Publications in English

Transcription

1 Publications in English Picture Mountains and Data Warehouses What Do Photography and Collecting Have in Common? in: Catalogue Konzept: Fotografie Real, Städel Museum, Frankfurt/Main, 2008, S The White Wall On the Prehistory of the White Cube, in: Marianne Eigenheer (Ed.): Curating Critique, Frankfurt/Main 2008 (ECA Reader No.1) p Appearing and Disappearing, in: Ingold Universal Enterprises, Köln 2008, p The Second Discovery of America. British Pop Art, Viewed as an Exoticism, in: Tobia Bezzola/ Franziska Lentzsch (Eds.): Europop, Zürich/ Köln 2008, p. IX - XXV Flamingos, Colour Charts, Shades of Brown. Capitalist Realism and German Pop, in: Tobia Bezzola/ Franziska Lentzsch (Eds.): Europop, Zürich/ Köln 2008, p. XLVII - LXIII Nighttime in Public Space, in: Mischa Kuball...in progress. Projekte/Projects , ed. By Florian Matzner, Ostfildern (Hatje Cantz) 2007, p Luke Paints the Avant-garde. The prehistory of Art-isms, in: Hans-Jörg Heusser/ Kornelia Imesch (Eds.): Art & branding. Principles interaction perspectives. Outlines Vol.3, Swiss Institute for Art Research, Zürich 2006, p At the long tables of time... Thomas Struth s Observations of Observers, in: Thomas Struth. Museum Photographs, 2.enlarged edition, München 2005, S

2 Framed, in: Cat. The Art of DER SPIEGEL. Cover-Illustrations over Fice Decades, Düsseldorf/ New York (teneues) 2004, p Art is a Bottomless Barrel, in: Cat. Norbert Prangenberg Drawing , Kaiser Wilhelm Musem Krefeld 2004, p Real Time. The Work of Hans Haacke, in: Hans Haacke, London (Phaidon) 2004, p Philosophical Platform, in: Florian Matzner (ed.): Bert Theis. Some Works, Ostfildern-Ruit (Hatje Cantz) 2003, p Rivals and Partners. The Kunstverein and the Academy of Fine Arts in Munich, in: Drucksache, Kunstverein München, 2002, p Museums and private collections: twins and opponents, in: werk, bauen und wohnen, Zürich, 11/2001, p Import Export, in: beautiful and provocative. Danner Award '99, Stuttgart 1999, p The Nuclear Fusion of Counter Culture and Culture Industry, in: Cat. LKW. Dinge zwischen Leben, Kunst & Werk/ Things between Life,Art & Work, Linz/ Bregenz/ Biel 1999/ 2000, p Art in the City: an Italian-German tale, in: Florian Matzner (ed.): Public Art, Ostfildern-Ruit (Cantz) 2001, 2.ed

3 Heightening Location (Ian Hamilton Finlay), in: Cat. art forum berlin, Berlin 1997, p The Economics Of Jewellery, in: Cat. Juveloj. Amsterdam-München-Tokio, Akademie der Bildenden Künste, München 1997 Art and the City, in: Cat. Contemporary Sculpture.Projects in Münster, ed. by Klaus Bußmann and Kasper Koenig, Münster 1997, p For example, Documenta or How is Art History Produced? in: Reesa Greenberg, Bruce Ferguson, Sandy Nairne (Eds.): Thinking about exhibitions, London (Routledge) 1996, 2. edition 1999, p Kassel New York Cologne Venice, in: Cat. Obra Social - Hans Haacke, Fundació Antoni Tapiès, Barcelona 1995, p Art and Money. Scenes from a Mixed Marriage, in: Ton Bevers (Ed.): Artists - Dealers - Consumers. On the social world of art, Erasmus Universitet Rotterdam/ Hilversum 1994, p 'Degenerate Art' and Documenta I - Modernism Ostracized and Disarmed, in: Daniel J.Sherman/ Irit Rogoff (Eds.): Museum Culture. Histories Discourses Spectacles, University of Minnesota Press, Minneapolis 1994, p Reviewing the Museum - or: The Complexity of Things, in: Nordisk Museologi, Umėa (Sweden), 1/1994, p Kasseböhmer's Trees, in: Parkett, No.39, 1994, p

4 The Pictureability of the City, in: Daidalos, No. 50, Berlin 1993, p The Author as Reproduction, in: Ingrid und Konrad Scheurmann (Eds.): For Walter Benjamin. Documentation, Essays and a Scetch, Bonn (Inter Nationes), Frankfurt (Suhrkamp), 1993, p No-Man's Land, in: Klaus Bußmann/ Florian Matzner (Eds.): Hans Haacke - Bodenlos, Cat. Biennale Venice 1993, German Pavilion, Ostfildern-Ruit (Cantz) 1993, p Eye-Catchers. A Mass Medium in Public Space, in: Internationale Künstlerplakate, Cat. Saarland Museum Saarbrücken 1992, p Chinese Walls. A Specific Form of Political Architecture, in: Daidalos, No.39, Berlin 1991, p "Give up Painting" or The Politics of Art. A West-German Abstract, in: John Howell (Ed.): Break-throughs. Avant-Garde Artists in Europe and America , Columbus (Ohio State University)/ New York (Rizzoli) 1991, p A Historical Continuity of Disjunctures, in: Irit Rogoff (Ed.): The Divided Heritage. Themes and Problems in German Modernism, Cambridge University Press 1990, p The De-Nazification of Nazi Art: Arno Breker and Albert Speer Today, in: Brandon Taylor/ Wilfried van der Will (Eds.): The Nazification of Art. Art, Design, Music, Architecture and Film in the Third Reich, Winchester Press 1990, p

5 Illumination in the Darkroom - Sigmar Polke, in: Art & Design, No. 9/10, 1989, p Art Market Blues. In: Art & Design, London, 1990 Invasion from the Artist's Studio. Why does Public Art come under Attack? in: Cat. Art in the Garden, Glasgow Garden Festival, Edinburgh 1988, p ; reprinted in: Cat. New Works for Different Places, TSWA Four Cities Project. Derry/ Glasgow/ Newcastle/ Plymouth 1991, p ; complete translation in: Cat. Allocations. Art for a natural and Artificial Environment, english edition of Cat. Floriade Den Haag- Zoetermeer 1992 Faint of Heart. Guidelines for the Model, in: Daidalos, No.26, Berlin (West) 1987, p The Means of Meaning: Axel Kasseböhmer in Quotation Masks, in: Reason and Emotion in Contemporary Art, Cat. Edinburgh International, Royal Scottish Academy Edinburgh 1987, pp Painting and Photography. A Love-Story (with a Happy End), in: Cat. Milan Kunc. Fotoarbeiten , CCD Galerie Düsseldorf, 1986 Disgusting Techniques, in: Flash Art, Mailand, No. 125, 1986, p An Angel Vanishes. Gerhard Richter, in: Flash Art, No. 128, 1986, p Images of Space, in: Christos Joachimides/ Norman Rosenthal/ Wieland Schmied (Eds.): German Art in the 20th Century. Pain- 5

6 ting and Sculpture , Cat. Royal Academy of Art, London, p An Unpublished Text for an Unpainted Picture, in: October, No. 30, 1984, p Information Magic. Interview with Hans Haacke, in: Cat. Hans Haacke, Works , Tate Gallery London/Van Abbemuseum Eindhoven, Volume II, 1983, p Artists and other Collectors. In: AA Bronson/ Peggy Gale (Eds.): Museums by Artists, Toronto (Art Metropole) 1983, p