2 Contents Front Matter From the Director of the Folger Shakespeare Library Textual Introduction Synopsis Characters in the Play ACT 1 Scene 1 Scene 2 Scene 3 ACT 2 Scene 1 Scene 2 Scene 3 Scene 4 Scene 5 ACT 3 Scene 1 Scene 2 Scene 3 Scene 4 Scene 5 Scene 6 Scene 7 ACT 4 Scene 1 Scene 2 Scene 3 Scene 4 Scene 5 ACT 5 Scene 1 Scene 2 Scene 3 Epilogue
3 From the Director of the Folger Shakespeare Library It is hard to imagine a world without Shakespeare. Since their composition four hundred years ago, Shakespeare s plays and poems have traveled the globe, inviting those who see and read his works to make them their own. Readers of the New Folger Editions are part of this ongoing process of taking up Shakespeare, finding our own thoughts and feelings in language that strikes us as old or unusual and, for that very reason, new. We still struggle to keep up with a writer who could think a mile a minute, whose words paint pictures that shift like clouds. These expertly edited texts are presented to the public as a resource for study, artistic adaptation, and enjoyment. By making the classic texts of the New Folger Editions available in electronic form as Folger Digital Texts, we place a trusted resource in the hands of anyone who wants them. The New Folger Editions of Shakespeare s plays, which are the basis for the texts realized here in digital form, are special because of their origin. The Folger Shakespeare Library in Washington, DC, is the single greatest documentary source of Shakespeare s works. An unparalleled collection of early modern books, manuscripts, and artwork connected to Shakespeare, the Folger s holdings have been consulted extensively in the preparation of these texts. The Editions also reflect the expertise gained through the regular performance of Shakespeare s works in the Folger s Elizabethan Theater. I want to express my deep thanks to editors Barbara Mowat and Paul Werstine for creating these indispensable editions of Shakespeare s works, which incorporate the best of textual scholarship with a richness of commentary that is both inspired and engaging. Readers who want to know more about Shakespeare and his plays can follow the paths these distinguished scholars have tread by visiting the Folger either in-person or online, where a range of physical and digital resources exist to supplement the material in these texts. I commend to you these words, and hope that they inspire. Michael Witmore Director, Folger Shakespeare Library
4 Textual Introduction By Barbara Mowat and Paul Werstine Until now, with the release of the Folger Digital Texts, readers in search of a free online text of Shakespeare s plays had to be content primarily with using the Moby Text, which reproduces a latenineteenth century version of the plays. What is the difference? Many ordinary readers assume that there is a single text for the plays: what Shakespeare wrote. But Shakespeare s plays were not published the way modern novels or plays are published today: as a single, authoritative text. In some cases, the plays have come down to us in multiple published versions, represented by various Quartos (Qq) and by the great collection put together by his colleagues in 1623, called the First Folio (F). There are, for example, three very different versions of Hamlet, two of King Lear, Henry V, Romeo and Juliet, and others. Editors choose which version to use as their base text, and then amend that text with words, lines or speech prefixes from the other versions that, in their judgment, make for a better or more accurate text. Other editorial decisions involve choices about whether an unfamiliar word could be understood in light of other writings of the period or whether it should be changed; decisions about words that made it into Shakespeare s text by accident through four hundred years of printings and misprinting; and even decisions based on cultural preference and taste. When the Moby Text was created, for example, it was deemed improper and indecent for Miranda to chastise Caliban for having attempted to rape her. (See The Tempest, 1.2: Abhorred slave,/which any print of goodness wilt not take,/being capable of all ill! I pitied thee ). All Shakespeare editors at the time took the speech away from her and gave it to her father, Prospero. The editors of the Moby Shakespeare produced their text long before scholars fully understood the proper grounds on which to make the thousands of decisions that Shakespeare editors face. The Folger Library Shakespeare Editions, on which the Folger Digital Texts depend, make this editorial process as nearly transparent as is possible, in contrast to older texts, like the Moby, which hide editorial interventions. The reader of the Folger Shakespeare knows where the text has been altered because editorial interventions are signaled by square brackets (for example, from Othello: If she in chains of magic were not bound, ), half-square brackets (for example from Henry V: With blood and sword and fire to win your
5 example, from Henry V: With blood and sword and fire to win your right, ), or angle brackets (for example, from Hamlet: O farewell, honest soldier. Who hath relieved/you? ). At any point in the text, you can hover your cursor over a bracket for more information. Because the Folger Digital Texts are edited in accord with twenty-first century knowledge about Shakespeare s texts, the Folger here provides them to readers, scholars, teachers, actors, directors, and students, free of charge, confident of their quality as texts of the plays and pleased to be able to make this contribution to the study and enjoyment of Shakespeare.
6 Synopsis In All s Well That Ends Well, a woman is given in marriage to the man she longs for, but, because she is of lower rank, he refuses to accept the marriage. It becomes her challenge to win his acceptance. Helen, the daughter of a dead physician, secretly loves Bertram, the Count of Rosillion s son. When the count dies, Bertram becomes a ward of the French king, who is dying of a fistula. Helen heals the ailing king, and he grants her wish to marry his ward. Bertram refuses to consummate the marriage and goes off to war, sending Helen a list of seemingly impossible conditions to be met before he will consider her his wife. To meet his conditions, Helen substitutes herself for a woman whom Bertram desires, and sleeps with him. When false news comes that Helen is dead, Bertram faces the charge that he has killed her. Helen, now pregnant, reappears, saving Bertram and demonstrating that she has met his conditions. Bertram then acknowledges her.
7 Characters in the Play, a gentlewoman of Rossillion BERTRAM, Count of Rossillion COUNTESS of Rossillion, Bertram s mother STEWARD FOOL PAGE in the Countess s household PAROLLES, companion to Bertram of France LAFEW, a French lord FIRST LORD later Captains in the SECOND LORD army of the Duke of Florence Other LORDS in the court of the King of France FIRST GENTLEMAN SECOND GENTLEMAN GENTLEMAN, a gentle Astringer FIRST SOLDIER, interpreter The DUKE of Florence A WIDOW of Florence DIANA, the Widow s daughter MARIANA, the Widow s neighbor from the court of the King of France Attendants, Soldiers, Citizens of Florence, Servants
8 ACT 1 Scene 1 Enter young Bertram Count of Rossillion, his mother the Countess, and Helen, Lord Lafew, all in black. In delivering my son from me, I bury a second husband. And I in going, madam, weep o er my father s death anew; but I must attend his Majesty s command, to whom I am now in ward, evermore in subjection. You shall find of the King a husband, madam; you, sir, a father. He that so generally is at all times good must of necessity hold his virtue to you, whose worthiness would stir it up where it wanted rather than lack it where there is such abundance. What hope is there of his Majesty s amendment? He hath abandoned his physicians, madam, FTLN 0001 COUNTESS FTLN 0002 FTLN 0003 BERTRAM FTLN 0004 FTLN FTLN 0006 FTLN 0007 LAFEW FTLN 0008 FTLN 0009 FTLN FTLN 0011 FTLN 0012 COUNTESS FTLN 0013 FTLN 0014 FTLN 0015 LAFEW under whose practices he hath persecuted time 15 FTLN 0016 with hope, and finds no other advantage in the FTLN 0017 process but only the losing of hope by time. FTLN 0018 COUNTESS This young gentlewoman had a father O, FTLN 0019 that had, how sad a passage tis! whose skill FTLN 0020 was almost as great as his honesty; had it stretched 20 FTLN 0021 FTLN 0022 so far, would have made nature immortal, and death should have play for lack of work. Would for 7
9 9 All s Well That Ends Well ACT 1. SC. 1 FTLN 0023 FTLN 0024 the King s sake he were living! I think it would be the death of the King s disease. How called you the man you speak of, FTLN 0025 FTLN 0026 LAFEW madam? 25 FTLN 0027 COUNTESS He was famous, sir, in his profession, and it FTLN 0028 was his great right to be so: Gerard de Narbon. FTLN 0029 LAFEW He was excellent indeed, madam. The King FTLN 0030 very lately spoke of him admiringly, and mourningly. 30 FTLN 0031 He was skillful enough to have lived still, if FTLN 0032 knowledge could be set up against mortality. FTLN 0033 FTLN 0034 BERTRAM of? What is it, my good lord, the King languishes FTLN 0035 FTLN 0036 FTLN 0037 LAFEW BERTRAM LAFEW A fistula, my lord. I heard not of it before. I would it were not notorious. Was this gentlewoman 35 FTLN 0038 the daughter of Gerard de Narbon? FTLN 0039 COUNTESS His sole child, my lord, and bequeathed to FTLN 0040 my overlooking. I have those hopes of her good 40 FTLN 0041 that her education promises. Her dispositions she FTLN 0042 inherits, which makes fair gifts fairer; for where an FTLN 0043 unclean mind carries virtuous qualities, there FTLN 0044 commendations go with pity they are virtues and FTLN 0045 traitors too. In her they are the better for their simpleness. 45 FTLN 0046 She derives her honesty and achieves her FTLN 0047 goodness. FTLN 0048 LAFEW Your commendations, madam, get from her FTLN 0049 tears. FTLN 0050 COUNTESS Tis the best brine a maiden can season her 50 FTLN 0051 praise in. The remembrance of her father never FTLN 0052 approaches her heart but the tyranny of her sorrows FTLN 0053 takes all livelihood from her cheek. No FTLN 0054 more of this, Helena. Go to. No more, lest it be FTLN 0055 rather thought you affect a sorrow than to have 55 FTLN 0056 FTLN 0057 LAFEW I do affect a sorrow indeed, but I have it too. Moderate lamentation is the right of the dead, FTLN 0058 excessive grief the enemy to the living.
10 11 All s Well That Ends Well ACT 1. SC. 1 COUNTESS If the living be enemy to the grief, the excess makes it soon mortal. Madam, I desire your holy wishes. How understand we that? FTLN 0059 FTLN FTLN 0061 BERTRAM FTLN 0062 LAFEW COUNTESS Be thou blessed, Bertram, and succeed thy father In manners as in shape. Thy blood and virtue Contend for empire in thee, and thy goodness Share with thy birthright. Love all, trust a few, Do wrong to none. Be able for thine enemy Rather in power than use, and keep thy friend Under thy own life s key Be checked for silence, FTLN 0063 FTLN 0064 FTLN FTLN 0066 FTLN 0067 FTLN 0068 FTLN 0069 FTLN FTLN 0071 FTLN 0072 But never taxed for speech. What heaven more will, That thee may furnish and my prayers pluck down, Fall on thy head. To Lafew. Farewell, my lord. Tis an unseasoned courtier. Good my lord, Advise him. FTLN 0073 FTLN 0074 FTLN 0075 LAFEW He cannot want the best that shall 75 FTLN 0076 Attend his love. FTLN 0077 FTLN 0078 COUNTESS BERTRAM Heaven bless him. Farewell, Bertram. The best wishes that can be forged in your FTLN 0079 thoughts be servants to you. Countess exits. FTLN 0080 To Helen. Be comfortable to my mother, your 80 FTLN 0081 mistress, and make much of her. FTLN 0082 LAFEW Farewell, pretty lady. You must hold the credit FTLN 0083 of your father. Bertram and Lafew exit. FTLN 0084 FTLN FTLN 0086 FTLN 0087 FTLN 0088 FTLN 0089 FTLN FTLN 0091 FTLN 0092 O, were that all! I think not on my father, And these great tears grace his remembrance more Than those I shed for him. What was he like? I have forgot him. My imagination Carries no favor in t but Bertram s. I am undone. There is no living, none, If Bertram be away. Twere all one That I should love a bright particular star And think to wed it, he is so above me.
11 13 All s Well That Ends Well ACT 1. SC. 1 In his bright radiance and collateral light Must I be comforted, not in his sphere. Th ambition in my love thus plagues itself: The hind that would be mated by the lion Must die for love. Twas pretty, though a plague, To see him every hour, to sit and draw His archèd brows, his hawking eye, his curls In our heart s table heart too capable Of every line and trick of his sweet favor. But now he s gone, and my idolatrous fancy Must sanctify his relics. Who comes here? FTLN 0093 FTLN 0094 FTLN FTLN 0096 FTLN 0097 FTLN 0098 FTLN 0099 FTLN FTLN 0101 FTLN 0102 FTLN 0103 Enter Parolles. One that goes with him. I love him for his sake, And yet I know him a notorious liar, Think him a great way fool, solely a coward. Yet these fixed evils sit so fit in him That they take place when virtue s steely bones Looks bleak i th cold wind. Withal, full oft we see Cold wisdom waiting on superfluous folly. FTLN 0104 FTLN FTLN 0106 FTLN 0107 FTLN 0108 FTLN 0109 FTLN FTLN 0111 PAROLLES Save you, fair queen. FTLN 0112 And you, monarch. FTLN 0113 PAROLLES No. FTLN 0114 And no. FTLN 0115 PAROLLES Are you meditating on virginity? 115 FTLN 0116 Ay. You have some stain of soldier in you; let FTLN 0117 me ask you a question. Man is enemy to virginity. FTLN 0118 How may we barricado it against him? FTLN 0119 PAROLLES Keep him out. FTLN 0120 But he assails, and our virginity, though 120 FTLN 0121 valiant in the defense, yet is weak. Unfold to us FTLN 0122 some warlike resistance. FTLN 0123 PAROLLES There is none. Man setting down before you FTLN 0124 will undermine you and blow you up. FTLN 0125 Bless our poor virginity from underminers and 125 FTLN 0126 FTLN 0127 blowers-up! Is there no military policy how virgins might blow up men?
12 15 All s Well That Ends Well ACT 1. SC. 1 PAROLLES Virginity being blown down, man will quicklier be blown up. Marry, in blowing him down again, with the breach yourselves made you lose your city. It is not politic in the commonwealth of nature to preserve virginity. Loss of virginity is rational increase, and there was never virgin got till virginity was first lost. That you were made of is metal to make virgins. Virginity by being once lost may be ten times found; by being ever kept, it is ever lost. Tis too cold a companion. Away with t. I will stand for t a little, though therefore I FTLN 0128 FTLN 0129 FTLN FTLN 0131 FTLN 0132 FTLN 0133 FTLN 0134 FTLN FTLN 0136 FTLN 0137 FTLN 0138 FTLN 0139 FTLN 0140 die a virgin. 140 FTLN 0141 PAROLLES There s little can be said in t. Tis against the FTLN 0142 rule of nature. To speak on the part of virginity is FTLN 0143 to accuse your mothers, which is most infallible FTLN 0144 disobedience. He that hangs himself is a virgin; FTLN 0145 virginity murders itself and should be buried in 145 FTLN 0146 highways out of all sanctified limit as a desperate FTLN 0147 offendress against nature. Virginity breeds mites, FTLN 0148 much like a cheese, consumes itself to the very FTLN 0149 paring, and so dies with feeding his own stomach. FTLN 0150 Besides, virginity is peevish, proud, idle, made of 150 FTLN 0151 self-love, which is the most inhibited sin in the FTLN 0152 canon. Keep it not; you cannot choose but lose by FTLN 0153 t. Out with t! Within ten year it will make itself FTLN 0154 two, which is a goodly increase, and the principal FTLN 0155 itself not much the worse. Away with t! 155 FTLN 0156 How might one do, sir, to lose it to her own FTLN 0157 liking? FTLN 0158 PAROLLES Let me see. Marry, ill, to like him that ne er FTLN 0159 it likes. Tis a commodity will lose the gloss with FTLN 0160 lying; the longer kept, the less worth. Off with t 160 FTLN 0161 FTLN 0162 FTLN 0163 while tis vendible; answer the time of request. Virginity, like an old courtier, wears her cap out of fashion, richly suited but unsuitable, just like the
13 17 All s Well That Ends Well ACT 1. SC. 1 brooch and the toothpick, which wear not now. Your date is better in your pie and your porridge than in your cheek. And your virginity, your old virginity, is like one of our French withered pears: it looks ill, it eats dryly; many, tis a withered pear. It was formerly better, marry, yet tis a withered pear. Will you anything with it? Not my virginity, yet There shall your master have a thousand loves, A mother, and a mistress, and a friend, A phoenix, captain, and an enemy, A guide, a goddess, and a sovereign, A counselor, a traitress, and a dear; His humble ambition, proud humility, His jarring concord, and his discord dulcet, His faith, his sweet disaster, with a world Of pretty, fond adoptious christendoms That blinking Cupid gossips. Now shall he I know not what he shall. God send him well. The court s a learning place, and he is one What one, i faith? FTLN 0164 FTLN FTLN 0166 FTLN 0167 FTLN 0168 FTLN 0169 FTLN FTLN 0171 FTLN 0172 FTLN 0173 FTLN 0174 FTLN FTLN 0176 FTLN 0177 FTLN 0178 FTLN 0179 FTLN FTLN 0181 FTLN 0182 FTLN 0183 FTLN 0184 PAROLLES FTLN 0185 That I wish well. Tis pity 185 FTLN 0186 PAROLLES What s pity? That wishing well had not a body in t Which might be felt, that we, the poorer born, Whose baser stars do shut us up in wishes, FTLN 0187 FTLN 0188 FTLN 0189 FTLN FTLN 0191 FTLN 0192 Might with effects of them follow our friends And show what we alone must think, which never Returns us thanks. Enter Page. Monsieur Parolles, my lord calls for you. FTLN 0193 FTLN 0194 PAGE PAROLLES Little Helen, farewell. If I can remember FTLN 0195 thee, I will think of thee at court. 195 FTLN 0196 Monsieur Parolles, you were born under a FTLN 0197 charitable star.
14 19 All s Well That Ends Well ACT 1. SC. 1 FTLN 0198 PAROLLES Under Mars, I. I especially think under Mars. FTLN 0199 FTLN 0200 PAROLLES Why under Mars? 200 FTLN 0201 The wars hath so kept you under that you FTLN 0202 must needs be born under Mars. FTLN 0203 PAROLLES When he was predominant. FTLN 0204 When he was retrograde, I think rather. FTLN 0205 PAROLLES Why think you so? 205 FTLN 0206 You go so much backward when you fight. FTLN 0207 PAROLLES That s for advantage. FTLN 0208 So is running away, when fear proposes the FTLN 0209 safety. But the composition that your valor and FTLN 0210 fear makes in you is a virtue of a good wing, and I 210 FTLN 0211 like the wear well. FTLN 0212 PAROLLES I am so full of businesses I cannot answer FTLN 0213 thee acutely. I will return perfect courtier, in the FTLN 0214 which my instruction shall serve to naturalize FTLN 0215 thee, so thou wilt be capable of a courtier s counsel 215 FTLN 0216 and understand what advice shall thrust upon FTLN 0217 thee, else thou diest in thine unthankfulness, and FTLN 0218 thine ignorance makes thee away. Farewell. When FTLN 0219 thou hast leisure, say thy prayers; when thou hast FTLN 0220 none, remember thy friends. Get thee a good husband, 220 FTLN 0221 and use him as he uses thee. So, farewell. Parolles and Page exit. FTLN 0222 FTLN 0223 FTLN 0224 FTLN FTLN 0226 FTLN 0227 FTLN 0228 FTLN 0229 FTLN FTLN 0231 Our remedies oft in ourselves do lie Which we ascribe to heaven. The fated sky Gives us free scope, only doth backward pull Our slow designs when we ourselves are dull. What power is it which mounts my love so high, That makes me see, and cannot feed mine eye? The mightiest space in fortune nature brings To join like likes and kiss like native things. Impossible be strange attempts to those That weigh their pains in sense and do suppose
15 21 All s Well That Ends Well ACT 1. SC. 2 What hath been cannot be. Who ever strove To show her merit that did miss her love? The King s disease my project may deceive me, But my intents are fixed and will not leave me. She exits. FTLN 0232 FTLN 0233 FTLN 0234 FTLN Scene 2 Flourish cornets. Enter the King of France with letters, two Lords, and divers Attendants. FTLN 0236 FTLN 0237 FTLN 0238 FTLN 0239 The Florentines and Senoys are by th ears, Have fought with equal fortune, and continue A braving war. FIRST LORD So tis reported, sir. Nay, tis most credible. We here receive it A certainty vouched from our cousin Austria, With caution that the Florentine will move us For speedy aid, wherein our dearest friend Prejudicates the business and would seem FTLN FTLN 0241 FTLN 0242 FTLN 0243 FTLN 0244 FTLN FTLN 0246 FIRST LORD FTLN 0247 FTLN 0248 To have us make denial. His love and wisdom, Approved so to your Majesty, may plead For amplest credence. He hath armed our answer, FTLN 0249 FTLN 0250 And Florence is denied before he comes. 15 FTLN 0251 Yet for our gentlemen that mean to see FTLN 0252 The Tuscan service, freely have they leave FTLN 0253 To stand on either part. FTLN 0254 SECOND LORD It well may serve FTLN 0255 A nursery to our gentry, who are sick 20 FTLN 0256 For breathing and exploit. Enter Bertram, Lafew, and Parolles. FTLN 0257 What s he comes here?
16 23 All s Well That Ends Well ACT 1. SC. 2 FTLN 0258 FTLN 0259 FIRST LORD It is the Count Rossillion, my good lord, Young Bertram. FTLN FTLN 0261 Frank nature, rather curious than in haste, FTLN 0262 Hath well composed thee. Thy father s moral parts FTLN 0263 FTLN 0264 BERTRAM Youth, thou bear st thy father s face. Mayst thou inherit too. Welcome to Paris. My thanks and duty are your Majesty s. I would I had that corporal soundness now As when thy father and myself in friendship First tried our soldiership. He did look far Into the service of the time and was Discipled of the bravest. He lasted long, But on us both did haggish age steal on And wore us out of act. It much repairs me To talk of your good father. In his youth He had the wit which I can well observe Today in our young lords; but they may jest Till their own scorn return to them unnoted Ere they can hide their levity in honor. So like a courtier, contempt nor bitterness Were in his pride or sharpness; if they were, His equal had awaked them, and his honor, Clock to itself, knew the true minute when Exception bid him speak, and at this time His tongue obeyed his hand. Who were below him He used as creatures of another place And bowed his eminent top to their low ranks, Making them proud of his humility, In their poor praise he humbled. Such a man Might be a copy to these younger times, Which, followed well, would demonstrate them now But goers backward. His good remembrance, sir, FTLN FTLN 0266 FTLN 0267 FTLN 0268 FTLN 0269 FTLN FTLN 0271 FTLN 0272 FTLN 0273 FTLN 0274 FTLN FTLN 0276 FTLN 0277 FTLN 0278 FTLN 0279 FTLN FTLN 0281 FTLN 0282 FTLN 0283 FTLN 0284 FTLN FTLN 0286 FTLN 0287 FTLN 0288 FTLN 0289 FTLN 0290 BERTRAM 55
17 25 All s Well That Ends Well ACT 1. SC. 2 FTLN 0291 FTLN 0292 FTLN 0293 Lies richer in your thoughts than on his tomb. So in approof lives not his epitaph As in your royal speech. Would I were with him! He would always say Methinks I hear him now; his plausive words He scattered not in ears, but grafted them To grow there and to bear. Let me not live This his good melancholy oft began On the catastrophe and heel of pastime, When it was out Let me not live, quoth he, After my flame lacks oil, to be the snuff Of younger spirits, whose apprehensive senses All but new things disdain, whose judgments are Mere fathers of their garments, whose constancies Expire before their fashions. This he wished. I, after him, do after him wish too, Since I nor wax nor honey can bring home, I quickly were dissolvèd from my hive To give some laborers room. You re lovèd, sir. They that least lend it you shall lack you first. FTLN 0294 FTLN FTLN 0296 FTLN 0297 FTLN 0298 FTLN 0299 FTLN FTLN 0301 FTLN 0302 FTLN 0303 FTLN 0304 FTLN FTLN 0306 FTLN 0307 FTLN 0308 FTLN 0309 FTLN 0310 SECOND LORD 75 FTLN 0311 FTLN 0312 FTLN 0313 FTLN 0314 I fill a place, I know t. How long is t, count, Since the physician at your father s died? He was much famed. Some six months since, my lord. FTLN 0315 FTLN 0316 BERTRAM If he were living, I would try him yet. 80 FTLN 0317 Lend me an arm. The rest have worn me out FTLN 0318 With several applications. Nature and sickness FTLN 0319 Debate it at their leisure. Welcome, count. FTLN 0320 My son s no dearer. 85 FTLN 0321 BERTRAM Thank your Majesty. They exit. Flourish.
18 27 All s Well That Ends Well ACT 1. SC. 3 Scene 3 Enter Countess, Steward, and Fool. I will now hear. What say you of this gentlewoman? Madam, the care I have had to even your content I wish might be found in the calendar of my past endeavors, for then we wound our modesty and make foul the clearness of our deservings when of ourselves we publish them. What does this knave here? To Fool. Get you gone, sirrah. The complaints I have heard of you I do not all believe. Tis my slowness that I do not, for I know you lack not folly to commit them and have ability enough to make such knaveries yours. Tis not unknown to you, madam, I am a poor FTLN 0322 COUNTESS FTLN 0323 FTLN 0324 STEWARD FTLN 0325 FTLN FTLN 0327 FTLN 0328 FTLN 0329 COUNTESS FTLN 0330 FTLN FTLN 0332 FTLN 0333 FTLN 0334 FTLN 0335 FOOL FTLN 0336 fellow. 15 FTLN 0337 COUNTESS Well, sir. FTLN 0338 FTLN 0339 FOOL No, madam, tis not so well that I am poor, though many of the rich are damned. But if I may FTLN 0340 have your Ladyship s good will to go to the world, FTLN 0341 Isbel the woman and I will do as we may. 20 FTLN 0342 COUNTESS Wilt thou needs be a beggar? FTLN 0343 FOOL I do beg your good will in this case. FTLN 0344 COUNTESS In what case? FTLN 0345 FOOL In Isbel s case and mine own. Service is no heritage, FTLN 0346 and I think I shall never have the blessing of 25 FTLN 0347 God till I have issue o my body, for they say bairns FTLN 0348 are blessings. FTLN 0349 COUNTESS Tell me thy reason why thou wilt marry. FTLN 0350 FOOL My poor body, madam, requires it. I am driven FTLN 0351 on by the flesh, and he must needs go that the devil 30 FTLN 0352 drives. FTLN 0353 COUNTESS Is this all your Worship s reason? FTLN 0354 FOOL Faith, madam, I have other holy reasons, such FTLN 0355 as they are.
19 29 All s Well That Ends Well ACT 1. SC. 3 COUNTESS May the world know them? FOOL I have been, madam, a wicked creature, as you and all flesh and blood are, and indeed I do marry that I may repent. Thy marriage sooner than thy wickedness. FTLN FTLN 0357 FTLN 0358 FTLN 0359 FTLN 0360 COUNTESS FTLN 0361 FTLN 0362 FOOL I am out o friends, madam, and I hope to have friends for my wife s sake. 40 FTLN 0363 COUNTESS Such friends are thine enemies, knave. FTLN 0364 FTLN 0365 FOOL You re shallow, madam, in great friends, for the knaves come to do that for me which I am aweary FTLN 0366 of. He that ears my land spares my team and gives 45 FTLN 0367 me leave to in the crop; if I be his cuckold, he s my FTLN 0368 drudge. He that comforts my wife is the cherisher FTLN 0369 of my flesh and blood; he that cherishes my flesh FTLN 0370 and blood loves my flesh and blood; he that loves FTLN 0371 my flesh and blood is my friend. Ergo, he that 50 FTLN 0372 kisses my wife is my friend. If men could be contented FTLN 0373 to be what they are, there were no fear in FTLN 0374 marriage, for young Charbon the Puritan and old FTLN 0375 Poysam the Papist, howsome er their hearts are FTLN 0376 severed in religion, their heads are both one; they 55 FTLN 0377 may jowl horns together like any deer i th herd. FTLN 0378 COUNTESS Wilt thou ever be a foul-mouthed and FTLN 0379 calumnious knave? FTLN 0380 FOOL A prophet I, madam, and I speak the truth the FTLN 0381 next way: 60 FTLN 0382 FTLN 0383 FTLN 0384 FTLN 0385 Sings. For I the ballad will repeat Which men full true shall find: Your marriage comes by destiny; Your cuckoo sings by kind. Get you gone, sir. I ll talk with you more FTLN 0386 FTLN 0387 COUNTESS anon. 65 FTLN 0388 STEWARD May it please you, madam, that he bid Helen FTLN 0389 come to you. Of her I am to speak. FTLN 0390 COUNTESS Sirrah, tell my gentlewoman I would speak FTLN 0391 with her Helen, I mean. 70
20 31 All s Well That Ends Well ACT 1. SC. 3 FOOL sings Was this fair face the cause, quoth she, Why the Grecians sackèd Troy? Fond done, done fond. Was this King Priam s joy? With that she sighèd as she stood, With that she sighèd as she stood, And gave this sentence then: Among nine bad if one be good, Among nine bad if one be good, There s yet one good in ten. COUNTESS What, one good in ten? You corrupt the song, sirrah. FOOL One good woman in ten, madam, which is a purifying o th song. Would God would serve the world so all the year! We d find no fault with the tithe-woman if I were the parson. One in ten, quoth he? An we might have a good woman born but or every blazing star or at an earthquake, twould mend the lottery well. A man may draw his heart out ere he pluck one. COUNTESS You ll be gone, sir knave, and do as I command you! FOOL That man should be at woman s command, and yet no hurt done! Though honesty be no Puritan, yet it will do no hurt; it will wear the surplice of humility over the black gown of a big heart. I am going, forsooth. The business is for Helen to come hither. He exits. COUNTESS Well, now. STEWARD I know, madam, you love your gentlewoman entirely. COUNTESS Faith, I do. Her father bequeathed her to me, and she herself, without other advantage, may lawfully make title to as much love as she finds. There is more owing her than is paid, and more shall be paid her than she ll demand. FTLN 0392 FTLN 0393 FTLN 0394 FTLN 0395 FTLN FTLN 0397 FTLN 0398 FTLN 0399 FTLN 0400 FTLN FTLN 0402 FTLN 0403 FTLN 0404 FTLN 0405 FTLN FTLN 0407 FTLN 0408 FTLN 0409 FTLN 0410 FTLN FTLN 0412 FTLN 0413 FTLN 0414 FTLN 0415 FTLN FTLN 0417 FTLN 0418 FTLN 0419 FTLN 0420 FTLN FTLN 0422 FTLN 0423 FTLN 0424 FTLN 0425 FTLN FTLN 0427
Folger Shakespeare Library http://www.folgerdigitaltexts.org Contents Front Matter From the Director of the Folger Shakespeare Library Textual Introduction Synopsis Characters in the Play ACT 1 Scene 1
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Bible for Children presents THE MAN OF FIRE Written by: Edward Hughes Illustrated by: Lazarus Adapted by: E. Frischbutter Produced by: Bible for Children www.m1914.org 2007 Bible for Children, Inc. License:
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Alive Network s Ultimate Wedding Hymn List For the blog post associated with this playlist Wedding Hymns: The Ultimate Wedding Hymn Resource please visit: http://www.alivenetwork.com/blogs/customer-advice.asp?id=283
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Table of Contents SOME OTHER FRAGMENTS OF...1...1 SOME OTHER FRAGMENTS OF...1 i SOME OTHER FRAGMENTS OF THE SAME This page copyright 2002 Blackmask Online. http://www.blackmask.com SOME OTHER FRAGMENTS
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