DEPERO INSTALLATION CHECKLIST

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DEPERO INSTALLATION CHECKLIST All works by Fortunato Depero unless otherwise noted MAIN GALLERY SOUTH WALL / WEST Flora e fauna magica, 1920 (Magical Flora and Fauna) 130 x 198 cm. Io e mia moglie, 1919 (My Wife and I) 113 x 95 cm. Maschera-farfalla, 1921 (Mask-Butterfly) 56 x 55 cm. SOUTH WALL / EAST Mandarino con ombrello, 1919 (Mandarin with Umbrella) 64.5 x 53 cm. WEST WALL Insetto, 1920 (Insect) 38.5 x 45 cm. Paese di tarantelle, 1918 (Land of Tarantellas) 117 x 187 cm. Cavalcata fantastica, 1920 (Fantastical Ride) pieced wool on burlap backing 376 x 237 cm. Diavolo di caucciù, 1920 (Rubber Devil) 60.5 x 60 cm. Due maschere tropicali, 1920 (Two Tropical Masks) 138 x 98 cm. SCULPTURES Testa, 1923 (Head) painted wood 28 cm. h. EAST WALL Bambina e marinaio, 1917 (Young Girl and Sailor) 79 x 78 cm. Cavaliere piumato, 1923 (Plumed Knight) painted wood 97 cm. h. Città meccanizzata dalle ombre, 1920 (City Mechanized by Shadows) 119 x 188 cm. Selvaggetto, 1919 (Little Wild Thing) painted wood 25.5 cm.

HALL WEST WALL at north end Ballerina, 1916/17 (Dancer) 29 x 33 cm. Ritratto di Gilbert Clavel, signed 1916, but 1917 (Portrait of Gilbert Clavel) 60.3 x 26 cm. La pitonessa,signed 1924 (The Soothsayer) and ink 56.5 x 43.8 cm. Marinaio sintetico con pipa, 1917 (Synthetic Sailor with Pipe) 38 x 28 cm. WEST WALL / CENTER Il cigno candido posteggiatore per Il giardino zoologico di Cangiullo, 1920 (The White Swan Parking Attendant for Cangiullo s Il giardino zoologico ) 39.5 x 43 cm. Il Circo, 1919 (The Circus) 47 x 45 cm. EAST WALL / NORTH END Mandarino per il Canto dell Usignolo, 1916-17 (Mandarin for Stravinsky s Song of the Nightingale ) 64.5 x 53 cm. Costume per balletto di Diaghilev, 1916-17 (Costume for a Ballet by Diaghilev) 48 x 30 cm. Il Giocoliere, 1919 (The Juggler) pencil and 13.5 x 13.5 cm. Dama di corte cinese per Diaghilev, 1917 (Lady of the Chinese Court for Diaghilev) 50 x 37 cm. Figura, Architettura sintetica di un uomo, 1917 (A Figure, or Synthetic Architecture of a Man) 31.5 x 21 cm. Il musicista Alfredo Casella, 1917 (The musician Alfredo Casella) 47 x 34.5 cm. EAST WALL / CENTER Diavoletti di caucciù a scatto, 1919 (Little Rubber Devils) 125 x 110 cm. Personaggi per Balli Plastici, 1918 (Characters for Balli Plastici ) 15.8 x 13.8 cm.

Costumi per i Balli Plastici, 1918 (Costumes for Balli Plastici ) 15 x 21 cm. Chimera, 1916 (Chimera) ink and watercolour on paper 22.5 x 20 cm. Studi per i costumi di Chant du rossignol, 1916 (Studies for Stravinsky s Song of the Nightingale Costumes) ink and 20.5 x 26.52 cm. and 19 x 23.5 cm. Dama di corte per Diaghilev, 1916-17 (Lady of the Court for Diaghilev) ink and 18.5 x 16.5 cm. Mandarino per Chant du rossignol, 1916-17 collage of colored paper 48 x 30 cm. Depero s studio in Rome with the stage sets for Stravinsky s Song of the Nightingale, 1916 photographs SOUTH GALLERY EAST WALL Veciclìsss Astrazione animale, 1915 (Veciclìsss Animal Abstraction) charcoal and white chalk on paper 43 x 67 cm. Scomposizione di testa, 1914 (Deconstruction of a Head) charcoal, white chalk and ink on grey paper 18.5 x 14.5 cm. NORTH WALL UMBERTO BOCCIONI Sviluppo di una bottiglia nello spazio, 1913 (Development of a Bottle in Space) bronze 38 x 59.5 x 32 cm. Bottiglia, 1916 (Bottle) charcoal and white chalk on brown paper 41 x 38.5 cm. Scomposizione di testa, 1914 (Deconstruction of a Head) charcoal, white chalk and ink on grey paper 18.5 x 14.5 cm. Linee-forza, 1914 (Force-Lines) 12.5 x 10 cm.

Uomo che cammina, 1914 (Man Walking) 17.5 x 10 cm. EAST WALL / SOUTH FABIO MAURI Schermo, 1968 (Screen) enamel on canvas 100 x 170 x 7 cm. Linee sintetiche di un uomo che getta un oggetto, 1914 (Synthetic Lines of a Man Throwing an Object) 11 x 10 cm. Figura umana stilizzata, 1914 (Stylized Human Figure) charcoal and white chalk on gray paper 17 x 12.7 cm. WEST WALL / SOUTH FABIO MAURI Video extract from Gran serata futurista performance held in Teatro Olimpico of Roma, 1982 (first performance at Teatro Comunale of L Aquila, 1980), 37 min. FELLOWS STUDIO Doppio ritratto di Marinetti, 1923 (Double Portrait of Marinetti) 47 x 63 cm. Spazialità lunari, o Convegno in uno smeraldo, 1924 (Lunar Space, or Meeting within an Emerald) 100 x 95 cm. Studio per Nitrito in velocità, 1932 (Study for Speeding Nitrite) 20 x 35 cm. Ritratto di Gilbert Clavel, 1917 (Portrait of Gilbert Clavel) watercolor on paper 30 x 25 cm. Motociclista, solido in velocità, 1927 (Biker, Solidified in Speed) 117 x 163.5 cm. Automi, Prospettiva dinamica figurata, 1917 (Automata, Dynamic Perspective with Figures) watercolor on paper 62 x 40 cm. Cavalli fiammanti, 1926 (Flaming Horses) 55 x 53 cm. Nove teste con cappello, 1929-30 (Nine heads with Hat) 46 x 48 cm.

DINING AREA Depero Futurista (Futurist Depero), Milan, Italy: Dinamo Azari, 1927 artist s book bound with bolts Unbound and mounted on the wall VITRINES Left vitrine Right vitrine Trentino, Rivista e bollettino della legione trentina (July 1925) Fortunato Depero, Liriche radiofoniche (Editore Morreale, 1934) Depero Futurista (the bolted book, 1927) Three examples of Depero s calling cards from his years in New York City (1928 30 and 1947 49) Fortunato Depero, Bilancio 1913-1936 (Rovereto, 1936) Gilbert Clavel, Un istituito per suicidi Rome, Italy: Bernardo Lux editore, 1918 Fortunato Depero, So I think, So I paint (Milan, New York, 1947) Photograph of Fortunato Depero s Pittura astratta, 1916. The original painting is lost. Galleria Museo Depero Rovereto, Il primo museo futurista d Italia (Rovereto, 1959) Photograph of F.T. Marinetti and his wife Benedetta, Rome, 1932. Benedetta holds a copy of Depero Futurista with a special metal cover. Behind is a portrait of Marinetti by Depero.

OFFICE Il Mandarino, 1916 (The Mandarin) 39 x 31.5 cm. Studio per Corteo della gran bambola, 1920 (Study for The Procession of the Great Doll) 69 x 49.5 cm. Examples of Depero s magazine covers, 1920s Studio per Cavalcata fantastica, 1920 (Study for Fantastic Rider) 48 x 58.5 cm. Depero and his wife Rosetta and some workers in the Casa d Arte in Rovereto, 1920 Compenetrazione, 1915 (Interpenetration) 20 x 20.5 cm.