Light-Field Displays: Technology and Representation of 3D visual information. Péter Tamás Kovács Holografika



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Light-Field Displays: Technology and Representation of 3D visual information Péter Tamás Kovács Holografika JPEG PLENO Workshop Warsaw, Poland 23 June, 2015

Holografika Hungarian company, active in the holographic, optoelectronic and 3D display technologies Manufacturing next generation holographic displays and developing other 3D related technologies (3D acquisition, 3D conversion, rendering, 3D applications) with proprietary IP Experienced team for optical design, hw & sw, etc. Patent portfolio Red Herring Top 100 Europe in 2005, WEF Technology Pioneer company of 2006, shortlisted for World Technology Award 2006, nominee for the EU ICT Prize in 2007, silver Best Exhibit Award at 2008 ICT Lyon, One To Watch @ GPU Technology Conference 2014

What is possible? We can make miracles immediately, for the impossible you should wait a few days... Law of physics today... Is it impossible or just difficult? Easy self-check to look like an expert: Could the light beams reach my eyes, as shown? No one ever saw a light ray making a turn in free space Where did those light beams come from??

The window The goal of displaying is to provide perfect representation of real/synthetic scenes Life-like view The ultimate display will be like a window... True 3D displaying - reconstructing the light-field as present in the natural view Producing light beams with the same parameters the human perception is capable to process: direction, position, intensity, color (but polarization, phase) Let the display work, not the brain

Light Field General representation of 3D information that considers a 3D scene as the collection of light rays that are emitted or reflected from 3D scene points. (M. Levoy, and P. Hanrahan, Light Field Rendering, 1996.) The visible light beams are described with respect to a reference surface (screen) using the light beams intersection with the surface and angle. The LF is defined as a function of position (2 or 3 parameters) and direction (2 parameters): L(x,y,[z],Θ,Φ)

3D Displaying basic rules Emission range - FOV Number of independent beams in the range Discrete directions but how many? Horizontal parallax or full parallax Reducing the number of light beams by omitting the vertical parallax

3D Displaying basic rules Direction selective light emission Common for all systems having a screen, conforming with current displaying conventions (also true for the outer surface of volumetric systems) Not true for glasses-based, as separation is achieved in a different way General approach: to create a light emitting surface, where we are able to emit different light beams from each point in a controlled way

Light-field displays HoloVizio by Holografika Optical modules Project light beams to hit the points of a screen with multiple beams under various angles of incidence Holographic screen Direction selective property Light field reconstruction instead of views Emission angle geometry determined The projected module image not a 2D view of the final 3D image Each view of the 3D image comes from more modules Continuous motion parallax - no discrete border between views

Light-field displays

HoloVizio displays The large-scale HoloVizio system HoloVizio 721 RC Earlier: 640RC, 720RC 73 Mpixel, 72, (16:9) 70 degrees FOV Angular resolution 0.9 degrees 2D equivalent image resolution 1280x768 LED colors Gigabit Ethernet input Control system+pc based render cluster

HoloVizio displays The digital signage HoloVizio kiosk system HoloVizio 361H Earlier: 240P, 360P 33 Mpixel, 52 50 degrees FOV 2D equivalent image resolution 1280 x 720 LED colors Gigabit Ethernet input Control system + 3 PC Only 0.5 m deep!

HoloVizio displays The world first glasses-free 3D cinema system HoloVizio C80 3,5 m reflective holoscreen (140 ) 63 Mpixels LED based 3D projection unit Exceptional 1500 Cd/m 2 brightness 40 degrees FOV PC based render cluster No perspective distortion 2D compatible Fitting cinema rooms, 3D simulators Also with portable mechanics for event rental

HoloVizio displays The full-angle HoloVizio monitor HoloVizio 80WLT Earlier: 96ND, 128WD, 128WLD 78 Mpixel, 30 (16:10) ~180 degrees FOV Total freedom in 3D experinece No invalid zones No repeated views 2D equivalent image resolution 1280 x 768 (WXGA) LED colors Multiple DVI inputs

How to feed? Integrate existing applications / display 3D models in real-time Interactive applications Display pre-rendered 3D models High quality images Display real-life 3D scenes Light field streaming

Integrate Existing Apps OpenGL wrapper for HoloVizio display systems Invisible OpenGL layer, with the same interface No application support is required! User computer Legacy OpenGL Application OpenGL Wrapper HoloVizio OpenGL Display driver 2D display

Display Pre-Rendered 3D Favourite Renderer (3ds max, Maya, Blender) HoloVizio scripts Images + era info HoloVizio Converter Display specific LF 3D display HoloPlayer

Live 3D transmission Linear camera array prototype 27 cameras (more is better) 640x480 at 15 FPS 960x720 at 10 FPS era calibration Mapping of camera pixels to light rays Transmission MJPEG streams from cameras Rendering Real-time LF conversion Captured rays to displayed rays Display Any HoloVizio display Depth-assisted all-in focus rendering results in a dramatic quality improvement

Acquiring image-based 3D data Multiple cameras Still camera, rotating object Still object, rotating camera Light-field cameras MDS Witikon era array Packshot creator Cultlab3D

A note on baselines and angles Light-field cameras Narrow baseline IF distance is large? cm PathLength 0 1 2... N-2 FovX N-1 N 1.5m era arrays Wide baseline Wide capture FOV 1.5m PathLength 0 1 2... N-2 eradistance FovX N-1 N eradistance 1.5m

A note on baselines and angles Light-field cameras Narrow baseline? cm PathLength 0 1 2... N-2 FovX era arrays Wide baseline Wide capture FOV 1.5m PathLength N-1 N 0 1 2... N-2 1.5m eradistance FovX N-1 N eradistance 1.5m

A note on baselines and angles Light-field cameras Wide angle if object is close Such applications exist, but it s not for recording people era arrays Wide baseline Wide capture FOV x cm 1.5m PathLength 0 1 2... N-2 N-1 y cm FovX N eradistance 1.5m

Light-field slices The projected image not a 2D view of the 3D scene Light rays emitted by a single projection module are spread over screen positions and viewing directions, thus cannot be seen from a single viewing position A projection module shows a LF slice

Distributed rendering Distributed LF generation High number of pixels / light rays Many inputs to feed directly Distributed optical system distributed rendering GPU enabled rendering clusters provide scalability GPU outputs correspond to projection modules One output one LF slice OR One output adjacent LF slices One rendering node adjacent LF slices

LF conversion Input: many 2D views Output: LF slices in display-specific arrangement One LF slice is composed of pixels from many views and backwards One 2D view contributes to many LF slices Views LF slices

LF conversion Input: many 2D views Output: LF slices in display-specific arrangement One LF slice is composed of pixels from many views and backwards One 2D view contributes to many LF slices Display independent LF Views LF slices

LF conversion Input: many 2D views Output: LF slices in display-specific arrangement One LF slice is composed of pixels from many views and backwards One 2D view contributes to many LF slices Display independent LF Display specific LF Views LF slices

Use cases Playback of pre-processed LF content Stored in display-specific LF LF slices correspond to the layout of the distributed rendering and projection system Example: 80 x WXGA LF slices Visualized directly on the targeted display Real-time LF video transmission Target different displays Different Field Of View Stored in display independent LF (views) Needs to be converted to display-specific LF at the end user in real-time

Compressing display-specific LF Simplest solution is to simulcode LF slices (e.g. 80x1) Decode them in parallel on rendering nodes independently Decoding e.g. 8 times H.264, JPG or JPG2000 is possible on a multicore CPU This approach works today Does not exploit similarities between LF slices Compress all LF slices into a single multiview stream (e.g. 1x80) Single processing node should be able to decompress the stream Decoding complexity increases with number of views Decompression in real-time is too resource intensive Compress N adjacent LF slices (e.g. 10x8) Reasonable tradeoff that could map well to the distributed rendering cluster

Processing display-independent LF Processing node needs to Decompress views Decompressing all views is too much Perform LF conversion Not all views are required by a single node But many Number of views used depends on display s FOV How many views we need to decompress for the whole display? Simulated LF displays with a range of FOVs FOV (degrees) 27 38 48 59 69 79 89 No. views used 42 44 46 48 50 52 54 Decompressing this many views is still prohibitive How to reduce decoding workload? Not all pixels are used from the views View Nodes 4,5,6 Nodes 0,5,9

Processing display-independent LF Not all pixels are used from the views Why decode pixels that are left unused? Why not just transmit parts that are actually used? Used area increases with FOV Still, large portions could be skipped To support different FOVs, in-view scalability is needed Slicing / tiling the image vertically could do the trick With a specific granularity By losing some coding gain If the encoder / decoder supports this kind of slicing If the decoder supports skipping slices 27º FOV 59º FOV 89º FOV

Nonlinear camera setups A linear setup cannot capture the scene from all around Think of a 180º FOV 3D display Inter-view similarity is less / different with arc setups MVC, MV-HEVC, 3D-HEVC are designed for parallel linear cameras With wide-angle LF displays, compressing views from arc rigs is important 0... 2 FovX 1 1 PathLength 2... N-2 FovX 0 N Radius Angle N-1 N-1 N eradistance N-2...

3D Light Field Content Computer generated animation solved Just rendering time, avoid 2D after effects, etc. Demonstrated 1.5 minutes of Big Buck Bunny Live scene acquisition Wide baseline camera arrangements Free-viewpoint TV TV programs - talk shows, permanent studio arrangements - can be solved by multiple cameras or camera arrays 3D cinema - film shooting equipment to be developed professional cameras getting more compact Philosophical and practical question Full acquisition (then extract information) & view reconstruction vs. sampling (loss of information) & view synthesis for production quality

3D Light Field Content Scalability 2D 2 View (stereo) Narrow angle (multi-view) Wide angle (Light Field) Backward compatibility 2D base layer 3D extraction of various number of views Future 3D Light Field format and standard Similar to variety of resolutions and aspects today, generalized approach on the angular range Narrow angle, wide angle content, up to 180/360 degrees, continuous parallax, open to full parallax

Requirements and wishes Desired functionality Decode view individually with low overhead Decode views partially with low overhead, likely starting from the scene center (slices, tiles) Nonlinear (arc, circular) multi-view coding tools Real-time implementation! Develop in-between representation with better localization of rays Something between views and LF slices?

Way forward New display models Brighter, higher resolution, wider viewing angle, image quality improvements Towards Gigapixel displays, custom displays 100Mpixel today, high pixel count systems with parallel distributed approach Low-level API Live 3D acquisition 3D camera system 3D video formats Scalable and generic representation format 3D Light Field representation 3D Telepresence Natural communication, eye contact Performance and latency

We are hiring Two Marie Curie positions open Experienced Developer / Researcher in Hardware Design / Electrical Engineering 16 months Early Stage Developer / Researcher in 3D video coding for light-field displays 36 months In Budapest, Hungary Check www.holografika.com or contact me for details

Questions? www.holografika.com p.kovacs@holografika.com