Hansa Yellow Light #1180 Series 3. C.P. Cadmium Yellow Med #1130 Series 7. Quinacridone / Nickel Azo Gold #1301 Series 7

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1 Heavy Body Acrylic Colors The original line of GOLDEN Artist Acrylics is known for its exceptionally smooth, thick buttery consistency. It contains the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Titanate Yellow #1375 Yellow Primrose #1135 Hansa Yellow #1180 Bismuth Vanadate Yellow #1007 Yellow #1120 Primary Yellow #1530 Hansa Yellow Opaque #1191 Yellow Med #1130 Cadmium Yellow Medium #1554 Hansa Yellow Medium #1190 Nickel Azo Yellow #1225 Burnt Orange #1280 / Nickel Azo Gold #1301 Yellow Dark #1110 Diarylide Yellow #1147 Orange #1070 Vat Orange #1403 Transparent Pyrrole Orange #1384 Pyrrole Orange #1276 Red #1090 Pyrrole Red #1279 Naphthol Red #1210 Pyrrole Red #1277 Red Medium #1100 Cadmium Red Medium #1552 Red Red Dark Pyrrole Red Dark Primary Magenta Magenta #1562

2 #1320 #1080 #1278 #1510 Naphthol Red Medium #1220 Red #1310 Alizarin Crimson #1450 Crimson #1290 Permanent Maroon #1252 Magenta #1305 Medium Magenta #1570 Violet #1330 Permanent Violet Dark #1253 Medium Violet #1572 Violet #1568 Ultramarine Violet #1401 Dioxazine Purple #1150 Ultramarine Blue #1400 Ultramarine Blue #1566 Cobalt Blue #1140 Cobalt Blue #1556 Cerulean Blue, Chromium #1050 Anthraquinone Blue #1005 Phthalo Blue / R.S. #1260 Phthalo Blue / G.S. #1255 Primary Cyan #1500 Cerulean Blue Deep #1051 Turquois (Phthalo) #1390 Cobalt Turquois #1144 Teal #1369 Turquois (Phthalo) #1564 Phthalo Green / B.S. #1270 Phthalo Green / Y.S. #1275 Permanent Green #1250 Cobalt Green #1142 Jenkins Green #1195 Chromium Oxide Green Dark #1061 Chromium Oxide Green #1060 Green/B.S. #1558

3 Green/Y.S. #1560 Green Gold #1170 Yellow Oxide #1410 Yellow Ochre #1407 Transparent Yellow Iron Oxide #1386 Raw Sienna #1340 Mars Yellow #1202 Transparent Red Iron Oxide #1385 Red Oxide #1360 Violet Oxide #1405 Burnt Sienna #1020 Transparent Brown Iron Oxide #1383 Burnt Umber #1035 Burnt Umber #1030 Raw Umber #1350 Carbon Black #1040 Mars Black #1200 Bone Black #1010 Graphite Gray #1160 Paynes Gray #1240 Titan Buff #1370 Zinc White #1415 Titanium White #1380

4 Historical Heavy Body Acrylic s GOLDEN Historical Colors are authentic recreations of paint colors that have been in use for hundreds of years and were considered essential to the working palettes of past masters. As the pigments originally used to produce these colors were found to be unsafe or vulnerable to the effects of light and weather, they had not been offered in a GOLDEN line of pure pigment colors. Recognizing the popularity of these colors within some palettes, GOLDEN has recreated these in a safe, reliable form, meeting the conservation requirements of fine artists. Great pains were taken to ensure the GOLDEN Historical Colors shared the working properties of their predecessors. The result? Contemporary artists can now explore the profoundly distinct qualities of historically significant colors while enjoying the advantages brought about by modern chemistry: lightfastness, safe use and permanence. Naples Yellow #1459 Aureolin #1463 Indian Yellow #1455 Alizarin Crimson #1450 Cobalt Violet #1465 Prussian Blue #1460 Smalt #1467 Manganese Blue #1457 Azurite #1464 Viridian Green #1469 Terre Verte #1468 Sap Green #1461 Hookers Green #1454 VanDyke Brown #1462 Golden Artist Colors, Inc.

5 Heavy Body Acrylic Neutral Grays Neutral Gray Color Chart GOLDEN Neutral Grays are Heavy Body Acrylics designed according to the Munsell Color System. The Munsell System divides the color wheel into a three-dimensional color-space, shaped like a distorted "egg," in which all colors are separated by their Chroma, Value and. The GOLDEN Neutral Grays are made following this system, using a spectrophotometer to ensure they have graduated steps within a very tight tolerance range. They are Achromatic, meaning that they have no distinguishable hue or chroma, only value. On the Munsell "egg," a Neutral Gray falls directly in the center, with whites on top and blacks toward the bottom.white and black represent the two value extremes. Mixing them together will produce a gray; whether or not it is a Neutral Gray depends on the pigments used. In most cases, a true neutral will not be produced; it will likely shift towards one direction of hue and/or chroma (i.e. warmer or cooler). GOLDEN Neutral Grays have been adjusted to stay absolutely neutral. Painting with the Neutral Grays, Bone Black and Titanium White, you create a study without chroma or hue. Use with any one color to produce a monochromatic study. Several colors mixed with the same Neutral Gray and in the same ratio will produce colors with similar value (depending on the colors' own current values). Neutral Gray N2 #1442 Neutral Gray N3 #1443 Neutral Gray N4 #1444 Neutral Gray N5 #1445 Neutral Gray N6 #1446 Neutral Gray N7 #1447 Neutral Gray N8 #1448

6 Heavy Body Color Chart GOLDEN Acrylics are one of the most unique products available to artists today. They offer highly reflective metallic variations when mixed with GOLDEN colors. The GOLDEN colors achieve their reflective properties by synthetically reproducing several natural phenomena - the nacreous, or pearlescent, qualities found in fish scales or the dust of a butterfly's wing, and the shiny and reflective qualities found in certain metals and minerals."coarse" colors are simply larger particle size versions of our "Fine" products. Coarse colors in the line include Copper, Copper, Gold and Pearl. All of GOLDEN's colors produce a luster quality by themselves, or when mixed with other colors and mediums. The GOLDEN line of s can be separated into 3 groups based on chemical composition. Group I: These colors are derived from mica platelets. They are then coated with an extremely thin layer of titanium dioxide. Refraction and reflection of light at the titanium dioxide layers produces various colors and pearlescent effects. Group 1 pigments include Pearl (Coarse and Fine). Group II: These colors are also derived from mica platelets, but an iron oxide coating causes Group II pigments to possess hues in addition to pearlescent qualities. This group includes Gold (Coarse and Fine), Copper and Copper (Coarse and Fine), and Bronze. Group III: A third group consists of reflective colorants that do not fit the above descriptions, including highly metallic pigments. This group includes Stainless Steel (Coarse and Fine), Micaceous Iron Oxide, and Mica Flakes (all varieties). Copper #4006 Copper (Coarse) #4106 Copper #4005 Copper (Coarse) #4105 Bronze #4003 Gold #4010 Gold (Coarse) #4110 Gold Deep #4015 Bright Gold #4012 Gold Mica Flakes (Small) #4076 Gold Mica Flakes (Large) #4078 Pearl #4020 Pearl (Coarse) #4120 Pearl Mica Flakes (Small) #4077 Silver #4025 Stainless Steel #4028 Stainless Steel (Coarse) #4027 Micaceous Iron Oxide #4080 Black Mica Flakes (Small) #4075 Coarse Alumina #4082

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8 Matte Acrylic Colors Matte Color Chart Matte Acrylics provide a uniform flat finish in a wide variety of concentrated colors. Adding Matte Medium to acrylic paint will produce a matte surface but this combination always decreases the color strength. To avoid this loss of color strength, Matte Acrylics are formulated with a matting agent and a level of pigment comparable to GOLDEN Heavy Body Acrylics. Yellow Primrose #5135 Yellow #5120 Yellow Medium #5130 Yellow Dark #5110 Titanate Yellow #5375 Hansa Yellow #5180 Hansa Yellow Medium #5190 Diarylide Yellow #5147 Nickel Azo Yellow #5225 /Nickel Azo Gold #5301 Orange #5070 Vat Orange #5403 Red #5090 Red Medium #5100 Red Dark #5080 Pyrrole Red #5277 Naphthol Red #5210 Red #5310 Crimson #5290 Violet #5330 Dioazine Purple #5150 Anthraquinone Blue #5005 Ultramarine Blue #5400 Cobalt Blue #5140 Cerulean Blue, Chromium #5050 Phthalo Blue / G.S. #5255 Cobalt Turquois #5144 Cobalt Green #5142 Turquois (Phthalo) #5390 Phthalo Green / B.S. #5270 Phthalo Green / Y.S. Jenkins Green #5195 Permanent Green Chromium Oxide Green Green Gold #5170

9 #5275 #5250 #5060 Yellow Ochre #5407 Raw Sienna #5340 Burnt Sienna #5020 Red Oxide #5360 Violet Oxide #5405 Burnt Umber #5030 Raw Umber #5350 Paynes Gray #5240 Bone Black #5010 Carbon Black #5040 Mars Black #5200 Titan Buff #5370 Zinc White #5415 Titanium White #5380

10 Fluorescent Acrylic Colors Fluorescent Color Chart Fluorescent Acrylics Colors are intense, brilliant colors, produced from dyes surrounded by a polymer coating. Because fluorescent colors are so transparent, greater intensity can be achieved by working over a bright white surface. Fluorescent Colors are not lightfast. If a greater permanency is desired, a topcoat of GOLDEN MSA Varnish with UVLS (UltraViolet Stabilizers) is recommended, although it will eliminate the fluorescent "glow" under black light. Fluorescent Chartreuse #4615 Fluorescent Orange-Yellow #4640 Fluorescent Orange #4630 Fluorescent Red #4650 Fluorescent Pink #4645 Fluorescent Magenta #4625 Fluorescent Blue #4605 Fluorescent Green #4620