Writer moves somewhat beyond merely paraphrasing someone else s point of view or



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RUBRIC FOR EVALUATING STUDENT PHILOSOPHY ESSAYS (APPLIED ETHICS/PHILOSOPHY OF ART AND CULTURE CONCENTRATIONS) Explanation of the rubric: The rubric incorporates aspects of an already existing model for evaluating literary-critical essays. 1 Just as any literary-critical essay, a philosophy essays should have a thesis, display complexity (sophistication), coherence organization, clear precise style, rely upon evidence (primary secondary sources). One might think of these aspects as roughly corresponding to learning outcomes 3.1 (conduct research ) 3.2 (write well ) under GLOBAL GOAL # 3 (COMMUNICATION AND RESEARCH SKILLS). The rubric also includes sufficiently general learning outcomes within the discipline of philosophy [indicated with a * in the rubric], e.g. basic competence in constructing evaluating arguments (roughly revised objective 1.3), the ability to develop a reasonable interpretation of a written philosophical passage (objective 1.14), the ability to identify a philosophical position (principle) in ethics, metaphysics, epistemology, philosophy of mind, etc. articulate objection(s) to it (there is no such learning outcome in our matrix, but formulating an outcome in this broad way will help accommodate many of our content objectives). One might reformulate the latter objective as mastery or informed competent treatment of the particular philosophical domain, problem, issue or question addressed by the assignment. 5 4 3 2 1 Thesis The paper has a clearly articulated complex thesis. It is original, i.e. it does not merely state the obvious or exactly repeat others viewpoints, but thoughtfully imaginatively addresses the work. both clear sufficiently developed. not distinctively original. clear but not sufficiently developed distinctively original. It addresses a debatable issue but is largely based on class houts. barely discernible insufficiently developed. The paper lacks a clear welldeveloped thesis. Complexity The essay is unusually thoughtful, deep, creative, farreaching in its analysis. The writer The essay is thoughtful extensive in its analysis. It shows a Writer moves somewhat beyond merely paraphrasing someone else s point of view or Writer moves only marginally beyond merely paraphrasing someone else s point of view or The paper is a mere paraphrase. It is based primarily on class 1 The literary analysis rubric is based on Barbara E. Walvoord, Reflecting on Your Assessment in Departments General Education: How to be More Realistic, Effective, Time-Efficient. KITANOV: PHILOSOPHY ESSAY ASSESSMENT RUBRIC Page 1

explores the subject from various points of view acknowledges alternative perspectives. The essay demonstrates a serious effort to engage the philosophical issue think through the implications of the philosophical position. also uses integrates a variety of sources 2 in a flawless manner. Coherence/organizati on The paper is organized in a logical coherent manner. The parts of the paper are clearly identifiable. The paper creates the sense of a gradual cumulative development. It guides the reader smoothly through each step (point sub-point) in the reasoning process. serious effort to engage the philosophica l issue think through the implications of the philosophica l position. There is an effort to use integrate more than one source. but points subpoints may not be fashioned to open up the topic in the most effective way. repeats what was discussed in class or contained in the class lecture notes, houts, etc. The reader feels that the writer is in control of the direction organization of the essay most of the time. The essay generally follows a logical line of reasoning to support its thesis. repeats what was discussed in class or contained in the class lecture notes, houts, etc. The essay has some discernible main parts points. The paper lacks an overall coherent structure or it is not organized in the most efficient manner. notes/hout s. Does not demonstrate a thoughtful diligent engagement with the topic/issue. The essay has no discernible plan of organization. It is a mere flow of scattered thoughts. Style The language is clear, precise, The language is The language is understable The language is sometimes The language is very often 2 It will be important to explain what is meant by sources here. My understing is that the emphasis in critical literary analysis papers is on literature (other primary /or secondary) in addition to the one the paper actually discusses. Oftentimes, however, philosophy writers engage a very specific philosophical issue/problem attempt to think through that issue/problem without relying so much on anything other than their own critical reasoning abilities. A classic example of this kind of paper is Edmund L. Gettier s Is Justified True Belief Knowledge? Some of our philosophy minors applied ethics/philosophy of art concentrations majors do write in this way. In such cases, the most important thing would certainly be the depth of the conceptual analysis /or the originality of the author s account, etc. KITANOV: PHILOSOPHY ESSAY ASSESSMENT RUBRIC Page 2

elegant. It achieves a scholarly tone without sounding pompous. It is the authentic voice of a curious mind at work. Evidence The essay integrates primary secondary sources smoothly. It quotes amply, exactly when important to do so otherwise paraphrases. It does not just string quotations together, but offers a rationale for the selected texts. Each source is identified in the text, with some statement about its author. Sources articulating defending an alternative or opposite view point are also considered treated fairly. Grammar There are no discernible departures from Stard Edited Written English. clear precise. but sources may be quoted with no contextual explanation /or writer may use direct quotation paraphrase in less than optimal ways. There are a few departures from Stard Edited Written English. overall with very few imprecise/unclear expressions. uses sources in support of his/her own reasoning. Occasionally, quotations are used inadequately without explanation. The author does not always identify the origin of the quoted texts sometimes fails to provide complete correct citations. There is no more than an average of 2 departures from Stard Edited Written English per page in the critical areas listed below. 3 confusing. Sentences do not track. uses sources only sporadically without apparent rationale. Incomplete incorrect citation is the rule rather than the exception. There are more than 2 departures from Stard Edited Written English per page in the specified critical areas. confusing. Sentences entire paragraphs do not track. does not use primary secondary sources at all. There is no source documentatio n of any sort e.g. works cited page. Some portion(s) of the essay is impossible to read because of departures from Stard 3 Critical Areas: -Spelling or typo -Sentence boundary punctuation (run-ons, comma splices, fused sentences, fragments) -Use of apostrophe, -s, -es -Pronoun forms -Pronoun agreement, providing antecedents for pronouns -Verb forms subject-verb agreement -Use of gender-neutral language -Capitalization of proper nouns of first words in the sentence KITANOV: PHILOSOPHY ESSAY ASSESSMENT RUBRIC Page 3

Competence for argumentative writing* The essay shows familiarity with different types forms of argumentation; informal fallacies; the technique of counterexamples. Above all, the author has a clear sense of the difference between premises conclusions /or is capable of constructing evaluating an argument. anticipates, articulates answers objections to his/her own position/argument(s). The writing is overall devoid of contradictions fallacious reasoning. but the author does not always make his/her reasoning argumentati on explicit or he/she does not always argue in the most effective way. knows the difference between premises conclusions /or shows sufficient proficiency in constructing evaluating an argument. The author sometimes fails to anticipate, articulate answer objections to his/her own position/argument( s), sometimes makes mistakes in reasoning. is occasionally aware of the difference between premises conclusions the structure of arguments. Only rarely does he/she anticipate answer objections to his/her own position/argument( s). Contradictions mistakes in reasoning are the rule rather than the exception. Edited Written English. The essay shows no familiarity with different types forms of argumentatio n; informal fallacies. The author does not attempt to offer any analysis or criticism of the discussed philosophical view, position, argument, etc. The author s own writing is rife with contradiction s fallacies. Quality of interpretation* The offered interpretation of the philosophical passage is adequate, far-reaching elegant. There is an unusual sense of what passages (also terms, words, expressions, etc.) deserve of careful Interpretatio n is adequate farreaching. Interpretation is often adequate but somewhat superficial. The author sometimes omits important passages deserving of careful Interpretation is often inadequate superficial. often omits important passages deserving of careful regularly quotes without attempting to offer an interpretation of the quoted passage. Even when present, the interpretation is superficial /or forced KITANOV: PHILOSOPHY ESSAY ASSESSMENT RUBRIC Page 4

inadequate. Mastery of the subject matter* The author shows unusual familiarity with the subject matter (philosophical view, position, theory, concept(s), principle(s), etc.). shows familiarity with the subject matter (philosophic al view, position, theory, concept(s), principle(s), etc.). As for 4 but with occasional mistakes e.g. misidentifying an author s view/position /or omissions e.g. failing to mention an important aspect of an author s view/position. shows insufficient familiarity with the subject matter. There are often instances of mistakes, confusions omissions. s grasp of the subject matter is very deficient /or the account of the view/position under discussion is entirely off the mark. KITANOV: PHILOSOPHY ESSAY ASSESSMENT RUBRIC Page 5