowledge of their priorities. For the majority of the time it will be appropriate for children to work on objectives that are similar and related to the whole class. However, at other times you will also have to consider whether the children have other priority needs that are central to their learning, for example a need to concentrate on some key skills. For further guidance on planning for children with SEN/LDD see the library section and Learning and teaching for children with special educational needs in the primary years ref 0302/2004 G Teaching the literacy hour and daily mathematics lesson in special settings. Teaching the daily mathematics lesson for children with severe or profound and multiple learning difficulties ( 0033/2003) Children who are gifted and talented Children who are working well above the overall level of their class or group will benefit from planning that may: add breadth (for example enrichment through a broader range of content, tasks and resources) increase depth (for example extension through complexity) accelerate the pace of learning by tracking forward to later objectives within or across key stages The structure and the new electronic format of the renewed framework for literacy and mathematics support multi-level curriculum planning, and allow teachers to easily track forward through a progression strand to locate later learning objectives. It also makes direct links to a wealth of other useful materials which will help to plan teaching and children s learning. For further guidance on planning for gifted and talented children see the library section and Children learning English as an additional language (EAL) Children learning EAL must be supported to access curriculum content while also developing cognitive and academic language within whole-class, group and independent contexts. With the exception of children learning EAL who also have SEN, it is critical to maintain a level of cognitive challenge which is consistent with that of the rest of the class. Children who are /have become conversationally fluent will continue to require explicit attention to the development of the academic language associated with the subject and of specific aspects within the subject. Planning should identify the language demands of the objectives and associated activities and making sure EAL learners know and can use the language demanded by the curriculum content of the unit/lesson then becomes an additional objective. In order to identify the language demands, teachers and practitioners should consider the language children will need to understand in order to access this
4 activity, and the language they will need to be able to produce, either oral or written, in order to demonstrate success in achieving the learning intentions. For further guidance on planning for children learning EAL see the overview of planning for each year group, the library section and also Learning and teaching for bilingual children in the primary years: Unit 1 Planning and Assessment for Language and Learning and Unit 2: Creating the Learning Culture, Making it work in the classroom.
5 Progression in narrative Strands 2, 5, 6 & 7 Listening to and reading a range of stories on page and screen which provoke different responses: Story structure Viewpoint: author; narrator Character & dialogue Setting F/S Listen to stories being told and read. Know when a story has begun and ended. Recognise simple repeatable story structures and some typical story language, for example, Once upon a time Be aware that books have authors; someone is telling the story. Stories are about characters; identify and describe their appearance referring to names and illustrations; notice when characters are speaking in the story by joining in, e.g. with a repeated phrase. Stories happen in a particular place; identify settings by referring to illustrations and descriptions. Strands 1, 8 11 Creating stories orally, on page and screen, that will impact on listeners and readers in a range of ways: Telling stories Writing Turn stories into play using puppets, toys, costumes and props; imagine and recreate roles; re-tell narratives using patterns from listening and reading; tell a story about a central character; experiment with story language by using familiar words and phrases from stories in re-telling and play. Attempt own writing for various purposes, using features of different forms, including stories. Year 1 Identify the beginning, middle and end in stories and use familiarity with this structure to make predictions about story endings; recall the main events. Listen with sustained concentration and then talk about how the author created interest or excitement in the story; the voice telling the story is called the narrator. Recognise main characters and typical characteristics, for example, good and bad characters in traditional tales; identify the goal or motive of the main character and talk about how it moves the plot on; notice how dialogue is presented in text and begin to use different voices for particular characters when reading dialogue aloud. Settings can be familiar or unfamiliar and based on real-life or fantasy. Respond by making links with own experience and identify story language used to describe imaginary settings. Re-tell familiar stories and recount events; include main events in sequence, focusing on who is in the event, where events take place and what happens in each event; use story language, sentence patterns and sequencing words to organise events, (e.g.) then, next etc.; recite stories, supported by story boxes, pictures etc.; act out stories and portray characters and their motives. Use patterns and language from familiar stories in own writing; write complete stories with a simple structure: beginning middle end, decide where it is set and use ideas from reading for some incidents and events.
6 2 Year 3 Identify the sequence: opening something happens events to sort it out ending; identify temporal connectives and talk about how they are used to signal the passing of time; make deductions about why events take place in a particular order by looking at characters actions and their consequences. Begin to understand elements of an author s style, e.g. books about the same character or common themes; Understand that we know what characters are like from what they do and say as well as their appearance; make predictions about how they might behave; notice that characters can change during the course of the story; the way that characters speak reflects their personality; the verbs used for dialogue tell us how a character is feeling, e.g. sighed, shouted, joked. Settings are created using descriptive words and phrases; particular types of story can have typical settings use this experience to predict the events of a story based on the setting described in the story opening. Consolidate understanding of sequential story structure: identify common, formal elements in story openings and endings and typical features of particular types of story; notice common themes, similar key incidents and typical phrases or expressions. Note the use of language or music or camera angle to set scenes, build tension, create suspense. Recognise that authors make decisions about how the plot will develop and use different techniques to provoke readers reactions; notice the difference between 1 st and 3 rd person accounts; take part in dramatised readings using different voices for the narrator and main characters. Identify examples of a character telling the story in the 1 st person; make deductions about characters feelings, behaviour and relationships based on descriptions and their actions in the story; identify examples of stereotypical characters; make judgements about a character s actions, demonstrating empathy or offering alternative solutions to a problem; analyse the way that the main character(s) usually talks and look for evidence of the relationship between characters based on dialogue. Settings are used to create atmosphere; look at examples of scene changes that move the plot on, relieve or build up the tension. Re-tell familiar stories using narrative structure and dialogue from the text; include relevant details and sustain the listener s interest; tell own real and imagined stories; explore characters feelings and situations using improvisation; dramatise parts of own or familiar stories and perform to class or group. Imitate familiar stories by borrowing and adapting structures; write complete stories with a sustained, logical sequence of events; use past tense and 3 rd person consistently; include setting; create characters, e.g. by adapting ideas about typical story characters; include some dialogue; use phrases drawn from story language to add interest, (e.g.) she couldn t believe her eyes. Tell stories based on own experience and oral versions of familiar stories; include dialogue to set the scene and present characters; vary voice and intonation to create effects and sustain interest; sequence events clearly and have a definite ending; explore relationships and situations through drama. Write complete stories with a full sequence of events in narrative order; include a dilemma or conflict and resolution; write an opening paragraph and further paragraphs for each stage of the story; use either 1 st or 3 rd person consistently; use conventions for written dialogue and include some dialogue that shows the relationship between two characters.
7 4 Year 5 Develop understanding of story structure: recognise the stages of a story: introduction build-up - climax or conflict resolution; appreciate that chronology does not always run smoothly, (e.g.) some events are skimmed over, others are told in more depth. Develop awareness that the author sets up dilemmas in the story and devises a solution. Make judgements about the success of the narrative, (e.g.) do you agree with the way that the problem was solved? Understand that the author or director creates characters to provoke a response in the reader, (e.g.) sympathy, dislike; discuss whether the narrator has a distinctive voice in the story. Identify the use of figurative and expressive language to build a fuller picture of a character; look at the way that key characters respond to a dilemma and make deductions about their motives and feelings discuss whether their behaviour was predictable or unexpected; explore the relationship between what characters say and what they do do they always reveal what they are thinking? Authors can create entire imaginary worlds; look for evidence of small details that are used to evoke time, place and mood. Look for evidence of the way that characters behave in different settings. Recognise that story structure can vary in different types of story and that plots can have high and low points; notice that the structure in extended narratives can be repeated with several episodes building up to conflict and resolution before the end of the story. Analyse more complex narrative structures and narratives that do not have a simple linear chronology, (e.g.) parallel narratives, time slip. Authors have particular styles and may have a particular audience in mind; discuss the author s perspective on events and characters, (e.g.) the consequences of a character s mistakes do they get a second chance? ; author s perspective and narrative viewpoint is not always the same - note who is telling the story, whether the author ever addresses the reader directly; check whether the viewpoint changes at all during the story; explore how the narration relates to events. Look for evidence of characters changing during a story and discuss possible reasons, (e.g.) in response to particular experiences or over time, what it shows about the character and whether the change met or challenged the reader s expectations; recognise that characters may have different perspectives on events in the story; look for evidence of differences in patterns of relationships, customs, attitudes and beliefs by looking at the way characters act and speak and interact in older literature. Different types of story can have typical settings. Real-life stories can be based in different times or places, (e.g.) historical fiction look for evidence of differences that will effect the way that characters behave or the plot unfolds. Plan and tell own versions of stories; tell effectively, e.g. using gestures, repetition, traditional story openings and endings; explore dilemmas using drama techniques, (e.g.) improvise alternative courses of action for a character. Plan complete stories by identifying stages in the telling: introduction build-up climax or conflict - resolution; use paragraphs to organise and sequence the narrative and for more extended narrative structures; use different ways to introduce or connect paragraphs, ( e.g.) Some time later, Suddenly, Inside the castle ; use details to build character descriptions and evoke a response; develop settings using adjectives and figurative language to evoke time, place and mood. Plan and tell stories to explore narrative viewpoint, ( e.g.) re-tell a familiar story from the point of view of another character; demonstrate awareness of audience by using techniques such as recap, repetition of a catchphrase, humour; use spoken language imaginatively to entertain and engage the listener. Develop particular aspects of story writing: experiment with different ways to open the story; add scenes, characters or dialogue to a familiar story; develop characterisation by showing the reader what characters say and do and how they feel and react at different points in the story. Plan and write complete stories; organise more complex chronological narratives into several paragraph units relating to story structure; adapt for narratives that do not have linear chronology, (e.g.) portray events happening simultaneously (Meanwhile ); extend ways to link paragraphs in cohesive narrative using adverbs and adverbial phrases; adapt writing for a particular audience; aim for consistency in character and style.
8 6 Identify story structures typical to particular fiction genres; recognise that narrative structure can be adapted and events revealed in different ways, (e.g.) stories within stories, flashbacks, revelations; analyse the paragraph structure in different types of story and note how links are made; make judgements in response to story endings, (e.g.) whether it was believable, whether dilemmas were resolved satisfactorily. Look at elements of an author s style to identify common elements and then make comparisons between books; consider how style is influenced by the time when they wrote and the intended audience; recognise that the narrator can change and be manipulated, (e.g.) a different character takes over the story-telling, the story has 2 narrators talk about the effect that this has on the story and the reader s response. Identify stock characters in particular genres and look for evidence of characters that challenge stereotypes and surprise the reader, e.g. in parody; recognise that authors can use dialogue at certain points in a story to, (e.g.) explain plot, show character and relationships, convey mood or create humour. Different episodes (in story and on film) can take place in different settings; discuss why and how the scene changes are made and how they effect the characters and events; recognise that authors use language carefully to influence the reader s view of a place or situation. Plan and tell stories to explore different styles of narrative; present engaging narratives for an audience. Plan quickly and effectively the plot, characters and structure of own narrative writing; use paragraphs to vary pace and emphasis; vary sentence length to achieve a particular effect; use a variety of techniques to introduce characters and develop characterisation; use dialogue at key points to move the story on or reveal new information. Create a setting by: using expressive or figurative language; describing how it makes the character feel; adding detail of sights and sounds; Vary narrative structure when writing complete stories, (e.g.) start with a dramatic event and then provide background information; use two narrators to tell the story from different perspectives; use the paragraph structure of non-linear narratives as a model for own writing; plan and write extended narrative.
9 1 Progression in narrative within each year The expectation is that children will make progress within each year in various aspects of reading and writing as they move through about four units of work on narrative texts. Each unit will introduce new opportunities for learning and development in particular areas, e.g. structure, setting. Meanwhile, children will be practising and consolidating their skills and understanding in all the other areas. Listening to and reading stories: Story structure; Viewpoint: author; narrator Character & dialogue; Setting Consolidate understanding that stories have characters, settings and events. Identify the main events. Recognise patterns in texts,( e.g.) repeated phrases and refrains. Recognise story language. Notice familiar and unfamiliar settings. Recognise the beginning, middle and end in stories. Recognise typical phrases for story openings and endings. Recognise typical characters; recognise dialogue Notice features of typical settings. Make predictions about events and endings or about how characters will behave. Creating stories: Telling stories Writing Recount own experiences orally. Use simple sentences to recount own experiences in writing. Innovate on patterns from a familiar story orally and in writing. Re-tell a familiar story in sequence and including some story language. Write own version of a familiar story using a series of sentences to sequence events. Write own story with a linear structure; beginning, middle and end; good and bad characters. Year 2 Consolidate understanding of basic story structure: beginning, middle and end and notice the way that events are linked. Learn about characters by looking at what they say and do. Analyse the sequence of events in different stories using the structure: opening, something happens, events to sort it out, ending. Identify words and phrases used to link events. Predict endings. Identify common themes in traditional tales. Identify typical settings and make predictions about events that are likely to happen. Identify elements of an author s style, e.g. familiar characters or settings. Explore characterisation by looking at descriptions and actions and responding imaginatively. Make predictions about character s actions and look for evidence of change as a result of events. Sustain interest in a longer narrative. Make predictions during reading. Track a character through a story and see how they change. Analyse pieces of dialogue for what it shows about characters. Look at the verbs used for speech and work out how characters are feeling. Plan and tell a story based on own experience. Write story based on own experience with a linear structure; beginning, middle and end. Re-tell a familiar story with events in sequence and including some dialogue and formal story language. Write own story in the style of a traditional tale, using typical settings, characters and events. Use past tense and temporal connectives. Improvise and rehearse new dialogue between familiar characters. Plan and write own story about a familiar character, using the structure: opening, something happens, events to sort it out, ending. Describe characters and include dialogue. Use third person and past tense. Dramatise parts of own stories for class. Plan and write own stories with a logical sequence of events, using complete sentences grouped together to tell the different parts of the story. Use 3 rd person and past tense consistently. Include descriptions of characters and setting and some dialogue.
10 3 Identify common features and themes in stories with familiar settings; analyse plots and suggest reasons for actions and events. Identify with characters and make links with own experience when making judgements about their actions. Compare settings in different stories and analyse words and phrases used for description. Discuss the role of the narrator in stories and play-scripts. Take part in dramatised readings..identify conventions for punctuation and presentation of dialogue. Discuss what it reveals about characters feelings, motives and relationships. Identify common features and themes in different types of traditional story: fables, myths, legends, fairy and folk tales. Analyse and compare plot structure and identify formal elements in story openings and endings. Identify the range of connectives used to link events and change scenes. Recognise stock characters in particular types of story and typical settings. Investigate common features, structure and typical themes in adventure and mystery stories. Analyse structure by identifying the most exciting part of the story and plotting other events around it. Analyse the use of language to set scenes, build tension or create suspense. Discuss the author s techniques, e.g. using cliff-hangers at the end of chapters. Read and compare books by the same author and express a personal response, commenting on elements of style. Explore a moral dilemma for a character and demonstrate empathy when making judgements about their actions. Comment on the effect of scene changes, e.g. moving from a safe to a dangerous place to build tension. Plan and write stories based on own experience using the structure (opening, dilemma/ conflict / problem, resolution, ending) to organise into paragraphs for each stage of the story and ensure that sequence is clear. Use 1 st person and past tense consistently. Role play dialogue between characters. Compose new dialogue for characters using conventions for punctuating and presenting speech. Plan and tell stories, (e.g.) own version of a fable, varying voice and intonation to create effects and sustain interest. Plan and write complete stories using a familiar plot and altering characters or setting. Include a structured sequence of events organised into paragraphs. Describe new characters or settings. Use complete sentences in 3 rd person and past tense. Include examples of patterned story language and dialogue with speech marks. Plan stories orally; explore moral dilemmas for characters using drama. Write adventure stories that have a problem and resolution and are organised into paragraphs and/or chapters with connectives to signal time, sequence or place. Include description of a typical adventure setting and characters. Use written dialogue to move the plot on.
11 4 Recognise the stages in a story and identify the introduction, build-up, climax or conflict and resolution. Notice how the passing of time is conveyed and key words and phrases used to introduce paragraphs or chapters. Identify the events that are presented in more detail and those that are skimmed over. Express responses to particular characters and identify techniques used by the author to persuade the reader to feel sympathy of dislike. Recognise the way that the historical setting effects characters appearance, actions and relationships. Comment on differences between what characters say and what they do. Make deductions about the feelings and motives that might lay behind their words. Look at the way that a historical setting is created using small details and longer descriptions. Note similarities and differences with children s own experiences. Review the structure and features of adventure stories. Identify examples of figurative and expressive language to build a fuller picture of a character. Discuss characters behaviour and the extent to which it is changed by the imaginary world. Identify and discuss the narrative voice. Collect evidence from stories to build up a picture of an imagined world. Note examples of descriptive language, talk about the mood or atmosphere they create and make predictions about how characters will behave in such a place. Review the structure and features of different types of story, (e.g.) traditional tales, contemporary stories in the context of reading stories from other cultures. Discuss the customs and beliefs of the culture that a story is from and the way that this effects characters behaviour and actions. Make predictions about actions and consequences and discuss whether they behaved in expected or unexpected ways. Make deductions about characters motives and feelings. Look at the way that descriptive language and small details are used to build an impression of an unfamiliar place. Make predictions about how characters will behave in such a setting. Analyse the structure and chronology of a story. Comment on the time covered in the story as a whole and discuss why some events are presented in more detail whilst others are skimmed over. Discuss the decisions that the author has made in setting up issues for the characters and choosing how to resolve them. Comment on the success of the writing and whether children agree or disagree with the way that the problem was solved. Look for evidence of a distinctive voice for the narrator and any comments they make on the events in the story. Look at the way that key characters respond to a dilemma and make deductions about their motives and feelings. Explore alternative outcomes to the main issue. Analyse dialogue and make judgements about the extent to which characters reveal their true feelings or motives. Plan, tell and write short stories set in the past. Include descriptive detail to evoke the historical setting and make it more vivid. Sequence events clearly and show how one event leads to another. Use a range of connectives to show changes in time and place. Use drama to explore consequences of introducing new characters to a particular setting. Plan and write a longer adventure story set in an imagined world. Organise into chapters using the structure: introduction, build-up, climax or conflict, resolution. Include details of the setting, using figurative and expressive language to evoke mood and atmosphere. Work in role to interview story characters. Re-tell a traditional tale from another culture using techniques to entertain the audience, e.g. gestures, repetition, traditional story openings and endings. Note responses to texts in a reading journal. Use improvisation to explore alternative actions and outcomes to a particular issue. Write in role as a character from a story. Plan and write a longer story where the central character faces a dilemma that needs to be resolved. Use a clear story structure and organise into chapters. Include character descriptions designed to provoke sympathy or dislike in the reader and try using some figurative or expressive language to build detail.
12 5 Map out texts showing development and structure and identify high and low points, links between sections, paragraphs and chapters. Compare in different stories. Explore aspects of an author s style by comparing themes, settings and characters in different stories. Look for evidence of narrative viewpoint Review different ways to build and present a character, (e.g.) using dialogue, action or description and discuss children s response to particular characters. Investigate direct and reported speech. Compare the structure and features of different versions of the same story, e.g. re-tellings from different times or countries, adaptations for different age-groups. Note repeated patterns of events climax- resolution in extended narratives. Identify the audience that the author had in mind for a particular story. Explore how narration relates to events. Look for evidence of characters changing during a story and discuss possible reasons, what it shows about the character and whether the change met or challenged children s expectations. Review features of typical settings for different types of traditional story. Identify examples of effective description which evoke time or place. Analyse the structure of more complex narratives, e.g. two parallel narrative threads. Look at the way that the author signals a change in the narration and discuss the effect of seeing the story from different points of view. Make inferences about the perspective of the author from what is written and what is implied. Explore ways to change the narrative viewpoint. Recognise that characters may have different perspectives on the story and explore different points of view. Review ways to vary pace by using direct or reported speech at different points in a story. Look at the author s use of language, (e.g.) literal and figurative language when describing settings. Analyse the structure of complex narrative with non-linear chronology. Look at the way that the author signals changes in time and place, reality to unreality, e.g. paragraphs, connectives etc. Look for evidence of the author s perspective and examples of them addressing the reader directly. Look at characters appearance, actions and relationships in older literature and make deductions about differences in patterns of relationships and attitudes in comparison to children s own experience. Look at examples of dialogue and degrees of formality and consider what this shows about relationships. Consider the time and place where a classic story is set and look for evidence of differences that will effect the way that characters behave or the plot unfolds. Experiment with different ways to open a story, e.g. dialogue, an important event. Plan and write a complete short story with an interesting story opening. Organise into paragraphs for build-up, climax or conflict, resolution and ending. Use language to create a particular comic or dramatic effect. Use a range of connectives to introduce scenes and link events. Plan and tell stories orally. Demonstrate awareness of audience by using techniques such as recap, repetition of a catchphrase. Try adapting oral story-telling for a different audience, e.g. younger children. Reflect on the changes. Plan and write a complete short story aimed at a specific audience, e.g. a new version of a traditional tale for a younger audience. Organise into paragraphs. Adapt sentence length and vocabulary to meet the needs of the reader. Use improvisation and role-play to explore different characters points of view. Re-tell a familiar story from the point of view of another character, using spoken language imaginatively to entertain the listener. Plan and re-write a familiar story from an alternative point of view. Try varying pace by using direct and reported speech. Vary sentence length and include examples of complex sentences. Use a range of connectives effectively to create links and indicate changes in time or place. Write in the style of a particular author to complete a section of a story, add dialogue or a new chapter. Plan and write a longer story with a more complex structure, e.g. parallel narratives. Experiment with the order of chapters or paragraphs to achieve different effects. Use dialogue to build character. Check for consistency in narrative voice when telling each part of the story.
13 6 Compare the structure and features of a story with its film or TV adaptation. Look for different ways that information is revealed or events are presented, (e.g.) dreams, flashbacks, letters. Consider when a story was first published and discuss the audience that the author had in mind, e.g. children reading a classic text published in the last century. Recognise that the narrative viewpoint can be changed when adapting for film. Discuss the effect that this has on the story and the reader s/ viewer s response. Compare the way characters are portrayed in stories and film versions and comment on whether the film version matched what children had imagined when reading. Analyse dialogue at particular points in a story and summarise its purpose, (e.g.) to explain plot, show character or relationships etc. Compare settings in stories and film. Analyse changes of scene in stories, films and plays, discuss their timing and the effect on characters and events. Identify story structures typical to particular fiction genres and explore differences in paragraph organisation and connectives. Review more complex narrative structures and those with nonlinear chronology. Consider how style is influenced by the intended audience and consider author s use of language. Identify ways to manipulate narrative viewpoint, e.g. by having a different character taking over the story-telling, and discuss the effect of this. Identify stock characters in particular genres and look for evidence of characters that challenge stereotypes. Analyse examples of dialogue that are typical of a particular genre. Analyse the author s use of language to evoke a sense of time and place and identify particular techniques such as using expressive of figurative language, describing a character s response, adding details of sights and sounds. Compare stories by the same author or on the same theme and make judgements in response to story endings, e.g. whether it was believable, whether dilemmas were resolved satisfactorily. Identify common elements of an author s style and then make comparisons between books. Consider response to narrative voice when evaluating a book, e.g. sympathising with the narrator s point of view; agreeing or disagreeing with their judgements about other characters. Express opinions about favourite characters and discuss what makes them appealing. Compare and contrast different responses to the same character. Transform narrative writing into a script and perform as a short dramatised scene. Plan and write a short story, e.g. modern re-telling of a classic play. Plan the plot, characters and structure quickly and effectively. Describe a setting by referring to all the senses. Vary sentence length to achieve particular effects and include complex sentences where appropriate. Use dialogue at key points to move the story on or reveal new information. Use improvisation and role play to explore typical characters, setting and events in a particular fiction genre. Tell short stories in a particular genre to engage and entertain an audience. Plan and write a short story with non-linear chronology, e.g. using flashbacks. Arrange paragraphs carefully and use a range of connectives to signal that the narrative is moving back or forward in time. Plan and write a complete story in a particular genre. Select features of narrative structure typical of the genre, (e.g.) starting an adventure story with a dramatic event and then providing background information. Create a typical setting and characters for the genre using expressive language and building up small details. Plan and write a parody of a familiar story in a particular genre. Manipulate typical characters, settings and events to surprise and amuse the reader. Plan and write an extended story. Use techniques learned from reading, e.g. create mood and atmosphere by describing a character s response to a particular setting; use changes of scene to move the plot on or to create a break in the action; vary the pace by using sentences of different length and direct or reported speech. Create convincing characters and gradually reveal more as the story unfolds, through the way that they talk, act and interact with others
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