PRESERVATION NEEDS ASSESSMENT PRESERVATION 101



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Digital Assets If this section is not applicable to the collection(s) being surveyed, please note that here and move to the next section. Digital collections may include born-digital material and digital surrogates either originating at the institution or acquired through purchase or donation from outside the institution. This assessment does not include material licensed by the institution, such as licensed e-journals. Please include reformatted materials (converted from a physical format to digital format) and born-digital either at the institution or created by another institution and acquired, distributed and maintained by your institution, such as numeric databases or geospatial data. Institutional Information 1. Does the institution have a digital collection initiative? (For this survey, the term digital collection initiative refers to a broad range of programs and projects undertaken in cultural heritage institutions.) 2. What is the size of the institution's staff involved with the digital collection initiative? (FTE = full-time equivalent) FTE professionals FTE support staff Student assistants, representing FTE Volunteers, representing FTE 3. What year did the institution begin creating digital resources? 4. What year did the institution begin collecting digital resources?

5. Does the institution have a written policies and procedures that address digital holdings in any of the following areas (if policies are in development, please indicate): a. Mission and goals b. Collection development c. Emergency preparedness d. Preservation e. Rights and licensing 6. What are the sources of funding for the digital collection initiative? Fees from activities Fundraising Grants Organization s operating budget Sales of products associated with digital collections 7. Where does the digital initiative fit within the organizational structure? 8. Does the institution have IT services in the following areas: a. Desktop/workstation support b. Network support c. File management and storage d. Backup and disaster recovery e. Centralized hardware and software acquisition and maintenance f. Security and protocols (authentication, authorization, etc.)

9. Which, if any, of the following IT applications for digital collections management does your institution currently support? a. Digital imaging (scanning, direct digital capture, digital photography, etc.) b. Collection management system c. Publicly searchable collections database d. Digital asset management system Selection and Acquisition of Digital Collections 10. Has the institution adopted standards or best practices for digital content creation (digitization)? If so, please specify the standards used, or attach a copy if the standards are locally customized. 11. How are digital collections created? Please specify in-house versus vendor projects. 12. From which of the following source materials have digital resources been created? How many of each type (estimate as needed)? Flat works on paper or photographic prints Film (film negative or glass plate negative) Microfilm Three-dimensional objects Analog audio Video Books, manuscripts, or other multi-page items

13. If the institution is creating or acquiring born-digital resources, which of the following formats are in use? Creating Acquiring Simple text Encoded text (blogs, websites, listservs, PDF documents) Non-licensed, ebooks, ejournals Photography or other still images Digital audio Digital video Art or visual materials with a database or digital component Application, operating system, or other software Documentation or research data Geospatial data Other numeric data sets 14. Why is the institution creating and/or acquiring digital resources? To contribute to a collaboration/consortium For documentation of condition To generate revenue For identification (i.e. collections management, cataloguing, etc.) To increase access to the collection(s) For marketing and promotion of the institution To preserve original source materials by reducing handling For publication To replace collection items in the event of disaster, deterioration, etc.

For study and use by local patrons For study and use by remote patrons 15. Who is responsible for performing quality control on digitized content? 16. How is quality control performed? 100% review of all files Spot checking/ sampling 17. Of all the items considered part of a digital collection(s), are the majority unique items, or are they replicated in other digital or analog versions? Most are unique (single-copy works) Most are replicated in multiple digital versions Most are replicated in other analog versions Most are replicated in both digital and analog versions 18. What file formats is the institution currently using to store and access digital collections? JPEG JPEG2000 TIFF MPEG

WAV PDF/PDF-A TXT HTML XML Access to Digital Collections 19. How does the institution provide access to the digital collections? Through a website associated with the organization Through a website associated with a different organization Through a content management system CD/DVD/other removable media Standalone computer Local online access/intranet 20. Approximately what percentage of your digital resources is available online? 21. Digital resources require metadata for discovery, access, management and preservation. Which types of metadata does the institution create for the digital collections? Descriptive metadata (i.e. title, subject) Technical metadata (describes the production process or digital attributes of the work)

Administrative metadata (access privileges, rights, ownership of material) Structural metadata (for purpose of linking different parts or units of data) Preservation metadata (checksums and other information that ensures longterm accessibility ) None 22. Which metadata schemas is the institution using? MARC Dublin Core Simple Dublin Core Qualified VRA C0re CIMI METS MODS EAD Locally developed schema 23. What digital asset management system does the institution use? (This system may be used to manage the full life cycle of your digital objects including management of data creation, metadata repository, image repository or linkage to the image repository, registry of preservation metadata, and a means of providing access to users.) OCLC s CONTENTdm DSPACE Endeavor s Encompass ExLibris Digitool Fedora

The Gallery System Luna s Insight Past Perfect software Locally developed system None/ other: Preservation 24. How does the institution fund or intend to fund preservation of digital collections? Preservation budget IT budget A different line in the operating budget (please specify) Grants Other 25. Which of the following digital preservation strategies has the institution implemented: Migration Refreshing data Emulation Maintenance of legacy equipment Data backup Institution operates a digital preservation solution 26. Does the institution outsource to a digital preservation service?

If so, what type of digital content is deposited with the vendor? Text (electronic thesis, dissertations) Encoded text (blogs, websites, listservs, PDF documents) Non-licensed ebooks, ejournals Photography or other still images Digital audio Digital video Art or visual materials with a database or digital component Application, operating system, or other software Documentation or research data Geospatial data If working with a digital preservation vendor, indicate which of the following services are provided. Please note if unsure or if it is unclear. A publicly-available preservation plan (including a migration strategy) Contingency plans in case of emergency Escrow arrangements for software Offsite backup of databases Separate professional staff Authentication/authorization Customer documentation Customer administrative module Usability testing

27. If the institution manages their digital collection(s) locally, what media are used for storage? Removable magnetic media (disks, zip disks, flash memory) Online magnetic media (networked hard drives) Optical media (CD, DVD) Tape None there is no local preservation of digital collections 28. Where does the institution back up its files? In-house, in systems that the institution manages With a partner organization (please specify) Outsourced to a storage site (e.g., Iron Mountain) Other How often are files backed up? Is there a written schedule? Once Once a year Quarterly Once a month Once a week Several times a week Daily

Rights Management 29. Consider the following statements about copyright and intellectual property concerns. Use a scale of 1 (not at all accurate) to 5 (very accurate) to rate the comments in regards to your institution. a. We consider copyright and intellectual property concerns in managing digital materials. b. We feel confident making copyright licensing and digital copyright decisions about our digital collections c. Copyright and licensing concerns deter us from creating and preserving digital collections. d. We record and maintain rights metadata to limit delivery of collections to authorized users.