Teachers notes for "The Big Samba"

Similar documents
Global Music Lesson Plans Lesson 3: Polyrhythmic Drumming Styles Japan and Brazil (Age range 11-14)

Catch the Calypso Beat and Put it in Your Feet! A Smithsonian Folkways Lesson Designed by: Katie Wood Seattle Public Schools, Seattle WA

Hit Makers of America

Standard 1: Skills and Techniques 1

Communicate through music

Swinginʼ Transitions For Drummers

IMPROVING TODAY S PERCUSSION SECTION

Luis Villegas BME 530 DYNAMICS. Introduction:

Neil A. Kjos Music Company

Lesson Plans for ESL Kids Teachers

Study Kit No 9. Aura Lee (Love Me Tender)

VCE Music Performance

The Samba Experience

DIGITAL MUSIC DAY 1 WHAT IS SOUND? ANALOG AND DIGITAL EARLY RECORDING WAX FOR YOUR EARS ROUND BUT FLAT WIRE AND TAPE PURE SOUND

Lesson Plans: Stage 3 - Module One

Classroom Management Plan Nicole Short EDUC 360

Letters and Sounds, Phase 1, Aspect 2 General Sound Discrimination Instrumental Sounds Tuning into Sounds

Silver Burdett Making Music

Handale Primary School Music Curriculum Year EYFS ( 4-5 year olds)

Music and Food: How to Make Musical Instruments Out of Food. Lesson Overview

CMP Unit Plan Claire Burns

The Planets? Suite! The Cleveland Institute of Music Class Materials. Table of Contents

presented by Doug Beach

RECRUITMENT AND BALANCED INSTRUMENTATION by Vince Corozine

Joseph in Egypt. Genesis 39:2-3 the LORD was with Joseph and gave him success in everything he did.

Education through Music

Hotel Operations Partner

Instrumental Music Grades 6 8 Samuel M. Inman M. S.

English lesson plans for Grade 1

Montessori House. Curriculum for Infants and Toddlers. Sample Pages

RESEARCH IN MUSIC EDUCATION AND SOUND ARTS (Completed in, and/or about New Zealand)

Chapter Three Voices: Layered Tone Colors

Key Stage 3 Scheme of Work. Unit No. Title : Elements of Pop Music. Year : 8

Making requests and asking for permission.

2010 Barry Liesch ch8 Drumming Guide for 10 Worship Styles 1

Lesson Plan Title: Water filtration model

MUSIC DEPARTMENT ACADEMIC YEAR

Studio Orchestra Seating

Beginners Guide to the Walkingbass

If you can hum it, you can play it.

If child was born 3 or more weeks prematurely, # of weeks premature: Last name: State/ Province: Home telephone number:

God Gives Moses the Ten Commandments

Jim Hall Chords and Comping Techniques

Appendix C. Sample Lesson Plans and Templates

Self-Acceptance. A Frog Thing by E. Drachman (2005) California: Kidwick Books LLC. ISBN Grade Level: Third grade

Music Music: Grade 4 Product Performance GLE 1: Develop and apply singing skills to perform and communicate through the arts

Name Total Listening / 100 Total Grammar Part 2 / 50 Total Grammar Part 1 / 50 Grand total / 200

WASTED TIME SCHOOL WASTE AND RECYCLING AUDIT

INTRODUCTION TEACHING TIPS. THE NURSERY CLASS Purpose

How to Read Music Notation

EKOLA Junior High School Bilingual Programme Entrance Test (1h15) Sample Paper. Result:

KET for Schools Reading and Writing Part 9 teacher s notes

Active Listening Guide: Helping Your Students Engage With Music

How can I improve my interviewing skills? MATERIALS

What Is the Olweus Bullying Prevention Program?

18 Benefits of Playing a Musical Instrument

Rehearsal Strategies A Night in Tunisia By Reginald Thomas, Professor of Jazz Piano Michigan State University, East Lansing, MI

Jack and the Beanstalk

1 WARMER Complete the sentences using your own words. Use a dictionary to help you. Girls are. Boys are.

The Soul of Korean Arirang Music from Korea in the Middle School Band Designed by: Vince Fejeran

Math vocabulary can be taught with what Montessorians call the Three Period Lesson.

2015 Schools Spectacular Instrumental Ensembles Audition Requirements

Week 4 Lesson Plan. Pre-K. Our Neighborhood. Macmillan /McGraw-Hill. Extend. the Unit

Demonstrate technical proficiency on instrument or voice at a level appropriate for the corequisite

Creative Artist Profile:

Exploring Sounds Environmental Sounds

Playing Chromatic Music on Mountain Dulcimer in Tuning

Antonín Dvořák Life Dates: Nationality: Czech Period: Late Romantic

SCHEHERAZADE LESSON PLAN. Discovering the world of the Arabian Nights fairy tales through the music of Rimsky-Korsakov s Scheherazade

How This CD Was Produced

A Pianist s Story by Gill Backhouse

Visit the Piano Learning Center of the Piano Technicians Guild at for more fun ways to learn about the piano.

Set Your School Apart.

KODÁLY METHOD AND ITS INFLUENCE ON TEACHING WIND INSTRUMENTS IN HUNGARY

Senior Phase Grade 7 Today Planning Pack ARTS AND CULTURE

Jacob Marries Rachel

PIANOWEB.com ( 800 )

Teaching Rhyme The Second Step in Teaching Phonological Awareness

Kodu Curriculum: Single Session Intro

PREVENTING THOSE BAD BEHAVIORS. Biting, Nipping & Jumping Up

LINCOLN PUBLIC SCHOOLS Music Learning Expectations: Grade 4

Adam Doige musician, promoter, producer, sales rep

Sound and Music. Drum. Drum. Guitar. Flute. Guitar. Trumpet. Flute. Trumpet

Thought for the Day Master Lesson

Table of Contents. Creating Simple Solos Dan Denley's

Parable of The Prodigal Son

Have fun. with Phonics. Practical activities for those teaching Phonics, written by teachers. Lincolnshire School Improvement Service

GCSE Music Unit 4 (42704) Guidance

INTRODUCTION TO COACHING TEACHING SKILLS TEACHING/LEARNING. September 2007 Page 1

MUSIC - SCHEMES OF WORK. For Children Aged 8 to 12

Adapting Musical Activities for Persons with Disabilities

Classroom Behavior Management Plan

National Standards for Music Education

Musical Literacy. Clarifying Objectives. Musical Response

Musical Instruments in Turkey

Jesus Chooses His Disciples

LESSON TITLE: Jesus Visits Mary and Martha THEME: Jesus wants us to spend time with \ Him. SCRIPTURE: Luke 10:38-42

Teaching & Behavioral Challenges

Parameters for Session Skills Improvising Initial Grade 8 for all instruments

Transcription:

1 Teachers notes for "The Big Samba" Performance Information Set-up time - 40 mins Please Note - Steve needs to be able to drive up close to the Performing space to unload his instruments. If parking close to the venue is not possible, some assistance from students may be required - five students usually do the trick! Duration - 60 to 75 minutes Area required - a room as large as possible or an outdoor undercover area Age Grouping - can be of any age Every Student/Teacher has an Instrument Steve has enough instruments for 300 - it is possible to have more if pre-arranged. About the show Rhythm based on Language Rhythm is based on language and has been handed down through language for 100s of years. Just as each culture has its own language, it also has a native rhythm that reflects the words, accents, tones etc. of its speech. That is to say, a culture s musical rhythms sound very similar to the way they speak as do their melodies. What Steve has been teaching and trying to develop is a notion of rhythm based on Australian vernacular, accents, sayings etc. Through his travels and teaching, Steve finds that most Aussies can pick up rhythm quickly and easily by using their own language; much faster than using traditional music notation or teaching methods. Brazilian Street Carnival Music involves huge groups of people playing together, driven by the percussion section, to produce an enormous sound. The Big Samba combines these two ideas. Using simple phrases from the local vernacular, Steve teaches students various rhythms, calls and responses. Then, while conducting and playing himself, he layers these up to create a Big Samba Band with every single student and teacher playing a part. While performing, students are involved in drawing the connection between the rhythms and the culture and language of their own area. Students learn: Discipline - of working in a large group, together, as a team. - of when not to play, To listen to and watch - themselves, the bandleader and everyone around them. Rhythm - Timing - Pulse Tempo

2 To HAVE FUN with music and to do it in their OWN LANGUAGE About the instruments The Instruments used are: Drum Kit Hand Drums Darbuka & Djembi Sudo Drums - played with a mallet Tambourines Cowbells, Bells, Go Go Bells Claves (Rhythm sticks) - made from broom handles etc. Shakers - made from Milo Cans, Drink Bottles (all sizes) etc. Some have rice pellets, pebbles, chickpeas etc in them. Every instrument has been individually painted, which makes a very colourful show. About the Performer Born and bred in the LaTrobe Valley, Steve Schulz has been teaching and playing drums and percussion in the Gippsland and Melbourne region for over 30 years, playing a range of percussion instruments including Drum Kit, Timbales, Congas, Djembe, Small Percussion etc. He has studied under and worked along side some of the countries finest teachers & players, such as Jack Jones, David Jones, Frank Corniola. Steve brings with him a wealth of playing experience covering styles from Jazz, Latin, Big Band, Pop, Folk and many different Cultural influences. He has recorded on various CDs most recently, Grand Junction World Music. Through 31 years of Teaching Steve has taught. One on one lessons Beginner to Professional levels ages ranging from 3 to 60. Percussion group workshops from large and small School classroom music - Secondary. Percussion lessons - Primary and Secondary, Special Needs children and adults The Big Samba has been touring extensively with Nexus Arts for 10 years. Tens of thousands of students have seen the show across Australia from capital cities to tiny outback towns in the top end. Pre- performance suggestions The instruments above are all the ones used in The Big Samba, but really anything can be used that rattles, shakes or can be hit. The students could make or come up with their own instruments: Rubbish Bins, Bin lids, Water pipes plastic or metal Shakers any container around put stones in them Clave any wooden or plastic pipe or sticks Cowbell anything with a metallic sound e g metal pipe, bin Sudo Drum rubbish bin

3

4

5 Floor Plan Students sit here facing inward Table Chairs x9 Drum Kit Students sit here facing inward