Please note that the Drumkit Style Bank was updated in June 2014 and page 6 of this document has been updated to include the latest version.

Size: px
Start display at page:

Download "Please note that the Drumkit Style Bank was updated in June 2014 and page 6 of this document has been updated to include the latest version."

Transcription

1 Contact: Daniel Beadle Direct line: To cc SQA Coordinators Secondary Schools and FE Colleges LEA contacts, SQA Business Development Managers National Qualifications - Music Update June 2013 Please pass this on to the member of staff responsible for Music. This is the first in a new series of updates on the new National Qualifications in Music and Music Technology. This contains important information for session in preparation for the first examination of the new qualifications in The focus of this update is Music Performing. Contents: 1. Approval of Music 2. Sampling of Performing Programmes 3. Performing Programmes - new timings 4. New Instrument added to approved list - Ukulele 5. Drumkit Requirements Appendix Please pass on this information to your Music teaching staff and Music instrumental staff. If you have any questions or would like to discuss any of the contents of this update with us, please contact Daniel Beadle (contact details above) or myself on or mary.mcdonald@sqa.org.uk Mary McDonald Qualifications Manager Humanities, Arts and Business Please note that the Drumkit Style Bank was updated in June 2014 and page 6 of this document has been updated to include the latest version. Please note the performance programme duration was confirmed for the new Advanced Higher Music Course, commencing in August 2015 and page 3 of this document has been updated with these requirements. 1

2 1. Approval of Music The SQA approval of music service will continue for two more sessions: May - October 2013 and May - October 2014 and this will be for the current qualifications only, ie Intermediate 1, Intermediate 2, current Higher and current Advanced Higher. The approval of music for external Performing exams in Music has been in operation for nearly 10 years, and centres and SQA have worked in partnership to collate large libraries of validated/approved materials on a centre by centre basis. For the new external Performing exams in Music, starting with N5 in 2014, this system will change and there will be no further requirement to send music to SQA for pre-approval. You will be able draw on the following as sources of material for external exams: music already approved by SQA for the current qualifications lists of exemplified pieces contained in National Qualifications Music: Performing document published October pieces from a range of external Music examination syllabus If you want to present pieces which are not from any of the sources listed above, you can do so but must ensure that the material meets the standard for any particular level. There is a new flexibility here in that centres are now free to collaborate and share materials. This could take place on a neighbourhood, consortia or local authority basis and you will be able to continue to build up exam repertoire in this way. 2. Sampling of Performing Programmes Starting with the first external exam of the new qualifications - National 5 Music in there will be no sampling of performing programmes. Candidates will now perform complete pieces and complete programmes and you should prepare and rehearse them for this. This holds for all instruments. The rationale for this is as follows: for the current Music qualifications there has been a requirement that, in the external Performing exam, the Visiting Assessor samples pieces from a candidate's programme of music. The reason for this has been to ensure a clear difference and delineation between the current Music: Performing Unit and the external exam. In the Unit, the candidate plays complete pieces which are assessed internally on a pass/fail basis; in the external exam pieces are sampled and a mark is assigned to each piece. The focus of new Unit Music: Performing Skills is skills building - the ongoing acquisition of skills through learning to perform sections of music and building skills in this way. This is different from external exam requirements, so there is no further need for SQA to sample candidates' pieces in the exam. The Unit and Course requirements are now different. Please note that the requirement for sampling belongs to the current qualifications and will continue for 2014 and 2015 for Intermediate 1, Intermediate 2, current Higher and current Advanced Higher. 2

3 3. Performing Programmes new timings The Added Value Unit at National 4 and the external assessments at National 5, new Higher and new Advanced Higher require each candidate to perform on two instruments or one instrument and voice. The duration of the entire programme at each level is detailed below: Level Associated Board equivalent (minimum standard) National 4 Grade 2 8 minutes National 5 Grade 3 8 minutes Higher Grade 4 12 minutes Advanced Higher Grade 5 18 minutes Total programme duration for two instruments / one instrument and voice There is flexibility in the time allocated to each instrument/voice, but care should be taken when selecting and timing programmes to ensure that the overall maximum time is not exceeded. Level Associated Board equivalent (minimum standard) Total programme duration Maximum time on one instrument Minimum time on other instrument Other possible combinations of minutes National 4 Grade 2 8 minutes 6 minutes 2 minutes 4 and 4 5 and 3 National 5 Grade 3 8 minutes 6 minutes 2 minutes 4 and 4 5 and 3 Higher Grade 4 12 minutes 8 minutes 4 minutes 6 and 6 7 and 5 Advanced Higher Grade 5 18 minutes 12 minutes 6 minutes 9 and 9 10 and 8 11 and 7 The programme time for each instrument should be carefully considered to ensure that each candidate has the opportunity to demonstrate appropriate musical and technical skills at the required level. The new flexibility of the balance of the number of minutes for each instrument will require consideration: careful selection of pieces for each individual candidate; careful adaptation of material, where appropriate. It is important to ensure that every candidate has the opportunity to perform to their full potential and it may be that, eg playing the minimum number of minutes on an instrument doesn t help them achieve this. 3

4 4. New Instrument Added to approved list - Ukulele The Ukulele is an increasingly popular instrument in schools and it is now approved for SQA Music Courses and Units at all levels. The grid of approved combinations of instruments is being updated to reflect this. When presenting ukulele for external exam purposes, it is not possible for the other instrumental programme to be guitar. For assessment purposes, prepare a ukulele programme exactly as you would a chordal guitar programme as the chordal and playing requirements are the same as guitar. The following document has a very helpful section on the requirements for chordal guitar, so please refer to this: National Qualifications Music: Performing document published October There is also an increasing range of commercially published music for ukulele. The instrument should be accompanied - in line with all other instruments - but there is no stipulation what the accompanying instrument(s) is, so it's an open choice. 5. Drumkit Requirements There is no change to SQA assessment requirements for drumkit and full guidance is given in the Appendix to this update. The one change is in the selection of styles for a drumkit programme (see page 2 of the Appendix). There is now a bank of styles to select from in order to compile a candidate's programme. Programmes of contrasting styles are required for the drumkit, and the style bank will help ensure this. 4

5 Appendix Drumkit requirements for the new qualifications for 2014 and after Drumkit requirements for each level are differentiated by three aspects: Number of styles Number of fills with Demand for 3 or level styles fills independence National 4 3 contrasting styles minimum of 3 different fills with National 5 4 contrasting styles minimum of 4 different fills with Higher 5 contrasting styles minimum of 4 different fills with Advanced Higher 6 contrasting styles minimum of 4 different fills with Drumkit Pieces and Styles There is a distinction between pieces and styles. At all levels, within any one drumkit programme, it is possible for one piece only to include two different styles. In this case double the number of required fills is not a requirement, eg in a Higher programme, if one piece contains two styles the requirement is for a minimum of 4 fills only. If a piece contains more than two styles only two of the styles contained in the piece will be assessed. In this instance it is the responsibility of the centre to identify the two styles which are to be assessed within the piece by clearly indicating this on the music. The centre should also ensure that other requisite styles are contained elsewhere in the programme. Adapting Materials As the requirements for each level is based on the number of styles, number of fills and use of 3 or, centres may need to carefully adapt materials music and/or backing tracks - in order to meet the requirements; this may mean inserting additional fills and increasing opportunities to demonstrate 4-way independence. Judicious cuts or fades may have to be made in order to comply with the time requirements at each level. Drumkit Documents and Guidance National Qualifications Music: Performing document published October Music: Performing Drum Kit Exemplification document published by SQA in August 2006 (Publication code: BB3188) Published music and graded resources for drumkit. Centres should ensure that any pieces selected for assessment adhere to SQA requirements. 5

6 Drumkit Styles June 2014 Update For SQA external assessment purposes candidates must perform a programme of contrasting styles and must select only one style from each of banks 1-9. Please refer to the number of styles required for each level. Bank 1 Bank 2 Bank 3 Bank 4 Bank 5 Bank 6 Bank 7 Bank 8 Bank 9 Rock Disco Blues Shuffle Jazz Waltz Reggae Cha Cha Irregular Heavy Rock Rock Ballad 16 th note rhythm (3 quavers to one crotchet) (2 or 4 feel) Time Signatures Metal Rock Pop 16 beat 12/8 Funk shuffle Swing 3 beats (Simple or Compound Time) Ska Bossa Nova Free choice of any other style not listed in Banks 1 8 Hip Hop Big Band Swing 9/8 Latin Soul Hard Rock Punk Samba Rumba Calypso Funk R n B Rock n roll 6

7 Additional Notes Percussion Categories Category 1 Category 2 drumkit Tuned percussion: marimba, xylophone, glockenspiel snare drum pipe band snare drum timpani For SQA assessment purposes, candidates must select one instrument only and perform a complete programme on either drumkit, snare drum, pipe band snare drum or timpani. It isn t possible to present a second instrumental programme on another instrument from Category 1. However, it is possible for a candidate to present, eg a drumkit programme and also present a complete programme on tuned percussion, as these instruments are in different percussion categories. Candidates presenting drumkit must be accompanied. This may be live or recorded. However, one unaccompanied piece may be included, but only one within any one programme. This would count as one of the styles in the programme. Guitar and Voice Programmes See advice on adapting materials on page 1. This would apply to other instruments/voice: Singers who choose to perform for the minimum two minutes would probably have to make judicious cuts to songs by performing a reduced number of verses and/or choruses Chordal guitarists who opt to play for the minimum two minutes will still be required to demonstrate the requisite number of chords for that level, and careful selection, adaptation and judicious cuts would have to be made 7

Parameters for Session Skills Improvising Initial Grade 8 for all instruments

Parameters for Session Skills Improvising Initial Grade 8 for all instruments Parameters for Session Skills Improvising Initial for all instruments If you choose Improvising, you will be asked to improvise in a specified style over a backing track that you have not seen or heard

More information

National 5 Music Course Assessment Specification (C750 75)

National 5 Music Course Assessment Specification (C750 75) National 5 Music Course Assessment Specification (C750 75) Valid from August 2013 This edition: April 2015, version 2.0 This specification may be reproduced in whole or in part for educational purposes

More information

2017 NAfME All-Northwest Jazz Audition Materials Saxophones and Brass

2017 NAfME All-Northwest Jazz Audition Materials Saxophones and Brass 2017 NAfME All-Northwest Jazz Audition Materials Saxophones and Brass Track 1 Track 2 Track 3 Basic Audition The following three tracks are required of all wind applicants ALTO SAXOPHONE (pages 5-6) TENOR

More information

Response required Direct Line: 0845 213 5521 Note and pass on E mail: muriel.walker@sqa.org.uk None - update/information only

Response required Direct Line: 0845 213 5521 Note and pass on E mail: muriel.walker@sqa.org.uk None - update/information only 04 September 2007 To: cc: SQA Co-ordinators Secondary Schools and FE Colleges HMIE LEA Contacts SQA Customer Support Managers Action by Recipient Contact Name: Muriel Walker Response required Direct Line:

More information

Time allowed: 1 hour 30 minutes

Time allowed: 1 hour 30 minutes SPECIMEN MATERIAL GCSE MUSIC 8271 Specimen 2018 Time allowed: 1 hour 30 minutes General Certificate of Secondary Education Instructions Use black ink or black ball-point pen. You may use pencil for music

More information

2010 Barry Liesch ch8 Drumming Guide for 10 Worship Styles 1

2010 Barry Liesch ch8 Drumming Guide for 10 Worship Styles 1 2010 Barry Liesch ch8 Drumming Guide for 10 Worship Styles 1 9 pages 63 examples Chapter 8 Drumming Guide for 10 Worship Styles This chapter explores ways drumming can be performed in ten worship styles.

More information

2015 Schools Spectacular Instrumental Ensembles Audition Requirements

2015 Schools Spectacular Instrumental Ensembles Audition Requirements 2015 Schools Spectacular Instrumental Ensembles Thank you for your application to participate in the 2015 Schools Spectacular. This audition is for the Schools Spectacular Instrumental Music Ensembles

More information

AUDITION REQUIREMENTS Graduate Degree Non- Jazz, (Master of Music, M.M)

AUDITION REQUIREMENTS Graduate Degree Non- Jazz, (Master of Music, M.M) AUDITION REQUIREMENTS Graduate Degree Non- Jazz, (Master of Music, M.M) In- person auditions include, when possible, an interview with faculty members of the respective division, the Graduate Advisor,

More information

Music Strand 02: Popular Music of the 20 th & 21 st Centuries

Music Strand 02: Popular Music of the 20 th & 21 st Centuries Music Strand 02: Popular Music of the 20 th & 21 st Centuries Blues The blues is a style that was developed by the rural African American population in the southern states of America during the late 19

More information

FAQs about Music Qualifications

FAQs about Music Qualifications FAQs about Music Qualifications BACK TO CONTENTS Trinity College London 89 Albert Embankment London SE1 7TP UK T +44 (0)20 7820 6100 F +44 (0)20 7820 6161 E music@trinitycollege.co.uk www.trinitycollege.co.uk

More information

Sample Entrance Test for CR125-129 (BA in Popular Music)

Sample Entrance Test for CR125-129 (BA in Popular Music) Sample Entrance Test for CR125-129 (BA in Popular Music) A very exciting future awaits everybody who is or will be part of the Cork School of Music BA in Popular Music CR125 CR126 CR127 CR128 CR129 Electric

More information

Response required Direct Line: 0845 213 5521 Note and pass on E mail: emma.bratchell@sqa.org.uk None - update/information only

Response required Direct Line: 0845 213 5521 Note and pass on E mail: emma.bratchell@sqa.org.uk None - update/information only 29 May 2010 To: cc: SQA Co-ordinators Secondary Schools and FE Colleges HMIe LEA Contacts SQA Business Development Managers Action by Recipient Contact Name: Emma Bratchell Response required Direct Line:

More information

FAQs about Music Qualifications

FAQs about Music Qualifications FAQs about Music Qualifications BACK TO CONTENTS Trinity College London Blue Fin Building 110 Southwark Street London SE1 0TA UK T +44 (0)20 7820 6100 F +44 (0)20 7820 6161 E music@trinitycollege.com www.trinitycollege.com

More information

Key Stage 3 Scheme of Work. Unit No. Title : Elements of Pop Music. Year : 8

Key Stage 3 Scheme of Work. Unit No. Title : Elements of Pop Music. Year : 8 1 Key Stage 3 Scheme of Work Unit No. Title : Elements of Pop Music. Year : 8 Aims To appreciate the role of Pop Music with in society. To recognise stylistic elements of different Pop Music genres. To

More information

Percussion Syllabus. Drum Kit, Tuned Percussion, Snare Drum, Timpani & Orchestral Percussion

Percussion Syllabus. Drum Kit, Tuned Percussion, Snare Drum, Timpani & Orchestral Percussion Percussion Syllabus Drum Kit, Tuned Percussion, Snare Drum, Timpani & Orchestral Percussion 2014 2016 College London www.trinitycollege.com Charity number 1014792 Patron HRH The Duke of Kent KG Chief Executive

More information

GCSE Music Revision notes

GCSE Music Revision notes Pavan and Galliard - 8 Key Facts GCSE Music Revision notes 1. Court Dance Danced only by the nobility not us commoners danced at big formal parties 2. Renaissance Period - time of Queen Elizabeth I (Shakespeare

More information

Catch the Calypso Beat and Put it in Your Feet! A Smithsonian Folkways Lesson Designed by: Katie Wood Seattle Public Schools, Seattle WA

Catch the Calypso Beat and Put it in Your Feet! A Smithsonian Folkways Lesson Designed by: Katie Wood Seattle Public Schools, Seattle WA Catch the Calypso Beat and Put it in Your Feet! A Smithsonian Folkways Lesson Designed by: Katie Wood Seattle Public Schools, Seattle WA Summary: In this lesson students will travel to the island of Trinidad

More information

Standard 1: Skills and Techniques 1

Standard 1: Skills and Techniques 1 1 Standard 1: Skills and Techniques 1 CB.1.1 Instrument Knowledge Skills CB.1.1.1 Instrument in good playing condition- including proper assembly, reed care, and cleaning. CB.1.2 Playing Posture Skills

More information

2015 2016 VCE Music Performance

2015 2016 VCE Music Performance 2015 2016 VCE Music Performance Performance examination End of year Examination specifications Overall conditions The student will give a live performance in only one of the following contexts: as a member

More information

Terms of Use. By purchasing Jamorama, the Ultimate Guitar Learning Kit, you agree to the following -

Terms of Use. By purchasing Jamorama, the Ultimate Guitar Learning Kit, you agree to the following - Terms of Use By purchasing Jamorama, the Ultimate Guitar Learning Kit, you agree to the following - You will use Jamorama, Chordinator, Jayde Musica, Guitearit, Advanced Learning Techniques for Guitar,

More information

Guitar Rubric. Technical Exercises Guitar. Debut. Group A: Scales. Group B: Chords. Group C: Riff

Guitar Rubric. Technical Exercises Guitar. Debut. Group A: Scales. Group B: Chords. Group C: Riff Guitar Rubric Technical Exercises Guitar Debut In this section the examiner will ask you to play a selection of exercises drawn from each of the three groups shown below. Groups A and B contain examples

More information

Portsmouth High School. Music Department

Portsmouth High School. Music Department Portsmouth High School Music Department What Courses Are Available as a Freshman? Piano I Guitar I Introduction to Music AP Music Theory Music Production & Engineering (Music Technology) Jazz Ensemble

More information

Education through Music

Education through Music 2015-16 Education through Music gwentmusic.co.uk Gwent Music making music happen Blaenau Gwent, Monmouthshire, Newport and Torfaen. We exist to provide a complete range of music tuition and music services

More information

East Sussex Music Summer School 2016. Course Information

East Sussex Music Summer School 2016. Course Information East Sussex Music Summer School 2016 Course Information 1a Junior Violin (2 days) This course is aimed at pupils in year 3 and above pupils should be between A and D major in Suzuki Violin Book 1 and have

More information

unplugged let s jam! $9 95 take your playing to the next level full band on your: full band on your: guitar keyboard percussion saxophone

unplugged let s jam! $9 95 take your playing to the next level full band on your: full band on your: guitar keyboard percussion saxophone unplugged let s jam! take your playing to the next level full band on your: guitar keyboard percussion saxophone jam jam along along with with a full band on your: flute voice harmonica I N C L U D E S

More information

Basic Music Theory for Junior Cert.

Basic Music Theory for Junior Cert. 1 Reading Different Clefs Basic Music Theory for Junior Cert. The most commonly used clefs are the treble and bass. The ability to read both of these clefs proficiently is essential for Junior Cert. Music.

More information

Trinity College London

Trinity College London Trinity College London The Queensland Curriculum and Assessment Authority (QCAA) has recognised the following studies as contributing studies for the (QCE). The QCAA has no responsibility regarding implementation

More information

Appendix C. Sample Lesson Plans and Templates

Appendix C. Sample Lesson Plans and Templates Appendix C Sample Lesson Plans and Templates 571 Lesson Plan - Sample Template I Lesson Overview: Level Suitability: Learning Outcomes: Students will: Supplies: Instructional Plan: Introductory Activity(ies)

More information

GCSE Music Unit 4 (42704) Guidance

GCSE Music Unit 4 (42704) Guidance GCSE Music Unit 4 (42704) Guidance (There are recordings to accompany this document.) The Task Students will be required to compose one piece of music which explores two or more of the five areas of study.

More information

Department of Performance Studies - Music

Department of Performance Studies - Music - Music APPLICATION PROCEDURE FOR PROSPECTIVE MUSIC MAJORS 1. Apply for admission to. A student desiring admission into the Music Program must first submit the requisite forms for admission to the University.

More information

Required: Rockin' in Time: A Social History of Rock-and-Roll, David Szatmary, 7th ed.

Required: Rockin' in Time: A Social History of Rock-and-Roll, David Szatmary, 7th ed. Music 2252: The History of Rock & Roll The Ohio State University Spring 2012 Hughes Hall 100 Wed., Fri.: 12:45-2:05 Instructor: Dr. Nicholas Johnson, johnson.3178@osu.edu Office Hours: Wednesday, Friday,

More information

Study Kit No 9. Aura Lee (Love Me Tender)

Study Kit No 9. Aura Lee (Love Me Tender) Study Kit No 9 Aura Lee (Love Me Tender) Reharmonization Study Kit No. 9 Aura Lee Author: Rosablanca Suen Web: www.learnpianowithrosa.com Email: Rosa@LearnPianoWithRosa.com Cover Design: Raymond Suen Copyright

More information

Blues and Beyond. MUH 2116 Evolution of Jazz Errol Rackipov

Blues and Beyond. MUH 2116 Evolution of Jazz Errol Rackipov Blues and Beyond MUH 2116 Evolution of Jazz Errol Rackipov The Origin The Roots Not from Africa; developed in America by American slaves and their descendants Field hollers (cries) Ballads, from European

More information

Demonstrate technical proficiency on instrument or voice at a level appropriate for the corequisite

Demonstrate technical proficiency on instrument or voice at a level appropriate for the corequisite MUS 101 MUS 111 MUS 121 MUS 122 MUS 135 MUS 137 MUS 152-1 MUS 152-2 MUS 161 MUS 180-1 MUS 180-2 Music History and Literature Identify and write basic music notation for pitch and Identify and write key

More information

DIABLO VALLEY COLLEGE CATALOG 2015-2016

DIABLO VALLEY COLLEGE CATALOG 2015-2016 Music MUSIC MUSIC Michael Almaguer, Dean Applied and Fine Arts Division Business and Foreign Language Building, Room 204 Possible career opportunities Music prepares students for careers as performers,

More information

The concept and purpose of this program has four goals:

The concept and purpose of this program has four goals: Essential Music Theory for Fiddle is a program designed to help a first-year Fiddle student to learn how to play from the heart and rely less on printed sheet music and tablature. It is a practical application

More information

Best Backing Tracks Backing and Jam Tracks for Guitar, Vol. 8

Best Backing Tracks Backing and Jam Tracks for Guitar, Vol. 8 Best Backing Tracks Backing and Jam Tracks for Guitar, Vol. 8 1. Gritty Blues Rock in A Minor This is a nice hard-hitting play along guitar track with a catchy rhythm guitar riff and driving drum beat.

More information

Admission requirements for The Royal Academy of Music

Admission requirements for The Royal Academy of Music 1 Admission requirements for The Royal Academy of Music Master's degree programmes 2014 2 Welcome to the Royal Academy of Music At the Royal Academy of Music, we place the individual musician and the development

More information

Sibelius Jazz Rhythm Section Notation

Sibelius Jazz Rhythm Section Notation Sibelius Jazz Rhythm Section Notation IAJE Conference, 2007 This handout is available at: www.tomrudolph.com/handouts Presenters: Tom Rudolph terudolph@aol.com www.tomrudolph.com and Vince Leonard Vincentl10@comcast.net

More information

The Soul of Korean Arirang Music from Korea in the Middle School Band Designed by: Vince Fejeran

The Soul of Korean Arirang Music from Korea in the Middle School Band Designed by: Vince Fejeran The Soul of Korean Arirang Music from Korea in the Middle School Band Designed by: Vince Fejeran Summary: This lesson is designed to enhance the music of John Ployhar s well-known Korean Folksong Medley

More information

MUFHL, MUIVI, MUP, MUSM

MUFHL, MUIVI, MUP, MUSM Music MUFHL, MUIVI, MUP, MUSM Degrees: A.A. Commercial Music, Audio Production Emphasis A.A. Commercial Music, Music Business Management Emphasis A.A. Commercial Music, Performance Emphasis A.A. Commercial

More information

CO-CURRICULAR MUSIC AT ST PIUS X COLLEGE

CO-CURRICULAR MUSIC AT ST PIUS X COLLEGE CO-CURRICULAR PERFORMING ARTS HANDBOOK 2016 CO-CURRICULAR MUSIC AT ST PIUS X COLLEGE St Pius X College has an outstanding Performing Arts Department which has been in operation for many years. Music is

More information

DIGITAL DRUM. Instruction Manual

DIGITAL DRUM. Instruction Manual DIGITAL DRUM Instruction Manual Thank you for purchasing this digital drum module. The drum module has been developed to act and play like a drum set but with greater ease. Before you use the instrument,

More information

Sound and Music. Drum. Drum. Guitar. Flute. Guitar. Trumpet. Flute. Trumpet

Sound and Music. Drum. Drum. Guitar. Flute. Guitar. Trumpet. Flute. Trumpet Sound and Music Look at the drawings above. Read the names of the parts of each instrument. Answer the following questions. 1. Which part creates the sound for each of these instruments? Drum Guitar Flute

More information

National Standards for Music Education

National Standards for Music Education National Standards for Music Education 1. Singing, alone and with others, a varied repertoire of music. 2. Performing on instruments, alone and with others, a varied repertoire of music. 3. Improvising

More information

Higher Music Concepts Performing: Grade 4 and above What you need to be able to recognise and describe when hearing a piece of music:

Higher Music Concepts Performing: Grade 4 and above What you need to be able to recognise and describe when hearing a piece of music: Higher Music Concepts Performing: Grade 4 and above What you need to be able to recognise and describe when hearing a piece of music: Melody/Harmony Rhythm/Tempo Texture/Structure/Form Timbre/Dynamics

More information

School of Music INDIANA STATE UNIVERSITY. Admission Information. Admission to the University. Acceptance to the School of Music

School of Music INDIANA STATE UNIVERSITY. Admission Information. Admission to the University. Acceptance to the School of Music Admission Information Your journey to a career in music begins at Indiana State University, where you ll find opportunities to pursue the road that interests you whether it s teaching, performing, working

More information

Companion Workbook to the bonus section with Glenn Pearce

Companion Workbook to the bonus section with Glenn Pearce Companion Workbook to the bonus section with Glenn Pearce Page 1 of 21 Page 2 of 21 Chapter 1 leadworship.com title page Chapter 2 main menu and Paul s introduction Electric guitar players - what to play

More information

C Chord. Play these three notes at the same time with your right hand. These three notes make up a C chord.

C Chord. Play these three notes at the same time with your right hand. These three notes make up a C chord. This book will get you playing keyboard instantly-whether you read music or not. We put together a band with some of our friends and recorded some really fun music. The Instant Keyboard CD has songs ready

More information

B Flat Marching Flute

B Flat Marching Flute AN INTRODUCTION TO THE B Flat Marching Flute LESSONS FOR BEGINNERS This instruction manual aims to provide a structured learning programme to assist the novice flute player to progress steadily on the

More information

Handale Primary School Music Curriculum Year EYFS ( 4-5 year olds)

Handale Primary School Music Curriculum Year EYFS ( 4-5 year olds) Handale Primary School Music Curriculum Year EYFS ( 4-5 year olds) Music at EYFS stage reflects the different ways in which children learn and engage with other people. Many examples of stories, songs

More information

BASS LINES FROM CHORD SYMBOLS

BASS LINES FROM CHORD SYMBOLS BASS LINES Bass players in symphony orchestras often find they have long passages with nothing to play, so they draw pictures all over their instruments. In jazz, it's different - they tend to play all

More information

General Music Programme Syllabus (Primary/Secondary)

General Music Programme Syllabus (Primary/Secondary) GENERAL MUSIC PROGRAMME SYLLABUS General Music Programme Syllabus (Primary/Secondary) Curriculum Planning & Development Division Ministry of Education Singapore All Rights Reserved Year of Implementation:

More information

Best Backing Tracks Backing and Jam Tracks for Guitar, Vol. 1

Best Backing Tracks Backing and Jam Tracks for Guitar, Vol. 1 Best Backing Tracks Backing and Jam Tracks for Guitar, Vol. 1 1. Moody in G Minor Dorian A slow, atmospheric backing track with a simple chord structure. A nice guitar solo can be created using the G Minor

More information

Musical Literacy. Clarifying Objectives. Musical Response

Musical Literacy. Clarifying Objectives. Musical Response North Carolina s Kindergarten Music Note on Numbering/Strands: ML Musical Literacy, MR Musical Response, CR Contextual Relevancy Musical Literacy K.ML.1 Apply the elements of music and musical techniques

More information

IMPROVING TODAY S PERCUSSION SECTION

IMPROVING TODAY S PERCUSSION SECTION Commander s Clinics LT COL STEVEN GRIMO Commander USAF Band of Mid-America Scott Air Force Base IMPROVING TODAY S PERCUSSION SECTION United States Air Force Band of Mid-America 900 Chapman Drive Scott

More information

Conceptualization, branding, and visibility: marketing information expertise Case: Personal music trainer in Library 10

Conceptualization, branding, and visibility: marketing information expertise Case: Personal music trainer in Library 10 Conceptualization, branding, and visibility: marketing information expertise Case: Personal music trainer in Library 10 Pekka Turunen, librarian, Library 10, Helsinki city library PERSONAL MUSIC TRAINER

More information

Pop Music in Practice

Pop Music in Practice Unit 30: Pop Music in Practice Unit code: A/600/6957 QCF Level 3: BTEC National Credit value: 10 Guided learning hours: 60 Aim and purpose This unit is designed to enable learners to expand their knowledge

More information

How to Read Chord Charts

How to Read Chord Charts How to Read Chord Charts Learning to read chord charts is fun, easy and it will open a new world of songs to you, as you will now be able to decipher the code. As a teacher and studio guitarist, I use

More information

Developing a cohesive walking bass line 2005 Eric Elias

Developing a cohesive walking bass line 2005 Eric Elias Developing a cohesive walking bass line 00 Eric Elias Developing a walking bass lines is a subject that many of my students (guitarists and bassists alike) have been interested in. If you are a jazz player,

More information

Beginners Guide to the Walkingbass

Beginners Guide to the Walkingbass Beginners uide to the Walkingbass Learning to play a new instrument can open up a whole new world of creativity. It certainly has for me. The 3-string Walkingbass is an easy instrument to learn, yet it

More information

Resources and assessments for group teaching. www.trinitycollege.com/musictracks

Resources and assessments for group teaching. www.trinitycollege.com/musictracks Resources and assessments for group teaching www.trinitycollege.com/musictracks Overview Music Tracks, from Trinity College London, is an innovative programme of resources and assessments for group instrumental

More information

CHESHIRE PUBLIC SCHOOLS SUBJECT AREA SUMMARY SHEETS MUSIC

CHESHIRE PUBLIC SCHOOLS SUBJECT AREA SUMMARY SHEETS MUSIC CHESHIRE PUBLIC SCHOOLS SUBJECT AREA SUMMARY SHEETS MUSIC Curriculum Review Cycle Schedule 14-15 Analyze/Plan-Presentation to CCC 15-16 Implement I 16-17 Implement II 17-18 Implement III 18-19 Evaluation

More information

7 January 2005. SQA Co-ordinator Secondary Schools and FE Colleges

7 January 2005. SQA Co-ordinator Secondary Schools and FE Colleges 7 January 2005 To: SQA Co-ordinator Secondary Schools and FE Colleges Action by Recipient Response required Note and pass on None update/information only Contact Name: Jennifer di Folco at Dalkeith Direct

More information

MUSIC GLOSSARY. Accompaniment: A vocal or instrumental part that supports or is background for a principal part or parts.

MUSIC GLOSSARY. Accompaniment: A vocal or instrumental part that supports or is background for a principal part or parts. MUSIC GLOSSARY A cappella: Unaccompanied vocal music. Accompaniment: A vocal or instrumental part that supports or is background for a principal part or parts. Alla breve: A tempo marking indicating a

More information

Learning To Play The Guitar An Absolute Beginner s Guide By Anthony Pell

Learning To Play The Guitar An Absolute Beginner s Guide By Anthony Pell Learning To Play The Guitar An Absolute Beginner s Guide By Anthony Pell http://www.learningtoplaytheguitar.net All Rights Reserved. No part of this publication may be reproduced in any form or by any

More information

NMC MUSIC MAJOR STUDENT HANDBOOK

NMC MUSIC MAJOR STUDENT HANDBOOK NMC MUSIC MAJOR STUDENT HANDBOOK MUSIC Table of Contents PROGRAM SUMMARY... 2 GENERAL INFORMATION Accompanists... 3 Applied Music... 3 Convocations... 3 Ensembles... 3 Instrument Lockers... 3 Juries...

More information

MUSIC A. PROGRAM RATIONALE AND PHILOSOPHY

MUSIC A. PROGRAM RATIONALE AND PHILOSOPHY MUSIC A. PROGRAM RATIONALE AND PHILOSOPHY The systematic development of musical skills, knowledge and perception is fundamental to the total development of the individual. Music education should begin

More information

The Samba Experience

The Samba Experience Sarfati, Aaron MIT 21M030 Ruckert December 7, 2006 The Samba Experience In examining and researching a foreign culture, there are two ways one may go about conducting the research: 1) reading and studying

More information

Rehearsal Strategies A Night in Tunisia By Reginald Thomas, Professor of Jazz Piano Michigan State University, East Lansing, MI

Rehearsal Strategies A Night in Tunisia By Reginald Thomas, Professor of Jazz Piano Michigan State University, East Lansing, MI Rehearsal Strategies A Night in Tunisia By Reginald Thomas, Professor of Jazz Piano Michigan State University, East Lansing, MI Do you remember the first time you heard this jazz classic, A Night In Tunisia?

More information

City State Zip Country. Date of Birth Are you an international applicant? (circle one) Yes No

City State Zip Country. Date of Birth Are you an international applicant? (circle one) Yes No 2015-16 UNC School of Music Undergraduate Application for Audition and Admission COMPLETE AND RETURN TO School of Music, Box 28, Attn: Valerie Kalos University of Northern Colorado Greeley, CO, 80639 or

More information

STUDY GUIDE. Illinois Licensure Testing System. Music (143) This test is now delivered as a computer-based test.

STUDY GUIDE. Illinois Licensure Testing System. Music (143) This test is now delivered as a computer-based test. Illinois Licensure Testing System STUDY GUIDE Music (143) This test is now delivered as a computer-based test. See www.il.nesinc.com for current program information. Illinois State Board of Education IL-SG-FLD143-05

More information

MUSC 160 The Blues and Its Influence April 2008 STUDENT LEARNING OUTCOMES ADDRESSED:

MUSC 160 The Blues and Its Influence April 2008 STUDENT LEARNING OUTCOMES ADDRESSED: 1 SOUTH SEATTLE COMMUNITY COLLEGE Academic Programs COURSE OUTLINE Revision: Diane Schmidt, DEPARTMENT: CURRICULUM: COURSE TITLE: COURSE NUMBER: Academic Programs Visual, Literary and Performing Arts The

More information

MUSIC - SCHEMES OF WORK. For Children Aged 8 to 12

MUSIC - SCHEMES OF WORK. For Children Aged 8 to 12 Music Lessons Structure MUSIC - SCHEMES OF WORK For Children Aged 8 to 12 Time Approx. 90 minutes 1. Remind class of last topic area explored and relate to current topic. 2. Discuss and explore with examples.

More information

Dance Division Rules. Dance entries must be video recorded and last approximately three minutes or less in length.

Dance Division Rules. Dance entries must be video recorded and last approximately three minutes or less in length. Dance Division Rules Dance entries must be video recorded and last approximately three minutes or less in length. 1. Judges reserve the right to move an entry to the appropriate category or disqualify

More information

Information & Regulations

Information & Regulations Information & Regulations for all Trinity College London Grade and Certificate exams in Music from 2013 Trinity College London www.trinitycollege.com Charity number 1014792 Patron HRH The Duke of Kent

More information

MUSICAL ANALYSIS WRITING GUIDE

MUSICAL ANALYSIS WRITING GUIDE THE CRITERIA MUSICAL ANALYSIS WRITING GUIDE In writing your essay, the only thing you really need to do is fulfill the marking criteria. Let s look closely at what the criteria says. The student evaluates

More information

Key Terms and Definitions

Key Terms and Definitions a cappella Vocal singing that involves no instrumental accompaniment. A&R Abbreviation for artists and repertoire. This is the department of a record company whose responsibility it is to discover and

More information

K-12 Music Unpacked Content

K-12 Music Unpacked Content This document is designed to help North Carolina educators teach the Essential Standards (Standard Course of Study). NCDPI staff are continually updating and improving these tools to better serve teachers.

More information

North Jersey School Music Association Region I of the New Jersey Music Educators Association www.njsma.com

North Jersey School Music Association Region I of the New Jersey Music Educators Association www.njsma.com NJSMA SCHOLARSHIP AWARDS Information and Application The Executive Board of the North Jersey School Music Association (NJSMA), Region I of the New Jersey Music Educators Association, has made provisions

More information

NATIONAL STANDARDS for MUSIC EDUCATION

NATIONAL STANDARDS for MUSIC EDUCATION NATIONAL STANDARDS for MUSIC EDUCATION 1. Singing, alone and with others, a varied repertoire of music. 2. Performing on instruments, alone and with others, a varied repertoire of music. 3. Improvising

More information

User s Guide. Creative Prodikeys DM

User s Guide. Creative Prodikeys DM User s Guide Creative Prodikeys DM Information in this document is subject to change without notice and does not represent a commitment on the part of Creative Technology Ltd. No part of this manual may

More information

Manston Primary School. Policy for Music

Manston Primary School. Policy for Music Manston Primary School Policy for Music January 2016 This policy is intended to support the teaching and learning of music at Manston Primary School, enabling consistency, continuity and progression for

More information

Music - Commercial. Career Options Vocalist Instrumentalist Producer Artist agent Sound engineer Public and private teaching

Music - Commercial. Career Options Vocalist Instrumentalist Producer Artist agent Sound engineer Public and private teaching 289 Definition The Commercial Music program is designed to prepare students to perform, to write and record music, to develop an appreciation of various contemporary music styles, and to understand the

More information

Viola Time Book 2. RGP (Release, Glide and Press) Shifting Method 2

Viola Time Book 2. RGP (Release, Glide and Press) Shifting Method 2 Viola Time Book RGP (Release, Glide and Press) Shifting Method st Finger shifting without accidentals Exercise : st-rd Position shifting in C major Scale and arpeggio of C major Kayaking Down the Tarwin

More information

Arts Elective Courses Grade 7. Thomas W. Pyle Middle School

Arts Elective Courses Grade 7. Thomas W. Pyle Middle School Arts Elective Courses Grade 7 Thomas W. Pyle Middle School 7 th Grade Arts Courses Semester Courses Digital Photography and Desktop Publishing Family and Consumer Science (FACS) Gateway To Technology:

More information

GRADE THREE THEORY REVISION

GRADE THREE THEORY REVISION GRADE THREE THEORY REVISION Note Pitches Use flashcards to make sure you know all your notes including leger lines. Whenever you name a note remember to check the clef, keysignature, and for accidentals

More information

FACULTY OF EDUCATION & ARTS

FACULTY OF EDUCATION & ARTS FACULTY OF EDUCATION & ARTS Bachelor of Music and Bachelor of Music/Bachelor of Arts Domestic Applicants AUDITION APPLICATION FM AND DETAILED INFMATION Intake Date of Auditions Application Due Date Main

More information

MAKING YOUR LINES SOUND MORE LIKE JAZZ!

MAKING YOUR LINES SOUND MORE LIKE JAZZ! MAKING YOUR LINES SOUND MORE LIKE JAZZ! BY ALISDAIR MACRAE BIRCH One of the common questions asked by jazz guitar students is, How do I make my lines sound more like jazz? or Why do my improvised lines

More information

2012 Music Standards GRADES K-1-2

2012 Music Standards GRADES K-1-2 Students will: Personal Choice and Vision: Students construct and solve problems of personal relevance and interest when expressing themselves through A. Demonstrate how musical elements communicate meaning

More information

The Music Department

The Music Department The Music Department The department is based in a self contained block with a specialist Music Room, recording studio, ensemble/it room and large store cupboard. There are also three small rooms which

More information

1. interpret notational symbols for rhythm (26.A.1d) 2. recognize and respond to steady beat with movements, games and by chanting (25.A.

1. interpret notational symbols for rhythm (26.A.1d) 2. recognize and respond to steady beat with movements, games and by chanting (25.A. FIRST GRADE CURRICULUM OBJECTIVES MUSIC I. Rhythm 1. interpret notational symbols for rhythm (26.A.1d) 2. recognize and respond to steady beat with movements, games and by chanting (25.A.1c) 3. respond

More information

FREE CHORD BOOK Introduction

FREE CHORD BOOK Introduction FREE CHORD BOOK Introduction Hi, I m Andy and welcome to my chord book for beginners! Most chord books are packed full hundreds of chord diagrams, so many in fact it could take literally years to play

More information

Put Your Song to the Tests

Put Your Song to the Tests Put Your Song to the Tests By Pat & Pete Luboff We ve been listening to songs in a professional capacity for over 20 years, as songwriting consultants, workshop leaders, contest judges and Taxi screeners.

More information

Southeastern University Music Department. Audition Information

Southeastern University Music Department. Audition Information Southeastern University Music Department SEU Music Auditions Page 1 of 17 Audition Information An audition is required of all students applying to any music degree programs offered at Southeastern University.

More information

GCSE Music Unit 3 (42703) Guidance

GCSE Music Unit 3 (42703) Guidance GCSE Music Unit 3 (42703) Guidance Performance This unit accounts for 40% of the final assessment for GCSE. Each student is required to perform two separate pieces of music, one demonstrating solo/it skills,

More information

Silver Burdett Making Music

Silver Burdett Making Music A Correlation of Silver Burdett Making Music Model Content Standards for Music INTRODUCTION This document shows how meets the Model Content Standards for Music. Page references are Teacher s Edition. Lessons

More information

Delivering a Music Product

Delivering a Music Product Unit 9: Delivering a Music Product Unit code: QCF Level 3: Credit value: 10 Guided learning hours: 60 Aim and purpose R/600/6964 BTEC National The aim of this unit is to enable learners to experience the

More information

Admission Requirements to the Music Program

Admission Requirements to the Music Program Department of Humanities and Fine Arts / 111 THE BACHELOR OF ARTS DEGREE IN MUSIC (MUSI, MUAP, MUEN) The Music Program plays a vital role in the life of the University and the community. The training environment

More information

Southeastern University Music Department. Audition Information

Southeastern University Music Department. Audition Information Southeastern University Music Department SEU Music Auditions Page 1 of 18 Audition Information An audition is required of all students applying to any music degree programs offered at Southeastern University.

More information