WRITERS RETREAT 2015. Evaluation Report



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Transcription:

WRITERS RETREAT 2015 Evaluation Report The Writers Retreat (25 th 27 th May 2015) was funded by the MIC research committee Seed Funding Scheme (Development of Research Skills) and organised by Dr. Elaine Murtagh.

Contents INTRODUCTION... 2 Rationale and content... 2 Participants... 3 FINDINGS... 4 Overall experience... 4 Course Provision... 5 Course Venue... 5 Recommendations... 6 CONCLUSIONS... 7 APPENDICES... 8 Appendix 1: Pre-retreat handouts... 8 Handout A: Before the retreat... 8 Handout B: Targeting a journal... 9 Appendix 2: Course schedule... 10 Page 1

Writers Retreat 2015 E VA L U A T I O N R E P O R T INTRODUCTION The report summaries feedback received from MIC staff who took part in the Writers Retreat at Coolbawn Quay, Co. Tipperary (25 th 27 th May 2015). Responses are presented for 11 people who completed the online survey. Rationale and content The writers retreat provided participants with an opportunity to focus on writing in an uninterrupted, selfstructured manner without the normal distractions and creates an ideal way to accelerate progress on a particular journal article, PhD chapter or research report (Moore, 2003). It is anticipated that directly as a result of the retreat participants will submit a journal article for publication or complete a PhD chapter. Key component of the writers retreat included: 1. Pre-retreat preparation, including distribution of handouts and guidelines (see appendix 1) 2. Private writing time 3. Facilitated sessions Planning & Goal Setting: Dr. Catherine Martin, Regional Writing Centre, University of Limerick Writing with your student; Writing with your supervisor: Dr. Melissa Parker, Dept Physical Education & Sport Science, University of Limerick and Cathy Berei, Dept of Movements Sciences, University of Idaho Next steps and Action planning: Dr Íde O Sullivan, Regional Writing Centre, University of Limerick 4. Peer feedback: The provision of peer feedback supports the redrafting process during the retreat (Ebest, 2005). Partners were encouraged to meet at least daily to provide feedback on each other s writing. The schedule for the retreat can be found in appendix 2. Page 2

Participants Writers Retreat 2015 Name Tanya de Paor Anne Dolan Michael Finneran Claire Griffin Mairead Hourigan Aisling Leavy Fiona McDonagh Gwen Moore Anne Marie Morrin Dorothy Morrissey Elaine Murtagh Aislinn O'Donnell Position / Department Lecturer in Visual Arts Education, Dept Arts Education & Physical Education Lecturer in Primary Geography, Dept Learning, Society & Religious Education Senior Lecturer in Drama Education Lecturer in Psychology of Education, Dept Learning, Society & Religious Education Lecturer in Mathematics Education, Dept Language, Literacy & Mathematics Education Lecturer in Mathematics Education, Dept Language, Literacy & Mathematics Education Postdoctoral Teaching Fellow in Drama Education, Dept Arts Education & Physical Education Lecturer in Music Education, Dept Arts Education & Physical Education Lecturer in Visual Arts Education, Dept Arts Education & Physical Education Lecturer in Drama Education, Dept Arts Education & Physical Education Lecturer in Physical Education, Dept Arts Education & Physical Education Lecturer in Philosophy Education, Dept Learning, Society & Religious Education Margaret O'Keeffe Lecturer in Drama Education, Dept Arts Education & Physical Education Sandra Ryan Orla Slattery Lecturer in Education Disadvantage & Sociology, Dept Learning, Society & Religious Education Inclusion Coordinator, Dept Learning, Society & Religious Education Page 3

FINDINGS Overall experience When asked to rate their overall experience of the writers retreat on a scale of 1 to 5, with 1 being poor and 5 being excellent, 100% of participants reported it as Excellent. Participants were asked to note the BEST aspect of the writers retreat. The majority of respondents commented on the value of having dedicated time and space to write. The collegial nature of the course which served to promote sharing of experiences was noted by five participants. For others, the importance of the facilitated sessions and the peer-feedback was highlighted. A sample of responses is shown below. What was the best aspect of the Writers Retreat? It was one of the best academic experiences that I have had to date in MIC The best part was having the time and space to write. I cannot overstate the importance of this Having dedicated time and space to write in a supportive and productive environment The collegial environment was very conducive to writing and reflecting Input on first and third days were very helpful for me in particular Collaborating with colleagues especially peer partner, it was useful to have a colleague from a different background respond to the work Participants were also asked to note the WORST aspect of the writers retreat. The majority of participants reported no negative comments. Two respondents felt that the peer-partner sessions were not particularly useful for them. Page 4

Course Provision Participants were asked to rate their opinion of several key aspects of course provision. Respondents were very positive in their evaluation of the pre-course handouts, daily schedule and private writing time. There were mixed responses with regard to the peer-partner sessions and facilitated sessions (see figure 1). These are discussed further in the recommendations section of the report. Figure 1: Rating of aspects of course provision Daily schedule Private writing time Peer partner sessions Facilitated sessions Pre-course handouts Note: 1 = poor, 5 = excellent Course Venue 1 1.5 2 2.5 3 3.5 4 4.5 5 The course venue is of crucial importance in setting the right atmosphere for a productive writers retreat. Figure 2 shows participants perceptions of the standard of accommodation, meals, tea/coffee breaks and the conference room. Figure 2: Rating of the venue Accomodation Meals Tea/coffee breaks Conference room Note: 1 = poor, 5 = excellent 1 1.5 2 2.5 3 3.5 4 4.5 5 Page 5

Recommendations Participants were asked to suggest themes and content of facilitated sessions at future retreats. A recurring suggestion was to hold a session on the variety of writing outlets available, for example, journal articles, book reviews and book chapters, and how to target specific journal. Additional suggestions are shown below. Two participants noted that they would have preferred not to attend the facilitated sessions in order to continue their own writing instead. Suggestions for facilitated sessions: Identifying and applying for research grants Dealing with poor/difficult peer reviews Individual feedback from writing consultant Discipline specific sessions Participants were also asked for suggestions for the development and improvement of the Writers' Retreat. Five participants suggested that a Writers Retreat should be held each semester. Two respondents suggested an opt-in process for the peer-feedback sessions. Additional responses are shown below. Suggestions/further comments: I think that there should be more funding available if more faculty would like to avail of it in the future Perhaps include attendees in the pairing for peer-feedback process More individual desks in the school house Page 6

CONCLUSIONS Writers Retreat 2015 In summary, participants were overwhelmingly positive about their experience of the writers retreat. Many noted that the have dedicated time to write was essential to progress their individual writing projects. Recommendations made by participates should be taken into consideration when organising future courses of a similar nature. Page 7

APPENDICES Appendix 1: Pre-retreat handouts Handout A: Before the retreat BEFORE THE RETREAT HERE Before the retreat: Prepare to transport your laptop or arrange to borrow one Start outlining the work you are planning to do Make key decisions about your work well in advance of the retreat: for example target journal/publisher/format/genre Commit to keeping a record of the ecology of your paper (versions, correspondence, feedback, reviews, ideas, changes in direction and so on). This will become a helpful professional development tool for yourself and your colleagues. Make your transport arrangements well in advance. Decide if you are going to drive. Commit to the ENTIRE course. It is far away. It is residential. You need to ensure that you are not so stressed on arrival that it takes 24 hours before you are in the right frame of mind to start writing. Some reading A paper on the writers retreat concept (Moore, 2003) From Murray, R. & Moore, S. 2006. The handbook of academic writing: a fresh approach, Maidenhead: Open University Press. Page 8

Handout B: Targeting a journal Writers Retreat 2015 TARGETING A JOURNAL (ADAPTED FROM MURRAY, 2004) HERE Experts in effective academic writing strategies say: Do not write and then plan to find an appropriate place for your writing rather, analyse target journals carefully and then write with the benefit of this analysis. Get several copies and scan recent editions of your chosen journal. Read full instructions for authors, check website and print off all relevant author information. Work out how you can mould your work to suits the journal s agenda. Write to the editor with an initial inquiry. Emailing the editor I am writing a paper on XXX which argues that YYY Do you think this would be of interest to readers of the journal at this time? If you get a response, reply thanking the editor and letting him/her know when the paper is likely to be completed. This relatively easy exercise does several things: It externalises your commitment to writing. It means that you won t be writing into the dark, but that you ll have a specific goal in advance of the writers retreat. It has the pragmatic effect of differentiating your paper from those that are submitted without an initial go-ahead from the editor. Some reading: A chapter from Rowena Murray s book: Writing for Academic Journals, Chapter 2: Targeting a journal. (This will be emailed to you separately). From Murray, R. & Moore, S. 2006. The handbook of academic writing: a fresh approach, Maidenhead: Open University Press. Page 9

Appendix 2: Course schedule Monday 25 th May 10am Participants arrive 10.30 11.30am Planning & Goal Setting Dr. Catherine Martin, Regional Writing Centre, University of Limerick 11.30am 1pm Private writing 1pm Lunch (and check into rooms) 2pm Private writing 6-7pm Peer partners meet 8pm Dinner Tuesday 26 th May 8am Breakfast 9am Private writing 12 1pm Writing with your student; Writing with your supervisor Dr. Melissa Parker, Dept Physical Education & Sport Science, University of Limerick Cathy Berei, Dept of Movements Sciences, University of Idaho 1pm Lunch 2pm Private writing 6pm 7pm Peer meetings 8pm Dinner Wednesday 27 th May 8am 9am 12pm 1pm 2pm Breakfast Private writing Next steps and Action planning Dr Íde O Sullivan, Regional Writing Centre, University of Limerick Lunch Participants depart Page 10