Anthropology 372: Visualizing Anthropology Fall 2015, Monday 1:30-4:20, Chambers B263



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Anthropology 372: Visualizing Anthropology Fall 2015, Monday 1:30-4:20, Chambers B263 Prof. Eriberto P. Lozada Jr., Peter Carolla Office: Chambers B12 Telephone: 704-894-2035 Office Hours: M, W, F 9:30 10:20 am T, Th 9:00 10:00 am or by appointment Email: erlozada@davidson.edu Web: http://lozada.davidson.edu This seminar introduces students to the theory and methods necessary for making ethnographic films. Students will conduct fieldwork and make a film on some aspects of the social and cultural behavior under investigation. Emphasis is placed on developing the critical skills needed for resolving some of the ethical, technical and aesthetic problems that may emerge during the documentation of social and cultural behavior. Because of the amount of time and skill necessary to make ethnographic films, projects will be done within a group. While individuals within a group may specialize in a particular aspect of the project, I will expect everyone to have a strong working knowledge of all the various aspects of research and production. Much of the work for this course will be conducted outside the Connolly Media Lab and not during seminar meetings, especially in the latter half of the semester. Learning Objectives To understand the impact of consuming and producing ethnographic/documentary media in representing people. To analyze the rhetoric and perspectives of documentary and ethnographic film makers through viewing of their films. To use photographic, video, and audio equipment to document social groups, cultural practices, or other anthropological issues for a wide audience. To become familiar with different technologies that are used in creating and distributing digital media. Course Readings Lancaster, Kurt 2012. Video Journalism for the Web: A Practical Introduction to Documentary Storytelling. New York: Routledge. ISBN: 978-0415892667 (available as ebook from the library) Additional articles will be available on Moodle. Course Requirements The most important work in this course is to be prepared for each seminar meeting; this means having thoroughly read the material and being prepared to discuss particular points from the reading. Because this is a laboratory class, being prepared also means having mastered the

software or technical skills expected for the meeting. Readings are due on the day listed in the class schedule. Your engagement with the material and mastery of the software and equipment is vital for the success of this learning experience. Laboratory Fee: While there is no additional fee to use the media lab, students will be required to purchase their own portable hard drive for use in this class. The drive will cost less than typical textbooks (< $70.00). We will talk about this purchase at our first meeting. Seminar Participation: (10%) Students are expected to attend all classes, do the readings and computer exercises prior to class, and discuss the implications of the issues in the classroom. Part of this grade will be determined from a self-examination conducted by the group. Discussion Board: (10%) Each week, students will write a brief reaction towards a film that was reviewed, a reading, or a reflection of an incident from the filmmaking process. You should feel free to write whatever you feel is relevant. They are due prior to the start of each seminar meeting. I expect you to have also reviewed you re your peers have written you may respond to what they have written, but I expect all exchanges to be as civil as if they were said in person during the seminar meeting. LATE SUBMISSIONS WILL NOT BE ACCEPTED. Photo Documentary (10%): (due 7 September) This is your opportunity to begin using images to tell a story. Using no more than twenty pictures (pecha kucha format), create a narrative about a particular place, event, or person. Limit the amount of staging and interference in the actual occurrence. You may not use text or audio to explain the scene as much as possible, let your images (and your sequencing) tell the story. Film Proposal (10%): (due 14 September) This assignment is based on preliminary fieldwork observations and library research. The writing of this proposal will indicate to the instructors that you have obtained permission from the participants as well as submitted the IRB application. In order to write this proposal the research team must have observed the site on at least two different occasions. Below are the requirements for this exercise: A concise statement of the research project and a justification for this research project. Describe the research site. List the dates the site was visited and the length of each observation period. Provide a demographic profile of the participants you observed. Describe the types of activities the group plans to videotape. Indicate two cultural beliefs underlying the social behavior to be videotaped. Indicate two major challenges or obstacles this project will present and suggest measures to counteract them. Critic two videos that deal with similar or related topic and indicate how your study differs. Briefly summarize four scholarly articles that deal with the same or a related topic and indicate how this literature influences your ideas. IRB Protocol: (due 14 September) This is part of the film proposal. Prior to conducting each film project student must obtain the approval of the Davidson College Institutional Research Board. The protocol form is listed on the website of the Office of Contracts and Grants. The protocol must be approved by course instructors prior to submission to the IRB.

Short Video: Filming and Editing Exercise (10%): (due 5 October). More on this project will be made available later during the seminar. Ethnographic Film Project: (45%) This is the group ethnographic short film series (3 films, each no more than ten minutes). The films will be evaluated in terms of how successful it is in: portraying the ethnographic subject; the effectiveness of the narrative in exploring the social or cultural issue; the aesthetics of the filming and editing. The first short will be due on 26 October, the second 16 November, and the third due 30 November. The films will be submitted as a DVD, and will be accompanied by a brief film narrative. While we will work together on various issues and projects, your papers are your own individual work. All work is subject to the Davidson College Honor Code as stated in the student handbook. If there are individual accommodations for special needs, please let me know and authorize the Dean of Students to contact me so that we can work something out.

Course Schedule (subject to modification) 24 August Course Introduction Media Lab Work: Introduction to the lab, Sony NEX-7, brainstorm ideas, how to write a proposal, Lynda.com, gear and expectations, storyboarding/outlining. 31 August Documentary Film in Anthropology Reading: Lancaster: Chapter 1-2 Benjamin essay; Pinney essay Media Lab Work: Exporting out of Premiere, saving to Susan. Introduction to the Zooms, shooting technique, in-class shooting assignment, importing footage. Finalize groups and topics. Reading/Viewing: Lynda.com Premiere Pro CC Essential Training (2015), (Introduction, Chapter 1, Chapter 2, Chapter 3) http://www.lynda.com/premiere-pro-tutorials/premiere-pro-cc-essential- Training-2015/371692-2.html Assignment: Discussion Board Post (weekly) 7 September Reading: Lancaster: Chapter 3-4 Media Lab Work: Review photo documentary. Lighting. Reading/Viewing: Lynda.com (Chapter 4) Assignment: Photo Documentary due. 14 September Reading: Lancaster: Chapter 5 Media Lab Work: Revisit basic editing, review video process and copyright, Advanced audio for video. Reading/Viewing: Lynda.com (Chapter 5,6) Assignment: Proposal and IRB due. 21 September Media Lab Work: Review audio, stills, graphics on timeline. Advanced shooting, Introduction to working with audio in Premiere. Organizing your footage Reading/Viewing: Lynda.com (Chapters 7, 8, 9, 10 as needed) 28 September Media Lab Work: Reading/Viewing: Lynda.com (Chapter 11) Assignment: 48 hour video project (DUE on Susan 5 October by 4:30pm). 5 October Media Lab Work: Review 48 hour video project, Review finalized proposals Assignment: Shooting schedule (rough idea), START SHOOTING 12 October Fall Break

19 October Media Lab Work: Review Chapter 11, Using mixed media in Premiere, Production Q&A Reading/Viewing: Lynda.com (Chapter 14) Assignment: Shooting schedule, Have something shot for your video 26 October Media Lab Work: Review Chapter 14, Production Q&A, Review shooting schedule, Review footage Assignment: First Ethnographic Short due 2 November Media Lab Work: Review timeline, Production Q&A, Review footage Reading/Viewing: Lynda.com (Chapter 15) Assignment: Have something shot for your second video 9 November Media Lab Work: Review edited footage on the timeline, Production Q&A Reading/Viewing: Lynda.com (Chapter 16) 16 November Media Lab Work: Review Chapter 16, Making a final cut, Using Audition/Encore, Production Q&A Assignment: Second Ethnographic Short due 23 November Media Lab Work: Production Q&A. Assignment: Have something shot for your video 30 November Media Lab Work: Production Q&A, Review rough cuts Assignment: Third Ethnographic Short due 7 December Media Lab Work: Review Final Projects Assignment: Film Narrative/Website Due