PABLO PICASSO Drawings, Prints and Ceramics. January 31st - March 29th, 2014 PRINTS

Transcription

1 PABLO PICASSO Drawings, Prints and Ceramics January 31st - March 29th, 2014 PRINTS

2 "Deux femmes nues dans un arbre"

3 Malaga Mougins "Deux femmes nues dans un arbre" etching on Arches paper ,5 x 29,2 cm Darstellung / 66 x 50,2 cm Blatt / 14 3/4 x 11 1/2 in. image / 26 x 19 3/4 in. sheet signed lower right and numbered 11/100 lower left edition of EA Bloch 234 Provenance Private collection Exhibited Marlborough Gallery, New York Celebrating the Muse: Women in Picasso's Prints (Label) Literature Bloch, Georges. Pablo Picasso. Catalogue of the printed graphic work Vol. I. Berne P. 78, no. 234, ill.

4 "Le viol VII"

5 Malaga Mougins "Le viol VII" Radierung und Kaltnadelradierung auf Montval Bütten 2. November x 28 cm Darstellung / 38,5 x 50,3 cm Blatt signiert unten rechts, datiert und bezeichnet in der Platte oben rechts PARIS 2 novembre XXXIII' (seitenverkehrt) Eines von 50 Exemplaren auf breitrandigem Papier mit Wasserzeichen 'Papeterie Montgolfier à Montval' Auflage 313 Exemplare Bloch 202; Geiser 378 X b Blatt 32 aus der Suite Vollard, neunter und letzter Zustand der Serie "Le viol". Die Gesamtauflage besteht aus 3 vom Künstler signierten und numerierten Exemplaren auf Velin, 260 Exemplaren auf Montval Bütten mit Wasserzeichen 'Vollard' oder 'Picasso' und 50 Exemplaren auf breitrandigem Montval Bütten mit Wasserzeichen 'Papeterie Montgolfier à Montval'.

6 "Le viol IV"

7 Malaga Mougins "Le viol IV" Radierung und Kaltnadelradierung auf Montval Bütten 22. April x 28 cm Darstellung / 39 x 50,3 cm Blatt signiert unten rechts Einer von 50 Abzügen auf breitrandigem Papier mit Wasserzeichen 'Papeterie Montgolfier à Montval' Auflage 313 Exemplare Bloch 181; Geiser 940 III b Blatt 29 der Suite Vollard. Die Gesamtauflage besteht aus 3 Exemplaren auf Velin, vom Künstler signiert und numeriert, 260 Exemplaren auf Montval Bütten mit Wasserzeichen 'Vollard' oder 'Picasso' und 50 Exemplaren auf breitrandigem Montval Bütten mit Wasserzeichen 'Papeterie Montgolfier à Montval'

8 "Famille de Saltimbanques"

9 Malaga Mougins "Famille de Saltimbanques" etching on Montval paper with small margin March 30, ,3 x 26,7cm Darstellung / 33,8 x 44,6 cm Blatt / 7 1/2 x 10 1/2 in. image / 13 1/4 x 17 1/2 in. sheet lower left dated and inscribed 'Paris 30 Mars XXXIII' in the plate (reversed) edition of 3 on parchment; 50 on Montval Montgolfier paper with wide margin; 250 on Montval paper with small margin Bloch 163; Geiser 316 II Folio 54 of the Suite Vollard. Provenance Galeria Elvira González, Madrid Private collection, Germany Exhibited Kunstsammlungen, Chemnitz Pablo Picasso Suite Vollard. P. 152, no. 30, col. ill. Literature Geiser, Bernhard. Picasso, Peintre-Graveur, Catalogue Raisonné de l œuvre gravé et des monotypes. Vol. II Bern P. 80, no. 316, ill. Bloch, Georges. Pablo Picasso. Catalogue of the printed graphic work Vol. I. Berne P. 61, no. 163, ill. Bollinger, Hans. Picassos Vollard Suite. London 1956/new edition P. XVII no. 54, ill. p. 54 Fundación Juan March. Picasso Suite Vollard. Madrid P. 129, no. 30, col. ill. p. 56

10 "Flutiste assise et dormeuse, XXII"

11 Malaga Mougins "Flutiste assise et dormeuse, XXII" monotype on 'Arches' laid paper , 9 x 18,7 cm Darstellung / 17,4 x 25,5 cm Blatt / 5 7/8 x 7 3/8 in. image / 6 7/8 x 10 1/16 in. sheet one of only two examples Geiser 485 The work is accompanied by a letter from Claude Ruiz-Picasso confirming the authenticity and that the work was part of the Picasso Succession and is listed in the inventory as no Provenance Studio of the artist Estate of the artist (Succession Picasso, 1973) Private collection, USA Exhibited Annandale Galleries, Australia Literature Geiser, Bernhard. Picasso Peintre-Graveur, Tome II ( ). Berne, No P. 272 ill. Beginning on January 19, 1933 and completed by the end of the same month, Picasso created an extraordinary number of 47 monotypes on the same theme. Each motif, which the artist printed three times at the most, is both creatively distinct yet aesthetically related to the others. Picasso rarely used the monotype technique, which produces a certain softness, enhancing the sensuality of the image. It also provides the artist with greater freedom: painting the image in oil or greasy ink directly onto the polished plate, rather than inscribing it into the metal makes it much easier to correct the image in progress, or wipe the plate clean and start over. It was Picasso himself who pulled the monotypes. The flute and the simple lines evoke both the archaic past of ancient Greek mythology and the idylls of pastoral poetry. Both figures bear Marie-Thérèse s face. Picasso, who was married to Olga Chochlova at the time, had been having an affair with her since 1927.

12 "Au Cabaret (En la Taberna. Pêcheurs catalans en bordée)"

13 Malaga Mougins "Au Cabaret (En la Taberna. Pêcheurs catalans en bordée)" etching on Montval laid paper November 11, ,8 x 29,9 cm Darstellung / 33,9 x 45,1 cm Blatt / image: 9 1/4 x 11 3/4 in. / sheet: 13 3/8 x 17 3/4 in. verso stamp of the Marina Picasso Collection and inventory no , which is registered in the Picasso archives in Paris edition of EA + 65 (1961) with watermark 'Vollard' Bloch 286; Geiser 439 B. d. Printed by Lacourière in Due to shortages of paper because of the war, he used the paper the Suite Vollard had been printed on. According to Bernhard Geiser, author of the catalogue raisonné of 1968, both editions were in the possession of the artist until 1966, neither signed nor numbered. One half of the edition was printed in black, the other in brown-black. The present work was printed in brown-black. In addition to the edition of 1942, another edition of 65 was printed in 1961, on Richard de Bas paper, for the "La caisse à remords" suite. This suite comprised 45 etchings of the years 1919 to 1955, and was published by Galerie Louise Leiris, Paris. Provenance Marina Picasso Private collection, USA Exhibited Bloch, Georges. Pablo Picasso, Catalogue of the printed graphic work, Vol. I Bern P. 87, no. 286, ill.

14 "Portrait de Femme (Dora Maar au chignon)

15 Malaga Mougins "Portrait de Femme (Dora Maar au chignon) Kaltnadelradierung auf geripptem Richard de Bas Papier Oktober ,5 x 24,7 Darstellung / 51,5 x 40 cm Blatt numeriert '11/50' unten links, Signaturstempel unten rechts Auflage 50 Exemplare + 19 EA Bloch 292; Baer 612.C.b.1. Gedruckt bei Frélaut 1961, verlegt von Galerie Louise Leiris, Paris Zweite Auflage nach der Verstählung der Kupferplatte; die erste Auflage von 56 + EA wurde 1942 von Lacourière gedruckt. Provenance Privatsammlung, Deutschland Literature Bloch, Georges. Pablo Picasso, Katalog des graphischen Werkes Bd. I Bern 1971 S. 89, Nr. 292 mit Abb. Baer, Brigitte. Picasso, Peintre-Graveur, Catalogue Raisonné de l oeuvre gravé et des monotypes. Bd. III Bern S. 101, Nr. 612 mit Abb.

16 "Tête de femme au chapeau"

17 Malaga Mougins "Tête de femme au chapeau" Radierung auf Velin Papier 9. Januar ,5 x 10,7 cm Darstellung / 32,5 x 25 cm Blatt datiert in der Platte oben rechts '9 janvier 45' (spiegelverkehrt) rückseitig Stempel 'Marina Picasso' einer von sechs Probeabzügen in schwarz-weiß/ Bloch 374; Baer 699 A.a. Gedruckt von Lacourière, Paris. Es gab weitere sechs Probedrucke in drei Farben Provenance Marina Picasso Privatsammlung, Deutschland Exhibited Museum Ludwig, Köln Picasso im Zweiten Weltkrieg 1939 bis Nr. 20. Joslyn Art Musuem, Omaha Picasso: Master Printmaker. Nr. 33. Literature Bloch, Georges. Pablo Picasso, Katalog des graphischen Werkes Bd. I Bern S. 107, Nr. 374 mit Abb. (als "Le Marteau sans Maître" betitelt). Baer, Brigitte. Picasso, Peintre-Graveur, Catalogue Raisonné de l œuvre gravé et des monotypes. Bd. III Bern S. 291, Nr. 699 mit Abb.

18 "Femme au Fauteuil No. 1 (d'après le rouge)"

19 Malaga Mougins "Femme au Fauteuil No. 1 (d'après le rouge)" lithograph on Arches paper December 23, ,5 x 54,5 cm Darstellung / 76 x 56,5 Blatt / 27 3/8 x 21 1/2 in. image / 30 x 22 1/4 in. sheet verso inscribed 'FM 134, 1e état du report' and numbered '6/6' by Fernand Mourlot 1st state of transfer, overall 7th of 11 states; one of 6 prints, 5 for the artist, 1 for the printer; no edition Mourlot 134 Provenance Fernand Mourlot, Paris Private collection, Germany Literature Mourlot, Fernand. Picasso Lithograph. Paris P. 108, no. 134/1., ill.

20 "Femme au Fauteuil (d'apres le noir)"

21 Malaga Mougins "Femme au Fauteuil (d'apres le noir)" Lithograph on Arches paper December 4, ,8 x 54,7 cm Darstellung / 76,3 x 56,5 cm Blatt / 27 1/2 x 21 1/2 in. image / 30 x 22 1/4 in. sheet verso inscribed by Fernand Mourlot 'FM 138, 4e état' and numbered 6/6' 4th of 6 states; one of 6 prints, 5 for the artist, 1 for the printer; there was no edition of this state Bloch 1353; Mourlot 138 Provenance Fernand Mourlot, Paris Private collection, germany Literature Mourlot, Fernand. Picasso Lithographe , Vol. II. Paris P. 128, no. 138, ill. p. 132 Mourlot, Fernand. Picasso Lithograph. Paris P. 118, no. 138/4., ill. Bloch, Georges. Pablo Picasso, Catalogue of the printed graphic work Vol. I Bern P. 294, no. 1353, ill. Rau, Bernd. Pablo Picasso, Die Lithographien, Werkverzeichnis. Stuttgart P. 245, no. 401, ill.

22 "Faune musicien n 5"

23 Malaga Mougins "Faune musicien n 5" lithograph on laid paper x 56,5 cm / 30 3/8 x 24 1/4 in. signed lower right, numbered lower left '43/50' Bloch 523; Mourlot 116 Von Mourlot gedruckt. Provenance Private collection, Germany

24 "Vénus et l'amour, d'après Cranach"

25 Malaga Mougins "Vénus et l'amour, d'après Cranach" aquatint and drypoint on Rives Velin paper May ,5 x 43 cm Darstellung/ 90,1 x 63,5 cm Blatt / 31 3/8 x 16 3/4 in. image / 35 1/2 x 25 in. sheet one of three trial proofs of the sixth and final state before steelfacing Bloch 1835; Baer 876 VI.A.a Printed by Jacques Frélaut at Lacourière, Paris. The final edition after steelfacing was 50 + approx. 16 EA. In the catalogue raisonnée Baer it is emphasized that in the prints made before the plate was steelfaced, the background is especially black and velvety. Provenance Private collection, USA Literature Bloch, Georges. Pablo Picasso, Catalogue of the printed graphic work, Vol. II Bern P. 335, no. 1835, ill. Baer, Brigitte. Picasso, Peintre-Graveur, Catalogue Raisonné de l œuvre gravé et des monotypes. Vol. IV Bern P. 136, no. 876 VI A.a., ill.

26 "Femme au fauteuil No. 1 (d'après le rouge)"

27 Malaga Mougins "Femme au fauteuil No. 1 (d'après le rouge)" lithograph on Arches Velin paper January 13, ,5 x 54,2 cm Darstellung / 75,8 x 56,5 cm Blatt / 27 3/8 x 21 3/8 in. image / 29 7/8 x 22 1/4 in. sheet verso inscribed 'FM 134 / 2 etat du report' and numbered '6/6' by Fernand Mourlot 2nd state of transfer, overall 8th of 10 states; one of 6 prints, 5 for the artist, 1 for the printer; no edition Mourlot 134 Printed by Mourlot in Provenance Fernand Mourlot, Paris Private collection, USA Literature Mourlot, Fernand. Picasso Lithograph. Paris P. 108, no. 134/2., ill.

28 "Le Départ"

29 Malaga Mougins "Le Départ" colour lithograph on Arches Velin paper May 20, x 56 cm Darstellung / 56 x 66 cm Blatt / 16 3/4 x 22 in. image / 22 x 26 in. sheet dated lower right in the plate ' ' (reversed) 10th and last state print outside the signed and numbered edition of EA Bloch 686; Mourlot 201 Provenance Privatsammlung, Deutschland Literature Mourlot, Fernand. Picasso Lithograph. Paris P. 184, no. 201, col. ill. Bloch, Georges. Pablo Picasso, Catalogue of the printed graphic work, Vol. I Bern P. 157, no. 686, ill.

30 "Torse de femme - L'Egyptienne"

31 Malaga Mougins "Torse de femme - L'Egyptienne" aquatint on Arches paper ,5 x 46,7 cm Darstellung / 90,6 x 62,4 cm Blatt / image 32 1/2 x 18 3/8 in. / sheet 35 5/8 x 24 1/2 in. signed lower right, numbered '35/50' lower left 2nd state of 2 edition of 50 numbered prints + 15 EA Bloch 746; Baer 906 B.b. Printed by Lacourière and published by Galerie Louise Leiris, Paris. In addition to the edition of 50 numbereded prints and 15 artist proofs, printed by Lacourière and published by Galerie Louise Leiris, Paris, in 1954, there are 4 or 5 prints on Arches and 3 printed on Rives by Crommelynck. Of the first state, only one print is known to exist, it is in the collection of the Musée Picasso in Paris. The print is reproduced on the cover of volume IV of the catalogue raisonné Picasso: Peintre-Graveur by Brigitte Baer. Provenance Private collection, Germany Literature Bloch, Georges. Pablo Picasso, Catalogue of the printed graphic work, Vol. I Bern P. 168, no. 746, ill. Baer, Brigitte. Picasso, Peintre-Graveur, Catalogue Raisonné de l œuvre gravé et des monotypes. Vol Bern P. 210, no. 906, ill.

32 "L'Italienne (d'après le tableau de Victor Orsel)"

33 Malaga Mougins "L'Italienne (d'après le tableau de Victor Orsel)" lithograph on Arches paper January 21, ,5 x 38 cm Darstellung / 63,8 x 49,5 cm Blatt / image 17 1/2 x 15 in. / sheet 25 1/8 x 19 1/2 in. signed lower right, numbered '13/50' lower left, upper centre in the plate dated ' ' and ' (reversed) edition of EA with Arches watermark Bloch 740; Mourlot 238 II Printed by Mourlot in 1955, published by Galerie Louise Leiris Literature Mourlot, Fernand. Picasso Lithograph. Paris P. 201, no. 238 II, ill. Bloch, Georges. Pablo Picasso, Catalogue of the printed graphic work, Vol. I Bern P. 741, no. 740, ill. Rau, Bernd. Pablo Picasso, Die Lithographien, Werkverzeichnis (cat.rais.). Stuttgart P. 279, no. 573, ill.

34 "Portrait de Françoise à la résille"

35 Malaga Mougins "Portrait de Françoise à la résille" aquatint and etching on Arches Velin paper May 13, ,5 x 32,5 cm Darstellung / 55,8 x 38,4 cm Blatt / image 16 3/4 x 12 15/16 in. / sheet 22 x 15 1/8 in. dated in the plate upper right '13.mai.53' (reversed); one of 9-10 prints of the third (final) state, no edition printed verso stamp of Marina Picasso Collection and inventory no. 'INV 24060', recorded in the Picasso archives, Paris Baer 907 III Printed by Lacourière in Paris. Provenance Marina Picasso Jan Krugier, New York Private collection, USA Literature Baer, Brigitte. Picasso, Peintre-Graveur, Catalogue Raisonné de l œuvre gravé et des monotypes. Vol Bern P. 212, no. 907 III, ill.

36 "Troupe d'acteurs"

37 Malaga Mougins "Troupe d'acteurs" lithograph on Arches paper February 17, ,1 x 65,7 cm / 19 3/4 x 25 7/8 in. dated in the plate lower left ' ' verso inscribed by Fernand Mourlot 'FM 250 M 250' and numbered '6/6' edition of EA, five for the artist, one for the printer Bloch 754; Mourlot 250 Picasso drew the composition with lithographic crayon on transfer paper, it was then transferred to the stone. Provenance Fernand Mourlot, Paris Privatsammlung, Deutschland Literature Mourlot, Fernand. Picasso Lithographe , Vol. II. Paris P. 208, no. 250, ill. Bloch, Georges. Pablo Picasso, Catalogue of the printed graphic work, Vol. I Bern P. 170, no. 754, ill.

38 "La Famille du Saltimbanque"

39 Malaga Mougins "La Famille du Saltimbanque" lithograph on Arches paper ,4 x 65,3 cm / 19 7/8 x 25 3/4 in. verso by Fernand Mourlot inscribed 'FM 249 M 249' and numbered '6/6 edition of EA, 5 for the artist, one for Mourlot Bloch 753 Provenance Fernand Mourlot, Paris Private collection, Germany Literature Bloch, Georges. Pablo Picasso, Catalogue of the printed graphic work, Vol. I Bern P. 170, no. 753, ill.

40 "Deux femmes accroupies" (Two Squatting Women)

41 Malaga Mougins "Deux femmes accroupies" (Two Squatting Women) lithograph on Arches paper Jan. 10, x 55 cm / 13 3/8 x 21 5/8 in. dated ' ' and inscribed 'II' in the plate upper left verso inscribed by Fernand Mourlot 'FM 274 M 274 and numbered '6/6' edition of EA, 5 for the artist, one for the printer Bloch 790 From 1945 on, Picasso worked with the master lithographers of the Mourlot print shop in Paris, initially in a traditional manner with stone slabs, from 1947 on with zinc plates. Of every print Picasso executed there, 5 artist proofs were printed outside the edition for Picasso himself, plus a sixth print for the printer Mourlot. In the catalogue raisonné of Picasso's prints edited by Mourlot later, he only mentioned the 5 artist proofs, but not the sixth print. The present exemplar is such a sixth print, it can therefore be presumed that it came from Fernand Mourlot's own collection. Provenance Fernand Mourlot, Paris Private collection Literature Bloch, Georges. Pablo Picasso Catalogue de l'oeuvre gravé et lithographie, tome I. Bern No. 790 with ill. Mourlot,Fernand. Picasso Lithographe. Paris no. 274 with ill.

42 "Jacqueline lisant"

43 Malaga Mougins "Jacqueline lisant" lithograph on 'Arches' paper December 27, ,5 x 44 cm Darstellung / 65,7 x 50,5 cm Blatt / image 22 x 17 3/8 in. / sheet 25 7/8 x 19 7/8 in. signed lower right, numbered '46/50' lower left dated ' ', ' ' and ' ' (reversed) in the plate upper right 3rd and last state edition of 50 + c. 6 EA edition of 50 of the third (final) state Bloch 852; Mourlot 309 The work was printed by Mourlot in 1958 and published by Galerie Louise Leiris in Paris. Provenance Private collection, USA Literature Mourlot, Fernand. Picasso Lithographe , Vol. II. Paris P. 250, no. 309, ill. Bloch, Georges. Pablo Picasso, Katalog des graphischen Werkes Vol. I Bern P. 188, no. 852, ill. Rau, Bernd. Pablo Picasso, Die Lithographien, Werkverzeichnis (cat.rais.) Stuttgart P. 299, no. 673, ill.

44 "Tête de femme (Portrait de Jacqueline de face II)"

45 Malaga Mougins "Tête de femme (Portrait de Jacqueline de face II)" linocut on Arches Velin paper 15 January x 53 cm Darstellung / 75,2 x 59,3 cm Blatt / image: 25 x 20 3/4 in. / sheet: 29 5/8 x 23 3/8 in. signed lower right, numbered '3/50' lower left fourth and final state edition of EA with Arches watermark Bloch 1063; Baer 1280 IV.B.a Literature Bloch, Georges. Pablo Picasso, Catalogue of the printed graphic work, Vol. I Bern P. 224, no. 1063, ill. Baer, Brigitte. Picasso, Peintre-Graveur. Catalogue Raisonné de l œuvre gravé et des monotypes. Vol Bern No IV.B.a., ill. In 1953, at the age of 72, Picasso started taking an interest in the technique of linocut, which had been neglected by artists for decades. His starting point, in 1953, was a series of posters for the Toros of Vallauris and the temporary Exposition de Vallauris, annual exhibitions of ceramics by local potters. Between autumn 1958 and spring 1962, working together with the printer Hidalgo Arnéra of Vallauris, he created 45 large-format linocuts with hitherto unrivalled linear, surface and colour effects. The high-pressure linocut technique is a complicated process in which a separate plate must be prepared for each colour using a gouge. Picasso took to the new medium with his characteristic pleasure in experimentation and variation, and created particularly striking coloured prints. He produced this portrait of his wife Jacqueline in January 1962 in Mougins. It shows a magnificent linocut in four colours (three different brown tones and black), with clearly delimited colour fields accentuating her severe, classically beautiful countenance.

46 "Portrait de famille"

47 Malaga Mougins "Portrait de famille" lithograph on Arches paper June ,5 x 64,7 cm Darstellung / 56 x 76 cm Blatt / 19 1/2 x 25 1/2 in. image / 22 x 30 in. sheet signed lower right dated ' ' (reversed) in the plate lower centre one of few trial proofs, no edition was printed Rau 748 Provenance Private collection, Austria Literature Rau, Bernd. Pablo Picasso, Die Lithographien, Werkverzeichnis (cat. rais.). Stuttgart P. 309, no. 748, ill.

48 "Femme nue pêchant des Truites à la Main"

49 Malaga Mougins "Femme nue pêchant des Truites à la Main" linocut printed in colours on Arches ,4 x 63,7 cm Darstellung / 62 x 75 cm Blatt / 20 5/8 x 25 in. image / 24 3/8 x 29 1/2 in. Sheet inscribed along the lower paper edge o by the printer Hidalgo Arnéra: 'No. 2 FEMME AU POISSIONS - 3 Couleurs - Gravure inachevée de PICASSO LINOGRAVURE - Imprimerie ARNÈRA - VALLAURIS' edition of 68 unsigned prints Baer 1327 I Provenance Private collection, England Literature Baer, Brigitte. Picasso, Peintre-Graveur. Catalogue Raisonné de l œuvre gravé et des monotypes. Vol. V Bern No I, ill.

50 "Têtes (Le Vieux Bouffon)"

51 Malaga Mougins "Têtes (Le Vieux Bouffon)" colour-linocut on Arches Velin paper x 53 cm Darstellung / 75 x 62 cm Blatt / 25 1/4 x 20 7/8 in. image / 29 1/2 x 24 3/8 in. Sheet signed lower right, dated in the plate lower centre ' ' and ' proof of the second of three states of the rose plate, outside the edition edition of 50 + approx. 20 EAPrivatsammlung, Bloch 1104 / Baer 1338 II B.b. Printed by Hidalgo Arnéra, published by Galerie Louise Leiris, Paris. Provenance Private collection, England Literature Bloch, Georges. Pablo Picasso, Catalogue of the printed graphic work, Vol. I Bern P. 231, no. 1104, ill. Baer, Brigitte. Picasso, Peintre-Graveur. Catalogue Raisonné de l œuvre gravé et des monotypes. Vol. V Bern No II B.b., ill.

52 "Fumeur barbu"

53 Malaga Mougins "Fumeur barbu" sugarlift aquatint on Richard de Bas laid paper August 27, ,2 x 31,7 cm Darstellung / 56,2 x 40,3 cm Blatt / 16 1/4 x 12 1/2 in. image/ 22 1/8 x 15 7/8 in. sheet signed lower right, inscribed 'epreuve d artiste' lower left one of 15 EA outside the edition of 50 with Richard de Bas watermark Bloch 1170; Baer 1170.B.b Literature Bloch, Georges. Pablo Picasso, Katalog des graphischen Werkes Bd. I Bern P. 246, no. 1170, ill. Baer, Brigitte. Picasso, Peintre-Graveur. Catalogue Raisonné de l œuvre gravé et des monotypes. Bd Bern No B.b., ill.

54 "Fumeur à la cigarette blanche"

55 Malaga Mougins "Fumeur à la cigarette blanche" sugarlift colour aquatint and etching on laid paper August 27, x 32 cm Darstellung / 56,5 x 40,6 cm Blatt / image 16 1/2 x 12 1/2 in. / sheet 22 1/4 x 16 in. signed lower right, inscribed 'epreuve d artiste' lower left one of 15 artist's proofs outside the edition of 50 with Richard de Bas watermark Bloch 1169; Baer 1169 B.b. Printed by Pennequin for Crommelynck, , published by Galerie Louise Leiris in 1965 Literature Bloch, Georges. Pablo Picasso, Catalogue of the printed graphic work, Vol. I Bern P. 246, no. 1169, ill. Baer, Brigitte. Picasso, Peintre-Graveur. Catalogue Raisonné de l œuvre gravé et des monotypes. Vol Bern No B.b., ill.

56 "Au cirque: acrobates, girafe, nageuses"

57 Malaga Mougins "Au cirque: acrobates, girafe, nageuses" etching on Velin paper April 11, ,4 x 41,6 cm Darstellung / 45,2 x 56,3 cm Blatt / 12 3/8 x 16 3/8 in. image / 17 3/4 x 22 1/8 in. sheet signed lower right, numbered 29/59 lower left, dated and inscribed ' I' in the plate edition of 50 + EA Bloch 1504 Published by Galerie Louise Leiris, Paris in Provenance Private collection, Germany Literature Bloch, Georges. Pablo Picasso, Catalogue of the printed graphic work, Vol. II Bern P. 123, no. 1504, ill.

58 "Autoportrait transposé et dédoublé rêvant au cirque, avec Jacqueline en acrobate à la boule"

59 Malaga Mougins "Autoportrait transposé et dédoublé rêvant au cirque, avec Jacqueline en acrobate à la boule" etching on Velin paper March 26, ,2 x 34,5 cm Darstellung / 61,2 x 56,3 cm Blatt / 16 5/8 x 13 1/2 in. image / 24 1/8 x 22 1/8 in. sheet signed, numbered and dated in the plate ' ' Bloch 1489

60 "Halte de comédiens ambulants, avec hibou et bouffon enlacant une femme"

61 Malaga Mougins "Halte de comédiens ambulants, avec hibou et bouffon enlacant une femme" drypoint etching on Rives paper August 2, ,6 x 31,5 cm Darstellung / 49,2 x 45,5 cm Blatt / 12 1/2 x 12 3/4 in. image / 19 3/8 x 17 7/8 in. sheet signed, numbered '31/50' and dated and inscribed ' I' (reversed) in the plate edition of 50 plus 17 EA Bloch 1713 The print was published by Galerie Louise Leiris, Paris, in Provenance Private collection, Germany Literature Bloch, Georges. Picasso Tome II Catalogue de l oeuvre gravé et lithographié Bern No. 1713, p. 263

62 "Souvenirs d'enfance: Fête de Rue, avec Bonhomme et el Gigante"

63 Malaga Mougins "Souvenirs d'enfance: Fête de Rue, avec Bonhomme et el Gigante" aquatint on wove paper ,3 x 28,9 cm Darstellung / 34,8 x 42,1 cm Blatt / image 8 3/4 x 11 3/8 in. / sheet 13 3/4 x 16 1/2 in. signed lower right, numbered 6/50 lower left, dated and inscribed in the plate upper right ' I' (reversed) edition of EA Bloch plates from the Series 347 were used to illustrate "Celestine". Literature Bloch, Georges. Pablo Picasso, Catalogue of the printed graphic work, Vol. II Bern P. 208, no. 1621, ill.

64 Untitled (Artists and Models)

65 Malaga Mougins Untitled (Artists and Models) etching on wove paper May 10, x 50 cm Darstellung, 50 x 64,7 cm Blatt / 14 1/2 x 19 5/8 in. image / 19 5/8 x 25 1/2 in. sheet with signature stamp lower right numbered '17/50' lower left dated ' ' (reversed) in the plate upper left edition of EA Bloch 1976 The editions of the prints that make up the "Series 156", which were approved by Picasso himself shortly before his death, were predominantly printed posthumously and bear a signature stamp. Provenance Private collection, Southern Germany Literature Bloch, Georges. Pablo Picasso, Catalogue of the printed graphic work, Vol. IV Bern P. 154, no. 1976, ill.

66 "Deux femmes"

67 Malaga Mougins "Deux femmes" etching on Rives Velin paper x 15 cm Darstellung / 32,9 x 25 cm Blatt / 8 1/4 x 6 in. image / 13 x 9 7/8 in. sheet with signature stamp lower right, numbered '49/50' lower left datert and inscribed ' III' in the plate lower right edition of EA Bloch 1917 The editions of the prints that make up the "Series 156", which were approved by Picasso himself shortly before his death, were predominantly printed posthumously and bear a signature stamp. Provenance Private collection, Southern Germany Literature Baer, Brigitte. Picasso, Peintre-Graveur, Catalogue Raisonné de l œuvre gravé et des monotypes. Vol. IV Bern P. 95, no. 1917, ill.