Electronic Teaching Portfolios



Similar documents
Create Your Own Electronic Portfolio

Introduction to the Electronic Portfolio

Create Your Own Electronic Portfolio

Selecting the software and approach to creating an electronic portfolio

Electronic Portfolio Development

Creating Electronic Portfolios using Microsoft Word and Excel

Reproductions supplied by EDRS are the best that can be made from the original document.

Reproductions supplied by EDRS are the best that can be made from the-original document.

NETS for Students: Achievement Rubric

GUIDELINES FOR PROFESSIONAL PORTFOLIO. Department of Family Sciences Texas Woman s University

Reproductions supplied by EDRS are the best that can be made from the original document.

RETA Training Module Digital Portfolios

Directions in Electronic Portfolio Development

Creation of electronic portfolios in an educational leadership cohort

NETS for Teachers: Achievement Rubric

Activities (see attached Appendix G) Page 71 of 100

DOCUMENT RESUME ********************************************************************************

Master Technology Teacher Standards

WEST JEFFERSON HILLS SCHOOL DISTRICT THOMAS JEFFERSON HIGH SCHOOL DIGITAL DESIGN GRADES

Build Electronic Portfolios using Windows and PDFMaker

How To Write A Portfolio

TECHNOLOGY APPLICATIONS STANDARDS FOR ALL BEGINNING TEACHERS

Create online portfolios using common tools and open source software With Dr. Helen Barrett, NECC, June 26,

DOCUMENT RESUME ED IR Barbieri, Kathy; Mehringer, Susan TITLE AUTHOR

DOCUMENT RESUME ED CE TITLE

Course Title: Multimedia Design

It provides the performance indicators to evaluate the level of knowledge and competence of teacher to apply ICT in the educational setting.

eportfolio Requirements for IT Master s Program

Reproductions supplied by EDRS are the best that can be made from the original document.

Setting Professional Goals*

Web Design (One Credit), Beginning with School Year

Reproductions supplied by EDRS are the best that can be made from the original document.

Reproductions supplied by EDRS are the best that can be made from the original document.

Curricular Integration Project Summary

Reproductions supplied by EDRS are the best that can be made from the original document

Your Use of Technology

Reproductions supplied by EDRS are the best that can be made from the original document.

Assessment Techniques and Tools for Documentation

Howard County Public School System Educational Technology. Essential Curriculum Grades 9-12

Reproductions supplied by EDRS are the best that can be made from the original document.

Reproductions supplied by EDRS are the best that can be made from the original document.

WA TPA. Secondary English- Language Arts. Assessment. Handbook. Teacher Performance. Consortium (TPAC) Field Test Pre-Release Handbook September 2011

Technology Curriculum Kindergarten Gwinn Area Community Schools

Quality Matters Online Course Development and Guidelines

Final Project Design Document Nicholas Martin

Differentiating Electronic Portfolios and Online Assessment Management Systems

APPENDIX I.A. Alignment of ISTE National Educational Technology Standards with Proposed Programs

Reproductions supplied by EDRS are the best that can be made from the original document.

Middle School Project: Final Cut Pro This Is Our School

LEARNING, DESIGN AND TECHNOLOGY CAPSTONE PROJECT GUIDELINES

Reproductions supplied by EDRS are the best that can be made from the original document.

Standards for Quality Online Courses Educational Technology Cooperative

Elementary and Middle School Technology Curriculum Guidelines

Reproductions supplied by EDRS are the best that can be made from the original document.

DOCUMENT RESUME. An Administrative Model for Virtual Website Hosting. PUB DATE NOTE

ED Seven Steps to Responsible Software Selection. ERIC Digest.

Section Two: Ohio Standards for the Teaching Profession

DOCUMENT RESUME. Hoyt, Brian R.; Stockman, Mark; Thalmann, Jerry TITLE

General Procedures for Developing an Online Course

SOUTHERN REGIONAL SCHOOL DISTRICT BUSINESS CURRICULUM. Course Title: Multimedia Grade Level: 9-12

Instructional Computing in Secondary Schools

Online Course Self-Assessment Form

Reproductions supplied by EDRS are the best that can be made from the original document.

UNLV Department of Curriculum and Instruction Masters in Education Degree with an emphasis in Science Education Culminating Experience

California State University San Marcos: College of Education. EDUC Technology Tools for Teaching and Learning

McGonigle, D.; And Others TITLE. What Is Nursing Informatics? PUB DATE 94 NOTE

Massachusetts Department of Elementary and Secondary Education. Professional Development Self- Assessment Guidebook

Program Specific Information For Completing the Teaching Event

Digital Model of a Web-Based Teacher

Elementary and Secondary Teacher Leadership. Technology Applications in Education

Reproductions supplied by EDRS are the best that can be made from the original document.

EXPERTISE & EXCELLENCE. A Systematic Approach to Transforming Educator Practice

Principal Appraisal Overview

Web Design and Development I a.k.a. Fundamentals of Web Design and Development

Multimedia Contest Guidelines Spring 2015

MARZANO SCHOOL LEADERSHIP EVALUATION MODEL

Online Learning at Duke: A Planning Guide

04/01/1998 Phi Delta Kappan 586 COPYRIGHT 1998 Phi Delta Kappa Inc.

ROCORI Schools Professional Development Program (PDP)

GUIDEBOOK FOR TECHNOLOGY COMPETENCIES BOSTON COLLEGE LYNCH SCHOOL OF EDUCATION

DOCUMENT RESUME. Roeder, Phoebe The San Diego State University Liberal Studies Assessment Portfolio. PUB DATE Mar 93 NOTE

Portfolio Guide. Program: M. S. in Counseling : Elementary and Secondary School Counseling Options MoStep / Conceptual Framework

Committee On Public Secondary Schools. Standards for Accreditation

Online Masters of Arts in Educational Technology

K 1 2 K 1 2 K 1 2 K 1 2 K 1 2 K 1 2 K 1 2

Independent Study Model Application for Professional Development Credit

********************************************************************************

Electronic Portfolios in Evolution

TOOL KIT for RESIDENT EDUCATOR and MENT OR MOVES

Japanese International School. Assessment Recording and Reporting Policy

APPENDIX G PRE-INSPECTION REPORT ADDENDUM FOR ONLINE SCHOOLS

Online Course Design Evaluation

Document Management Glossary

The Effects of Hypertext and Animation on Online Learning

Name: Jodi Canale Student ID:

EXAMPLE FIELD EXPERIENCE PLANNING TEMPLATE CCSU MAT Program

Final Project Design Document Stacy Mercer

Past. eportfolio: Past, Present and Future. Digital Storytelling as part of a Reflective Portfolio. The eportfolio as a Story of Deep Learning

Visual Arts. Assessment Handbook. September edtpa_visarts_02

Reproductions supplied by EDRS are the best that can be made from the original document.

Transcription:

DOCUMENT RESUME ED 444 514 IR 020 170 AUTHOR Barrett, Helen TITLE Electronic Teaching Portfolios: Multimedia Skills + Portfolio Development = Powerful Professional Development. PUB DATE 2000-00-00 NOTE 7p.; In: Society for Information Technology & Teacher Education International Conference: Proceedings of SITE 2000 (11th, San Diego, California, February 8-12, 2000). Volumes 1-3; see IR 020 112. PUB TYPE Reports - Descriptive (141) Speeches/Meeting Papers (150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Computer Uses in Education; Educational Technology; *Faculty Development; *Material Development; Multimedia Materials; *Portfolios (Background Materials); Teacher Education IDENTIFIERS *Electronic Portfolios ABSTRACT Two bodies of literature define the process for developing electronic teaching portfolios to support long-term professional growth: the multimedia development process (decide/assess, design/plan, develop, implement, evaluate) and the portfolio development process (collection, selection, reflection, projection/direction, presentation). As further defined, the Electronic Portfolio Development Process covers the following stages: (1) defining the portfolio context and goals; (2) the working portfolio; (3) the reflective portfolio; (4) the connected portfolio; (5) and the presentation portfolio. In addition, there are at least five levels of technology for developing electronic portfolios based on ease of use, including technologies that are appropriate at each level and stage. This combined process creates a foundation for powerful professional development. (Author/MES) Reproductions supplied by EDRS are the best that can be made from the original document.

U.S. DEPARTMENT OF EDUCATION Office of Educational Research and Improvement EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) This document has been reproduced as received from the person or organization originating it. Minor changes have been made to improve reproduction quality. Points of view or opinions stated in this document do not necessarily represent official OERI position or policy. PERMISSION TO REPRODUCE AND DISSEMINATE THIS MATERIAL HAS BEEN GRANTED BY G. H. Marks TO THE EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) Electronic Teaching Portfolios: Multimedia Skills + Portfolio Development = Powerful Professional Development Dr. Helen Barrett, School of Education University of Alaska Anchorage, 3211 Providence Drive, Anchorage, Alaska 99508 Tel: 907-786-4423 Fax: 907-786-4444 E-mail: aflicb@uaa.alaska.edu Abstract: Two bodies of literature define the process for developing electronic teaching portfolios to support long-term professional growth: the multimedia development process (Decide/Assess, Design/Plan, Develop, Implement, Evaluate) and the portfolio development process (Collection, Selection, Reflection, Projection/Direction, Presentation). As further defined, the Electronic Portfolio Development Process covers the following stages: Defining the Portfolio Context and Goals, the Working Portfolio, the Reflective Portfolio, the Connected Portfolio, and the Presentation Portfolio. In addition, there are at least five levels of technology for developing electronic portfolios, based on ease of use, including technologies that are appropriate at each leveland stage. This combined process creates a foundation for powerful professional development. The process of developing electronic teaching portfolios can document evidence of teacher competencies and guide long-term professional development The competencies may be locally defined, or linked to national teaching standards. Two primary assumptions in this process are: 1.) a portfolio is not a haphazard collection of artifacts (i.e., a scrapbook) but rather a reflective tool which demonstrates growth over time; and 2.) as we move to more standards-based teacher performance assessment, we need new tools to record and organize evidence of successful teaching, for both practicing professionals and student teachers. Electronic portfolio development draws on two bodies of literature: multimedia development (decide, design, develop, evaluate) avers & Barron, 1998) and portfolio development (collection, selection, reflection, projection) (Danielson & Abrutyn, 1997). Bothprocesses are complimentary and essential for effective electronic portfolio development. Understanding how thesetwo processes fit together, along with understanding the role of standards in electronic portfolio development, will provide teachers and students with a powerful tool for demonstrating growth over time which is the primary value of a portfolio. For the last decade, students at the University of Alaska Anchorage (UAA) School of Education have developed exit portfolios, initially in the Adult Education Masters Program and most recently to earn an institutional recommendation for a teaching certificate under UAA's MAT in Secondary Education. An electronic portfolio based on the ISTE/NCATE Standards is now required to earn the new competencybased Educational Technology Endorsement for the state of Alaska. In addition, teachers have been developing electronic portfolios to demonstrate their achievement of the Alaska Teaching Standards, and their reflections show the power of the teaching portfolio to guide lomg-tenn professional development Benefits of Electronic Portfolio Development Based on research into the implementation of electronic portfolios since 1991, the following benefits appear to result from developing electronic portfolios with teachers and students: O 1-4 O O )c24 1. Creating an electronic portfolio can develop teachers' as well as students' multimedia technology skills. The multimedia development process usually covers the following stages avers & Barron, 1998): Decide/Assess - determining needs, goals, audience for the presentation Design/Plan - determining content, sequence of the presentation Develop - Gather and organize multimedia materials to include in the presentation Implement - Give the presentation Evaluate - Evaluate the presentation's effectiveness BEST COPY AVAILABLE

2. Modeling: If teachers develop electronic teaching portfolios, their students will be more likely to have their own electronic portfolios. 3. Each stage of the portfolio development process contributes to teachers' professional development and students' lifelong learning: Collection - teachers and students learn to save artifacts that represent the successes (and "growth opportunities") in their day-to-day teaching and learning Selection - teachers and students review and evaluate the artifacts they have saved, and identify those that demonstrate achievement of specific standards (this is where many electronic portfolios stop) Reflection - teachers and students become reflective practitioners, evaluating their own growth over time and their achievement of the standards, as well as the gaps in their development Projection (or Direction) - teachers and students compare their reflections to the standards and performance indicators, and set learning goals for the future. This is the stage that turns portfolio development into professional development and supports lifelong learning. Presentation - teachers and students share their portfolios with their peers. This is the stage where appropriate "public" commitments can be made to encourage collaboration and commitment to professional development and lifelong learning. Robin Fogarty, Kay Burke, and Susan Belgrad (1994, 1996) have identified ten options for portfolio development, further defining the stages and increasing the quality of the portfolio process: 1. PROJECT purposes and uses 2. COLLECT and organize 3. SELECT valued artifacts 4. INTERJECT personality 5. REFLECT metacognitively 6. INSPECT and self-assess goals 7. PERFECT, evaluate, and grade (if you must) 8. CONNECT and conference 9. INJECT AND EJECT to update 10. RESPECT accomplishments and show pride Figure 1: Portfolio Development Options The Electronic Portfolio Development Process Five Stages and Five Levels From the discussion of both the Multimedia Development Process and the Portfolio Development Process, along with a discussion of the appropriate technology tools, five stages of Electronic Portfolio Development emerge. Here are the issues to address at each stage of this process. Portfolio Development Stages of Electronic Portfolio Development Multimedia Development Purpose & Audience 1. Defining the Portfolio Context & Goals Decide, Assess Collect, Interject 2. The Working Portfolio Design, Plan Select, Reflect, Direct 3. The Reflective Portfolio. Develop Inspect, Perfect, 4. The Connected Portfolio Implement, Evaluate Connect Respect (Celebrate) 5. The Presentation Portfolio Present, Publish Table 1: Stages of Electronic Portfolio Development 3 1112

Differentiating the Levels of Electronic Portfolio Implementation In addition to the stages of portfolio development, there appear to be at least five levels of electronic portfolio development. In reviewing the electronic portfolios that are produced, it is important to establish different expectation levels for development. Just as there are developmental levels in student learning, there are developmental levels in digital portfolio development. Below are different levels for digital multimedia development and electronic portfolio development, which are closely aligned with the technology skills of the student or teacher portfolio developer. 0 1 2 3 4 5 All documents All documents Portfolio data is Documents are Documents are Portfolio is are in paper are in digital file entered into a translated into translated into organized with a format. Some formats, using structured Portable HTML, multimedia portfolio data may be stored on video tape. word processing or other commonly-used software, and stored in electronic format, such as a database or HyperStudio template or slide show Document Format with "hyper-links" between standards, artifacts, and complete with "hyper-links" between standards, artifacts, and reflections, using authoring program, incorporating digital sound and video is converted to folders on a hard (PowerPoint or reflections using a web authoring digital format drive, floppy Apple Works) Adobe Acrobat program and and pressed to diskette or LAN and stored on a Exchange and posted to a CD-R/W or server. hard drive, Zip, floppy diskette or LAN server. stored on a hard drive, Zip, Jaz, CD-R/W, or LAN server. WWW server. Table 2: Levels of Digital Portfolio Software Strategies based on Ease of Use posted to WWW in streaming format. STAGE 1: DEFINING THE PORTFOLIO CONTEXT & GOALS Multimedia Development: Decide/Assess Portfolio Development: Purpose & Audience Identify the assessment context, including the purpose of the portfolio. Identify the learner outcome goals (which should follow from national, state, or local standards and their associated evaluation rubrics or observable behaviors). This is a very important step, setting the assessment context, which should help frame the rest of the portfolio development process. Identify the resources available for electronic portfolio development Identify the hardware and software available and how often students have access. Assess the technology skills of the students and teachers Identify the audience for the portfoliostudent, parent, college, employer (often based on the age of the student). The primary audience for the portfolio will contribute to the decisions made about the format and storage of the formal or presentation portfolio. Choose a format that the audience will most likely have access to; i.e., parents may not have a home computer, but may have a VCR_ Use whatever software tools are currently being used to collect artifacts, storing them on a hard drive, a server, or videotape. Set up electronic folders for each standard to organize the collection of artifacts (any type of electronic document). [Level 1) AND Use a word processor, database, hypermedia software or slide show to articulate the standards to be demonstrated in the portfolio and to organize the artifacts. (Level 2) OR Use an HTML editor to articulate the standards to be demonstrated in the portfolio and to organize the artifacts. [Level 4) OR Use a multimedia authoring program to organize by the standards to be demonstrated in the portfolio. [Level 51 1113 4 BEST COPY AVAILABLE

STAGE 2: THE WORKING PORTFOLIO Multimedia Development: Design/Plan Portfolio Development: Collect, Interject Identify the content of portfolio items (determined by the assessment context) and the type of evidence to be collected. This is where the standards become a very important part of the planning process. Knowing which standards are being demonstrated should help determine the types of portfolio artifacts are to be collected and then selected. Select the software development tools most appropriate for the portfolio context and the resources available. Just as McLuhan said, "The medium is the message", the software used to create the electronic portfolio will control, restrict, or enhance the portfolio development process. Form should follow function as well, and the electronic portfolio software should match the vision and style of the portfolio developer. Identify the storage and presentation medium most appropriate for the situation (i.e., computer hard disk, videotape, local-area network, a WWW server, CD-ROM, etc.). The audience for the portfolio will have a major impact on this component. There are also multiple options, depending on the software chosen. Gather the multimedia materials that represent a learner's achievement. Once the questions on portfolio context and content have been answered, as well as the limitations on the type of equipment available and the skills of the users (teachers and students), the portfolio developer will be able to determine the type of materials to digitize, such as: student written work, images of student projects, sounds of students speaking or reading, and video clips of student performances. Of course, if will be appropriate to collect artifacts from different points of time to demonstrate growth and learning that has taken place. Interject personality into the portfolio design. Use some of the graphics capabilities of current computer systems to add style and flair to the portfolio. Select software tools to organize selected artifacts: Use Word Processing, Slide Shows, Hypermedia, or Database programs to list and organize the artifacts that will be placed in the Working Portfolio. [Level 2] OR Use an HTML editor (or any tool that is normally used) to develop and organize the artifacts for the Working Portfolio. (Level 4] OR Use a multimedia authoring program to organize the selected artifacts. (Level 5] Convert portfolio artifacts into digital format Use appropriate multimedia to add style and individuality to portfolio. Use a scanner (or camera) to digitize images (Level 2) Use a microphone and sound digitizing program to digitize audio artifacts (Level 4) Use a video camera, digitizing hardware and software to digitize video artifacts (Levels) 1 2 3 4 5 Text Only Add Images Add Navigation Add digitized Add digitized (hypertext links) sound video Table 3: Levels of Digital Multimedia Development STAGE 3: THE REFLECTIVE PORTFOLIO Multimedia Development: Develop Portfolio Development: Select, Reflect, Direct Record self-reflection on work and achievement of goals. The quality of the learning that results from the portfolio development process will be in direct proportion to the quality of the selfreflection on the work One challenge in this process will be the need for confidentiality of these reflections. This is the place where the personal, private reflections of the learner need to be guarded, and not published in a public medium. 5 1114

Record feedback on work and achievement of goals. Even more critical is the confidential nature of the assessment process. Feedback should also be kept confidential so that only the student, parents and other appropriate audiences have access, and not published in a public medium. Write general reflective statements on achieving each standard. Select the artifacts that represent achievement of the standards or goals. Write reflective statements for each artifact, elaborating on why it was selected and its meaning and value in the portfolio. From the reflections and feedback, set learning goals for the future. Use Word Processing, Slide Shows, Hypermedia, or Database programs to record the reflections and future goals that will become the Reflective Portfolio. [Level 2) OR Use an HTML editor (or any tool that is normally used) to record the reflections and future goals that will become the Reflective Portfolio. (Level 4) OR Use a multimedia authoring program to record the reflections and future goals that will become the Reflective Portfolio. [Level 5] STAGE 4: THE CONNECTED PORTFOLIO Multimedia Development: Implement, Evaluate Portfolio Development Inspect, Perfect, Connect Organize the digital artifacts. Use software that allows the creation of hypertext links between goals, student work samples, rubrics, and assessment The choice of software can either restrict or enhance the development process and the quality of the final product. Different software packages each have unique characteristics which can limit or expand the electronic portfolio options. Identify patterns through the "linking" process. Final review of the portfolio and goals. Share the portfolios with an appropriate audience. This will be a very individual strategy, depending on the context An emerging strategy is the use of student-led conferences, which enable learners to share their portfolios with an appropriate audience, whether parents, peers, or potential employers. This is also an opportunity for professionals to share their teaching portfolios with colleagues for meaningful feedback and collaboration in self-assessment This "public commitment" provides motivation to carry out the plan. Evaluate the portfolio's effectiveness in light of its purpose and the assessment context. In an environment of continuous improvement, a portfolio should be viewed as an ongoing learning tool, and its effectiveness should be reviewed on a regular basis to be sure that it is meeting the goals set. Depending on portfolio context, use the portfolio evidence to make instruction/learning or professional development decisions. Whether the portfolio is developed with a young child or a practicing professional, the artifacts collected along with the self-reflection should help guide learning decisions. This process brings together instruction and assessment, portfolio development and professional development, in a most effective way. Convert word processing, database or slide show documents into either PDF [Level 3) or HTML fleve141 AND Create hypertext links between goals, student work samples, rubrics, and assessment. Insert multimedia artifacts (Level 3 & 4) OR Create a hypermedia presentation using a multimedia authoring program, creating links between goals, multimedia work samples, rubrics, and assessment (Level 5) 1115

STAGE 5: THE PRESENTATION PORTFOLIO Multimedia Development: Present, Publish Portfolio Development: Respect (Celebrate) Record the portfolio to an appropriate presentation and storage medium. This will be different for a working portfolio and a formal or presentation portfolio. The best medium for a working portfolio is video tape, computer hard disk Zip disk, or network server. The best medium for a formal portfolio is CD-Recordable disc, WWW server, or video tape. Present the portfolio before an audience (real or virtual) and celebrate the accomplishments tepiesented. Post the portfolio to WWW server OR Write the portfolio to CD-ROM OR Record the portfolio to videotape Conclusions 1 2 3 4 Zip Disk/Super Disk Jaz Disk Floppy Diskette Hard Disk Drive Table 4: Levels of Digital Storage LAN Server CD -R/W WWW Server The process of creating an electronic teaching portfolio should incorporate not only multimedia technology skills, but also the portfolio development process. Otherwise, we will continue to produce web pages or multimedia presentations masquerading as electronic portfolios; a portfolio without goals (or standards) and reflections is just a multimedia presentation, or a fancy electronic resume, or a digital scrapbook. By following the portfolio development process as defined above, including reflection, direction (goal-setting) and connection (dialogue with others about the portfolio), a teacher creates a foundation for powerful professional development. References: Barrett, Helen (1999). "Using Technology. to Support Alternative Assessment and Electronic Portfolios" [online: http://transition.slasks edu/www/portfolios.htinl] Burke, Kay; Fogarty, Robin; Belgrad, Susan (1994). The Mindful School: The Portfolio Connection. Palatine: MI/Skylight Training & Publishing Danielson, Charlotte; Abrutyn, Leslye (1997) An Introduction to Using Portfolios in the Claisroom. Alexandria AssoCiation for Supervision and Curriculum Development. Fogarty, Robin (ed.) (1996) Student Portfolios: A Collection of Ai-ticles. Palatine: MI/Skylight Training & Publishing Ivers, Karen, and Barron, Ann E. (1998) Multimedia Projects in Education. Englewood, Co.: Libraries Unlimited, Inc. BEST COPY AVAILABLE 7 1116

U.S. Department of Education Office of Educational Research and Improvement (OERI) National Library of Education (NLE) Educational Resources Information Center (ERIC) ERIC NOTICE REPRODUCTION BASIS This document is covered by a signed "Reproduction Release (Blanket) form (on file within the ERIC system), encompassing all or classes of documents from its source organization and, therefore, does not require a "Specific Document" Release form. This document is Federally-funded, or carries its own permission to reproduce, or is otherwise in the public domain and, therefore, may be reproduced by ERIC without a signed Reproduction Release form (either "Specific Document" or "Blanket"). EFF-089 (9/97)