Works Cited. Althusser, Louis. Ideology and Ideological State Apparatuses. A Critical and

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1 Lin 78 Works Cited Althusser, Louis. Ideology and Ideological State Apparatuses. A Critical and Cultural Theory Reader. Ed. Easthope, Anthony and McGowan, Kate. Open UP, Arbuthnot, Lucy and Seneca, Gail. Pre-Text and Text. Gentlemen Prefer Blondes. Conference on Feminist Film Criticism, Nov Northwestern University, Bass, Alison. Do Slasher Films Breed Real-Life Violence? Gender, Race and Class in Media: A Text-Reader. Thousand Oaks: Sage, Berger, John. Ways of Seeing. London: Penguin, Cantor, Joanne. I ll Never Have a Clown in My House Why Movie Horror Lives On. Poetics Today 25:2 (2004): Cantor, Joanne and Oliver, Mary Beth. Developmental Differences in Responses to Horror. Horror Films: Current Research on Audience Preferences and Reactions. Ed. Weaver, James B. and Tamborini, Ron. Mahwah: Lawrence Erlbaum, Carroll, Noel. Why Horror? Horror, the Film Reader. Ed. Jancovich, Mark. London: Routledge, Cherry, Brigid. Refusing to Refuse to Look. Horror, the Film Reader. Ed. Jancovich, Mark. London: Routledge, Clover, Carol. Men, Women, and Chainsaws: Gender in the Modern Horror Film. Princeton: Princeton UP, Cowie, Elizabeth. Representing the Woman: Cinema and Psychoanalysis. London: Macmillan, 1997.

2 Lin 79 Cunningham, Scan. Fangoria 10 (January 1981). Dickstein, Morris. "The Aesthetics of Fright," American Film 5 no. 10 (September 1980): 33. Dika, Vera. Games of Terror: Halloween, Friday the 13 th, and the Films of the Stalker Cycle. London: Fairleigh Dickinson UP, The Stalker Film, American Horrors: Essays on the Modern American Horror Film. Ed. Waller, Gregory A. Chicago: U of Illinois P, Ellis, John. Visible Fictions. London: Routledge, Freud, Sigmund. A Case of Paranoia Running Counter to the Psychoanalytic Theory of the Disease. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 14. London: Hogarth, A Child Is Being Beaten: A Contribution to the Study of the Origin of Sexual Perversions. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 17. London: Hogarth, Beyond the Pleasure Principle. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 18. London: Hogarth, Civilization and Its Discontents. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 21. London: Hogarth, Construction in Analysis. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 23. London: Hogarth, 1953.

3 Lin Instincts and their Vicissitudes. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 14. London: Hogarth, The Economical Problem in Masochism. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James.Vol. 19. London: Hogarth, Three Essays on Sexuality. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James. Vol. 7. London: Hogarth, The Interpretation of Dreams. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. Strachey, James. Vol. 5. London: Hogarth, Grant, Barry Keith. The Dread of Difference: Gender and the Horror Film. Austin: Texas UP, Grixti, Joseph. Terrors of Uncertainty: The Cultural Contexts of Horror Fiction. London and New York: Routledge, Hansen, Miriam. Pleasure, Ambivalence, Identification. Feminism and Film. Ed. Kaplan, E. Ann. Oxford: Oxford UP, Huffman-Parent, D. A. The Effects of Images in the Media on the Female Audience. Online thesis. January Hyphen s Thesis. 29 August < Johnston, Claire. Woman's Cinema as Counter-Cinema. Notes on Women's Cinema. Ed. Claire Johnston. London: Screen Pamphlet, 1973). Jones, Darryl. Horror: A Thematic History in Fiction and Film. London: Arnold, 2002.

4 Lin 81 Kaplan, E. Ann. Is the Gaze Male? Feminism and Film. Ed. Kaplan, E. Ann. Oxford: Oxford UP, Katz, Jack. Seductions of Crime: Moral and Sensual Attractions in Doing Evil. New York: BasicBooks, Kaufman, Charles. "Anatomy of Terror." Fangoria 10 (January 1981): 48. Krafft-Ebing, Richard von. Psychopathia Sexualis. Trans. F. J. Rebman, from the 12th German ed. n.p., n.d. [orig. ed. 1886]; rpt., New York: Special Books, Lacan, Jacques. Four Fundamental Concepts of Psycho-Analysis. Trans. Sheridan, Alain. Ed. Miller, Jacques-Alain. New York: Penguin, The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience. Critical Theory since Plato. Ed. Adams, Hazard. New York: Harcourt Brace Jovanovich College P, Laplanche, Jean and Pontalis, Jean-Bertrand. Fantasy and the Origins of Sexuality. Formations of Fantasy. New York: Methuen, The Language of Psycho-Analysis. New York: Norton, Lott, Berries. Women's lives : Themes and variations in gender learning. Pacific Grove: Brooks/Cole, Maine, Judith. Cinema and Spectatorship. London: Routledge, Maslin, Janet. Bloodbaths debase movies and audiences. New York Times, 21 November 1982, Sec "Tired Blood Claims the Horror Film as Fresh Victim." New York Times, 1 November 1981, sec. 2. McCarty, John. Movie Psychos and Madmen: Film Psychopaths from Jekyll and Hyde to Hannibal Lecter. New York: Citadel, Metz, Christian. Film Theory and Criticism. Ed. Cohen, Marshall, et al. Oxford:

5 Lin 82 Oxford UP, Meyer, M. (1988, March). Keeping a lid on gore and sex. Video Magazine, pp Mizruchi, Susan. The Science of Sacrifice: American Literature and Modern Social Theory. Princeton: Princeton UP, Molitor, Fred and Sapolsky, Barry S. Violence towards Women in Slasher Films: A Reply to Linz and Donnerstein. Journal of Broadcasting and Electronic Media, 38 (1994): Mulvey, Laura. Visual Pleasure and Narrative Cinema. Film Theory and Criticism. Ed. Cohen, Marshall, et al. Oxford: Oxford UP, Nordheimer, J. Rising Concern with VCR's: Violent Tapes and the Young. New York Times, 18 May 1987, pp. A1.B9. Pajaczkowska, Claire. The Heterosexual Presumption: A Contribution to the Debate on Pornography. Screen 22 (1981). Pinedo, Isabel Cristina. Recreational Terror: Women and the Pleasures of Horror Film Viewing. New York: State U of New York P, Rodowick, David N. The Difficulty of Difference: Psychoanalysis, Sexual Difference, and Film theory. London: Routledge, Safouan, Moustafa. Men and Women: A Psychoanalytic Point of View. The Woman in Question: M/f. Ed. Adams, Parveen and Cowie, Elizabeth. London: Verso, Shalit, Gene. Movie Violence: The Offense to Your Children: What You Can Do. Ladies Home Journal (October 1980). Slocum, J. David. Violence and American Cinema. London: Routledge, Soothill, Keith. Sex Crime in the News. London: Routledge, Stein, Elliot. (. Have Horror Films Gone Too Far? New York Times, 20 June 1982,

6 Lin 83 Section 2, pp. 1, 21. Studlar, Gaylyn. In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic. New York: Columbia UP, Masochism and the Perverse Pleasures of Cinema. Film Theory and Criticism. Ed. Cohen, Marshall, et al. Oxford: Oxford UP, Twitchwell, James B. Dreadful Pleasures: An Anatomy of Modern Horror. Oxford: Oxford UP, Williams, Linda. Hard Core: Power, Pleasure, and the "Frenzy of the Visible". Berkeley: U of California P, When the Woman Looks. Horror, the Film Reader. London: Routledge, Williamson, Judith. Decoding Advertisement: Ideology and Meaning in Advertising. London: Marion Boyars, Wood, Robin. American Nightmare: Essays on the Horror Film. Toronto: Festival of Festivals, 1979.