Film Studies, the state of things:

1 http://comcom.uvt.nl/e-view/bosma.pdf Film Studies, the state of things: A selective overview of resources and (recent) publications. This version was last updated at: 27 December 2006 (16 pages). Compilation: drs. Peter Bosma (bosma@fhk.eur.nl) Many thanks to all friends who helped me to compile this overview. A special salute to the book reviewers of De Filmkrant and Skrien, among others. For new books one goes to a bookshop or to a library: the library of the Dutch Filmmuseum in Amsterdam (http://bibcat.filmmuseum.nl/opc_internet/index.html ) the library of the Royal Filmarchive in Brussels (http://www.ledoux.be/nl/doc_recherche.htm) the library of State University of Ghent (www.lib.rug.ac.be) the library of the British Film Institute in London (www.bfi.org.uk) the French Bibliothèque du Film in Paris (www.bifi.fr) Contents Part 1. The basic library of film studies Bibliographies of Film Research and Indexes of Film Data Film Lexica Film Encyclopaedia Recent Introductions Film Studies & Introductions Film Theory a Selection of Anthologies of Film Theory a Selection of General Film Histories & Introductions Film History a Selection of Film Essays and Film Criticism (English / Dutch) and furthermore Part 2. International recent film research Film History Film Theory Part 3 neighbour fields of research A Selection of Recent Introductions (English / Dutch) Film and Philosophy; Film and New Media; Film and History; Other neighbour fields of research Appendix 1: Internet sources for Film Studies Appendix 2:. Film Studies in The Netherlands en Flanders (an index of phd-thesis)

2 Introduction This compilation started as a personal project, I wanted to make an inventory of recent publications in the field of Film Studies. Thanks to the digital magazine E-view this personal project came available worldwide. I am aware of the existence of many comparable efforts, made with the same intentions, which are sometimes more extensive. In Appendix One you can find some fine examples of on-line bibliographies. But, to put it simple, I think my inventory is more use full. In Part One I intent to give a complete overview of the basic library of Film Studies, in Part Two I give a selection of relevant recent publications of film history, film theory and the neighbour fields of research. This overview and this selection is open for discussion, I would be happy to receive your comments or suggestions: bosma@fhk.eur.nl Part 1: The basic library of film studies Bibliographies of film research and indexes of film data Intention: to select the essential books microfiche cd rom - digital databank Armour, R. Film: A Reference Guide. Westport: Greenwood Press, 1980. Austin, B.A., The Film Audience. An International Bibliography with Annotations and an Essay, Metuchen: Scarecrow, 1983. GERMAN: Bock, Hans-Michael (ed.), CineGraph - Lexikon zum deutschsprachigen Film. München: edition text + kritik, 1984 ff. Burrows, Elaine & Janes Moat & David Sharp & Linda Wood (ed.), The British Cinema Source Book. BFI Archive Viewing Copies and Library Materials, London: BFI, 1995. Dagrada, Elena, Bibliographie internationale du cinéma des premiers temps/ International Bibliography on Early Cinema. Madison: DOMITOR, 1995. Donaldson, G. Of Joy and Sorrow. A Filmography of Dutch Silent Film, Amsterdam: Nederlands Film Museum, 1997. Film Literature Index, uitgave van State University of New York, vanaf 1973. Footage. The Worldwide Moving Image Sourcebook, New York: Second Line Search, 1997. Gebauer, D. & Harriet Harrison (eds.), Bibliography of National Filmographies, Brussel: FIAF, 1985. Gerlach, John C. & Lana Gerlach (eds.), The Critical Index, New York: Teachers College Press, 1974. Heinzkill, R. Film Criticism. An Index to Critics Anthologies. Metuchen: Scarecrow, 1975. Hochman, S. (ed.) A Library of Film Criticism. New York: Ungar, 1974. International Film Archive CD-Rom, Fédération Internationale des Archives du Film (FIAF). International Index to Film Periodicals, Fédération Internationale des Archives du Film (FIAF), from 1972. GERMAN: Jens Eder und Hans J. Wulff (eds.): Medienwissenschaft/Hamburg: Berichte und Papiere, on line: http://www.rrz.uni-hamburg.de/medien/berichte/ Maccann, Richard Dyer & E.S. Perry, The New Film Index: A Bibliography of Magazine Articles in English, 1930-1970, New York: Dutton, 1975. Manchell, Frank (ed.) Film Study: Analytical Bibliography (vol. 1-4), Madison: Fairleigh Dickinson UP, 1992. Rehrauer, G. The MacMillan Film Bibliography (2 vols), New York: MacMillan, 1982. GERMAN: Wulff, H.J. et.al. (eds.) Bibliographie der Filmbibliographien, München: Saur, 1987. Film lexica Intention: to offer a complete list Andrew, J.D., Concepts in Filmtheory. Oxford: Oxford UP, 1984. FRENCH: Aumont, Jacques & Michel Marie, Dictionnaire théorique et critique du cinema, Paris: Nathan/VUEF, 2001. Beaver, Frank E., Dictionary of Film Terms, New York: McGraw-Hill, 1983/ New York: Twayne, 1994. Blandford, Steven & Barry Keith Grant & Jim Hillier (ed), The Film Studies Dictionary, London: Arnold, 2001. Browne, Steven E. Film-Video Terms and Concepts. Boston/London: Focall Press, 1992. Cones, John W., Film Finance and Distribution. A Dictionary of Terms, Los Angeles: Silman-James Press, 1992. Gartenberg, J. Glossary of Filmographic Terms, Brussels: FIAF, 1989 (2 nd ed). Hayward, Susan, Cinema Studies. The Key Concepts. London: Routledge, 2000 Koningsberg, Ira, Complete Film Dictionary, Harmondsworth: Penguin, 1997. Lacey, N., Image and Representation. Key Concepts in Media Studies, London: Macmillan, 1998. Pearson, Roberta & Philip Simpson (ed.), Critical Dictionary of Film and Television Theory, London: Routledge, 2000. GERMAN: Rother, Rainer (ed.), Sachlexikon Film, Reinbek: Rowohlt, 1997. Simpson, P & A. Utterson & K.J. Shepherdson (eds), Film Theory: Critical Concepts in Media and Cultural Studies, London: Routledge, 2004. Stam, Robert & Robert Burgoyne & Sandy Flitterman-Lewis, New Vocabularies for Film Semiotics. Structuralism, Poststructuralism and Beyond. New York: Routledge, 1992. Watson, James & Ane Hill, A Critical Dictionary of Communication and Media Studies, London: Arnold, 1997 (4 th ed). Williams, Raymond, Key Words. A Vocabulary of Culture and Society, London: Fontana, 1988.

3 Film encyclopaedia Intention: to offer a complete list Abel, Richard (ed), Encyclopedia of Early Cinema, New York : Routledge, 2005. Fane-Saunders, Kilmeny, Radio Times Guide to Films 2005, London: BBC Worldwide, 2004. Goble, Alan, The Complete Index to World Film since 1895, (cd rom). Hofman, Robert et.al. (eds.), De Speelfilmencyclopedie, Amsterdam: Luitingh-Sijthoff, 1995 (6th ed). Katz, Ephraim & Fred Klein & Ronald Dean Nolan, The MacMillan International Film Encyclopedia, London: MacMillan, 2002 (4th ed). Koebner, Thomas et.al. (eds.), Filmklassiker. Beschreibungen und Kommentare (4 vols), Stuttgart: Reclam, 1995. Magill, Frank N. (ed.) Survey of Cinema, Silent Films, Englewood Cliffs: Salem, 1982. Magill, Frank N. (ed.) Survey of Cinema, English Language Films, Englewood Cliffs: Salem, 1980/81 (10 vols). Magill, Frank N. (ed.) Survey of Cinema, Foreign Language Films, Englewood Cliffs: Salem, 1985 (8 vols). Maltin, Leonard (ed.), Leonard Maltin's 2005 Movie Guide, New York: Plume, 2004. Lourcelles, Jacques, Dictionnaire du cinéma. Les films, Paris: Robert Laffont, 1995. Lyon, Ch. (ed.) The International Dictionary of Films and Filmmakers (5 vols), Chicago: St. James Press 1984-1997. Nicolet, V. et.al. (eds.) The MacMillan Dictionary of Films and Filmmakers, London: Macmillan, 1997. Pym, John (ed.), Time Out Filmguide 2005, London: Time Out Guides, 2004 (13th ed). Roud, Richard (ed.) Cinema. A Critical Dictionary (2 vols), London, 1980. Thomas, Nicholas (ed.) International Dictionary of Films and Filmmakers, Chicago/London: St.James Press, 1991 (3 vols). Thomson, David, The New Biographical Dictionary of Film, New York: Knopf, 2002 (4 th ed). TV Guide Movie Database/ Cinebooks (ed.), The Twelfth Virgin Film Guide, London: Virgin Books, 2004. Wakeman, John (ed.), World Film Directors, New York: Wilson, 1987/1988 (2 vols). Walker, John (ed.), Halliwell's Film, Video and DVD Guide 2005, London: HarperCollins Entertainment, 2004. Walker, John (ed.), Halliwell s Who s Who in the Movies,.. 2001 (14 th ed, sequel of Halliwell s Filmgoer's Companion). Recent introductions film studies and introductions film theory Intention: to offer a complete list Abrams, Nathan & Ian Bell & Jan Udris, Studying Film. London: Arnold, 2001. Aitken, Ian, European Film Theory and Cinema. A Critical Introduction. Edinburgh: Edinburgh University Press, 2001. Andrew, J. Dudley, The Major Film Theories. An Introduction. London etc: Oxford UP, 1976. Aumont, Jacques et.al. Aesthetics of Film. Austin: University of Texas Press, 1992. Vertaling van Esthétique du film, Paris: Nathan, 1983. Barsam, Richard. Looking at Movies: An Introduction to Film, New York: W.W. Norton, 2003. # Bordwell, David & Kristin Thompson. Film Art: An Introduction. New York: Mc Graw-Hill, 2003 (7 th ed + booklet: The McGraw-Hill Filmgoer's Guide). Boggs, Joseph M. & Dennis W. Petrie The Art of Watching Films, New York: Mc Graw-Hill, 2004 (6 th ed + CD-rom). Buckland, Warren, How to Teach Yourself Film Studies, London: Hodder & Stoughton, 1998. Caldwell, Thomas, Film analysis handbook: Essential Guide to Understanding, Analysing and Writing on Film, Victoria: Insight Publications, 2005 Casetti, Francesco, Theories of cinema 1945-1990, Austin: University of Texas Press, 1999. transl. of: Teorie del cinema, dal dopoguerra ad oggi, Bompiani, 1993 (1978). # Cook, Pam & Mieke Bernink (eds.), The Cinema Book (2 nd ed), London: BFI, 1999. Corrigan, Timothy, A Short Guide to Writing about Film. New York etc: Longman, 1998 (3 rd ed). Corrigan, Timothy & White, Patricia, The Film Experience. An Introduction, Boston/ New York: Bedford/ St.Martins, 2004. Cousins, Mark, Scene by Scene, London: Faber & Faber, 2002. Dick, Bernard F., Anatomy of Film. London: Macmillan Press, 2005 (5 th ed). Eidsvik, Charles, Cineliterarcy. Film Among the Arts, New York: Horizon Press, 1978. Fabe, M., Closely Watched Films: An Introduction to the Art of Narrative Film Technique, Berkley: University of California Press, 2004. IN GERMAN : Felix, Jürgen (ed.) Moderne Film Theorie, Mainz: Bender verlag, 2002. IN FRENCH: Fozza, Jean Claude & Anne-Marie Garat & Françoise Parfait, Petite Fabrique de l image, Paris: Magnard, 2003 (2 nd ed). Furby, Jacqueline & Karen Randell (eds), Screen Methods. Comparative Readings in Film Studies, London: Wallflower Press, 2006. Geiger, Jeffrey & R.L. Rutsky (eds) Film Analysis: a Norton Reader, New York/ London: W.W.Norton, 2005. Gianetti, Louis D., Understanding Movies, Upper Saddle River: Prentice Hall, 2002 (9 th ed). Gledhill, Christine & Linda Williams (eds.) Reinventing Film Studies. London: Arnold, 2000. Gollin, Richard M. A Viewer s Guide to Film. New York: McGraw-Hill, 1992. Grlic, Rajko (ed.) How to make Your Movie. An Interactive Filmschool (CD-rom).

4 # Hill, John & Pamela Church Gibson (eds). The Oxford Guide to Film Studies. Oxford: Oxford UP, 1998. Hill, John & Pamela Church Gibson (eds.) Film Studies: Critical Approaches. Oxford: Oxford UP, 2000. Hill, John & Pamela Church Gibson (eds.) World Cinema: Critical Approaches, Oxford: Oxford UP, 2000. Hill, John & Pamela Church Gibson (eds.) American Cinema and Hollywood: Critical Approaches, Oxford: Oxford UP, 2000. Hollows, Joanne & Mark Jancovich (eds.) Approaches to Popular Film, Manchester/ New York: Manchester UP, 1995. Katz,Steven, D. Film directing shot by shot, visualizing from concept to screen, Massachusetts: Focal Press, 1991. Kawin, Bruce, How Movies Work, Berkeley: University of California Press, 1992. Klevan, A., Film Performance: From Achievement to Appreciation, London: Wallflower, 2005. Lacey, N., Narrative and Genre, London: Macmillan, 2000. Lacey, Nick, Introduction to Film, London: Macmillan, 2005. Lehman, Peter (ed.) Defining Cinema. New Brunswick: Rutgers UP/ London: The Athlone Press, 1997. Lehman, Peter & William Luhr, Thinking About Movies. Watching, Questioning, Enjoying, London: Blackwell, 2002 (2 nd ed). # Miller, Toby & Robert Stam (eds.) A Companion to Film Theory, Oxford: Blackwell, 1999. # Monaco, James. How to Read Film. Movies, Media, Multimedia, 2000 (3rd ed). Muller, Gilbert H. & John Alfred Williams, Ways In. Approaches to Reading and Writing about Literature and Film, New York: McGraw-Hill, 2002. # Nelmes, Jill (ed.), An Introduction to Film Studies, London (Routledge), 1999 (2 nd ed). Philips, Patrick, Understanding Film Text: Meaning and Experience, London: BFI, 2000. Philips, William H. Film. An Introduction. Boston: Bedford/St.Martin s, 2005 (3 rd ed). Piper, Jim, Get the Picture? The Movie Lover s Guide to Watching Films, 2001. Pramaggiore, Maria & Tom Wallis, Film: A Critical Introduction, London: Laurence King, 2005. Prince, Sthephen, Movies and Meaning. An Introduction to Film, Needham Heights Allyn and Bacon, 1997. Roberts, Graham & Heather Wallis, Introducing Film. London: Arnold, 2001. Sobchak, Thomas & Vivian C. Sobchak, An Introduction to Film, Boston: Brown, 1987 (2 nd ed). # Stam, Robert, Film Theory: An Introduction. Malden/Oxford: Blackwell, 2000. Stanley, Robert Henry, Making Sense of Movies, Filmmaking in the Hollywood Style, New York: McGrawHill, 2003. Turner, Graeme, Film as Social Practice, London: Routledge, 1999 (3 rd ed). Dutch Biltereyst, D. & Ph. Meers (eds.) Film / Tv / Genre, Gent: Academia Press, 2004. Bosma, P. (ed.), Filmkunde. Een inleiding. Nijmegen: Sun/Open universiteit, 1991. Driel, Hans van (ed.) Beeldcultuur, Amsterdam: Boom, 2005. Elsaesser, Thomas & Pepita Hesselberth (eds.).hollywood op straat. Film en televisie in de hedendaagse mediacultuur. Amsterdam: Vossiuspers/Amsterdam UP, 2000. Pauwels, Luc e.a. (red), Denken over beelden: Theorie en analyse van het beeld en de beeldcultuur, Leuven: Acco, 2006. Peters, Jan Marie, Het bezielde beeld. Inleiding in de filmmontage, Amsterdam: Amsterdam UP, 2003. Pisters, Patricia, Lessen van Hitchcock. Een inleiding in de mediatheorie. Amsterdam: Amsterdam UP, 2002. Vos, Chris. Het verleden in bewegend beeld. Inleiding in de analyse van audiovisueel materiaal, Amsterdam: Boom, 2005 (2 e druk, oorspronkelijk 1991). A selection of anthologies of film theory Intention: to offer a complete list GERMAN: Albersmeier, Franz-Josef (ed), Texte zur Theorie des Films, Stuttgart: Reclam, 1998 (3 rd ed). Brady, Leo & Marshall Cohen, Film Theory and Criticism: Introductory Readings. New York/Oxford: Oxford UP, 2004 (6 th ed). First edition: Mast, Gerald & Cohen, Marshall (ed.), 1974. Browne, Nick (ed), Refiguring American Film Genres. History and Theory, Berkeley: University of California, 1998. Carson, D. & Dittman, L. & Welch, J.R. (eds), Multiple Voices in Feminist Film Criticism, Minneapolis: University of Minnesota Press, 1994. Furby, Jacqueline & Karen Randell (eds), Screen Methods. Comparative Readings in Film Studies, London: Wallflower Press, 2006. Geiger, J. & Rutsky, R.L. Film Analysis: A Norton Reader, New York: Norton, 2005. Grant, B.K. (ed), Film Genre Reader II, Austin: University of Texas Press, 1995. Grieveson, L. & Krämer, P (eds), The Silent Cinema Reader, London: Routledge, 2004. Hark, Ina Rae (ed.), Exhibition. The Film Reader. London: Routledge, 2001. Hollows, Joanne & Peter Hutchings & Mark Jancovich (eds.), The Film Studies Reader. London: Arnold, 2000. Miller, Toby & Robert Stam (eds.), Film and Theory. An Anthology. Malden/Oxford: Blackwell, 2000. Nichols, B.(ed.), Movies and Methods, vol. 1. An Anthology. Berkeley: University of California Press, 1979 (2 nd ed). Nichols, B. (ed.), Movies and Methods, vol. 2 An Anthology. Berkeley: University of California Press, 1985. Rosen, Philip (ed), Narrative, Apparatus, Ideology: a Filmtheory Reader, New York: Columbia UP, 1986.

5 Simpson, Philip, Andrew Utterson & K.J. Shepherdson (eds) Critical Concepts in Media and Cultural Studies, London: Routledge, 2004 (4 vol). A selection of general film histories and introductions film history Some new overviews of film history: 1. Spain: Historia General del Cine (Catedra, 12 vols, Universidad de Valencia) 2. Italy: Storia del Cinema (Einaudi, 4 vols, Universita di Padova) 3. France/Belgium: Eléments d une histoire du cinéma (De Boeck, 4 vols, Université de la Sorbonne Nouvelle, Paris 3) Some pioneering film historians: 1. Sadoul, Georges, Histoire générale du cinéma (6 vols), Paris: Denoël, 1973-75. 2. Mitry, Jean, Histoire du cinéma, art et industrie (3 vols), Paris: Ed. Universitaires, 1967-73. 3. Toeplitz, Jerzy, Geschichte des Films, Berlin: Henschelverlag (1972, reprint: 1992, 5 vols). Some other voices - recent overviews of film history: Abel, Richard (ed), Encyclopedia of Early Cinema, New York : Routledge, 2005. # Allen, R.C. & D. Gomery, Film History: Theory and Practice. New York: Knopf, 1985. Aumont, Jacques & André Gaudreault & Mochel Marie (eds.), L histoire du cinéma: Nouvelles approches. Paris: Publications de la Sorbonne, 1989. Bessières, Irène & Jean A. Gili (eds), Histoire du cinéma: Problématique des sources. Paris: Association Française de recherche sur l histoire du cinéma; INHA; Maison des sciences de l homme; Université de paris 1, 2004. Barnouw, Erik, Documentary: A History of the Non-Fiction Film. New York: Oxford UP, 1993 (2 nd ed). Barsam, Richard M., Non-fiction film. A critical history. Indiana UP, 1992 (2 nd ed). Bendazzi, Giannalberto, Cartoons: One Hundred Years of Cinema Animation. London: John Libbey, 1994. GERMAN: Bock, Hans-Michael & Wolfgang Jacobsen (eds.), Film. Quellen und Methoden der Filmforschung. München: edition text + kritik, 1997. Bordwell, D., On the History of Film Style. Cambridge: Harvard UP, 1997. Bruzzi, Stella, New Documentary. A Critical Introduction, London: Routledge, 2000. Buscombe, E. Cinema Today, London: Phaidon, 2003. # Cherchi Usai, Paolo, Silent Cinema: An Introduction. London: British Film Institute, 2000 (2th ed). Chapman, James, Cinemas of the World, London: Raktionbooks, 2003. # Cook, David A., A History of Narrative Film. New York/London: W.W. Norton, 2004 (4th ed). Cousins, Mark, The Story of Film. A Worldwide History of Film, from the host of the BBC s Scene by Scene. London: Pavillon Books, 2004. Dutch Translation: Close-Up, wereldgeschiedenis van de film, Houten/Antwerpen: Van Holkema & Warendorf, 2005. # GERMAN: Faulstich, Werner & Helmut Korte (eds.), Fischer Filmgeschichte (5 vols), Frankfurt: Fischer, 1991-1995. Fullerton, John (ed.), Celebrating 1895. The Centenary of Cinema, Sydney: John Libbey, 1998. Fullerton, John & Astrid Soderbergh Widding (eds.), Moving Images. From Edison to Webcam, London/Sydney etc: John Libbey, 2000 (Aura Film Studies Journal, vol. 5, nrs. 3&4). Giannetti, Louis & Scott Eyman, Flashback. A Brief History of Film, Upper Saddle River: Prentice Hall, 2001 (4 th ed). Harding, Colin & Simon Popple, In the Kingdom of Shadows: a Companion to Early Cinema, London: Cygnus Arts, 1996. Herbert, Stephen (ed.), A History of Pre-Cinema, London: Routledge, 1999 (3 vols.). Herbert, Stephen (ed.), A History of Early Film, London: Routledge, 2000 (3 vols). Klepper, Robert K., Silent Films 1877-1996. A Critical Guide to 646 Movies. Jefferson: McFarland, 1999. Langford, Barry, Film genre. Hollywood and beyond, Edinburgh: Edinburgh UP, 2005. Macdonald, Kevin & Mark Cousins (eds.), Imagining Reality. The Faber Book of Documentary. London: Faber & Faber, 1996. # Mast, Gerald & Bruce F. Kawin, A Short History of the Movies. London etc: Longman, 2002 (8 th ed). # Nowell Smith, Geoffrey (ed.), The Oxford History of World Cinema, Oxford: Oxford UP, 1996. Parkinson, D., History of Film, London: Thames & Hudson, 2002. Sklar, Robert, A World History of Film. New York: Abrams, 2002. # Thompson, Kristin & David Bordwell, Film History: An Introduction. New York: McGraw-Hill, 2002 (2 nd ed). A selection of film essays and film criticism (English) Andrew, Geoff (ed.), Film: The Critic s Choice. 150 Masterpieces of World Cinema Selected and Defined by the Experts, New York: Billboard, 2001. Andrew, Geoff, Stranger Than Paradise: Maverick Film-makers in Recent American Cinema, New York: Limelight, 1999. Burch, Noel, In and Out of Synch. The Awakening of a Cine-Dreamer, Aldershot: Scolar, 1991. Carrière, Jean Claude, The Secret Language of Film. London: Faber& Faber, 1995. French ed: Le film qu on ne voit pas, Paris : Plon, 1996. Carroll, Noël, Interpreting the Moving Image, Cambridge: Cambridge UP, 1998. Carroll, Noël, Engaging the Moving Image, : Yale UP, 2004. Cherchi Usai, Paolo, The Death of Cinema. History, Cultural Memory and the Digital Dark Age. London: BFI, 2001.

6 Clair, René, Cinema Yesterday and Today, New York: Dover, 1972, transl. of: Cinéma d hier, cinéma d aujourd hui, Paris: Gallimard, 1970. Darke, Chris. Light Readings. Film Criticism and Screen Arts. London: Wallflower, 2000. Forbes, J. & S. Street. European Cinema: An Introduction. Houndsmill: Palgrave, 2000. Geiger, Jeffrey (ed), Film Analysis: A Norton Reader. : W.W.Norton, 2005. Harvey, James, Movie Love in the Fifties. New York: Alfred A. Knopf, 2001. Lehman, Peter (ed), Close Viewings. An Anthology of New Film Criticism. Tallahassee: Florida State UP, 1990. Levy, Emmanuel, Cinema of Outsiders. The Rise of American Independent Film, New York: New York UP 1999. Martin, A. & J. Rosenbaum (eds.), Movie Mutations, Berkeley/London: University of California Press/BFI, 2003. Naficy, Hamid, An Accented Cinema. Exilic and Diasporic Filmmaking. Princeton: Princeton UP, 2001. Naremore, James, Acting in the Cinema, Berkeley: University of California, 1988. Naremore, James, More Than Night: Film Noir in Its Contexts. Berkeley: University of California Press, 1998. Powrie, Phil (ed.) French Cinema in the 1980s: Nostalgia and the Crisis of Masculinity. Oxford: Clarendon Press, 1997. Powrie, Phil (ed.) French Cinema in the 1990s: Continuity and Difference. Oxford: Oxford UP, 1999. Rivette, J., Texts and Interviews (ed. J. Rosenbaum). London: BFI, 1977. German transl: Schriften furs Kino, München: 1989. Rohmer, E. The Taste for Beauty. Cambridge: Cambridge UP, 1989. Transl. of Le goût de la beauté, Paris: Flammarion, 1989. Rotheroe, Dom, Chris Marker. Silent Movie and Selected Screenings,... :The Pier Trust, 1999. Scorsese, M. & M.H.Wilson, A Personal Journey with Martin Scorsese Through American Movies, London: Faber, 1997. Stalpaert, Christel (ed.), Peter Greenaway s Prospero s Books. Critical Essays, Gent: Academia Press, 2000 (Studies in Performing Arts and Film 3). Tarkovsky, Andrei Sculpting in Time. Reflections on the cinema. London: Faber, 1989. Dutch transl.: De verzegelde tijd. Beschouwingen over de filmkunst. Groningen: Historische uitgeverij, 1991. Tasker, Yvonne (ed.), Fifty Contemporary Filmmakers, London: Routledge, 2002. Toles, Geore, A House Made of Light. Essays on the Art of Film, Detroit: Wayne State UP, 2001. Trinh, T. Minh-Ha, Cinema Interval, London: Routledge, 1999. Truffaut, François, The Films in My Life, New York: Simon & Schuster, 1978, transl. of: Les Films de ma Vie, Paris: Flammarion, 1975. Truffaut, F., Truffaut by Truffaut, New York: Abrams, 1987, transl. of: Truffaut par Truffaut, Paris: Editions du Chene, 1985 + Plaisir des yeux. Paris: Cahiers du Cinéma, 1987 + Le cinéma selon François Truffaut, Paris: Flammarion, 1988. Wenders, W., On Film, London: Faber & Faber, 2001 (combines Emotion Pictures; The Logic of Images; The Act of Seeing), transl. of: Die Logistik der Bilder. Essays und Gespräche, Frankfurt: Verlag der Autoren, 1988 + Der Akt des Sehens. Texte und Gespräche. Frankfurt: Verlag der Autoren, 1991). Wollen, Peter Paris Hollywood. Writings on Film, London: Verso, 2002. A selection of film essays (Dutch) Albers, R. et.al. (eds) Film in Nederland, Amsterdam: Ludion/Filmmuseum, 2004. Burg, Jos van der, et.al. (eds.). Feit Fictie Fake. Documentaire in beweging. Amsterdam: International Theatre & Film Books, 1997. Dantzig, A. van,films: voor gezien getekend. Amsterdam/Meppel, 1993. Dantzig, A. van, Films 2. Psychologische beschouwingen. Amsterdam/Meppel: Boom, 1996 Delpeut, Peter, Cinéma Perdu (1997, videotape + book). Delpeut, Peter, Diva Dolorosa. Reis naar het einde van een eeuw. Amsterdam: Meulenhof, 1999. Dibbets, K. et.al. (eds.), Jaarboek Media Geschiedenis 8: Honderd jaar film in Nederland, het begin. Amsterdam: Stichting Mediageschiedenis, 1997. Everaerts, J.P., Film in België. Een permanente revolte. Brussel: Mediadoc, 2000. Haakman, Anton, Achter de spiegel. Film en fictie. Amsterdam: De Bezige Bij, 1977. Heesen Hans & Lex Veerkamp, Een volstrekt onverklaarbaar wonder. De eerste stappen op het filmpad van twaalf Nederlandse filmmakers, Utrecht: Louis Hartlooper Stichting, 2004. Hendriks, Annemieke, De pioniers Interviews met 14 wegbereiders van de Nederlandse cinema, Amsterdam: International Theatre & Film Books / Skrien / Filmmuseum, 2006 Hommel, Michel & Mark-Paul Meyer & Gertjan Zuilhof, Sovjetfilms:NFM/IAF catalogus. Amsterdam: Nederlands Filmmuseum, 1991. K. Schippers et.al., Een maan van Saturnus. De film temidden van de kunsten, Baarn: Anthos, 1989. Kuyper, Eric de, De verbeelding van het mannelijk lichaam. Nijmegen: Sun, 1993. Lauwaert, Dirk, Dromen van een expeditie. Geschriften over film 1971-2001, Nijmegen: Vantilt, 2006. Linssen, Céline et.al., Het gaat om de film! Een nieuwe geschiedenis van de Nederlandse Filmliga 1927-1933. Amsterdam ( Bas Lubberhuizen/ Filmmuseum) 1999. Meskens, Ann, De passie van Ann Meskens: Tati, Rotterdam: Lemniscaat, 2005. Otten, Willem Jan, Het museum van licht. Essays over film. Amsterdam: uitgeverij G.A. van Oorschot, 1991.

7 Schoots, Hans, Van Fanfare tot Spetters. Een cultuurgeschiedenis van de jaren zestig en zeventig. Amsterdam: Bas Lubberhuizen/Filmmuseum, 2004. Stevens, Christa (ed.) Africa in the picture. Schetsen van de Afrikaanse cinema, Amsterdam ( Notorious Film/Plano), 1995. Verstraten, Peter, Celluloid echo s. Cinema kruist postmodernisme, : Vantilt, 2004. and furthermore... Kemps International Film & Television Year Book BFI-Film Classics en BFI Modern Classics. Uitgegeven door het British Film Institute. Rutgers Films in Print (Rutgers UP), de serie Cambridge Film Handbooks (Cambridge UP) Pocket Essentials Film. Projections, ed. John Boorman et.al. Directors on directing (Faber & Faber). Dutch: TMG, tijdschrift voor Media Geschiedenis ( sinds 1998). NFM-themareeks = uitgave van het Filmmuseum, Amsterdam. Kroniek van de stille film (uitgave van het Koninklijk Filmarchief, Brussel). Publicaties van het International Film Festival Rotterdam. de serie boekjes Zin in Film (uitgeverij Kok, Kampen, onder redactie van de Katholieke Filmactie Nederland). Nederlandstalige filmtijdschriften, opgeheven: Versus (1982-1992), Skoop (1963-1993), Andere Film Informatie (1973-1978). Nederlandse filmtijdschriften, lopende jaargangen: Skrien (vanaf 1968, zie www.skrien.nl ), AS (Andere Sinema, vanaf 1978, zie www.antwerpen.be/cvb/as/), Film & Televisie-Video (vanaf 1955), CineMagie (vanaf 19..) & nog steeds, elke maand, gratis: de Filmkrant! (vanaf 1981, zie www.filmkrant.nl). Part 2: International recent film research Film history Things to do: to elaborate and to annotate Abel, R. (ed.) Silent Film, New Brunswick: Rutgers University Press, 1996. Abel, Richard, The Ciné Goes to Town: French Cinema 1896-1904, Los Angeles: University of California Press, 1993. Abel, Richard, The Red Rooster Scare: Making American Cinema 1900-1910, Berkeley: University of California Press, 1999. Balio, Tino, Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939. Berkeley: University of California Press, 1995/1993 (History of the American Cinema, vol. 5). Barnes, John, The Beginnings of the Cinema in England, 1894-1901, vol. 1-5, University of Exeter Press, 1998. Blom, Ivo, Jean Desmet and the Early Dutch Film Trade, Amsterdam: Amsterdam UP, 2002. Bordwell, David, Janet Staiger & Kristin Thompson, The Classical Hollywood. Film Style and Mode of Production to 1960, New York: Columbia UP, 1987. Bordwell, David, On the History of Film Style, Cambridge: Harvard UP, 1997. Bordwell, David, Visual Style in Cinema. Vier Kapitel Filmgeschichte, Frankfurt: Verlag der Autoren, 2003 (2nd ed, A. Rost ed, M.Ciletti transl.). Bordwell, David, Figures Traced in Light. On Cinematic Staging, University of California Press, 2005. Bowser, Eileen The Transformation of Cinema, 1907-1915, Berkeley: University of California Press, 1994/1990 (History of the American Cinema, vol. 2). Brewster, Ben & Lea Jacobs, Theatre to Cinema: Stage Pictorialism and the Early Feature Film, Oxford, Oxford UP, 1997. Buscombe, Edward, Cinema Today, Phaidon, 2003. Charney, Leo & Vanessa R. Schwartz (ed.), Cinema and the Invention of Modern Life. Berkeley: University of California Press, 1995. Corrigan, Timothy, A Cinema Without Walls. Movies and Culture after Vietnam. New Brunswick: Rutgers UP, 1991. Crafton, Donald, The Talkies: American Cinema s Transition to Sound, 1926-1931. Berkeley: University of California Press, 1999/1997 (History of the American Cinema, vol. 4). Dibbets, Karel & Bert Hogenkamp (eds.) Film and the First World War. Amsterdam: Amsterdam UP, 1995. Donaldson, Geoffrey. Of Joy and Sorrow. A Filmography of Dutch Silent Fiction. Amsterdam: Nederlands Filmmuseum, 1997. Dyer, Richard Stars. London: BFI, 1997 (2 nd ed). Elsaesser, T. & Adam Barker (eds.) Early Cinema: Space-Frame-Narrative. London: BFI, 1990. Elsaesser, T. Weimar Cinema and After. Germany s Historical Imaginary. London/New York: Routledge, 2000. Everaerts, J.P. Oog voor het echte. De geschiedenis van de Vlaamse documentaire film, televisie en video, Brussel: BRT, 1987.

8 Fullerton, John (ed.) Celebrating 1895: The Centenary of Cinema. Sydney: John Libbey, 1998. Gomery, D. Shared Pleasures. A History of Movie Presentation in the United States. London: BFI, 1992. Grant, Barry Keith (ed.). Film Genre Reader II. Austin: University of Texas Press, 1995. Gunning, Tom, D.W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph. Urbana: University of Illinois Press, 1991. Harding, Colin & Simon Popple, In the Kingdom of Shadows. A Companion to Early Cinema, London: Cygnus Arts, 1996. Hertogs, Daan & Nico de Klerk (eds.) Uncharted Territory. Essays on Early Nonfiction Film. Amsterdam: Nederlands filmmuseum, 1997. Hansen, Miriam. Babel and Babylon: Spectatorship in American Silent Film. Cambridge: Harvard UP, 1991. Klepper, Robert K. Silent Films 1877-1996. a Critical Guide to 646 Movies. Jefferson: McFarland, 1999. Koszarski, Richard, An Evening s Entertainment. The Age of the Silent Feature Picture, 1915-1928, Berkeley: University of California Press, 1994/1990 (History of the American Cinema, vol. 3). Lack, Russell, Twenty-Four Frames Under: A Buried History of Film Music, London: Quartet, 1997. Marks, Martin Miller, Music and the Silent Film: Contexts and Case Studies 1895-1924, New York: Oxford UP, 1997. Mosley, Philip, Split Screen. Belgian Cinema and Cultural Identity. Albany: State University of New York Press, 2001. Musser, Charles, The Emergence of Cinema: The American Screen to 1907. Berkeley: University of California Press, 1994/1991 (History of the American Cinema, vol. 1). Naremore, James, More Than Night. Film Noir in its Contexts, Berkeley: University of California Press, 1998. Neale, Steven & Murray Smith (eds.) Contemporary Hollywood Cinema. New York: Routledge, 1998. Robinson, David, From Peep Show to Palace: The Birth of American Film. Columbia UP, 1996. Rossell, Deac Living Pictures: The Origins of the Movies. Albany: State University of New York Press, 1998. Schatz, Thomas, Boom and Bust: American Cinema in the 1940s. Berkeley: University of California Press, 1999/1997 (History of the American Cinema, vol. 6). Schoots, Hans, Living Dangerously, Amsterdam: Amsterdam UP, 2000. Transl. of Gevaarlijk leven. Een biografie van Joris Ivens, z.p.: uitgeverij Jan Mets, 1995. Sjocher, F. La Kermesse héroïque du cinema belge, Paris: l Hermattan, 1999. Staiger, Janet (ed.) The Studio System. New Brunswick: Rutgers UP, 1995. Thompson, Kristin, Breaking the Glass Armor. Neoformalist Film Analysis, Princeton: Princeton UP, 1988. Thijs, Marianne, Belgian cinema Le cinema Belge Belgische Film, Gent/Brussel: Ludion/KFA, 1999. Tsivian, Yuri. Early Cinema in Russia and its Cultural Reception. London: Routledge, 1994. Ulricchio, William & R. Pearson. Reframing culture. The case of the Vitagraph quality films, 1993. Tsivian, Yuri & Pablo Cherchi Usai (eds.), Silent Witnesses: Russian Films 1908-1919. London: BFI, 1990. Vasey, Ruth, The World According to Hollywood, 1928-1939, Madison: University of Wisconsin Press, 1997. Williams, Alan The Republic of Images. Cambridge: Harvard UP, 1992. Youngblood, Denise J., The Magic Mirror: Moviemaking in Russia, 1908-1918. Madison: University of Wisconsin Press, 1999. Youngblood, Denise J., Soviet Cinema in the Silent Era, 1918-1933, Austin: University of Texas Press, 1991 (1985). Film theory Things to do: to elaborate and to annotate Allen, Richard. Projecting Illusion. Film Spectatorship and the Impression of Reality. Cambridge: Cambridge UP, 1997. Altman, Rick (ed.), Sound Theory Sound Practice. New York: Routledge, 1992 Altman, Rick Film/Genre. London: BFI, 1999. Armes, Roy, Action and Image: Dramatic Structure in Cinema. Manchester: Manchester UP, 1994. # Aumont, Jacques, The Image, London: BFI, 1997. Transl. of: L' image, Paris: Nathan, 1990 (L' image 2, Paris: Nathan, 2000). Barker, Martin & Thomas Austin, From ANTZ to TITANIC. Reinventing Film Analysis, London: Pluto Press, 2000. Bellour, Raymond, The Analysis of Film, Bloomington/ Indianapolis: Indiana UP, 2000. Transl. of Analyse du film, Paris: Albatros, 1979. # Bordwell, D. & N. Carroll (eds.). Post-Theory. Reconstructing Film Studies, Wisconsin: University of Wisconsin Press, 1996. Bordwell, D, Narration in the Fiction Film, Madison: University of Wisconsin, 1985. Bordwell, D. Making Meaning: Inference and Rhetoric in the Interpretation of Cinema. Cambridge: Harvard UP, 1989. Branigan, Edward. Narrative Comprehension in Film. New York: Routledge, 1992. Buckland, Warren (ed.), The Filmspectator. From Sign to Mind. Amsterdam: Amsterdam UP, 1995. Carroll, Noël, Theorizing the Moving Image, Cambridge: Cambridge UP, 1996. Casetti, Francesco, Inside the Gaze: The Fiction Film and Its Spectator. Bloomington: Indiana UP, 1998. Oorspr.: Dentro lo sguardo: il filme e il sou spettore, Milaan: Bompiani, 1986.

9 Chion, Michel, Audio-Vision. Sound and Screen. New York: Columbia UP, 1994. Transl. of L' audio vision, Paris: Nathan, 1990. Chion, Michel, The Voice in Cinema, New York: Columbia UP, 1999. Transl. of Le Voix du cinéma, Paris: Cahier du cinéma, 1993/ Ed. de l Etoile 1982. # Collins, Jim & Hillary Radner & Ava Preacher Collins (eds.). Film Theory Goes to the Movies. New York: Routledge, 1993. Dixon, Winston Wheeler, The Transparency of Spectacle: Meditations on the Moving Image, Albany: State University of New York Press, 1998. Dixon, Winston Wheeler (ed), Film Genre 2000, new Critical Essays, Albany: State University of New York Press, 2000. Elsaesser, Thomas & Kay Hoffmann (eds.), Cinema Futures: Cain, Abel or Cable? The Screen Arts in the Digital Age, Amsterdam: Amsterdam UP, 1998. Elsaesser, Thomas & Warren Buckland, Studying Contemporary American Film. A Guide to Movie Analysis. London: Arnold, 2002. Furniss, Maureen. Art in Motion: Animation Aesthetics. Sydney: John Libbey, 1998. Grodal, Torben. Moving Pictures: A New Theory of Film Genres, Feelings and Cognition. New York: Oxford UP, 1997. Müller, Jürgen E. (ed), Towards a Pragmatics of the Audiovisual. An Introduction. Theory and Cases, Verlag VZ, 1994 (2 vols). Neale, S, Genre and Hollywood, London: Routledge, 2000. Nichols, Bill Representing Reality. Issues and Concepts in Documentary. Indiana UP, 1991. Orr, John. Cinema and Modernity. Cambridge: Polity Press, 1993. Pisters, Patricia, The Matrix of Visual Culture. Working with Deleuze in Film Theory, Stanford: Stanford UP, 2003. Plantinga, R. Rhetoric and Representation in Nonfiction Film. Cambridge: Cambridge UP, 1997. Plantinga, Carl & Greg M. Smith, Passionate Views. Film, Cognition and Emotion. Baltimore: John Hopkins UP, 1999. Renov, Michael (ed.) Theorizing Documentary. London: Routledge, 1993. Rosen, Philip, Change Mummified. Cinema, Historicity, Theory, Minneapolis: University of Minnesota Press, 2001. Smith, Murray Engaging Characters: Fiction, Emotion, and the Cinema. Oxford: Clarendon Press, 1995. Staiger, J., Interpreting films. Studies on the Historical Reception of American Cinema, Princeton: Princeton UP, 1992. Staiger, J., Perverse Spectators. The Practices of Film Reception, New York: New York University Press, 2000. Stokes, M. & R. Maltby, American Movie Audiences, London: BFI, 1999. # Thompson, Kristin, Storytelling in the New Hollywood: Understanding Classical Narrative Technique. Cambridge: Harvard UP, 1999. Turan, Kenneth, Sundance to Sarajevo. Film festivals and the World they Made, Berkeley: University of California Press, 2002. Willemen, Paul. Looks and Frictions. London: BFI, 1994. Williams, Christopher (ed.), Cinema: The Beginnings and the Future, London: University of Westminster Press, 1996. Williams, Linda (ed.) Viewing Positions: Ways of Seeing Film. New Jersey: Rutgers UP, 1994. Winston, Brian, Claiming the Real. The Documentary Film Revisited. London: BFI, 1995. Winston, Brian, Lies, Damn Lies and Documentaries. London: BFI, 2000. Part 3: Neighbour fields of research recent introductions (neighbour fields of research) Bignell, Jonathan, An Introduction to Television Studies, London: Routledge, 2004. Burton, Graeme, Talking Television. An Introduction to the Study of Television, London: Arnold, 2000. Deacon, David & Michel Pickering & Peter golding & Graham Murdock (eds.), Researching Communications. A Practical Guide to Methods in Media and Cultural Analysis, London/New York: Arnold, 1999. Ellis, John, Visible Fictions: Cinema - Television - Video, London: Routledge & Kegan Paul, 1993 (2 nd ed). Fiske, John, Television Culture, New York: Routlege, 1987. Fiske, John, Introduction to Communication Studies, London: Routledge, 1990 (2 nd ed). Gripsrud, Jostein, Understanding Media Cultures, New York: Arnold, 2002. Kilborn, R. & J. Izod. Introduction to Television Documentary. Manchester, 1997. Mattelart, Michele & Armand Mattelart, Theories of Communciation. A Short Introduction, London: Sage, 1998. Lister, M. et.al. (eds), New Media. A Critical Introduction, London: Routledge, 2003. Miller, T., Television Studies, London: BFI, 2002. Mirzoeff, Nicholas, An Introduction to Visual Culture. London/ New York: Routledge, 1999. Sturken, Marita & Lisa Cartwright, Practices of Looking. An Introduction to Visual Culture. Oxford: Oxford UP, 2001.

10 Thompson, John B., The Media and Modernity. A Social Theory of the Media, Cambridge: Polity Press, 1995. Turner, Graeme, Introduction to British Cultural Studies. London: Routledge, 1992. Walker, John A. & Sarah Chaplin, Visual Culture. An Introduction. Manchester/ New York: Manchester UP, 1997. Dutch publications introductions to neighbour fields of research Baeten, Jan & Ginette Verstraete (eds.) Cultural Studies. Een inleiding Kampen: Kok Agora, 2002. Biltereyst, Daniel, Yen Peeren (eds), Nieuws, democratie en burgerschap. Onderzoek over hedendaagse nieuwsmedia, Gent: Academia Press, 2004. Braembussche, A.A. van den. Denken over kunst. Een kennismaking met de kunstfilosofie. Bussum: Coutinho, 2000 (3 rd ed). Costera Meijer, Irene & Maarten Reesink (eds.).reality Soap! Big Brother en de opkomst van het multimediaconcept. Amsterdam: uitgeverij Boom, 2000. Reesink, Maarten & Joke Hermes, Inleiding Televisiestudies, Amsterdam: Boom, 2003. Simons, Jan, Een inleiding in de mediatheorie, Amsterdam: Amsterdam UP, 2002. Smelik, A. & R. Buikema & M. Meijer, Effectief beeldvormen. Theorie, praktijk en analyse van beeldvormingsprocessen, Assen: Van Gorcum, 1999. Wijk, Kees van, De media-explosie. Trends en issues in massacommunicatie. Schoonhoven : Academic Service, 2003 (2 e druk). Zoonen, Liesbet van, Media, cultuur en burgerschap. Een inleiding, Amsterdam: Aksant, 2002. recent publications about film and philosophy Allen, Richard & Murray Smith (eds.). Film Theory and Philosophy. Oxford: Clarendon Press, 1997 Andrew, Dudley, Film in the Aura of Art, Princeton: Princeton UP, 1984. Andrew, Dudley (ed.) The Image in Dispute. Art and Cinema in the Age of Photography, Austin: University of Texas Press, 1997. Caroll, Noël & Jinhee Choi, Philosophy of Film and Motion Pictures. An Anthology, Oxford: Blackwell, 2005. Freeland, Cynthia A. & Thomas E. Wartenberg (eds.), Philosophy and Film. London: Routledge, 1995. Jameson, Frederic. The Geopolitical Aesthetic: Cinema and Space in the World System. Bloomington: Indiana UP, 1992. Jarvie, Ian Philosophy of the Film. Epistemology, Ontology, Aesthetics. New York: Routledge & Kegan Paul, 1987. Nichols, Bill. Blurred Boundaries. Questions of Meaning in Contemporary Culture. Bloomington: Indiana UP, 1994 Phalzon, Christopher, Philosophy Goes to the Movies. An Introduction to Philosophy. London: Routledge, 2002. Pisters, Patricia, The Matrix of Visual Culture: Working with Deleuze in Film Theory, Palo Alto: Stanford UP, 2003. Rothman, William & Marian Keane, Reading Cavell s The World Viewed. A Philosophical Perspective on Film. Detroit: Wayne State UP, 2000. Slade, Christina, The Real Thing. Doing Philospohy with Media, New York: Lang, 2002. Valenti, F.M., More Than a Movie. Ethics in Entertainment, Boulder: Westview Press, 2000. Wartenberg, Thomas E. & Angela Curran (eds), The Philosophy of Film. Introductory Text and Readings. Oxford: Blackwell, 2005. Some publications social theory and film Becker, Howard S. Art Worlds. Berkeley: University of California Press, 1982. Charney, Leo & Vanessa Schwartz (ed.), Cinema and the Invention of Modern Life, Berkeley: University of California Press, 1995. Charney, Leo, Empty Moments: Cinema, Modernity and Drift. Durkham/London: Duke UP, 1998. Denzin, Norman K. Images of Postmodern Society. Social Theory and Contemporary Cinema. London etc: Sage, 1991. Denzin, Norman K. The Cinematic Society. The Voyeur s gaze. London: Sage, 1995. Dissanayake, Wimal (ed.) Cinema and Cultural Identity. Reflections on Films from Japan, India and China. Lanham: University Press of America, 1988. Friedberg, Anne Window Shopping. Cinema and the Postmodern, Berkeley: University of California Press, 1993. Gabler, Neal, Life: the Movie. How Entertainment Conquered Reality. New York: Knopf, 1998. Monaco, Paul. Cinema and Society. New York: Elsevier, 1976 Jarvie, I.C., Movies and Society, New York: Basis Books, 1970 / English edition: Towards a sociology of the cinema, London, 1970. Shohat, Ella & Robert Stam, Unthinking Eurocentrism. Multiculturalism and the Media, London/ New York: Routledge, 1994. Sorlin, Pierre. European Cinemas, European Societies 1939-1990. London: Routledge, 1991. Taylor, Lucien, (ed.) / MacDougall, David? Transcultural Cinema. Princeton: Princeton UP, 1998. Tudor, Andrew, Images and Influence. Studies in the Sociology of Film. London: Allen & Unwin, 1974. Turan, Kenneth, Sundance to Sarajevo. Filmfestivals and the World they Made, Berkeley: University of California Press, 2002. Turner, G., Film as Social Practice. London/New York: Routledge, 1988. Turner, Graeme (ed), The Film cultures Reader, New York: Routledge, 2002.

11 recent publications film and new media Bolter, Jay David & Richard Grusin, Understanding New Media,.:MIT Press, 1998. Castells, M. The Information Age: Economy, Society and Culture (The Rise of the Network Society, vol 1-3). Cambridge: Blackwell, 1996. Collins, Jim. Architecture of Excess: Cultural Life in the Information Age. London: Routledge, 1995. Freeland, Cynthia & Thomas E. Wartenberg (eds.). Philosophy and Film. New York: Routledge, 1995. Harries, Dan (ed), The New Media Book, London: BFI, 2002. Murray, K., Hamlet on the Holodeck. The Future of Narrative in Cyberspace, New York: The Free Press, 1997. Raessens, J. & J. Goldstein, Handbook of Computer Game Studies, Cambridge: MIT Press, 2004. Rieser, Martin & Andrea Zapp (eds), New Screen Media. Cinema/ Art/Narrative, London: BFI, 2002. Wardrip-Fruin, Noah & Nick Montfort (eds), The New Media Reader,..: MIT Press, 2002. Wasko, Janet, Hollywood in the Information Age, Cambridge: Polity, 1994. Recent publications film and history Barta, Tony (ed.) Screening the Past: Film and the Representation of History. Westport: Praeger, 1998. Burke, Landy, Eyewitnessing: The Uses of Images as Historical Evidence, Tihaca, Cornell UP, 2001. Carnes, M., Past Imperfect: History According to the Movies, New York: Henry Holt, 1995. Ferro, Marc, Cinema and History. Detroit: Wayne State UP, 1988. Transl. of Histoire et Cinéma, Paris: Denoël-Gonthier, 1975. Hughes-Warrington, Marnie, History on Film, London: Routledge, 2006. Grindon, Leger. Shadows on the Past: Studies in the Historical Fiction Film. Philidelphia: Temple UP, 1994. Kaes, A., From Hitler to Heimat: The Return of History as Film, Cambridge/London: Harvard UP, 1989. Landy, Marcia (ed), The Historical Film: History and Memory in Media, New Brunswick: Rutgers UP, 2000. O Connor, J.E. Image as Artifact: The Historical Analysis of Film and Television. Malabar: Krieger, 1990. Rosenstone, R.A. (ed.) Revisioning History: Film and the Construction of a New Past. Princeton: Princeton UP, 1995. Rosenstone, R.A. Visions of the Past: The Challenge of Film to Our Idea of History. Cambridge/London: Harvard UP, 1995. Short, K.R.M. (ed.) Feature Films as History. London, 1981. Sklar, Robert & Charles Musser (eds.). Resisting Images. Essays on Cinema and History. Philidelphia: Temple UP, 1990. Sobchack, V. (ed), The Persistence of History: Cinema, Television and the Modern Event, New York/London: Routledge, 1996. Sorlin, Pierre. The Film in History. Restaging the Past. Oxford, 1980. Toplin, R.B., History by Hollywood. The Use and Abuse of the American Past, Urbana: University of Illinois Press,1996. Vidal, G. Screening History, London: Andre Deutsch, 1992. Publications around the topic of film/literature adaptation Cartmell, Deborah Cartmell & Imelda Whelehan (eds), Adaptations: from text to screen, screen to text, London/New York: Routledge, 1999. McFarlane, B, Novel to Film: an Introduction to the Theory of Adaptation, Oxford: Clarendon, 2000. Naremore, J (ed), Film Adaptation, London: Athlone Press, 2000. Stam, Robert & Alessandro Raengo (eds), Literature through film: realism, magic and the art of adaptation, London: Blackwell, 2004. Stam, Robert & Alessandro Raengo (eds), Literature and film: a guide to theory and practice of film adaptation, London: Blackwell, 2004. Stam, Robert & Alessandro Raengo (eds), A companion to literature and film, London: Blackwell, 2004. Other recent publications other neighbour fields of research Bourdieu, Pierre, On Television, New York: The New press, 1998. Transl of Sur la télévision, 1996. Dutch transl Over televisie. Amsterdam: Boom, 1998. Cowie, Elizabeth, Representing the Women: Cinema and Psychoanalysis. London: Macmillan, 1997. Donnelly, K.J. (ed.), Film Music. Critical Approaches. Edinburgh: Edinburgh UP, 2001. Devereaux, Leslie & Roger Hillman (ed.), Fields of Vision: Essays in Film Studies, Visual Anthropology and Photography, Berkeley: University of California Press, 1995. Grimshaw, Anna, The Ethnographer s Eye. Ways of Seeing in Anthropology. Cambridge: Cambridge UP, 2002. Hill, John & Martin Mc Loone (eds.) Big Picture, Small Screen. The Relations Between Film and Television. Luton: University of Luton Press, 1996. Hockings, Paul (ed.) Principles of Visual Anthropology. Den Haag etc: Mouton, 1975. Hollander, Anne, Moving Pictures, Cambridge: Harvard UP, 1991 (reprint). Horak, J.C. Making Images Move. Photographers and Avant-Garde Cinema. Washington: Smithsonian Institution Press, 1997. Jacobs, L., The Wages of Sin, Censorship and the Fallen Woman Film, Madison: University of Wisconsin Press, 1991.

12 Kaplan, Ann E. (ed.) Psychoanalysis and Cinema. London: Routledge, 1990. Kolker, Robert, Film, Form and Culture, Boston: McGraw-Hill, 2002 (2 nd ed). Pink, Sarah, Doing Visual Ethnography. Images, Media and Representation in Research, London: Sages, 2001. Quaresima, Leonardo & Laura Vichi, La decimea musa: il cinema e la alter arti/ The tenth muse: cinema and other arts. Udine: Forum, 2001. Ruby, Jay, Picturing Culture. Explorations of Film and Anthropology. University of Chicago Press, 2000. Sklar, Robert, Movie Made America. A Cultural History of American Movies, New York: Vintage 1994 (1973). Sobchack, Vivian. The Adress of the Eye. A Phenomenology of Film Experience. Princeton: Princeton UP, 1992. Sobchack, Vivian Carol (ed.) The Persistence of History. Cinema, Television and the Modern Event. New York/London: Routledge, 1996 (AFI filmreader). Werker, Anke, By a Lady. Jane Austen s Female Archetypes in Fiction and Film. Tilburg: Tilburg UP, 1998. Appendix 1: Internet sources for Film Studies The internet offers a lot of opportunities and possibilities: One can fish for data in the big digital ocean, through search machines. One can explore a particular area of the internet through portals. One can visit the office, or house or shop of members of the big digital neighbourhood, through their personal websites. And one can browse through the files of specialized journals: some of them are so generous to offer you easy access to their complete volumes for free, other journals are more exclusive and you ll need a password or a credit card. Some general search machines www.alltheweb.com www.findarticles.com www.google.com www.kartoo.com www.metafind.com www.questia.com www.salon.com Dutch: www.zoekprof.nl; www.voelspriet.nl; www.soople.nl some useful internet portals for Film Studies http://afi.cinemedia.org http://dir.yahoo.com/entertainment/movies_and_film/ http://users.ox.ac.uk/~ctitext2/tchfilm.html (CTI Textual Studies, Engeland) www.allonesearch.com * www.cinema-sites.com www.dmoz.org (open directory project) www.earlymodernweb.org.uk/film/filmbibliog.htm * www.faol.org (film archives on line) www.film.nl (startpagina) www.filmfestivals.com * www.film-philosophy.com/portal/ www.filmsite.org www.geocities.com/moviemags (= The site of movie magazines) www.ptnostalgia.com/movlinks.html (past nostalgia) www.film.queensu.ca/links/studylinks.html (Queens University Film Studies, Canada) www.kcl.ac.uk/humanities/cch/filmstudies/courses/research (a guide to research in Film Studies, for students in London) www.moviesite.net www.refdek.com www.swt.edu/~jp50825/ (Film Research Links, compiled by James W. Parsons) www.tdfilm.com (the definitive online film ressource) a selection of European newspapers with extensive film information on-line http://film.guardian.co.uk (English) www.lemonde.fr (French) www.liberation.com (French) www.nrc.nl (Dutch) www.parool.nl (Dutch) www.standaard.be (Dutch) www.sueddeutsche.de (German) www.trouw.nl (Dutch) www.volkskrant.nl + www.cinema.nl (Dutch) a selection of college libraries and on-line bibliographies Film Studies

13 http://cinetext.philo.at/filmbooks.html (on-line magazine,vienna) www.amianet.org (= Association of Moving Image Archivists) www.cinemastudies.org (Society for Cinema Studies) www.domitor.org (Domitor, International Association to Promote the Study of Early Cinema) www.dsi.cnrs.fr/afrhc (Ass. Fr. De Recherche sur l Histoire du Cinéma) www.film.queensu.ca/links/studylinks.html (Queen's University Film Studies, Canada) www.lcweb.loc.gov/rr/mopic (Library of Congress) http://www2.let.uu.nl/solis/bibliotheek/pagina/theater/internetbronnenfilm.htm (University of Utrecht) www.lib.berkeley.edu/mrc (= Media Resource Centre van University of California) www.montagetheorie.de (bibliographie compiled by Gerhard Schumm) www.objectif-cinema.com (French) www.precinemahistory.net (Paul T. Burns) www.sa.ua.edu/tcf/welcome.html (Screensite film & TV Studies) www.sosi.cnrs.fr/afrhc/afrhc.html www.swp.com/~cmora/cine.html (Filmstudies Universiteit Barcelona) www.swt.edu/~jp50825/ (annotated bibliography by James W. Parsons) www.tcf.ua.edu/screensite/contents.html www.uark.edu/~aca/studies/film.html (American Communication Association) www.uba.uva.nl/nl/digitalebib/film_en_tv (University of Amsterdam) www.utoronto.ca/innis/library/cinema.html www.visualanthropology.net www.visualculture.nl a selection of personal websites of film historians and film researchers www.abacon.com/mast (website Bruce F. Kawin) www.cri.histart.umontreal.ca/grafics (website André Gaudreault) www.earlycinema.com www.footagesources.com www.geschiedenisenbeeld.nl www.let.kub.nl/people/westerm/index.htm (website Marc Westermann) www.lobsterfilms.com www.mhhe.com/filmart (website Bordwell & Thompson) www.otal.umd.edu/~rkolker (website Robert Kolker) www.readfilm.com (website James Monaco) www.xs4all.nl/~kd/ (Netherlands Cinema History, website Karel Dibbets) a selection of on-line Film Journals (and some websites of printed Film Journals) * http://comcom.uvt.nl/e-view/ (Duch: E-View, een elektronisch magazine over theater, film, tv, digitale media) * www.filmkrant.nl (Dutch) * www.skrien.nl (Dutch) www.audiencemag.com http://journal.media-culture.org.au/ * www.6degrees.co.uk * www.brightlightsfilm.com * www.cadrage.net (1 ère revue en ligne universitaire française de cinéma) * www.ejumpcut.org (Jump Cut, a review of contemporary media) www.film-philosphie.com * www.frameworkonline.com (Framework) www.flowtv.org www.imageandnarrative.be/index.htm (Image & Narrative, online magazine of the Visual Narrative) www.indiewire.com www.interactivefilmschool.com * http://wwwmmc.murdoch.edu.au/readingroom/conted.html (Continuum, The Australian Journal of Media & Culture) * www.mfj-online.org (Millenium Film Journal) * www.latrobe.edu.au/www/screeningthepast (Screening the Past) * www.scope.nottingham.ac.uk (Scope) * http://pov.imv.au.dk/pov.html (P.O.V. - Danish Journal of film Studies (Danish/English) www.screendaily.com (trade journal) * www.sensesofcinema.com www.thefilmjournal.com www.ucpress.edu/journals/fq (Film Quarterly) www.variety.com (trade journal) www.cadrage.net (French) www.cineaste.com (French) www.tausendaugen.com (German) some databases of film information http://let.kub.nl/cgi-bin/filmlit/filmlit (Dutch: verfilmde Ned.literatuur) www.absoluteauthority.com/film_studies

14 www.allmovie.com * www.apolloguide.com www.bbc.co.uk/films/ www.cinegraph.de (German films) * www.cinema.nl www.cinemedia.org www.chinesecinemas.org www.chireader.com/movies (Chicago Reader) www.film.com www.filmcritic.com www.filmsite.org of: www.greatestfilms.org (website Tim Dirks) * www.imdb.com (Internet Movie Database) www.inblackandwhite.com www.indiewire.com * www.moviediva.com * www.mastersofcinema.org www.mavicanet.com www.metacritic.com www.mdle.com/classicfilms (The silent majority) www.movieweb.com www.movieworld.com * www.mrqe.com ( Movie Review Query Engine) www.reelclassics.com www.rottentomatoes.com www.suntimes.com/ebert/index.html (reviews of Roger Ebert) www.tvguide.com/movies/database/ (Cinebooks) www.virtualchina.org/archive/leisure/film/index.html www.worldfilm.about.com www.wsws.org (world socialist web site) a selection of Film Institutes http://lcweb.loc.gov/film/ (National Film Preservation Board) www.afi.com (American Film Institute) www.afi.org.au/index1.html (Australian Film Institute) www.bfi.org.uk/ (British Film Institute) www.bifi.fr (Bibliothèque du film) www.cinemathequefrancaise.com www.crac.asso.fr www.fiafnet.org (International Federation of Film Archives) www.filmarchief.be www.filmmuseum.nl www.filmeducation.org (National Grid for Learning, UK) www.filminstitut.de (Deutsches Filminstitut) www.filmlinc.com (The Filmsociety of Lincoln Center + Film Comment) www.inst-jeanvigo.asso.fr (Institut Jean Vigo) www.ledoux.be/archimedia (Koninklijk Filmarchief van België + Archimedia netwerk) www.niaf.nl (Nederlands Instituut voor Animatiefilm) www.nibg.nl of www.beeldengeluid.nl (Nederlands Instituut voor Beeld en Geluid) www.nmpft.org.uk (National Museum of Photography, film and Television, Bradford) a selection of festivals of historical films/ cinematographic heritage http://www.cinetecadelfriuli.org/gcm (festival Giornate del Cinema Muto, Pordenone) www.cinetecadibologna.it (festival Cinema Retrivato) www.cinephiles.org Some interactive filmwebsites www.edgecodes.com (website of the Canadian Documentary Edge Codes, Alex Shuper, 2003) www.saulbass.net (here you can, among other things, re-edit the shower scene of Psycho) Publishers of filmstudies Europe www.aup.nl (Amsterdam University Press) www.arnoldpublishers.com / www.hodderheadline.co.uk www.bfi.org.uk/booksvideo/ (British Film Insitute Publishing) www.oup.co.uk/ (Oxford UP) www.blackwell.co.uk / www.blackwellpublishing.com www.ibtauris.com/ www.wallflowerpress.co.uk/

15 US-University Press McGraw Hill; Routledge; Rutgers; Wayne State; Cornell; Princeton; Texas; Illinois; California; Columbia; Cambridge; Indiana. Appendix 2: Film studies in The Netherlands & Flanders Overzicht van (recente) proefschriften in Nederland en Vlaanderen: Beusekom, Ansje van. Film als kunst. Reacties op een nieuw medium in Nederland, 1895-1940 (Amsterdam: Vrije Universiteit, 1998). Handelseditie: Kunst en Amusement. Reacties op de film als nieuw medium in Nederland 1895-1940, Haarlem: Arcadia, 2001. Bildereyst, Daniel, American Television Fiction Hegemony in Europe, Brussel: VUB, 1993. Blom, Ivo, Pionierswerk. Jean Desmet en de vroege Nederlandse filmhandel en bioscoopexploitatie 1907-1921 (Amsterdam: Universiteit van Amsterdam,2000). Handelseditie: Jean Desmet and the Early Dutch Film Trade, Amsterdam: Amsterdam UP, 2003. Bordewijk, Cobi, Pinter Appeal. A Comparitive Study of Respons to Homecoming, Amsterdam, 1988. Convents, Guido, Cultuurvernieuwing in het groot en ondernemerschap in het klein. Ontstaan en doorbraak van een universeel filmvermaak in België. Leuven: universiteit van Leuven, 1999. Handelseditie: Van kinetoscoop tot café-ciné. De eerste jaren van de film in België 1894-1908. Leuven: Universitaire Pers Leuven, 2000. Desloovere, Karl, De geschreven audiovisuele articulatie van het filosofische denken, Brussel: VUB (4 dvd). Dibbets, Karel. Handelseditie: Sprekende film. De komst van de geluidsfilm in Nederland, 1928-1933. (Amsterdam: Cromwinckel, 1993). Driel, Hans van. De semiosis. De semiotiek van C.S. Peirce in verband gebracht met het verschijnsel film (Tilburg, KUB, 1993). Feenstra, Pietsie, La Construction de Nouvelles Figures Mythiques dans le Cinéma Espagnol de l Après-Franquisisme (1975-1995), Paris, Sorbonne Nouvelle/ Paris III, 2001. Förster, Annette, Histories of Fame and Failure. Adriënne Solser, Musidora, Nell Shipman: Women Acting and Directing in the Silent Cinema in The Netherlands, France and North America, Utrecht, dissertatie 2005. Goossens, Guido, Verloren zonsondergangen: Hans Jürgen Syberberg en het linkse denken over rechts in Duitsland, dissertatie Universiteit Maastricht, 2003. Handelseditie: Amsterdam: Amsterdam UP 2004. Hofstede, Bart. In het wereldfilmstelsel. Identiteit en organisatie van de Nederlandse film sedert 1945 (Delft: Eburon, 2000). Handelseditie: Nederlandse cinema wereldwijd. De internationale positie van de Nederlandse film.amsterdam: Boekmanstudies, 2000. Hogenkamp, Bert, Handelseditie: Deadly Parallels, Film and the Left in Britain 1929-1939. London: Lawrence & Wishart, 1986. Vervolgonderzoek: Film, Television and the Left in Britain 1950 to 1970, London: Lawrence & Wishart, 2000. Kattebelt, Chiel. Theater en film: een aanzet tot een systematische vergelijking vanuit een rationaliteits-theoretisch perspectief (Utrecht, RU, 1991). Kester, Bernadette.Handelseditie: Filmfront Weimar. Representatie van de Eerste Wereldoorlog in Duitse films uit de Weimarperiode (1919-1933). Hilversum: Verloren. 1998. Engelse vertaling: Film Front Weimar. Representations of the First World War in German Films of the Weimar Period 1919-1933, Amsterdam: Amsterdam UP, 2003. Mathijs, Ernest, Referentiekaders van filmkritiek. Een onderzoek naar het gebruik van referenties in de interpretatie en evaluatie van David Cronenberg. Brussel: Vrije Universiteit Brussel, 2000. Meers, Philippe, De Europese film op zoek naar een publiek. Een multimethodisch publieksonderzoek naar de filmbeleving van jongeren in het kader van de Europees-Amerikaanse verhoudingen in de mondiale filmed entertainment -industrie, Gent: Werkgroep Film-en Televisiestudies, vakgroep Communicatiewetenschappen, Universiteit Gent, 2003. Pisters, Patricia. From Eye to Brain. Gilles Deleuze: Refiguring the Subject in Film Theory (Amsterdam: Universiteit van Amsterdam, 1998). Handelseditie: Stanford UP, 2001. Post, Jack, Optische effecten in de film: Aanzetten tot een semiotische analyse, Leuven: uitgeverij Peeters, 1998. Punt, Michael. Early Cinema and the Technological Imaginary (Amsterdam: Universiteit van Amsterdam, 2000). Handelseditie: Trowbrdige: Cromwell Press, 2000. Raesens, Joost. Film en filosofie. Vivre la Difference. Deleuze en de cinematografische moderniteit (Budel: Damon, 2001). Schiweck, Ingo " ( ) Weil wir lieber im Kino sitzen als in Sack und Asche". Der deutsche Spielfilm in den besetzten Niederlanden 1940-1945, Münster: Waxmann Verlag, Niederlande-Studien, 2002. Simons, Jan. Film, Language and Conceptual Structures. Thinking Film in the Age of Cognitivism (Amsterdam: Universiteit van Amsterdam, 1995). Smelik, Anneke. And the Mirror Cracked. A Study of Rhetoric in Feminist Cinema. (Amsterdam, UvA, 1995). Handelseditie: London: Macmillan, 1998. Stalpaert, Christel, De Belgische vrouwelijke filmtaal in haar discursieve en visuele praktijk, Gent, 2002.

16 Tan, Ed Film als emotiemachine. De affectstructuur van de traditionele speelfilm. Een psychologische studie (Amsterdam, UvA, 1991). Engelse vertaling: Emotion and the Structure of Narrative Film. Film as Emotion Machine, Mahwah (NJ): Lawrence Erlbaum, 1996. Thanouli, Eleftheria, Post-classcical narration: a new paradigm in contemporary world cinema, Amsterdam: UvA, 2005. Thissen, Judith, Moyshe Goes to the Movies. Jewish immigrants, popular entertainment and ethnic identity in New York City (1880-1914), Utrecht, Universiteit Utrecht, 2001. Stapele, Peter van, Poetics of the Screenplay as Drama-Text, Leiden, 2005. Verdaasdonk, D. Beroep: filmregisseur. Het verkrijgen van continuïteit in een artistiek beroep, Zeist: Kerckebosch, 1990 (Erasmus Universiteit Rotterdam). Verhoeff, Nanna, After the Beginning. Westerns Before 1915, (Universiteit van Utrecht), Enschede: Printpartners Ipskamp, 2002. Handelseditie: The West in early cinema: After the beginning, Amsterdam: Amsterdam UP, 2005. Verstraten, Peter. Screening Cowboys.Reading Masculinities in Westerns (Amsterdam: Universiteit van Amsterdam, 1999). Winkel, Roel Vande, Film(journaals) en propaganda in bezet België (1940-1944), Wolff, J. Ph. Production is the key in the film industry. Evaluatie van het speelfilmbeleid in het kader van het mediabeleid van de Europese Unie. (Lelystad: stichting IVO, 1998). Things to do: to elaborate and to annotate and to update. This overview is a work in progess. Your comment is most welcome. Please send an email to: bosma@fhk.eur.nl