5 Classic Jazz Endings for Guitar
|
|
- Howard Spencer
- 7 years ago
- Views:
Transcription
1 5 Classic Jazz Endings for Guitar Have you ever spent time learning a Jazz tune and felt like something was missing? The truth is, most jazz standards don t come with built in endings. If you re consulting a fake book or sheet music, the ending you re left with is nothing more than the last written melody note. Through all your great work learning the chords, melody and perhaps a bit of improvisation, one of the most important parts of Jazz music can often be left out of the practice room: the endings. The funny thing is that for most listeners, the ending of a song is one of the most memorable moments. The good news is that endings can be easily practiced and applied to almost any Jazz standard you find yourself playing. Not only that, but the more endings you learn, the more options you have for ending a tune. In this lesson you ll cover 5 classic Jazz guitar endings that can be utilized by anyone from beginners to advanced players. Count Basie s Ending
2 The first ending you ll familiarize yourself with is a wonderful cadential idea that was popularized by one of the all time greatest minds in Jazz: Count Basie. This ending can be plugged into virtually any tune, but works best with medium to uptempo songs. Dig into the ending right away using the tabs and video. You might be asking yourself how this ending can be applied to other keys. The answer to that question is in an analysis of the ending itself. The ending harmonizes a single note on the high-e string, in this case F, with an ascending chromatic line on the B-string (from Bb to C). The above Count Basie example is in the key of F, the same note that you find on the high-e string. By taking the note on the high-e string, the F, and moving it to the tonic of the key you find yourself in, you ll successfully change the key of the ending. Check out the Count Basie ending in the key of Eb below for reference.
3 One more key piece of information you will need to know to get the most out of this ending is how to place it in the context of the song. There are two options for placing the Count Basie ending. #1 If the melody ends on a beat three or four you ll wait till beat three of the next bar before starting the ending. #2 If the melody ends on beat three you can either play the ending on beat three of the following bar like in option #1 or on the same beat that your melody ends on. This works best when the last note in the melody is the same as the tonic of the key you re playing in (eg. melody ends with an F in the key of F). Joe Pass Ending Lick
4 The second ending you ll be learning in this lesson is an ending that was used by the Jazz guitar virtuoso himself, Joe Pass. This is another extremely versatile ending that can be applied in a huge number of musical situations and is most commonly performed in medium to uptempo tunes. Here is the Joe Pass ending in the key of G: After analyzing the the ending, you may notice that two notes in the G major scale are emphasized here. The G and the D are both accentuated by diatonic approach notes. The D is approached by E and C#, whereas the G is approached by A and F#.
5 Want to learn more about the approach note technique? Check out my 3-part lesson series on the approach note technique here. Accentuating the I (G) and the V (D) give the ending a continuous V-I-V-I feel, even though not a single chord is played. This ending can be transposed by playing the I and V of the key you wish to play in. So, for example, in the key of F you ll isolate the V (C) and I (F). The Joe Pass ending can also be played starting from any beat at anytime. If the melody ends on beat 1, you can start it up on beats 2, 3, 4 or even wait till beat 1 of the next bar. This is a great ending to use right away because it has such a no-fuss application. For an extra challenge, you can work on the Joe Pass double-time ending. This ending is the same as the previous, but played with twice as many notes and twice as quickly. Work on speeding this ending up over a number of sessions in the woodshed.
6 Endings with Chords After playing a couple of line inspired endings, you re now going to take a look how to end a tune with chords. As with most things in Jazz, there are an astounding number of approaches to ending a tune with chords. In order to get you on your feet right away with chord endings, included in this section are the chords you re mostly likely to run into when playing with others or on the bandstand. The first chord you ll work on is the biimaj7 chord. The bii or b2 note occurs on the flattened second scale degree of the major and minor scale. In order to help you understand how to identify the b2 scale degree, read through the example below. The b2 note is important because it ll be used as the root note for the biimaj7 chord.
7 In C major the b2 scale degree is Db. In F# minor the b2 scale degree is G. In Bb major the b2 scale degree is Cb. In Ab major the b2 scale degree is Bbb. After identifying the bii scale degree in the key that the given tune is in, your next step will be to build a maj7 chord. For this example, assume that the song is in the key of F major. In the key of F major the biimaj7 chord is Gbmaj7, and is the same chord you ll be ending the song with. There are a number of maj7 voicings you can experiment with. Below are a few common voicings of the Gbmaj7 chord. Now that you have a few biimaj7 voicings to work with, see how they line up with a full ii-v-bii-i progression. Jazz tunes commonly end with a ii-v-i. Including the biimaj7 chord before the final Imaj7 resolution creates interesting and memorable tension. Here are all four chords of the ii-v-bii-i progression in the key of F.
8 After familiarizing yourself the chords above, you can start working on options for how to play them. There are a number of approaches to playing the bii ending including: a strum, an arpeggiation or a combination of the two. Below are a few examples that cover some of the options available to you when executing a bii ending. Remember that you always have the option to leave out the final Imaj7 chord (Fmaj7 in this case). Leaving out the Imaj7 chord can leave the listener pleasantly surprised; not everything in Jazz needs to resolve! Strum
9 Arpeggio The Duke Ellington Ending
10 The Duke Ellington ending is wonderful way to close out a tune. The ending itself is similar in style to that of the first ending you learned in this lesson, the Count Basie ending. The main difference between the Ellington and Basie ending is that the Ellington ending will be played as a melodic line instead of harmonic intervals. Below is the ending itself in the key of F major. There are a couple of ways different ways to apply the Ellington ending to a tune. #1 If the last melody note ends on any beat other than one, then the Ellington ending will be applied to the first beat of the next bar.
11 #2 If the last melody note ends on beat one, then you have the option of starting the ending on the last note of the melody. This option works best when the last note of the melody is the tonic note of the key that the song is in. Moving this ending into another key involves the same process as the Basie ending. Take the starting note of the Ellington ending and shift it to the tonic note of the desired key. You can keep the ending on the high-string or try to work it out amongst other string groups. Below is an example of the ending in C major. The Tag Ending
12 The last ending you ll learn in this lesson is arguably the most effective and commonly employed ending in Jazz music, the tag. The term tag in Jazz music refers to repeating a specific musical idea or section of music. A tag generally occurs at the end of a section or at the end of the tune and usually isn t longer than a few bars. The tag provides a finishing statement that quotes the melody and promotes a memorable listening experience for the players and the listener. For example, if you desired to repeat the last two bars at the end of the tune you would say something like, tag the last two bars. Many tunes in the jazz standard repertoire have tags that are unwritten but played almost every time a given tune is called. Getting to know the appropriate tags for each song takes time, but there is certainly a lot you can do to make sure you re on the right track. The next time you learn a Jazz standard, ensure that you listen to as many different versions by as many different artists as possible. Listening to a number of different versions of the same tune will tell you immediately if there is a commonly played tag. Not only that, but all that listening will help you internalize all the nuances of how the greats played the repertoire.
13 For this example, we ll take a look at the last four bars of a melody, and apply the tag ending. The first step is to play through the melody and get it under your fingers before applying the tag. The section of melody that is highlighted in the example above is the part of the melody that will be tagged. You ll notice that the last two notes of the melody isn t included in the tag. In order to prolong the tension and the excitement of the tag ending, the last two notes are left out. After tagging the ending twice, you ll play the very resolved sounding final note.
14 I love hearing your feedback on lessons, lesson topics, and general Jazz guitar discussion, so here s what I d like you to do next. Leave a comment in the section below and let me know about your experiences in ending tunes. Which of the endings in this lesson will you be applying first to your playing? Feel free to make a suggestion for future lesson topics as well. Looking forward to hearing from you.
Jim Hall Chords and Comping Techniques
Jim Hall Chords and Comping Techniques Jazz guitar comping is an art form in its own right. The comping rhythms, melodies, and voicings of the greatest Jazz guitarists are delightful to listen to, with
More informationPlaying Chromatic Music on Mountain Dulcimer in 1-3-5 Tuning
Playing Chromatic Music on Mountain Dulcimer in 1-3-5 Tuning By Rob Brereton The sentence I dread hearing when I talk to mountain dulcimer players is, There ain t no notes on a dulcimer, you just play
More informationExpanding Your Harmonic Horizons
2016 American String Teachers National Conference Expanding Your Harmonic Horizons Harmony Clinic for Harpists Presented By Felice Pomeranz Publications used as resources from Felice's Library of Teaching
More informationThe Chord Book - for 3 string guitar
The Chord Book - for 3 string guitar Prepared for: 3 string fretted cbg Prepared by: Patrick Curley Forward This short ebook will help you play chords on your 3 string guitar. I m tuned to G, if you re
More informationGuitar Rubric. Technical Exercises Guitar. Debut. Group A: Scales. Group B: Chords. Group C: Riff
Guitar Rubric Technical Exercises Guitar Debut In this section the examiner will ask you to play a selection of exercises drawn from each of the three groups shown below. Groups A and B contain examples
More informationTutorial 1J: Chords, Keys, and Progressions
Tutorial 1J: Chords, Keys, and Progressions Welcome! In this tutorial you ll learn how to: Other Level 1 Tutorials 1. Relate chords with keys 1A: Virtual Practice 2. Use basic blues progressions & blues
More informationAdvanced Techniques for the Walkingbass
Advanced Techniques for the Walkingbass I have seen guys with 5 string basses who can t get half the sounds that you are getting out of just three. -Buddy Fo of the Invitations If you have read the Beginners
More informationFoundation Course. Study Kit No 1. Away In A Manger
Foundation Course Study Kit No 1 Away In A Manger Reharmonization Study Kit No. 1 Away In A Manger Author: Rosablanca Suen Web: www.learnpianowithrosa.com Email: Rosa@LearnPianoWithRosa.com Cover Design:
More informationMUSIC OFFICE - SONGWRITING SESSIONS SESSION 1 HARMONY
MUSIC OFFICE - SONGWRITING SESSIONS SESSION 1 HARMONY Introduction All songwriters will use harmony in some form or another. It is what makes up the harmonic footprint of a song. Chord sequences and melodies
More informationBeginners Guide to the Walkingbass
Beginners uide to the Walkingbass Learning to play a new instrument can open up a whole new world of creativity. It certainly has for me. The 3-string Walkingbass is an easy instrument to learn, yet it
More informationSample Pages. This pdf contains sample pages from the ebook The Easy Guide to Jazz Guitar Arpeggios. To get the full ebook, Click Here
1 Sample Pages This pdf contains sample pages from the ebook The Easy Guide to Jazz Guitar Arpeggios. To get the full ebook, Click Here 2 Contents Introduction....6 What Are Arpeggios?....7 Chapter 1:
More informationThe Basic Jazz Guitar Chord Book
The Basic Jazz Guitar Chord Book By Dirk Laukens / January 25, 2005 Hello and welcome to the basic jazz guitar chord book, brought to you by www.jazzguitar.be. How are guitar chords built? What makes a
More informationPIANOWEB.com ( 800 ) 327-4266
Mission Statement: Jazz Piano Lessons To Teach, in their home, on their own piano/keyboard, anywhere in the world, students how to play jazz piano, through a Non Traditional approach which emphasizes Musical
More informationHow to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 Revised 4 September 2012
How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 Revised 4 September 2012 There are different forms of jazz improvisation. For example, in free improvisation, the player is under
More informationEveryone cringes at the words "Music Theory", but this is mainly banjo related and very important to learning how to play.
BLUEGRASS MUSIC THEORY 101 By Sherry Chapman Texasbanjo The Banjo Hangout Introduction Everyone cringes at the words "Music Theory", but this is mainly banjo related and very important to learning how
More informationThe Secret to Playing Your Favourite Music By Ear
The Secret to Playing Your Favourite Music By Ear By Scott Edwards - Founder of I ve written this report to give musicians of any level an outline of the basics involved in learning to play any music by
More informationHow to create bass lines
First rule: always memorize the melody of the song! Always. Always. Always. You should be able to sing and play it in the original key. If you really want to be totally extra, extra awesome, you will be
More informationMAKING YOUR LINES SOUND MORE LIKE JAZZ!
MAKING YOUR LINES SOUND MORE LIKE JAZZ! BY ALISDAIR MACRAE BIRCH One of the common questions asked by jazz guitar students is, How do I make my lines sound more like jazz? or Why do my improvised lines
More informationDeveloping a cohesive walking bass line 2005 Eric Elias
Developing a cohesive walking bass line 00 Eric Elias Developing a walking bass lines is a subject that many of my students (guitarists and bassists alike) have been interested in. If you are a jazz player,
More informationPlease Read This Page First
Mandolin and Fiddle Improvisation Using the Chord Tone Scale Copyright 2008 by Pete Martin Please Read This Page First This book is distributed using the shareware system. Try it out, if you like it please
More informationJazz Lesson 10. Brenden s Key Point
Jazz Lesson 10 Technique 1. Playing7 th chords with different combinations. a. Playing seventh chords in different inversions is very important for developing your soloing ability and for creating unique
More informationUKULELE CHORD SHAPES. More Strumming, Less Memorizing BRAD BORDESSA
UKULELE CHORD SHAPES More Strumming, Less Memorizing BRAD BORDESSA TABLE OF CONTENTS GRATITUDES 2 9th 26 13th 26 INTRODUCTION 3 Altered 27 HOW TO USE THIS BOOK 4 Suspended 2 28 The Fingerboard 5 Suspended
More informationChapter 2 How To Cheat A Barre Chord
Chapter 2 How To Cheat A Barre Chord Now that you ve learned a variety of chords in different positions, there are times that we want to eliminate some of the notes. I know, in the previous chapter I explained
More informationPERPETUAL MOTION BEBOP EXERCISES
PERPETUAL MOTION BEBOP EXERCISES Jason Lyon 2007 www.opus28.co.uk/jazzarticles.html Bebop is much more than just one particular style, it is pretty much the grammar of modern jazz, and bebop licks are
More informationThe CAGED Guitar System
The CAGED Guitar System First of all, let s look at an example below on how to use the CAGED guitar system: 1 The example showed above demonstrates the general idea of how the CAGED system works in a certain
More informationModulation to Any Key
Modulation to Any Key by James M. Stevens In this exercise, I am demonstrating how to modulate from the key of C to any key. Most pianists are comfortable changing keys that move up a half step, whole
More informationSuitable for: Beginners with absolutely no previous experience. Beginners who appear particularly shy or nervous.
Lesson plan 1: CHORD STRUMMING FOR THE BEGINNER Suitable for: Beginners with absolutely no previous experience. Beginners who appear particularly shy or nervous. Prerequisites: None General Objective:
More informationPlaying By Ear Who Can Play By Ear?... 2 How To Play By Ear... 3 Happy Birthday To You (By Ear)... 4 Match Tones... 5 Add Chords...
Playing By Ear Who Can Play By Ear?... 2 How To Play By Ear... 3 Happy Birthday To You (By Ear)... 4 Match Tones... 5 Add Chords... 6 Allcanplay TM Piano * MaxLearning.Net 2009 * Playing By Ear * 4/6/2009
More informationAs Example 2 demonstrates, minor keys have their own pattern of major, minor, and diminished triads:
Lesson QQQ Advanced Roman Numeral Usage Introduction: Roman numerals are a useful, shorthand way of naming and analyzing chords, and of showing their relationships to a tonic. Conventional Roman numerals
More informationA MUSICAL APPROACH TO LEARNING THE BANJO NECK
A MUSICAL APPROACH TO LEARNING THE BANJO NECK Introduction One of the things that has become clear to me, after a number of years of playing banjo, is that if I have any hope of improvising creatively
More informationGuitar Chords: a Beginner's Guide DEMO VERSION by Darrin Koltow
Guitar Chords: a Beginner's Guide DEMO VERSION by Darrin Koltow Copyright 2002 Darrin Koltow Guitar Chords: a Beginner's Guide - DEMO VERSION Page 2 Table of Contents Other Ebooks...3 Introduction...4
More informationHow to Read Music Notation
How to Read Music Notation The New School of American Music IN JUST 30 MINUTES! C D E F G A B C D E F G A B C D E F G A B C D E F G A B C D E F G A B C D E 1. MELODIES The first thing to learn about reading
More informationBeginner Guitar Level I
Welcome to Beginner Guitar Level I E A D G B E * Please fill out the student form * Who is this guy? E A D G B E Logistics, etc.. sign in / out everyday start promptly -> don t be late! breaks / bathrooms
More informationevirtuoso-online Lessons
evirtuoso-online Lessons Chords Lesson 3 Chord Progressions www.evirtuoso.com Chord Progressions are very popular and a strong foundation for many instruments and songs. Any chords combined together in
More informationb 9 œ nœ j œ œ œ œ œ J œ j n œ Œ Œ & b b b b b c ÿ œ j œ œ œ Ó œ. & b b b b b œ bœ œ œ œ œ œbœ SANCTICITY
SANCTICITY ohn Scofield guitar solo from the live CD im Hall & Friends, Live at Town Hall, Volumes 1 & 2 azz Heritage CD 522980L Sancticity, a tune by Coleman Hawkins, is based on the same harmonic progression
More information5 Ways To A Monster Guitar Technique Bill Tyers - February 2015
5 Ways To A Monster Guitar Technique Bill Tyers - February 2015 The age old saying 'practice makes perfect' is still the very best advice that any student of the guitar can follow. Unfortunately for some
More informationHow to Play Chords on your Mountain Dulcimer tuned DAd
How to Play Chords on your Mountain Dulcimer tuned DAd (or Surviving in a Multi-Instrument Jam) by Missy Strothers If you are like me, sooner or later you ll get into a festival situation where you ll
More informationLevel 3 Scale Reference Sheet MP: 4 scales 2 major and 2 harmonic minor
Level 3 Scale Reference Sheet MP: 4 scales 2 major and 2 harmonic minor 1. Play Scale (As tetrachord or one octave, hands separate or together) 2. Play I and V chords (of the scale you just played) (Hands
More informationReharmonizations and Substitutions
Reharmonizations and Substitutions 7 th chords and scale harmonization Reharmonizing: Substituting chromatic chords within the iii vi ii V I progression For the sake of variety, coloration and creativity,
More informationPiano Requirements LEVEL 3 & BELOW
Piano Requirements LEVEL 3 & BELOW Technical Skills: Time limit: 5 minutes Play the following in the keys of F, C, G, D, A, E, B: 1. Five-note Major scales, ascending and descending, hands separate or
More informationRehearsal Strategies A Night in Tunisia By Reginald Thomas, Professor of Jazz Piano Michigan State University, East Lansing, MI
Rehearsal Strategies A Night in Tunisia By Reginald Thomas, Professor of Jazz Piano Michigan State University, East Lansing, MI Do you remember the first time you heard this jazz classic, A Night In Tunisia?
More informationCuban Tres Guitar Chord & Scale Book
Cuban Tres Guitar Chord & Scale Book Written by: Rudy Furlan Copyright 2004 This E-book will explain how to tune your C Cuban Tres Guitar and show you how to finger chords and play scales. It is designed
More informationAn Introduction to Chords
1 An Introduction to Chords by David Gilson A chord is the musical sound produced by playing a number of notes at the same time. The sound of the chord is different depending on the key you are playing
More informationPut Your Song to the Tests
Put Your Song to the Tests By Pat & Pete Luboff We ve been listening to songs in a professional capacity for over 20 years, as songwriting consultants, workshop leaders, contest judges and Taxi screeners.
More informationWhiskey Before Breakfast
Flatpicking uitar Magazine Free Lesson une 1 Whiskey Before Breakfast by Mickey braham Hello and welcome once again to Flatpicking uitar Magazine s free lesson portion of our monthly newsletter Each month
More informationThe pianist has a few functions in a jazz combo. First, he comps for, and interacts with, other players as they solo.
Piano Chord Voicings for jazz combo The pianist has a few functions in a jazz combo. First, he comps for, and interacts with, other players as they solo. Secondly, he acts as a soloist himself. Therefore,
More informationGUITAR THEORY REVOLUTION
GUITAR THEORY REVOLUTION The Major and Minor Pentatonic Scales Copyright Guitar Theory Revolution 2011 1 Contents Introduction 3 What are the Major and Minor Pentatonic Scales 3 Diagrams for all the Pentatonic
More informationFREE CHORD BOOK Introduction
FREE CHORD BOOK Introduction Hi, I m Andy and welcome to my chord book for beginners! Most chord books are packed full hundreds of chord diagrams, so many in fact it could take literally years to play
More informationContents. Introduction. Musical Patterns. 1) The Secrets of Scales. 2) Play With the Patterns. 3) The Secrets of Chords. 4) Play With the Shapes
Contents Introduction Musical Patterns 1) The Secrets of Scales 2) Play With the Patterns 3) The Secrets of Chords 4) Play With the Shapes 5) Every Semitone Has a Name 6) Build Your 2-Note Chords 7) The
More informationThe Secret Weapon for Bar Chords
Created by BCM The Secret Weapon for Bar Chords This handy device will make it much easier to form bar chords on your guitar. It is an effective tool that will give you immediate results. No more hours
More informationBeautiful Simple Guitar Chord Progressions
Beautiful Simple Guitar Chord Progressions The purpose of beautiful simple guitar chord progressions is to present guitar mechanisms as simply as possible. Using mostly three finger chords beautiful guitar
More informationContents. 3) The Pentatonic Scale Patterns for Every Major Scale. 6) The Pentatonic Scale Patterns for Every Minor Scale
ontents Introduction Part 1: Musical Patterns 1) The Secrets of Scales 2) Scales to Play lues 3) The Secrets of hords 4) uild Your Own hords 5) The Secrets of Keys 6) Major and Minor Key hart Part 2: Patterns
More informationGuitar Method Beginner: Book 1
Guitar Method Beginner: Book 1 This book has been a project in the works for over a year, and now my dream of releasing it has finally come true. I would like to thank everyone who has encouraged or helped
More informationStandard 1: Skills and Techniques 1
1 Standard 1: Skills and Techniques 1 CB.1.1 Instrument Knowledge Skills CB.1.1.1 Instrument in good playing condition- including proper assembly, reed care, and cleaning. CB.1.2 Playing Posture Skills
More informationHow they invented chord patterns for the guitar. J. Chaurette. Dec., 2012
How they invented chord patterns for the guitar J. Chaurette Dec., 2012 The guitar has a very long history; it has evolved over the ages to what it is now. It has achieved its final distinct form in 1770,
More informationIntervals Harmony Chords and Scales. Workbook
Intervals Harmony Chords and Scales Workbook Introduction In writing this book I was able to make many discoveries for myself both in methods of teaching and basic use of music theory. In every discipline
More informationHow to Practice Scales
How to Practice Scales Step #1). Make a 5-Day Practice Plan In order to cycle through as many areas of scale practice as possible (and not get bored) it is important to have a plan. Your plan should cover
More informationGuitar Reference. By: Frank Markovich
Guitar Reference By: Frank Markovich Guitar Reference Introduction The purpose of this book is to give the student the reference materials for learning how to play the guitar. In this book you will find
More informationBEGINNER GUITAR - LESSON 1
BEGINNER GUITAR - LESSON 1 PARTS OF THE GUITAR 1- The headstock. 2- The tuning pegs or machine heads. 3- The nut (where the strings are supported at the top of the fingerboard). 4- The frets (the metal
More informationHow to Read Chord Charts
How to Read Chord Charts Learning to read chord charts is fun, easy and it will open a new world of songs to you, as you will now be able to decipher the code. As a teacher and studio guitarist, I use
More informationStudy Kit No 9. Aura Lee (Love Me Tender)
Study Kit No 9 Aura Lee (Love Me Tender) Reharmonization Study Kit No. 9 Aura Lee Author: Rosablanca Suen Web: www.learnpianowithrosa.com Email: Rosa@LearnPianoWithRosa.com Cover Design: Raymond Suen Copyright
More informationHow To Improvise a Solo A Workshop for Beginners
1 How To Improvise a Solo A Workshop for Beginners 10:00-10:30 am Arrival, Setup and Performance 10:30 to 12:00 pm Interactive Workshop 12:00 to 12:30 Lunch 12:30 to 2:00 pm Workshop 2:00 tp 3:30 pm Open
More information2012 Saskatchewan Curriculum. Jazz Theory. To Accompany Instrumental Jazz 10, 20, 30
2012 Saskatchewan Curriculum To Accompany Instrumental Jazz 10, 20, 0 ISBN 98-1-10-06-2 1. Arts education (Secondary school) - Saskatchewan - Curricula. 2. Competency-based education - Saskatchewan. Saskatchewan.
More informationKeyboard Basics. By Starling Jones, Jr. http://www.starlingsounds.com& http://www.smoothchords.com
Keyboard Basics By Starling Jones, Jr. In starting on the piano I recommend starting on weighted keys. I say this as your fingers will be adjusted to the stiffness of the keys. When you then progress to
More informationInternet Guitar Lessons Video and Lesson Content
Internet Guitar Lessons Video and Lesson Content Backing Tracks Creating Backing Tracks Improvising over Chord Changes 6 - Backing Track Studio Session Gear Rundown Virtual Gig Part 1 Virtual Gig Part
More informationJ. JENNINGS PUBLISHING COMPANY 5012 Kahn Street, Carmichael, CA 95608
I N T R O D U C T I O N This packet contains introductory lessons for Emerson Karaoke Guitar 1. We assume you are a total beginner. The exercises start out very easy and will progress gradually. Have some
More informationSongwriting. Geniuses. for. 25 Tips for the Genius in Everyone. By Gene Burnett
Songwriting for Geniuses 25 Tips for the Genius in Everyone By Gene Burnett Songwriting for Geniuses iii Introduction This little book is entitled Songwriting For Geniuses and is comprised of various tips
More informationSample of Version 2.0 of Swing & Jump Blues Guitar
The Charlie Christian Approach Charlie Christian (1916 1942) was one of the first real swing guitar players that had a lasting influence on all other swing and jump guitar players after him. Even more
More informationDefinitive Piano Improvisation Course
Definitive Piano Improvisation Course By Yoke Wong 2007 Harmony and Melody Studio Inc Contents Pages Introduction Pentatonic Scale Improvisation 1 Country Western Style Made Easy 4 Left Hand Harmonizing
More informationThe Instant Impresario Guitar Instruction Guide
The Instant Impresario Guitar Instruction Guide (Everything you need to know to get playing right away!) First Things First: This guitar can either be powered by the AC Adapter (included) or via eight
More information2012 Music Standards GRADES K-1-2
Students will: Personal Choice and Vision: Students construct and solve problems of personal relevance and interest when expressing themselves through A. Demonstrate how musical elements communicate meaning
More informationThe concept and purpose of this program has four goals:
Essential Music Theory for Fiddle is a program designed to help a first-year Fiddle student to learn how to play from the heart and rely less on printed sheet music and tablature. It is a practical application
More informationUkulele Music Theory Part 2 Keys & Chord Families By Pete Farrugia BA (Hons), Dip Mus, Dip LCM
This lesson assumes that you are using a ukulele tuned to the notes G, C, E and A. Ukulele Notes In lesson 1, we introduced the sequence of 12 notes, which repeats up and down the full range of musical
More informationTable of Contents. Creating Simple Solos Dan Denley's
Cr eat i ngsi mpl esol os T M byda ndenl ey TheQui c kandeas ywayt opl ay Gui t arsol osfr om Sc r at c h Table of Contents Read This First... 2 How To Use This Course... 3 Pentatonic MINOR Scale... 4
More informationParameters for Session Skills Improvising Initial Grade 8 for all instruments
Parameters for Session Skills Improvising Initial for all instruments If you choose Improvising, you will be asked to improvise in a specified style over a backing track that you have not seen or heard
More informationALTERNATE TUNINGS FOR GUITAR...A BRIEF LOOK
ALTERNATE TUNINGS FOR GUITAR...A BRIEF LOOK Standard Tuning EADGBE seems to have appeared around 1700, taking firm hold around 1800. One wonders how many guitar tunings have existed down through the centuries
More informationHOW SCALES, KEY SIGNATURES, & ARPEGGIOS WORK www.tubapeter.com
1 HOW SCALES, KEY SIGNATURES, & ARPEGGIOS WORK www.tubapeter.com WHAT IS A SCALE? A scale is all the pitches that you can play in a key signature without playing any accidentals. The key of Bb is Bb and
More informationHow To Determine Chords for Mountain Dulcimer Playing (How The Person Who Wrote the Chord Book Figured It Out)
How To Determine Chds f Mountain Dulcimer Playing (How The Person Who Wrote the Chd Book Figured It Out) by Roger Huffmaster Did you ever wonder how the person who wrote the mountain dulcimer chd chart
More informationPentatonic Guitar Magic How To Use The Simple Pentatonic Scale To Solo Over Chords from Blues to Rock tojazz.
Pentatonic Guitar Magic How To Use The Simple Pentatonic Scale To Solo Over Chords from Blues to Rock tojazz. This ebook may be freely distributed but not copied or altered in any way. WARNING: There is
More informationBEBOP EXERCISES. Jason Lyon 2008. www.opus28.co.uk/jazzarticles.html INTRODUCTION
BEBOP EXERCISES www.opus28.co.uk/jazzarticles.html INTRODUCTION Bebop is all about being able to play any chromatic tone on any chord. Obviously, if we just play chromatically with free abandon, the harmony
More informationGUITAR THEORY REVOLUTION. Part 1: How To Learn All The Notes On The Guitar Fretboard
GUITAR THEORY REVOLUTION Part 1: How To Learn All The Notes On The Guitar Fretboard Contents Introduction Lesson 1: Numbering The Guitar Strings Lesson 2: The Notes Lesson 3: The Universal Pattern For
More informationGOSPELKEYS TM 202 MASTERING WORSHIP CHORDS TRANSCRIPTS SIDENOTES. www.hearandplay.com www.gospelkeys202.com. Minister Jermaine A.
GOSPELKEYS TM 202 MASTERING WORSHIP CHORDS TRANSCRIPTS & SIDENOTES www.hearandplay.com www.gospelkeys202.com Minister Jermaine A. Griggs, Author 1 INTRODUCTION Hello my friend, and welcome to Gospel Keys
More informationacousticguitarworkshop.com RICK PAYNE SP FINGERSTYLE BLUES More chapters in the story of how to play Fingerstyle Blues
acousticguitarworkshop.com RICK PAYNE SP FINGERSTYLE BLUES More chapters in the story of how to play Fingerstyle Blues 2 Fingerstyle Blues 2 - Contents Welcome to Fingerstyle Blues 2! In the first course,
More informationCatch the Calypso Beat and Put it in Your Feet! A Smithsonian Folkways Lesson Designed by: Katie Wood Seattle Public Schools, Seattle WA
Catch the Calypso Beat and Put it in Your Feet! A Smithsonian Folkways Lesson Designed by: Katie Wood Seattle Public Schools, Seattle WA Summary: In this lesson students will travel to the island of Trinidad
More informationGRADE THREE THEORY REVISION
GRADE THREE THEORY REVISION Note Pitches Use flashcards to make sure you know all your notes including leger lines. Whenever you name a note remember to check the clef, keysignature, and for accidentals
More informationC Chord. Play these three notes at the same time with your right hand. These three notes make up a C chord.
This book will get you playing keyboard instantly-whether you read music or not. We put together a band with some of our friends and recorded some really fun music. The Instant Keyboard CD has songs ready
More informationThe Outstanding Guitar Video Course - Product Details ->>> Enter Here MORE DETAILS => Check Now
How to learn to play electric guitar by yourself, guitar lessons youtube com, learn to play guitar in 30 minutes. The Outstanding Guitar Video Course - Product Details ->>> Enter Here MORE DETAILS => Check
More informationGEORGE GOODMAN S HARMONICA CHEAT SHEET By George Goodman. Copyright 2014 George Goodman GeorgeGoodman.com 2 nd Edition, License Notes
GEORGE GOODMAN S HARMONICA CHEAT SHEET By George Goodman Copyright 2014 George Goodman GeorgeGoodman.com 2 nd Edition, License Notes Thank you for downloading this free ebook. Although this is a free book,
More informationBasic Music Theory. Reading Different Clefs
1 Basic Music Theory Reading Different Clefs The most commonly used clefs are the treble and bass. The ability to read both of these clefs proficiently is essential for Leaving Cert. Music. Clef reading
More informationJazz Guitar Chord Construction Thelonious Monk Institute of Jazz Online Jazz Handbook
Jazz Guitar Chord Construction Thelonious Monk Institute of Jazz Online Jazz Handbook welcome to the guitar chapter of the Thelonious Monk Institute of Jazz s Online Jazz Handbook! A guitarist in a jazz
More informationLesson 21: Substitution Chords Play Piano By Ear Audio Course. Materials For This Lesson
Hello, and welcome to Lesson 21. In Lesson 19 you learned Drink To Me Only With Thine Eyes, using just four chords. In this lesson we ll be using substitution chords to create a more professional sounding
More informationSimple 2 Finger Mandolin Chords for a I, IV, V Progression
Major chords from the Mandolin chords chart Mandolin hords Major hord hord hord D hord D ingering hord hord hord 0 ingering st ret Simple inger Mandolin hords for a I, IV, V Progression I or D hord D D
More informationwww.migu-music.com Michael Gundlach DOWNLOAD PDF FILE WALKING BASS for Piano An easy method for creating Walking Bass Lines on Piano
www.migu-music.com Michael Gundlach DOWNLOAD PDF FILE WALKING BASS for Piano An easy method for creating Walking Bass Lines on Piano Table of Contents 3 Explanation of the Contents 5 Introduction to the
More informationPREPARING TO STUDY JAZZ AT THE NEW ZEALAND SCHOOL OF MUSIC. The Jazz Theory Entrance Test 2010 STUDY GUIDE
PREPARING TO STUDY JAZZ AT THE NEW ZEALAND SCHOOL OF MUSIC The Jazz Theory Entrance Test 2010 STUDY GUIDE The Jazz Theory Entrance Test Study Guide Every concept that you will study in jazz theory, either
More informationLEFT HAND CHORD COMBINING ON THE ACCORDION
LEFT HAND CHORD COMBINING ON THE ACCORDION The standard Stradella bass system on the accordion only provides four chord types: Major, minor, 7-th and diminished. It's possible to play other chords by using
More informationSlash Chords: Triads with a Wrong Bass Note?
patrick schenkius Slash Chords: Triads with a Wrong Bass Note? In this article the phenomenon slash chord is being examined by categorizing almost all of them and the way these chords function inside the
More informationFILL IN YOUR GAPS AS A PIANO PLAYER. What you need to know to take the next steps as a musician. Peter Thompson. OurWorshipSound
FILL IN YOUR GAPS AS A PIANO PLAYER What you need to know to take the next steps as a musician Peter Thompson OurWorshipSound 1 FILL IN YOUR GAPS AS A PIANO PLAYER 2014 OURWORSHIPSOUND ALL RIGHTS RESERVED.
More informationCompanion Workbook to the bonus section with Glenn Pearce
Companion Workbook to the bonus section with Glenn Pearce Page 1 of 21 Page 2 of 21 Chapter 1 leadworship.com title page Chapter 2 main menu and Paul s introduction Electric guitar players - what to play
More informationPage 1 of 36. Companion Workbook. 2005 leadworship.com
Page 1 of 36 Companion Workbook Page 2 of 36 Glossary of Terms: Chord: A combination of 3 or more notes that blend harmoniously when sounded together. Chord Scale: All of the chord combinations that naturally
More informationThe Four Blues and More
The Four Blues and More by Mark White-Whitmark Music Publishing A little knowledge is a dangerous thing. Particularly in the case of music theory where azz is concerned! Too many students become "experts"
More information