SEREINA STEINEMANN WORKS

SEREINA STEINEMANN Swiss, born 1984 hello@sereinasteinemann.ch http://www.sereinasteinemann.ch EDUCATION 2012 Master of Arts, History of Art and Photography with technical studies University of Zurich (CH) 2009 Bachelor of Arts, Fine Arts Berne University of the Arts (CH) 2006 Basic course, Political Science, Art History, History University of Zurich (CH) AWARDS / RESIDENCIES 2015 Manor Art Prize Schaffhausen 2014 6-month-residency in Berlin by the canton Schaffhausen PUBLICATIONS 2015 PAPPE GINSTER STALL, edition fink, Zurich, 2015 Exhibition catalogue Museum zu Allerheiligen, Schaffhausen (CH) 2015 entwürfe, Zeitschrift für Literatur, no. 79, 1/2015 WORKS IN COLLECTIONS Sammlung Bernhard Bischoff Thun Manor Art Collection Kunstsammlung Kanton Schaffhausen

MAGAZINES (EDITOR) 2013 4 issues HEFT MIT VIELEM, publication with text, drawing, found footage, number of copies: 20 50 09 12 42 issues DAS NEUE HEFT, monthly publication with text, found footage, number of copies: 50 70 SOLO SHOWS 2015 SACRAMENTO, Museum zu Allerheiligen, Schaffhausen (CH) BORNHOLM, Felix-Project, Köniz (CH) SELECTED GROUP SHOWS 2016 ABOUT PAINTING - PART II, Galerie Bischoff & Partner, Bern (CH) WORKS IN PUBLICATIONS (SELECTION) 2011 Weine still und ungesehen, prose in: GET UP AND RUN AWAY WITH IT, Le Lieu, Trogen ed. Nadine Wietlisbach, reading within the exhibition 2011 Hans und Co., short prose, in: Literaturpause No. 24 Kulturmagazin Luzern 2015 AESCHLIMANN CORTI STIPENDIUM, Kunstmuseum Thun (CH) DIE BASIS, Kunsthaus Langenthal (CH) DAS FELD, Bern (CH) 2014 JAHRESAUSSTELLUNG ZENTRALSCHWEIZER KUNSTSCHAFFEN Kunstmuseum Luzern (CH) ALLES WIE NIE ZUVOR, zwanzigquadratmeter Berlin (D) collaboration with Kyra Tabea Balderer WONDERFUEL ZEROMONEY, Gelbes Haus, Luzern (CH) ROOM THAT IS USED FOR SPACES, Perla-Mode, Zurich (CH) 2013 CANTONALE BERNE JURA, Centre Pasquart, Biel/Bienne (CH) STILLS, Lokal-int, Biel/Bienne (CH), collab. with Julia Bodamer 2012 LEAVINGROOM, Bern (CH) 2011 VITRINE NR. 1, EDITIONEN, Die Diele, Zurich (CH) CANTONALE BERNE JURA, Kunsthalle Bern (CH) CANTONALE BERNE JURA, Kunsthaus Langenthal (CH) participation as artist group Übersee LEAVINGROOM, Bern (CH) participation as artist group Übersee 2010 DIE ANATOMIE DER BILDER, Stadtgalerie, Bern (CH) 2009 WEIHNACHTSAUSSTELLUNG, Kunsthalle Bern (CH) MIT AUSSICHT, degree show, Kunsthaus Langenthal (CH)

ABOUT PAINTING II, Galerie Bischoff & Partner, Bern, 2016

MAST, 2015, 40 x 30 cm, acrylic on cotton Private collection

PORTULAK, 2015, 40 x 42 cm, acrylic on cotton Private collection

KNIFF, 2015, 110 x 80 cm, acrylic on cotton

SACRAMENTO, Museum zu Allerheiligen, Schaffhausen (CH), 2015 Photos: Jürg Fausch

MANSCHETTE, 2015, 140 x 130 cm, acrylic on cotton

BART, 2015, 110 x 90 cm, acrylic on cotton, Kunstsammlung Kanton Schaffhausen

CLEMENTINE, 2015, 105 x 90 cm, acrylic on cotton, private collection

TURM, 2015, 70 x 65 cm, acrylic on cotton, Manor Art collection

KOBOLT, 2015, 115 x 110 cm, acrylic on cotton

BAKELIT, 2015, 30 x 30 cm, acrylic on cotton, Collection Bernhard Bischoff Thun

FERDEN, 2015, 40 x 30.6 cm, acrylic on cotton, private collection LUXUS, 2015, 45 x 36 cm, acrylic on cotton, Manor Art collection

SACRAMENTO, Museum zu Allerheiligen, Schaffhausen (CH), 2015 Photos: Jürg Fausch FUCHS, 2015, paperback (to take away during the exhibition) 128 pages, number of copies: 500

SACRAMENTO, Museum zu Allerheiligen, Schaffhausen (CH), 2015 In this collaborative work we are reflecting on the photography The Destroyed Room (1978 by Jeff Wall). The video shows the reconstruction of the photography by memory in a modell. Left: Video stills Exhibition view by Jürg Fausch REBUILDING A DESTROYED ROOM (AFTER JEFF WALL) collaboration with Julia Bodamer 2014, video HD, 6:06 min., color, no sound

ROM Jury view Aeschlimann Corti Stipendium 2015, Kunstmuseum Thun (CH) THUN WESTE SORTE TABOR FERDEN BORD BAKELIT 130 x 140 cm, 105 x 110 cm, 45 x 37 cm, 40 x 30.5 cm, 95 x 80 cm, 30 x 30 cm 2015, acrylic on cotton

BORNHOLM, Felix-Project, Liebefeld/Köniz (CH), 2015 acrylic on aluminium, 4 plates, each 130 x 278 cm

ALLES WIE NIE ZUVOR, zwanzigquadratmeter, Berlin (D), 2014, collaboration with Kyra Tabea Balderer

ALLES WIE NIE ZUVOR, zwanzigquadratmeter, Berlin (D), 2014, collaboration with Kyra Tabea Balderer SONNTAG, 2014, 31 x 30 cm, acrylic on cotton GISCHT, 2014, 130 x 140 cm, acrylic on cotton

SONNTAG, 2014, acrylic on cotton, 31 x 31 cm Private collection

FEHMARN, 2014, acrylic on cotton, 42 x 42 cm Private collection

GRIZZLY, 2014, acrylic on cotton, 25 x 25.5 cm

JOHANNIS, 2014, acrylic on cardboard, 35 x 22 cm NO TITLE, 2014, acrylic on wood, 20 x 39 x 3 cm, 10 x 39 x 3 cm

GRUPPE, 2013, pencil on paper, 29.7 x 21 cm NO TITLE, 2013 2014, acrylic on wood, each 100 x 0.5 cm

CANTONALE BERNE JURA, Centre Pasquart Biel/Bienne (CH), 2013 For the work Stapel I, II [Pile I, II] 2724 the edges of sheets of DIN A4 paper were manually covered with graphite and then put atop one another. The dimensions of the end of the resulting pile I are the exact dimensions of a sheet of DIN A4. Next to this pile lies a second pile with sheets of paper from the working process. These sheets were used as pads and therefore show traces of graphite, looking used. Pile II has an arbitrary size. The number of pages that were used during the working process determines its form. The two piles are different regarding to their processing, their purpose, their treatment and their appearance. They are arranged side by side on a board of cherry wood which is installed on the wall, 1.3 meters from the floor. STAPEL I, II, 2012 2013 Paper, graphite, cherry tree wood Pile I: 2724 pages DIN A4, 29,7 x 21 x 29,7 cm pile II: 450 pages DIN A4, 29,7 x 21 x 4,5 cm board: 45 x 70 x 2 cm

CANTONALE BERNE JURA, Kunsthalle Bern (CH), 2011 FÜR DIE BIENEN, FÜR DIE KATZE 2011, Slides, projector, two-part slideshow Projection size 30 x 45 cm

WEIHNACHTSAUSSTELLUNG, Kunsthalle Bern (CH), 2009 MIT AUSSICHT, Kunsthaus Langenthal (CH), 2009 ENZYKLOPÄDIE DER UNBEACHTETEN TATSACHEN 2009, book, hardcover, 533 pages, 4-color-print 23,4 x 29,3 x 3,7 cm, number of copies: 8 Pictures from an old lexicon, fictional lexicon articles

STILLS, Lokal-int, Biel/Bienne (CH), 2013 The video consists of a single take (loop). It shows a still life as well as bled-off on the lower left corner of the image a ventilator that turns slowly. Periodically there is a slight movement of the plants on the table, the tablecloth and the paper, due to the stream of air from the ventilator. STILLLEBEN (1) collaboration with Julia Bodamer 2013, video HD, 7:47 min, color, no sound, loop

CANTONALE BERNE JURA, Kunsthaus Langenthal (CH), 2011 12 interventions in the Kunsthaus Langenthal; reactions to the interior. Without any indication on location. Material: doubled switches, fictitious signs, additional sockets, veneer, stickers, wood disc, magnet board. Exhibition view and detail Übersee [Arne Scheuermann & Sereina Steinemann] KUNSTHAUS LANGENTHAL, 2011 [part of the series Interieurs/Infrastrukturen] Circular wood piece on black rubber

CANTONALE BERNE JURA, Kunsthaus Langenthal (CH), 2011 Exhibition view and detail

LEAVINGROOM, Bern (CH), 2011 9 interventions; reactions to the interior. Without any indication on location. Material: fictitious signs, stickers, metal chains et al. VORLAUF GRUPPE WEST, 2011 [part of the series Interieurs/Infrastrukturen] Brass and steel chain, wheel, sign Vorlauf Gruppe West

MAGAZINES http://www.sereinasteinemann.ch/zine

3 pages from: HEFT MIT VIELEM, No. 3, 2014 Fictional band names number of copies: 20 50, 29.7 x 21 cm

DAS NEUE HEFT 2009 2013, 42 issues, monthly publication with found footage, text, drawing number of copies: 60, 14.8 x 10.5 cm xerox and colour copies, 15 25 pages, tacked up

Sereina Steinemann 2016