CLIL COURSE MATERIALS

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1 CLIL COURSE MATERIALS MYTHOLOGY: THE OLYMPIAN GODS Lesson plans and mindmaps December 2008

2 Lesson plan Unit 1 Topic: Myth and Mythology. Subject: Classical Mythology. The Olympian Gods Level: 3 ESO Timing: 6 sessions KEY SKILLS: Students will able To explain what a myth is and how myths work as metaphorical and moral explanation. To apply the new knowledge to their personal experiences. TRANSFERABLE SKILLS: Communicative skills: Students will able to approach ancient cultures in an adequate way. to interpret and understand the situations she/he will encounter in everyday contexts and beyond using classical mythology. to use the communicative resources specific to this subject (descriptions, comparisons, oppositions). Methodological skills: Students will be able To access and communicate information using different supports including ICT tools to learn. to scan and skim texts looking for relevant information. Personal skills: Students will be able To create, initiate, develop and assess individual or collective activities or projects with creativity, confidence, responsibility and critical thinking. Aims: To understand and explain what a myth is and its metaphorical character. TEACHING OBJECTIVES LEARNING OUTCOMES COMUNICATION CULTURE/CITIZENSHIP A.CONTENT A.CONTENT Language of learning At this stage no specific vocabulary needed. Past tenses (revision). Myth as explanation and moral education. Myth opposite to philosophy/science. Myth as symbol and metaphor Influence of classical models (iconography) on our society. Terms and definitions. Mechanisms of the mythological discourse. Recognition and differentiation of patterns. Analysis of current situations from a mythological point of view. Evaluation and creation of cultural products (ads, publicity). To give a definition of myth and mythology. To differentiate between mythological and scientific discourses. To appreciate the classical tradition. to understand some mechanisms of the mythological discourse in contrast to the scientific discourse. To apply new knowledge to recognise models/patterns. To analyse, evaluate and synthesize cultural products (advertisements, publicity). Language for learning - Definitions: Some specific vocabulary. Terms and categories; defining phrases (adjectives, relative clauses...) - Comparison: Some specific vocabulary. Similarities and differences; oppositions (while). - Descriptions: Some specific vocabulary. Poses and actions. Space expressions. Language through learning - Language that comes out when completing tasks. To understand that there are different ways to explain the world. To understand that there are ideologies underlying language and images. To understand the influence of ancient Greeks and Romans on our essentially visual Western society (iconography). To apply the new acquired knowledge to their own personal experiences. ASSESSMENT CRITERIA: Students should be able to apply the new acquired knowledge to new situations.

3 Lesson plan Unit 2 Topic: Sources for Classical Mythology Subject: Classical Mythology. The Olympian Gods Level: 3 ESO Timing: 4 sessions KEY SKILLS: Students will able to identify the most significant Greek and Roman authors and some of their works. to appreciate their importance in Western civilisation. to consider and respect literary and artistic productions. TRANSFERABLE SKILLS: Communicative skills: Students will able to approach ancient cultures in a comprehensive way. to understand, perceive and value critically different cultural and artistic forms of expression. to use the communicative resources specific to this subject. To apply her/his basic knowledge of the different cultural and artistic forms of expression to appreciate its intrinsic value. Methodological skills: Students will be able To access and communicate information using different supports including ICT tools to learn. To scan and skim texts looking for relevant information. To transform information into knowledge in order to organize, relate, analyse, synthesise, make inferences and deductions at different levels of complexity. Personal skills: Students will be able To interpret and use the body of knowledge about facts and processes to predict consequences. Aims: To introduce ancient Greek and Roman literature and art as preservers of myths. TEACHING OBJECTIVES LEARNING OUTCOMES COMUNICATION CULTURE/CITIZENSHIP A.CONTENT A.CONTENT Language of learning Main sources for Classical Mythology: - Literary sources: Homer, Hesiod, Aeschylus, Sophocles, Euripides, Virgil, Ovid - Artistic sources: Painting on ceramics, Murals, Sculpture, Mosaic Main authors names, works and facts. Ancient Greek pottery: vases names, shapes, use. Some mechanisms of ancient literature: orality vs. writing; music. Problems about the transmission of ancient literature and art. to understand the importance of literature (writing) and art (images) in the transmission of classical mythology. to re-create the myth of the nine Muses as metaphor of (oral) poetry. to remember the names of the most significant classical authors and to identify some of their works and life facts. to classify different artistic manifestations (esp. pottery). to analyse the role of memory in early forms of literature (orality). - Main authors names, literary terms (epic/didactic poetry; playwright, drama, play); art terms, vases names, shapes, parts. - Vocabulary related to representation (represent, depict, show...) - BC/AD Language for learning - Descriptions. - Captions. - Expression of possibility and uncertainty. - Impersonal phrases (it is said; it is believed) Language through learning - Language that comes out when completing tasks. To understand some etymologies: music, museum, crater, calyx, odyssey, drama... To understand the influence of ancient Greeks and Romans on Western literature and art. ASSESSMENT CRITERIA: Students should remember the main facts about ancient authors; recognise different forms of art; be aware of the importance of memory in ancient forms of literature and of writing and art in the preservation of myths.

4 Topic: The origin of the world and the gods (Hesiod s Theogony) Subject: Classical Mythology. The Olympian Gods Level: 3 ESO Timing: 4 sessions KEY SKILLS: Students will able to order the main events from Chaos to Zeus. to draw the family tree of the Olympian gods. to understand the gods main characteristics in opposition to humans. TRANSFERABLE SKILLS: Communicative skills: Students will able to approach ancient cultures in an adequate way. to understand, perceive and value critically different cultural and artistic forms of expression. to use the communicative resources specific to this subject. To apply her/his basic knowledge of the different cultural and artistic forms of expression to appreciate its intrinsic value. Methodological skills: Students will be able To access and communicate information using different supports including ICT tools to learn. To scan and skim texts looking for relevant information. To transform information into knowledge in order to organize, relate, analyse, synthesise, make inferences and deductions at different levels of complexity. Personal skills: Students will be able To interpret and use the body of knowledge about facts and processes to predict consequences. Aims: To introduce ancient Greek cosmogony and the family of Olympian gods and their characteristics. TEACHING OBJECTIVES LEARNING OUTCOMES COMUNICATION CULTURE/CITIZENSHIP A.CONTENT A.CONTENT Language of learning The cosmogony according to Hesiod s Theogony. The family of the Olympian gods. Gods characteristics (compared to humans): anthropomorphism; behaviour; reason for their immortality... to read and understand a summary of the origin of the world according Hesiod. to organise the events chronologically and to complete a family tree. to find out the similarities and differences between gods and mortals from original sources. - Gods names; relationship/family terms; Language for learning - Expression of generation and time; - Cause and effect; - Contrast; - Sequence of events. Language through learning - Language that comes out when completing tasks. To understand some etymologies: chaos, chaotic, titanic, titanium, geo-, uranium, eroticism, erotic, aphrodisiac... To understand the influence of ancient Greeks and Romans on Western art: the birth of Venus, Saturn devouring his children... as topics in art history. Main gods names and relationships from Chaos to Zeus divine children. Chain of events from Chaos to Zeus and family tree. Family model; behaviour patterns; sexism. What gods looked like and how they behaved and why? to remember the names of the most important Greek gods and to draw the family tree. to order chronologically the main events from Chaos to Zeus. to recognise some episodes in artistic representations. to analyse, evaluate and synthesise the main characteristics of the Greek gods and their relationship with humans. ASSESSMENT CRITERIA: Students should be able to order correctly the chain of events from Chaos to Zeus; to complete correctly gods family tree; to identify some episodes in works of art and to evaluate the relationship between gods and mortals.

5 DEFINITIONS: SPECIFIC VOCABULARY; TERMS AND CATEGORIES; DEFINING PHRASES DESCRIPTIONS: SOME SPECIFIC VOCABULARY; POSES AND ACTIONS; SP ACE EXPRESSIONS COMPARISON: SOME SPECIFIC VOCABULARY; SIMILARITIES AND DIFFERENCES; OPPOSITES NO SPECIFIC VOCABULARY NEEDED AT THIS STAGE FOR T HROUGH W HAT IS A MYT H? COMMUNICAT ION KNOW LEDGE T ERMS AND DEFINIT IONS MYT HOLOGICAL DISCOURSE W HAT IS MYT HOLOGY? COMPREHENSION HOW DO MYTHS WORK? WHY / GREEK MYT HOLOGY? CONT ENT A WORLD IMAGES UNIT 1 MYTH & MYTHOLOGY CULT URE COGNIT ION SYNT HESIS T O INVENT A BRAND EVALUAT ION APPLICATION ANALYSIS CULT URAL PRODUCT S (PUBLICITY) RECOGNIT ION PATTERNS CURRENT SIT UATIONS MYTHOLOGY. T HE OLYMPIAN GODS, Barcelona SYMBOLIC DIMENSION DIFFERENT WAYS T O EXPLAIN THE W ORLD SURVIVAL / MYTHOLOGICAL MODELS

6 AUT HORS' LIT ERARY AND ART T ERMS BC/AD DESCRIPT ION UNCERT AINT Y IMPERSONAL PHRASES FOR GREEK AND LAT IN POET S Homer Hesiod Aeschylus Sophocles Euripides Virgil Ovid T HE NINE MUSES MYT H LIT ERARY SOURCES CONTENT COMMUNICAT ION T HROUGH COGNIT ION AUT HORS' AND FACT S KNOWLEDGE VASE SHAPES, USE AND COMPREHENSION ORAL POET RY: MEMORY & T RANSMISSION APPLICAT ION RECOGNIT ION PAT TERNS AND MODELS PAINT ING ON CERAMICS MURALS SCULPT URE MOSAIC ART ISIT C SOURCES UNIT 2 SOURCES FOR MYT HOLOGY ANALYSIS LOOKING FOR RELEVANT INFORMAT ION GREEK POT T ERY CULT URE SYNT HESIS EVALUATION ORALIT Y VS. W RIT ING ETYMOLOGIES T RADIT ION HYPOT HESIZING ABOUT MYHS MYTHOLOGY. THE OLYMPIAN GODS, Barcelona Music, museum, odyssey, crater, drama... SURVIVAL MODELS

7 CAUSE AND EFFECT; CONTRAST MAIN GODS' GENERATION AND TIME EXPRESSIONS FOR FACTS' SEQUENCES RELATIONSHIP AND FAMILY TERMS COMMUNICATION THROUGH MAIN GODS' AND RELATIONSHIPS CHAIN EVENTS FROM CHAOS TO ZEUS HESIOD'S COSMOGONY KNOWLEDGE COMPREHENSION FAMILY TREE THE TWO GENERATIONS OLYMPIANS IMMORTALITY ANTHROPOMORPHISM BEHAVIOUR OLYMPIANS' FAMILY HUMANS AND GODS CONTENT SOME ETYMOLOGIES UNIT 3 THE ORIGIN THE WORLD AND THE GODS CULTURE TRADITION COGNITION SYNTHESIS EVALUATION THE GODS AS SOCIAL PROJECTION APPLICATION ANALYSIS RECOGNITION SCENES BEHAVIOUR PATTERNS REPETITION STRUCTURES WHAT GODS LOOKED LIKE AND HOW THEY BEHAVED AND WHY MYTHOLOGY. THE OLYMPIAN GODS, Barcelona CHAOS, CHAOTIC, URANIM, TITANIUM, TITANIC... THE BIRTH APHRODITE, CRONUS DEVOURING HIS CHILDREN...

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