th St #2C !

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1 Edward Klorman, PhD th St #2C ! Sunnyside, NY Education 2013 PhD in Music Theory, Graduate Center, City University of New York Dissertation: Multiple Agency in Mozart s Chamber Music (Advisor: William Rothstein) Recipient, Jacob K. Javits and Robert E. Gilleece Fellowships 2008 Graduate Diploma in Viola Performance, The Juilliard School Viola studies with Heidi Castleman and Steven Tenenbom 2006 MA in Music Theory, Graduate Center, City University of New York Master s thesis: On Intertextuality, Anxiety, and Music Analysis (Advisor: William Rothstein) Viola studies with Daniel Phillips 2004 BM with Scholastic Distinction in Viola Performance, The Juilliard School Viola studies with Heidi Castleman and Hsin-Yun Huang Scholastic distinction document: Pedagogical Approaches in Music Theory (Advisor: Jane!Gottlieb)! Teaching Positions Book Queens College, City University of New York 2014 present: Assistant Professor of Music Theory and Viola The Juilliard School 2014 present: Adjunct Faculty, Music Theory and Chamber Music : Chair, Music Theory Department Mozart s Music of Friends: Social Interplay in the Chamber Works. Accepted by Cambridge University Press, for publication in 2016 [120,000-word scholarly monograph, in press for March 2016]. Refereed Publications Performers as Creative Agents; Or, Musicians Just Want to Have Fun, Music Theory Online [6,500-word article, submitted]. An Afternoon at Skittles: Playing Mozart s Kegelstatt Trio, Journal of the American Viola Society [10,000-word article, submitted]. On the Slow Movement from Brahms s F-Minor Clarinet Sonata: Thirds-Cycles, Diatonie, and Todesangst. GAMUT: Online Journal of the Music Theory Society of the Mid-Atlantic 8, no. 1 (December 2015), [in press]. Multiple Agency and the Performance of Classical Chamber Music. In SMT-V: Vodcast Journal of the Society for Music Theory 1, no. 3 (Fall 2015). The First Professional String Quartet? Re-Examining an Account Attributed to Giuseppe Maria Cambini In NOTES 71, no. 4 (June 2015):

2 Invited Publications Sociability in Haydn s Music in Cambridge Haydn Encyclopedia, ed. Caryl Clark and Sarah Day- O Connell. Cambridge University Press, 2016 [1300-word essay, accepted for publication in December 2016]. Review Article: Paganini: The Demonic Virtuoso, by Mai Kawabata (Woodbridge Boydell Press, 2013). Ad Parnassum 12, no. 24 (October 2014): Conference Report, Society for Eighteenth Century Music 2014 Annual Conference (Bethlehem, PA). Eighteenth-Century Music 11, no. 2 (September 2014), Conference Report, Seventh International Conference on Music Theory Musical Form: Mapping the Boundaries (Tallinn, Estonia). In Music Theory Online 20.2 (May 2014). Review: Carl Maria von Weber, Sonatas for Piano and Violin and Piano Quartet (Harmonia Mundi). Nineteenth-Century Music Review 10, no. 2 (December 2013): Musical Performance and the Historical Imagination. American Viola Society From the Studio blog (February 2013). Refereed Conference Presentations Eighteenth-Century Form Revisited: Reconciling Koch s Anlage, Sonata Theory s Rotational Form, and Lester s Parallel-Section Construction Society for Music Theory, St. Louis (30 October 2015) 7th International Conference on Music Theory, Tallinn (9 January 2014) Meter as Agency: Performing Metrical Manipulations in Chamber Music Society for Music Theory, Milwaukee (7 November 2014) 8 th European Music Analysis Conference, Leuven (17 September 2014) Music Theory Southeast (21 22 March 2014) New England Conference of Music Theorists, Tufts University (12 April 2012) Performers as Creative Agents: Mapping the Terrain 8 th European Music Analysis Conference, Leuven (19 September 2014) Multiple Agency and the Performance of Classical Chamber Music Performance Studies Network International Conference, University of Cambridge (18 July 2014) Multiple Agency in Mozart s Chamber Music: A New Angle on Sonata Theory Society for Eighteenth-Century Music / Haydn Society of North America, Moravian College (28 February 2014) Dutch-Flemish Society for Music Theory, Antwerp (29 April 2012) Graduate Music Symposium, Yale University (4 March 2012) Society for Music Theory, Minneapolis (28 October 2011)

3 The String Quartet Before the Concert Hall: Did the Players Rehearse? American Musicological Society, Greater New York Chapter (25 January 2014) The String Quartet from 1750 to 1870: From the Private to the Public Sphere, Centro Studi Opera Omnia Luigi Boccherini, Lucca (29 November 2013) On the Slow Movement from Brahms s F-Minor Clarinet Sonata: Thirds-Cycles, Diatonie, and Todesangst 5th International Schenker Symposium, Mannes College (17 March 2013) The Sarabande from Bach s Suite for Violoncello in C Minor, BWV 1011 Graduate Theory Conference, Mannes College of Music (16 January 2011) Brahms s Clarinet Sonatas Op. 120: A Hidden Allusion to Bach s Matthew Passion? Music Theory Society of New York State, Skidmore College (8 April 2006) Invited Research Presentations and Seminars (selected list) 2015 Denison University, 30 November Invited Guest Seminar: Analyzing Musical Performance University of British Columbia, 22 October Invited Guest Seminar: Analysis and Performance in Mozart s Chamber Music City University of New York Graduate Center, 15 October Invited Guest Seminar: Analyzing Musical Performance Pennsylvania State University, 9 10 April Invited Lecture: Performers as Creative Agents University of Massachusetts Amherst, 11 March Invited Lecture: Performers as Creative Agents Invited Guest Seminar: Performance and Analysis Smith College, 9 March Invited Lecture: Mozart and the Music of Friends: Social Interplay in the Chamber Works 2014 University of South Carolina, 3 October Invited Lecture: Multiple Agency and the Performance of Classical Chamber Music Invited Guest Seminar: Performers as Creative Agents 2013 City University of New York Graduate Center, 19 November Invited Guest Seminar: Analyzing Rhythm and Meter in Tonal Music New England Conservatory of Music, 6 February Invited Lecture: Mozart s Chamber Music and the Metaphor of Conversation th International Viola Congress, Eastman School of Music, 2 June Invited Lecture: Brahms s Op. 120: Hidden Echoes of the Matthew Passion Chorale? 2008 University of Toronto, 28 September Invited Lecture: Music Making in fin-de-siècle Vienna: Brahms and His Circle

4 2007 Université de Montréal, 6 October Invited Lecture: Music Making in fin-de-siècle Vienna: Brahms and His Circle Invited Lecture: Finding the Imaginary basso continuo in Bach s Cello Suites Universität Mozarteum (Salzburg), 27 March Invited Lecture: Musizieren in fin-de-siècle Wien: Brahms und sein Kreis! Invited Lecture: Zur Analyse der Cello-Suiten Bachs: der eingebildete Basso Continuo Other Presentations, Panels, and Workshops (selected list) 2015 Pennsylvania State University, 9 10 April Invited Workshop: Viola and Chamber Music Master Class Invited Workshop: Consultations with Music Theory Students on Research Projects Smith College, 9 March Invited Workshop: Chamber Music Master Class 2014 City University of New York Graduate Center, 9 October and 25 November Panelist: Professional Development Series for PhD/DMA Candidates The Juilliard School, 19 March Invited Workshop: Viola Master Class 2013 Carnegie Hall ( The Academy Professional Development Forum), 7 October Panelist: Artist as Entrepreneur Musical Performances (selected list) 2015 Concert: Libby Larsen Ferlinghetti for Viola, Clarinet, and Piano (world premiere supervised by the composer) and Debussy Sonata for Flute, Viola, and Harp (Music Mondays Series, Advent Lutheran Church, New York City), 6 April. Concert: Joseph Joachim Romance and Johannes Brahms Sonata in E-Flat Major, op. 120 no. 2 (Music in the Noon Hour, Smith College), 10 March Concert: Richard Strauss Piano Quartet, guest artist with the Lysander Trio (Bruno Walter Auditorium, Lincoln Center), 10 December. Concert: William Bolcom Let Evening Come, performance supervised by the composer (SongFest, Thayer Hall, The Colburn School, Los Angeles), 18 June Concert: Brahms, Sonata in E-Flat Major, op. 120 no. 2, collaboration with pianist Jon Nakamatsu; and Brahms, Quintet in G major, op. 111 (Canandaigua Lake Music Festival, Finger Lakes Community College, Canandaigua, NY), 12 July Broadcast: America s Music Festivals, 90-minute travelogue and musical broadcast showcasing recordings from the Canandaigua Lake Music Festival, distributed on National Public Radio. Album: Harold Brown: Music for Strings, recorded for Albany Records as violist of the Tessera Quartet Concert: Antonín Dvořák, Quartet in F Major, op. 96 ( American ); and Beethoven, Trio in G Major, op. 9, with violinist Stefan Jackiw (Temple B rith Kodesh, Rochester, NY), 8 May.

5 2008 Concert: W. A. Mozart, Sinfonia concertante, with violinist Stefan Jackiw (Camerata Notturna, Advent Lutheran Church, New York City), 15 March. Concert: Johannes Brahms, String Sextet in G major, op. 36, guest artist with the Orion Quartet (Temple B rith Kodesh, Rochester, NY), 9 February. Institutional Service Aaron Copland School of Music, Queens College, City University of New York 2015 present: Faculty Advisor, Music Theory and Musicology Club 2014 present: Member, Transfer Honors Committee 2014 present: Faculty Advisor, Viola Studio Class The Juilliard School : Member, Doctoral Governance Committee : Member, Scholastic Distinction Committee : Chair, Music Theory and Analysis Department (responsible for major redesign of undergraduate curriculum and development of honors theory program) Other Professional Service American Viola Society : Member at Large, Executive Board of Directors (service as chair of Nominations, Strategic Planning, and Congress committees) 2014: Program Committee Chair, Primrose International Viola Competition and Festival European Music Analysis Conference (EuroMAC) 2014: Convener, Meter in the Moment panel Journal of Music Theory Pedagogy 2013 present: Member, editorial review board and reviewer of multiple submitted manuscripts Music Theory Society of New York State 2016: Chair, Program Committee Society for Music Theory 2014 present: Co-Chair, Performance and Analysis Interest Group Awards and Honors 2013 Nominated for Barry S. Brook Dissertation Award, CUNY Graduate Center Jacob K. Javits Fellowship, U. S. Department of Education ( ). Robert E. Gilleece Fellowship, City University of New York Graduate Center ( ). John Erskine Graduation Prize, The Juilliard School. William Schuman Award for Music Theory, The Juilliard School.

6 Professional Memberships American Musicological Society American Viola Society Music Theory Society of New York State! New England Conference of Music Theorists Society for Music Theory Society for Eighteenth-Century Music References Patrick McCreless!(Professor, Yale University) / Danuta Mirka (Reader, University of Southampton) / John Rink (Professor, University of Cambridge) / William Rothstein (Professor, CUNY Graduate Center) / Carl Schachter (Professor, The Juilliard School! and Distinguished Professor Emeritus, CUNY) / Janet Schmalfeldt (Professor Emerita, Tufts University) / Joseph N. Straus!(Distinguished Professor, CUNY Graduate Center) / W. Dean Sutcliffe (Associate Professor, University of Auckland; Editor, Eighteenth-Century Music) /