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Lin 79 Cunningham, Scan. Fangoria 10 (January 1981). Dickstein, Morris. "The Aesthetics of Fright," American Film 5 no. 10 (September 1980): 33. Dika, Vera. Games of Terror: Halloween, Friday the 13 th, and the Films of the Stalker Cycle. London: Fairleigh Dickinson UP, 1990. - - -. The Stalker Film, 1978-81. American Horrors: Essays on the Modern American Horror Film. Ed. Waller, Gregory A. Chicago: U of Illinois P, 1987. Ellis, John. Visible Fictions. London: Routledge, 1982. Freud, Sigmund. A Case of Paranoia Running Counter to the Psychoanalytic Theory of the Disease. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 14. London: Hogarth, 1953. - - -. A Child Is Being Beaten: A Contribution to the Study of the Origin of Sexual Perversions. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 17. London: Hogarth, 1953. - - -. Beyond the Pleasure Principle. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 18. London: Hogarth, 1953. - - -. Civilization and Its Discontents. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 21. London: Hogarth, 1953. - - -. Construction in Analysis. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 23. London: Hogarth, 1953.
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Lin 81 Kaplan, E. Ann. Is the Gaze Male? Feminism and Film. Ed. Kaplan, E. Ann. Oxford: Oxford UP, 2000. Katz, Jack. Seductions of Crime: Moral and Sensual Attractions in Doing Evil. New York: BasicBooks, 1988. Kaufman, Charles. "Anatomy of Terror." Fangoria 10 (January 1981): 48. Krafft-Ebing, Richard von. Psychopathia Sexualis. Trans. F. J. Rebman, from the 12th German ed. n.p., n.d. [orig. ed. 1886]; rpt., New York: Special Books, 1965. Lacan, Jacques. Four Fundamental Concepts of Psycho-Analysis. Trans. Sheridan, Alain. Ed. Miller, Jacques-Alain. New York: Penguin, 1977. - - -. The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience. Critical Theory since Plato. Ed. Adams, Hazard. New York: Harcourt Brace Jovanovich College P, 1992. Laplanche, Jean and Pontalis, Jean-Bertrand. Fantasy and the Origins of Sexuality. Formations of Fantasy. New York: Methuen, 1986. - - -. The Language of Psycho-Analysis. New York: Norton, 1974. Lott, Berries. Women's lives : Themes and variations in gender learning. Pacific Grove: Brooks/Cole, 1987. Maine, Judith. Cinema and Spectatorship. London: Routledge, 1993. Maslin, Janet. Bloodbaths debase movies and audiences. New York Times, 21 November 1982, Sec. 2. - - -. "Tired Blood Claims the Horror Film as Fresh Victim." New York Times, 1 November 1981, sec. 2. McCarty, John. Movie Psychos and Madmen: Film Psychopaths from Jekyll and Hyde to Hannibal Lecter. New York: Citadel, 1993. Metz, Christian. Film Theory and Criticism. Ed. Cohen, Marshall, et al. Oxford:
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Lin 83 Section 2, pp. 1, 21. Studlar, Gaylyn. In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic. New York: Columbia UP, 1988. - - -. Masochism and the Perverse Pleasures of Cinema. Film Theory and Criticism. Ed. Cohen, Marshall, et al. Oxford: Oxford UP, 1992. Twitchwell, James B. Dreadful Pleasures: An Anatomy of Modern Horror. Oxford: Oxford UP, 1985. Williams, Linda. Hard Core: Power, Pleasure, and the "Frenzy of the Visible". Berkeley: U of California P, 1999. - - -. When the Woman Looks. Horror, the Film Reader. London: Routledge, 2002. Williamson, Judith. Decoding Advertisement: Ideology and Meaning in Advertising. London: Marion Boyars, 1978. Wood, Robin. American Nightmare: Essays on the Horror Film. Toronto: Festival of Festivals, 1979.