The People s Art Collection George Washington Williams

Similar documents
This activity will work best with children in kindergarten through fourth grade.

Cartooning and Animation MS. Middle School

HACKETTSTOWN, NEW JERSEY. Computer Animation Grades CURRICULUM GUIDE FINAL DRAFT. July 2014

North Carolina Essential Standards Kindergarten Theatre Arts. Communication. Analysis. Aesthetics

Ashton Community Science College Edexcel GCSE Drama Student guide. Is this the right subject for me?

Kindergarten Social Studies Unit 09 Exemplar Lesson 02: George Washington: How Did He Contribute to Our National Community?

Senior Phase Grade 7 Today Planning Pack ARTS AND CULTURE

A Picture Book of Martin Luther King, Jr. By David A. Adler ISBN:

Minnesota Academic Standards

Top Ten Tips for an Effective Fieldtrip! Effective Fieldtrip Guide. Introduction. Maximizing the impact of out-ofclassroom. learning: PREPARATION

Speaking and Listening Materials

Langston Hughes: Dream Variations Page 1 of 6

PROGRAM FOR LICENSING ASSESSMENTS FOR COLORADO EDUCATORS (PLACE ) OBJECTIVES FIELD 030: DRAMA

Local Government and Leaders Grade Three

TWAS THE NIGHT BEFORE CHRISTMAS STUDY GUIDE

Standard 1: Learn and develop skills and meet technical demands unique to dance, music, theatre/drama and visual arts.

Rubrics for Assessing Student Writing, Listening, and Speaking High School

The President s Job Description

Identity Box: Fred Wilson

Avoice Summary Paper Authored by Terry A. Wilson

ELEMENTARY SCHOOL LIBRARY LESSON PLAN # K-1.2a

World Book Online: The trusted, student-friendly online reference tool. Name: Date:

There s a Boy in the Girls Bathroom by Louis Sachar

Published on

Life Dates: Country of Origin: Russia Musical Era: Romantic

DRAWING, PAINTING, 2-D ART CURRICULUM GUIDE

Poetry to Play Creating a Dramatic Scene from a Chapter of The Odyssey Lesson Plan

Language Arts Literacy Areas of Focus: Grade 5

Jefferson Township Public Schools. Technology Curriculum. Video Production II: Television Studio. Grades 10, 11 & 12. August 2011

Common Core and Georgia Performance Standards: Celebrate Black History Tour Grades K-12

Monuments and Landmarks Classroom Activity

II. Introducing Longfellow s Paul Revere: Instructions for teachers Literature and Culture: B2, B3 Informational Texts: D5, D6, D7

Contextual Relevancy

Service Project Planning Guide

Louisiana Purchase Lesson Plan

The History Channel Presents: Save Our History: Revolution in Boston An original documentary

A. What is a play? B. What are basic elements of a play script? C. What kind of character does your group wish to write about?

TEACHER S GUIDE. Teacher s Guides are developed by members of the Nine O Clock Players, an auxiliary of Assistance League of Los Angeles.

Grade 5: Module 3A: Unit 2: Lesson 13 Developing an Opinion Based on the Textual Evidence:

I Am Rosa Parks. Teacher s Guide for the unabridged audiobook. Introductory Material

Starting point for theatrical production Entity that remains intact after production Blueprint for production or for reader s imagination

Human Rights in the U.S.

Common Core State Standards Speaking and Listening

Ancient Greece: Teacher s Guide

Comparing Primary and Secondary Sources Lesson Plan

African American Schools in Dallas. Marion Butts Collection Dallas Public Library

Student Product Assessment Form (SPAF)

Lesson Plan for Senior Secondary

PORTRAIT. Pablo Picasso. Self-Portrait, 1907

HOMEWORK PROJECT: An Inspector Calls

Civil Disobedience During the Civil Rights Movement Grade 10

Hints and tips on how to get the most out of the performance. Book 4. Acting tips

Jamestown Settlement Family Gallery Guide From Africa to Virginia

Relationship to Characteristic Spirit of the School.

Art Programs. Art Associate in Arts Degree*

PROGRAM 6 The Role of Assessment in Curriculum Design

LESSON PLANS. Elementary Levels

On April 15, 2002, Washington DC Mayor Anthony Williams spoke at an event led by

240Tutoring Reading Comprehension Study Material

Readers Theatre Gettysburg and Mr. Lincoln s Speech

Assignment Discovery Online Curriculum

American Literature, Quarter 1, Unit 2 of 3 The Puritan Tradition and The Crucible. Overview. (1 day = minutes)

Progression in recount

Finding Aid to The HistoryMakers Video Oral History with Evans Crawford

Studio Art. Introduction and Course Outline

Read Kansas! A History of American Indian Education. High School H-4. Overview. Standards

Mansa Musa s Pilgrimage Grade Seven

Animation Overview of the Industry Arts, AV, Technology, and Communication. Lesson Plan

Unit 3: Acting Skills

Standard 1(Making): The student will explore and refine the application of media, techniques, and artistic processes.

Illinois State Board of Education

APPENDIX A: ACTFL GUIDELINES. APPENDIX C: Methodology for Innovative Instruction in K-12 World Language Programs

Writing and Presenting a Persuasive Paper Grade Nine

ELEMENTARY LIBRARY LESSON PLAN # 2-1.4a

Elements of a Novel and Narrative Writing Grade 10

Academic Standards for Reading, Writing, Speaking, and Listening June 1, 2009 FINAL Elementary Standards Grades 3-8

Mount Laurel Township Schools Visual & Performing Arts Curriculum Grades Pre-K-8. Adopted by the Mount Laurel Board of Education on August 25, 2009

SCHEME OF SYLLABUS FOR GRAPHIC DESIGN CLASSES XI AND XII

Developing Communication Skills in Learning for Life and Work

Read the Directions sheets for specific instructions.

Strategies Unlimited, Inc Activity 1

Your final grade will be the sum of all your scores. The scale for each grading period for your reading grade is as follows:

Alignment of the National Standards for Learning Languages with the Common Core State Standards

Language Arts Literacy Areas of Focus: Grade 6

PABLO PICASSO PRE-READING QUESTIONS. 1. What kind of art do you like? 2. Do you have a favorite artist?

Running head: RHETORICAL ANALYSIS 1

17. WHO BECOMES PRESIDENT OF THE UNITED STATES IF THE PRESIDENT SHOULD DIE? 22. HOW MANY CHANGES OR AMENDMENTS ARE THERE TO THE CONSTITUTION?

HY 1010, Western Civilization I Course Syllabus. Course Description. Course Textbook. Course Learning Outcomes. Credits.

Stage 1 Desired Results

Teacher s Guide For. Ancient History: The Greek City-State and Democracy

History. Programme of study for key stage 3 and attainment target (This is an extract from The National Curriculum 2007)

POLITICAL CARTOONS: OPINIONS IN PICTURES!

How successful was the Civil Rights campaign in achieving its aims between 1950 and 1965? I have a dream...

YOUTH AND PRECOLLEGE PROGRAMS IN THE ARTS

Washington in the 60s Discussion Guide

a. Identify physical qualities that might reveal a character s inner traits in the imagined world of a drama/theatre work.

W HAT WORKS FOR ME First-Day Class Activities

Prentice Hall. Literature, The Penguin Edition, Grade Oregon Career-Related Learning Standards (with Common Curriculum Goals) Grade 10

WSESU English Language & Literature Curriculum Framework

Transcription:

The People s Art Collection George Washington Williams The, in partnership with the Ohio Arts Council and the Capitol Square Review and Advisory Board, has developed a set of teacher resources for works of art found at the Ohio Statehouse located in Columbus, Ohio. The teacher resources are individual lessons from The People s Art Collection. In a world where arts education is the core to learning in other academic areas, and on its own, it is fitting that the works of art found at the Ohio Statehouse become an integral part of the visiting students experience. These works of art are available to the public year round and are considered to be an added value to students taking a classic Statehouse tour. School age children and their teachers visit the Statehouse to discover the building s history and architecture as well as to observe state government in action. There are more than 100,000 Statehouse tour participants annually. The People s Art Collection provides integrated lessons for use by educators and parents to take the learning back home and to the school house! Students who are unable to visit the Ohio Statehouse in person may now experience the arts through the lessons and virtual art exploration experience on the website of the Ohio Statehouse at: www.ohiostatehouse.org. The Ohio Alliance for the Arts Education believes that classroom teachers will use the arts learning resources from The People s Art Collection as part of their integrated approach to teaching history, civics, and the arts. We acknowledge the following individuals who skillfully provided lesson content, writing, and editing for the project: Cindy Kerr, Powell; Judy Delagrange, Cleveland; Susan Wolf, Yellow Springs; Leslie Koelsch, Avon; Joseph Bell, Mount Vernon; Janelle Hallett, Columbus; and Roberta Newcomer, Worthington. 1

George Washington Williams, Ohio s First African-American Legislator GRADE 4 Learning Outcomes: The students will be able to: 1. Use collaboration skills to recreate a tableau representing a painted image. 2. Use vivid language and descriptive details to write a narrative. Art Standard: Creative Expression and Communication: Students improvise, create, produce and perform dramatic/theatrical works. Students experiment with dramatic/theatrical processes, develop dramatic/theatrical skills and participate in drama/theatre. Grade Level Indicator: Use vivid language to create a script around one or more elements of theatre such as character, action, props or settings. Arts Standard: Connections, Relationships and Application: Students identify similarities and differences between drama/theatre and other art forms. Students recognize the relationship between concepts and skills learned through drama/theatre with knowledge learned in other curricular subjects, life experiences and potential careers in and outside the arts. Students recognize the benefits of lifelong learning in drama/theatre. Grade Level Indicators: Use problem-solving and cooperative skills to dramatize a story, current event or a concept from another area. Use drama/theater to retell events in Ohio history. Social Studies Standard: People in Societies: Students use knowledge of perspectives, practices and products of cultural, ethnic and social groups to analyze the impact of their commonality and diversity within local, national, regional and global settings. Grade Level Indicator: Describe the cultural practices and products of various groups who have settled in Ohio over time: item e. African-Americans. English/Language Arts Standard: Writing Application: Students need to understand that various types of writing require different language, formatting, and special vocabulary. Writing serves many purposes across the curriculum and takes various forms. 2

Grade Level Indicator: Write narratives that sequence events, including descriptive details and vivid language to develop plot, characters and setting and to establish a point of view. Assessment Strategy: Summative: Project Rubric Vocabulary: Character a person within a dramatic/theatrical work; the part or personality that an actor portrays Dramatize to present events or actions in a dramatic manner Historian an expert in history; a recorder of historical events Investigative Journalism - to examine in detail, to see what happened so that one can write a detailed, informed report Legislator a lawmaker in the state or federal legislature Legislature one of the three branches of state and federal government in the United States that is responsible for making, changing, and repealing laws Orator a person who gives speeches and is especially skilled in giving formal, ceremonial, or persuasive public addresses House of Representatives the lower house of State of Ohio legislature Speech - a talk given to an audience Tableau a stage picture composed of actors in frozen dramatic poses Time Needed: three 45 minute classes Materials: Image of painting George Washington Williams Biography of George Washington Williams (attached) Paper to write story Paper for story board (Optional activity) Drawing pencils Costumes (optional) Internet Resources http://www.georgewashingtonwilliams.org/gww.cfm Ohio Statehouse website with video about George Washington Williams (Excellent source of information about Mr. Williams) http://www.answers.com/topic/george-washington-williams Biography of Williams and explanation of his writings ADDITIONAL INFORMATION ABOUT THE ARTIST: http://www.ronandersonstudio.com/publicartprojects/ruleoflaw.html view additional moments from history painted by this artist, Ronald Anderson 3

http://paik.absolutearts.com/cgibin/portfolio/art/art_movies/view_movies_index.cgi?login=rastudio Ron Anderson, artist, talks about his work http://www.columbusmuseum.org/exhibitions/aminah/aminah_popup.html Aminah Robinson webpage http://www.cscc.edu/elijahpierce/statue.htm Elijah Pierce information Step by Step Procedure: CLASS 1 Teacher-led Activity List the elements/principles of art on the board (line, shape/3-d form, color, value, pattern, repetition, balance, unity, emphasis) Display the painting George Washington Williams Speaking to the Legislature by Ronald Anderson. Invite students to analyze the painting by asking guiding questions. Allow students to respond informally for several minutes. Ask: o What do you see here? (colors, shapes, objects, people) o What elements of art do you see that the artist used to create this image? o What do you think is happening in this picture? o When do you think the action in this painting took place? (1880) o Does it look as though the crowd is listening? o How is the crowd reacting? After the students have analyzed and interpreted the painting, explain that the painting depicts a moment when George Washington Williams, Ohio s first African-American legislator, passionately spoke to the House of Representatives asking the others to vote for a bill that would help improve the police force in Cincinnati. Ask: o What do you think was happening in Cincinnati that made Williams so upset with the police? Share some background information about George Washington Williams: o George Washington Williams was born in 1849 in Pennsylvania. At the age of 14 he enlisted in the Civil War by lying about his age. He fought there, in Mexico and in Indian Territory. Although he was already a minister at several churches in America, he moved to Cincinnati and went to law school. Once he had his degree he felt he still needed to give back to his community by additional community service. One way he felt he could help his neighborhood was to represent the people in the Ohio legislature. Therefore he ran for office and won a seat in the Ohio House of Representatives from 1880-81. He then set out to become a journalist and was applauded for his books A History of Negro Troops in the War of Rebellion and The History of the Negro Race in America 1619 1880, the first history of African-Americans. In 1889 he was given an interview with King Leopold of Belgium. The King explained how he had taken over the Congo Free State in Africa and had treated the people there wonderfully. 4

Mr. Williams questioned this and traveled to the state of Congo to investigate. George Washington Williams wrote a scathing report of the abuse he witnessed in a letter that was published in Belgium. He asked the King to correct the situation in the Congo. The world was shocked by Williams report and expected Belgium to correct their manner of rule in the Congo. Sadly George Washington Williams died on his way home to America in 1891. Williams is also known as the person who invented investigative journalism. George Washington Williams. (2007, December 30). In Wikipedia, The Free Encyclopedia. Retrieved 04:35, January 2, 2008, from http://en.wikipedia.org/w/index.php?title=george_washington_williams&oldid=180980527 Prepare students for writing a narrative based on the painting by asking: o What words could the main character in the front of the painting, George Washington Williams, be saying? o What would make him a good orator? o What persuasive arguments might Mr. Williams utter in his speech? o How might he sway the crowd with his words, tone of voice and body language? o What do you think the man with his hand on his neck might be thinking? o What do you imagine the legislators were doing and saying before Williams spoke? o What do you think the legislators might do and say after his speech? Explain that, in small groups, they will be writing a narrative script and creating tableaus that tell a story about the painting. The script should include the moment pictured in this painting plus two other scenes. Tell the students that each group will perform their script with a narrator reading the story of the scenes and the rest of the students performing tableaus. Explain that their script must have vivid description and the tableaus should show dramatic action. Suggest that they may want to use some props or set pieces, such as a podium, for the tableaus. Ask the students to imagine scenes that they may want to use in their play. Help them get started by suggesting the following scene ideas: o Mr. Williams speaking with frustrated voters or with the Mayor of Cincinnati o Mr. Williams writing his speech as he considered all the problems the police had o The Cincinnati police discussing the problems o Mr. Williams asking for time to speak to the legislature o Mr. Williams practicing his speech. o A group of Cincinnati citizens reacting to the speech o Legislators discussing the merits of his proposal Divide the class into groups. Ask each group to decide on three scenes having dramatic action. Give the groups the remaining time to write their narrative. 5

CLASS 2 Ask students to get into their groups to write the narrative and rehearse their tableaus. CLASS 3 Ask students to perform one group at a time. At the conclusion of each, ask the performers to regroup into their Williams painting tableau. Ask the students in the audience: o Does this tableau resemble the painting? After the comparison, commend the audience for their great Art Detective work. Closure: The teacher will review aloud with the students the events of Mr. Williams life and how he helped change the world. Making Connections: Art: Ask students to create a collage of images and words representing the contributions of George Washington Williams. Drama: Choose other paintings from the Statehouse collection and ask students to create tableaus of the scenes depicted. English/Language Arts: Ask students to read biographies about other famous African- American, especially those who have lived in or impacted Ohio. Social Studies: Ask students to draw a timeline to indicate significant dates and individuals in African American history, i.e. George Washington Carver, Sojourner Truth, Martin Luther King, etc. Include George Washington Williams in the timeline. Parent: After a visit to the Ohio Statehouse, families might go to the nearby Columbus Museum of Art to view work by Aminah Brenda Lynn Robinson and Elijah Pierce, African-American artists from Columbus. Each of these artists felt strongly about their community and incorporated images of their neighborhoods in their work. 6

George Washington Williams Ohio s First African-American Legislator Project Rubric Student Name Date Drama Star Narrative Tableaus Cooperative Skills Provided a logical sequence of scenes with insightful descriptive detail and vivid language. Presented tableaus that showed compelling dramatic action. Used problemsolving and cooperative skills with no noticeable difficulty. Drama Professional (Target for All) Provided a sequence of scenes with descriptive detail and lively language. Presented tableaus that showed engaging dramatic action. Used problemsolving and cooperative skills with little noticeable difficulty. Drama Apprentice Provided a somewhat logical sequence of scenes with some descriptive detail and lively language. Presented tableaus that showed relevant dramatic action. Used problemsolving and cooperative skills with some noticeable difficulty. Drama Beginner Provided an illogical sequence of scenes and/or had minimal descriptive detail and lively language. Presented tableaus that showed general dramatic action that was not compelling, engaging or relevant. Used problemsolving and cooperative skills, but with a lot of noticeable difficulty. Not scorable: Did not participate; did not provide a narrative; did not present a tableau; did not cooperate in group work 7

Biography George Washington Williams (1849 1891), Civil War veteran, minister, politician, and historian. Born in Bedford Springs, Pennsylvania, to Thomas and Ellen Rouse Williams on 16 October 1849, George Williams was the oldest son of five siblings. Given the lack of educational opportunities for African Americans in western Pennsylvania, Williams received little formal schooling. In 1863, at the age of fourteen, he enlisted in the Union army. After leaving the army in 1868, Williams applied for admission and was accepted at Howard University in Washington, D.C., in 1869. He dropped out, however, and entered Wayland Seminary, also in Washington. In 1870 Williams entered Newton Theological Institution outside of Boston. Upon graduation from Newton, Williams was ordained and then offered the pastorate of a prominent African American congregation in Boston, the Twelfth Street Baptist Church, in 1875. While pastor at Twelfth Street Baptist Church, Williams wrote a monograph, History of the Twelfth Street Baptist Church. He left the pastorate of Twelfth Street Baptist after a couple of months and returned to Washington to edit a journal, the Commoner. By December 1875 the journal was defunct. In 1876 Williams traveled to the Midwest to accept the pastorate of Union Baptist Church in Cincinnati, Ohio. In 1879 he was elected to the Ohio House of Representatives. At this juncture Williams embarked on the distinguishing task of his career authorship of the first comprehensive history of African Americans, History of the Negro Race in America from 1619 to 1880 (1883). Originally published in two volumes by G. P. Put-nam's Sons, Williams's History of the Negro Race in America offered an ably documented overview of African American history from its inception in Africa to the postbellum years following the Civil War. Favorably reviewed in both the African American and white press, these volumes established Williams as the foremost historian of the race. In 1887 he produced a monograph on African American participation in the Civil War, History of the Negro Troops in the War of the Rebellion. Despite these accomplishments Williams was unable to exclusively pursue one career. In 1881 he was admitted to the Ohio bar and to the Boston bar in 1883. In 1885 President Chester Arthur appointed Williams minister to Haiti. However, he was never allowed to officially assume the post by the incoming Democratic administration. Williams devoted the latter portion of his career to influencing Belgian policies in the Congo. While writing a lengthy monograph on Belgian abuses in the Congo, Williams succumbed to tuberculosis and pleurisy and died in Blackpool, England, on 2 August 1891. Despite his varied careers, Williams's contributions to the field of historical literature were inestimable. He utilized objectivity in constructing his historical narratives and consulted with historians such as Justin Winsor and George Bancroft. A pioneer in the writing of revisionist history and oral history, the utilization of newspapers, and the collection and interpretation of primary material, William's work laid the ground, in style, presentation, and methodology for the burgeoning field of historical literature in the late nineteenth century. 8

Description: George Washington Williams Artist: Mr. Ronald Anderson, an instructor at the Columbus College of Art and Design Date of Work: 2001 Medium: Oil on canvas Location: Ohio Statehouse Size: 36 inches x 60 inches Note: George Washington Williams addressing the Ohio legislature in1880. Williams had put forth a bill to reform the Cincinnati Police force- "the wretched, partisan, and brutal conduct of the police at the last election sealed the fate of the commission". In working against legislation to set up a commission to override the local authorities, he further stated that "Mayor Charles Jacob Jr. was just the man to reform the police and rid the city of the bunko thieves, cut throats, and vile sows that are open gates through which our young men are marching down to destruction". This is the depiction of the oil work. Photograph and art work descriptions are courtesy of the Capitol Square Review and Advisory Board 9