The Civilisations of Greece and Rome

Transcription

1 The Civilisations of Greece and Rome View Online Aeschylus & Fagles, Robert, The oresteia, London: Penguin. Albin Lesky, Greek tragic poetry, New Haven: Yale Aristotle & Heath, Malcolm, Poetics, London: Penguin Books. Bacon H., The Furies homecoming. Classical Philology, 96, pp Baldock, Marion, Greek tragedy: an introduction, Bristol: Bristol Classical Bowie A., Religion and politics in Aeschylus. The Classical Quarterly, 43, pp Brown A., Eumenides in Greek Tragedy. The Classical Quarterly, 34, pp Brown A., The Erinyes in the Oresteia: real life, the supernatural, and the stage. The Journal of Hellenic Studies, 103, pp Brown, Andrew, A new companion to Greek tragedy, London: Barnes & Noble. Burnett, Anne Pippin, Revenge in Attic and later tragedy, Berkeley, Ca: University of California Buxton, R G A., Persuasion in Greek tragedy: a study of Peitho, [Place of publication not identified]: C.U.P. Buxton, R G A., Sophocles, [Place of publication not identified]: Clarendon Press for the Classical Association. Chaston, C., Tragic Props and Cognitive Function: Aspects of the Function of Images in Thinking, Leiden: Brill. Collard C., Euripides. Greece and Rome, 14. Conacher D., Rhetoric and Relevance in Euripidean drama. American Journal of Philology, 102, pp Conacher, D J., Aeschylus Oresteia: a literary commentary, London: U. of Toronto P. Conacher, D. J., Euripidean drama: myth, theme and structure, Toronto]: University of Toronto 1/5

2 Csapo, Eric & Slater, William J., The context of ancient drama, Ann Arbor: University of Michigan Dodds E., On misunderstanding the Oedipus Rex. In Oxford readings in Greek tragedy. New York: Oxford Dover K., Some neglected aspects of Agamemnon s dilemma. The Journal of Hellenic Studies, 93, pp Easterling P., 1983a. Character in Sophocles. In Oxford readings in Greek tragedy. New York: Oxford Easterling P., 1983b. Character in Sophocles. In Oxford readings in Greek tragedy. New York: Oxford Easterling P., 1993a. Character in Sophocles. In Greek tragedy. New York: Oxford University Press on behalf of the Classical Association. Easterling P., Constructing character in Greek tragedy. In Characterization and individuality in Greek literature. New York: Clarendon Press, pp Easterling P., 1993b. The presentation of character in Aeschylus. In Greek tragedy. New York: Oxford University Press on behalf of the Classical Association, pp Easterling, P. E., The Cambridge companion to Greek tragedy, Cambridge: Cambridge Available at: %3D%252Fbook%253Fid%253Dccol _CCOL Euripides, Raphael, Frederic & McLeish, Kenneth, Bacchae, London: Nick Hern. Foley, Helene P., Ritual irony: poetry and sacrifice in Euripides, Ithaca: Cornell U.P. Gagarin, Michael, Æschylean drama, Berkeley, Ca: University of California Garland, Robert, Surviving Greek tragedy, London: Duckworth. Gellie, G H., Sophocles: a reading, [Place of publication not identified]: Melbourne Goldhill S., The Great Dionysia and civic ideology. In Nothing to do with Dionysos?: Athenian drama in its social context. Oxford: Princeton University Press, pp Goldhill, Simon, Aeschylus: the Oresteia, Cambridge: Cambridge Goldhill, Simon, Reading Greek tragedy, Cambridge: Cambridge Goldhill, Simon & Hall, Edith, Sophocles and the Greek tragic tradition, Cambridge, UK: Cambridge Gould T. & Herrington (eds) C., Greek Tragedy. Yale classical studies, 25. 2/5

3 Goward, Barbara, Aeschylus: Agamemnon, London: Duckworth. Gredley (ed.) G., Essays on Greek Drama. Bulletin of the Institute of Classical Studies, 34. Green, J. R., Theatre in ancient Greek society, London: Routledge. Gregory, Justina & Dawsonera, A companion to Greek tragedy, Oxford: Blackwell. Available at: boleth&dest= Griffin J., The Social Function of Attic Tragedy. Classical Quarterly, 48, pp Available at: Quarterly &s=ac_t_b&v=1.0&l=df7sm3xp4s&c=&s=sc&n=10. Hall, Edith, Greek tragedy: suffering under the sun, New York: Oxford University Available at: Halleran, M R., Stagecraft in Euripides, [Place of publication not identified]: Croom Helm. Heath, Malcolm, The poetics of Greek tragedy, London: Duckworth. Herington, C. J., Aeschylus, London: Yale Jones, John, On Aristotle and Greek tragedy, London: Chatto & Windus. Knox, B M W., Word and action: essays on the ancient theater, [Place of publication not identified]: Johns Hopkins U.P. Lebeck A., Imagery and action in the Oresteia. In Oxford readings in Greek tragedy. New York: Oxford University Press, pp Lesky A., Decision and Responsibility in the Tragedy of Aeschylus. In Oxford readings in Greek tragedy. New York: Oxford University Press, pp Lloyd-Jones H., The guilt of Agamemnon. In Oxford readings in Greek tragedy. New York: Oxford University Press, pp Lloyd-Jones, Hugh, The justice of Zeus, Berkeley: University of California McAuslan, Ian, Walcot, Peter & Classical Association, Greek tragedy, New York: Oxford University Press on behalf of the Classical Association. Meridor R., Aeschylus Agamemnon : Why Does Agamemnon Give in? Classical Philology, 82, pp Parker, Robert, Miasma: pollution and purification in early Greek religion, Oxford: Clarendon 3/5

4 Pelling, Christopher B. R., Gods cruel and kind: tragic and civic theology. In Greek tragedy and the historian. Oxford: Clarendon Pickard-Cambridge, A., The dramatic festivals of Athens: 2nd ed rev by J Gould and D M Lewis, [Place of publication not identified]: Clarendon Pickard-Cambridge, Arthur Wallace, The theatre of Dionysus in Athens, Oxford: The Clarendon press. Rehm, Rush, Greek tragic theatre, London: Routledge. Rosenmeyer, Thomas G., The art of Aeschylus, Berkeley, Ca: University of California Scodel, Ruth, An introduction to Greek tragedy, New York: Cambridge University Available at: Scullion S., Nothing to with Dionysus: tragedy misconceived as ritual. Classical Quarterly, 52, pp Seaford R., The Social Function of Attic Tragedy: a response to Jasper Griffin. The Classical Quarterly, 50, pp Segal C. & Clines D.J.A., Interpreting Greek tragedy: myth, poetry, text, Ithaca, N.Y.: Cornell Segal, Charles, Dionysiac poetics and Euripides Bacchae, Princeton: Princeton Segal, Charles, Oedipus Tyrannus: tragic heroism and the limits of knowledge, New York: Oxford Segal, Charles, Sophocles tragic world: divinity, nature, society, Cambridge, Mass: Harvard Segal, Erich, Oxford readings in Greek tragedy, New York: Oxford Silk, M. S., Tragedy and the tragic: Greek theatre and beyond, Oxford: Clarendon Simon, Erika, The ancient theatre, London: Methuen. Sommerstein, Alan H., 2010a. Aeschylean tragedy, London: Duckworth. Sommerstein, Alan H., Greek drama and dramatists, London: Routledge. Available at: boleth&dest= Sommerstein, Alan H., 2010b. The tangled ways of Zeus: and other studies in and around Greek tragedy, New York: Oxford 4/5

5 Sophocles & McGuinness, Frank, Oedipus, London: Faber and Faber. Sourvinou-Inwood C., Tragedy and religion: constructs and readings. In Greek tragedy and the historian. Oxford: Clarendon Press, pp Sourvinou-Inwood, Christiane, Tragedy and Athenian religion, Lanham, Md: Lexington Books. Stinton T., Hamartia in Aristotle and Greek tragedy. Collected papers on Greek tragedy, 50, pp Taplin, Oliver, Greek tragedy in action, London: Methuen. Taplin, Oliver, 1977a. The stagecraft of Aeschylus: the dramatic use of exits and entrances in Greek tragedy, Oxford: Clarendon Taplin, Oliver, 1977b. The stagecraft of Aeschylus: the dramatic use of exits and entrances in Greek tragedy, Oxford: Clarendon van Erp Taalman Kip A.M., The unity of the Oresteia. In Tragedy and the tragic: Greek theatre and beyond. Oxford: Clarendon Press, pp Vickers, Brian, Towards Greek tragedy: drama, myth, society, London: Longman. Webster, Thomas Bertram Lonsdale, An introduction to Sophocles, Oxford: The Clarendon press. Wiles, David, Greek theatre performance: an introduction, Cambridge: Cambridge Wiles, David, Tragedy in Athens: performance space and theatrical meaning, Cambridge: Cambridge Winnington-Ingram R., Clytaemnestra and the vote of Athena. In Oxford readings in Greek tragedy. New York: Oxford University Press, pp Winnington-Ingram, R. P., Euripides and Dionysus, Cambridge: Cambridge University Winnington-Ingram, R. P., Sophocles: an interpretation, Cambridge: Cambridge Winnington-Ingram, R. P., Studies in Aeschylus, Cambridge: Cambridge University Zeitlin Z., The motif of the corrupted sacrifice in Aeschylus Oresteia. Transactions and Proceedings of the American Philological Association, 96, pp Zimmermann, Bernhard, Greek tragedy: an introduction, Baltimore: Johns Hopkins 5/5