Chapter 6: Greek Classical Theatre
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1 Overview of Greek Drama Tragedy and Satyr Plays emerge at the same time in late pre-classical Athens but in retrospect, Tragedy seems to come first the works of only three Major Classical Tragedians survive: Aeschylus ( BCE) Sophocles ( BCE) Euripides ( BCE)
2 Overview of Greek Drama the earliest known type of comic drama is the Satyr Play Old Comedy is first presented at the Dionysia in 486 BCE first extant Old Comedies are by Aristophanes (mid-400 s 386 BCE) Cratinus (active from 440 s-420 s BCE) Eupolis (active ca BCE)
3 Overview of Greek Drama in the post-classical period (after 404 BCE) tragedy begins to decline comedy dominates Greek theatre Middle Comedy (390 s- 320 s BCE) New Comedy (after the 320 s BCE) the greatest playwright of New Comedy was Menander ( BCE) but his work survives largely on papyrus
4 Where were plays produced in antiquity? Can we expect to find specially built theatres for the earliest dramas? What should we look for in early venues where drama might have happened? space for acting/impersonation space for seating/viewing
5 Knossos (Crete)
6 Knossos (Crete)
7 Reconstruction of Knossos
8 Open Space at Knossus
9 Open Space at Knossus
10 Open Space at Knossus
11 Theatre of Dionysus (Athens)
12 Theatre of Dionysus (Athens) ORCHESTRA SKENE THEATRON
13 Theatre of Dionysus (Athens) THEATRON ORCHESTRA SKENE
14 Theatre of Thorikos (orchestra)
15 Theatre of Thorikos (orchestra)
16 Theatre of Thorikos (orchestra)
17 Theatre of Dionysus (theatron)
18 Theatre of Dionysus (theatron)
19 Theatre of Dionysus (theatron)
20 Skene
21 Skene
22 Special Effects Ekkyklema: a rolling platform
23 Special Effects Mechane: a crane used to lift actors into the air and fly them across the stage not necessary in plays until the 420 s BCE but the end of Euripides Medea (431 BCE)? how did it work, e.g. actor twisting on rope? when not in use, was it hidden from view? i.e. how illusionistic was Classical Greek theatre
24 How were Greek tragedies presented? How many at a time? Trilogies actually tetralogies: 3 tragedies + satyr play In what style? Little opportunity for Interiority Presentationalism cf. courtroom trials
25 How were Greek tragedies presented? Who paid for the production? Choregos ( producer ) a rich man required to do public service What was the playwright s job? Chorodidaskalos ( chorus-teacher ) i.e. he taught the songs/dances to the chorus and originally he acted in the play himself
26 Masks
27 Masks masks allow for multiple-role playing three-actor rule protagonist deuteragonist tritagonist why only three?
28 Voices must have been the actor s principal tool cf. modern opera singers how difficult would it have been for the audience to know which actor was speaking at any moment? with masked actors at some distance thus, few trialogues, and all are found in later Classical tragedy
29 Stichomythy ( line-talking ) predictable pattern of conversation based on poetic meter e.g. Euripides Hippolytus ( ) Phaedra: What thing is this that men call love? Nurse: It s sweetest, child, and bitter too. Phaedra: I ve only known the latter, Nurse. Nurse: What s that? Oh, you re in love? With whom? Phaedra: That man, born from an Amazon... Nurse: Hippolytus?... Phaedra:... Quoth you, not I!
30 The Finale of Euripides Orestes Apollo (the sun) Orestes on roof of skene, with mutes playing other roles Chorus in Orchestra Apollo on mechane, with mute Helen Menelaus on stage, with army (secondary chorus)
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