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1 RAYMOND BOISJOLY b. 1981, Langley, BC Lives and works in Vancouver, BC EDUCATION 2008 MFA, University of British Columbia, Vancouver 2006 BFA, Emily Carr Institute of Art and Design, Vancouver SOLO EXHIBITIONS 2016 Catriona Jeffries, Vancouver Over a Distance Between One and Many, Koffler Centre, Toronto 2015 From age to age, as its shape slowly unraveled, VOX, Montreal 2014 Interlocutions, Carleton University Art Gallery, Ottawa Station to Station, Platform Centre for Photographic + Digital Arts, Winnipeg Silent Trans-Forming, Urban Shaman Contemporary Aboriginal Art s Marvin Frances Media Gallery, Winnipeg 2013 Catriona Jeffries, Vancouver As It Comes, Contemporary Art Gallery, Vancouver (And) Other Echoes, Simon Fraser University Gallery, Vancouver 2012 The Work That Work Leaves Undone, Forest City Gallery, London, ON The Spirit of Inconstancy, Lawrimore Project, Seattle 2011 The Writing Lesson, Republic Gallery, Vancouver Indirect Angles of Encounter with Textual Events, Fourteen30 Contemporary, Portland 2010 The Ever-Changing Light, Access Gallery, Vancouver Impossible But True, Lucky s Gallery, Vancouver (with Ryan Peter) 2009 THIS IS THE FUTURE, the Rest is History, TARL House, Seattle (with Ryan Peter) 2008 ABCDEEFHKORTTTUU!, Ministry of Casual Living, Victoria (with Ryan Peter) GROUP EXHIBITIONS 2016 Response, Musée d art contemporain des Laurentides, Saint-Jérôme, QC Down To Write You This Poem Sat, Oakville Galleries, Oakville, ON An Agreeable State of Uncertainty, Vancouver Art Gallery, Vancouver We are the people, Mary Elizabeth Dee Shaw Gallery, Ogden, Utah 2015 Sobey Art Award Shortlist Exhibition, Art Gallery of Nova Scotia, Halifax Eye to Eye, Presentation House Gallery Moucharabieh, Triangle, Marseille Pressure Point, Secret Eight Project Space, Calgary Lands End, Logan Centre Exhibitions, The University of Chicago 2014 Beat Nation, Musée d'art contemporain de Montréal; Dalhousie Art Gallery and St. Mary s University Art
2 Gallery, Halifax, Nova Scotia; Mackenzie Art Gallery, Regina, Saskatchewan The Source: Rethinking Water through Contemporary Art, Rodman Hall Art Centre, Brock University, St. Catherines, ON Unsettled Landscapes, SITElines: New Perspectives on Art of the Americas, Santa Fe Sympathetic Magic, Mendel Art Gallery, Saskatoon Black Diamond Dust, Nanaimo Art Gallery L avenir (looking forward), Montreal Biennial The Militant Image: Picturing What Is Already Going On, Or The Poetics of the Militant Image, Camera Austria, Vienna 2013 A Postcard from Victoria, Art Gallery of Greater Victoria Acquisitions and Archives, Morris and Helen Belkin Art Gallery, Vancouver Pleinairism, Walter Philips Gallery, Banff Centre Fiction / Non Fiction, Esker Foundation, Calgary SOMETHING SOMEWHERE, Baba s House, Creighton, Saskatchewan 2012 TO FROM BC Electric Railway 100 Years, Centre A, Vancouver Tools for Conviviality, The Power Plant Contemporary Art Gallery, Toronto Cut and Paste, Equinox Project Space, Vancouver Phantasmagoria, Presentation House Gallery, North Vancouver Beat Nation, Vancouver Art Gallery; Power Plant, Toronto; Kamloops Art Gallery, Kamloops, British Columbia Devouring Time, Western Bridge, Seattle Never-Dying Worm, AHVA Library Gallery at UBC, Vancouver 2011 Raymond Boisjoly, Jordy Hamilton, Laura Piasta: Studies in Decay, Or Gallery, Vancouver All Things Equal, The Hedreen Gallery at Seattle University, Seattle Scotiabank Nuit Blanche, Toronto re-live, Live Biennale 2011, VIVO Media Arts Centre, Vancouver 2010 House Systems: Fort Club, The Hedreen Gallery at Seattle University, Seattle Signal & Noise Media Art Festival, VIVO Media Arts Centre, Vancouver 2009 Exercises In Seeing, Queens Nails Projects, San Francisco, CA (w/ Ryan Peter) The Secret of the Ninth Planet, Photo Epicenter, San Francisco Transcontinental Divide, Helen Pitt Gallery ARC/Gallery 101, Vancouver, BC/Ottawa, ON How Soon Is Now, Vancouver Art Gallery, Vancouver Would You Like To Start Again At The Beginning?, Crawl Space Gallery, Seattle, WA 2008 LOCAL, The Apt. at The Fillip Review Office, Vancouver The Sooner The Better Late Than Never, Morris and Helen Belkin Art Gallery, Vancouver Being There and Elsewhere, Organ Gallery, Chongqing, China 2007 Between You and the Thing Itself, Or Gallery, Vancouver Oh, What A Blow That Phantom Gave Me!, Belkin Satellite, Vancouver
3 BOOKS AND EXHIBITION CATALOGUES 2013 Reid Shier, Raymond Boisjoly, Art Cities of the Future: 21 st Century Avant-Gardes. London: Phaidon Press 2012 Kathleen Ritter and Tania Willard, Beat Nation: Art, Hip-hop and Aboriginal Culture, Vancouver Art Gallery 2011 Jonah Gray, Raymond Boisjoly, Jordy Hamilton, Laura Piasta: Studies in Decay, Or Gallery, Vancouver 2009 Paul Kajander, Words From Vancouver, Divide Division: Transcontinental Divide/Division Transcontinentale Helen Pitt Gallery, Vancouver and Gallery 101, Ottawa Kathleen Ritter, Raymond Boisjoly, How Soon Is Now, Vancouver Art Gallery 2008 Lindsey Boldt, Would you like to start again at the beginning?, The Sooner The Better Late Than Never, Morris and Helen Belkin Art Gallery, Vancouver MAGAZINES AND PERIODICALS 2016 Andrew Berardini, Native North America, Mousse Magazine, Issue #54, Summer 2015 Jesse McKee, In Front of One s Nose: Raymond Boisjoly and the art of learning, Canadian Art, Fall Jonah Gray, Raymond Boisjoly: from age to age, as its shape slowly unravelled, C Magazine, Spring Ellyn Walker, Indiginous Land as Common Ground, Prefix Photo, No. 31, May 2014 Mary-Beth Laviolette, Pleinairism, Galleries West, Spring 2014 Steven Leyden Cochrane, Distorted Identity, Winnepeg Free Press, May 2014 Erica Medritzki, Raymond Boisjoly, Border Crossings, Issue 131 J. J. Kegan McFadden, Notes with a Broken Camera, No. 3: Gas Station Speculations and the rest work of Raymond Boisjoly, Blackflash, Fall Michael Turner, Black Diamond Dust: Industry and Labour, Canadianart.com, 8 October Michael Turner, Text-based Public Works in Vancouver, The Capilano Review, Spring Tarin Hughes, Sympathetic Magic, C Magazine, Winter 2014 Caia Hangel, Unsettled Landscapes, Border Crossings, Issue Robin Lawrence, Human imperfection permeates Raymond Boisjoly art, The Georgia Straight, 5 March Gina Badger, Unsettled Objects (The Alchemy of Dispossession and Display), Switch On, 4 Feburary Michael Turner, A Postcard from Victoria, The Capilano Review, Fall 2012 Aaron Peck, Aaron Peck in Vancouver, Akimbo.ca, 12 June Erika Thorkelson, Exploring Vancouver s photographic future, digital and otherwise, Vancouver Sun, 12 June Jen Graves, A Totem Pole Made of Christmas Lights, The Stranger, 10 January Kevin Rodgers, Raymond Boisjoly: The Work That Work Leaves Undone, Forest City Gallery, C Magazine, Issue Bryne McLaughlin, Studies in Decay: Where Endings are Beginnings, Canadian Art (online), 1 December Robin Laurence, Studies in Decay negotiates a new approach to realism, The Georgia Straight, 29 November Jen Graves, Low Definition, The Stranger, 11 October Robin Laurence, Raymond Boisjoly and Rebecca Chaperon: Artists draw inspiration from black metal and fairy
4 tales, The Georgia Straight, 15 September Jessica Powers, The Recognitions: Raymond Boisjoly, Artslant.com, 12 July 2010 Aaron Peck, Vancouver, Akimbo.ca, 6 May Robin Laurence, Diverse shows span bridges, faxes, and TV static, The Georgia Straight, 4 March 2009 Chris Fitzpatrick, I ll Find It If You Stop Talking, ArtSlant.com, 28 December Jen Graves, TARL Is The Future, The Stranger, 22 December Richard Rhodes, Year in Review: The Top 10 Exhibitions of 2009, Canadian Art (online), 17 December Jen Graves, The Vancouver Problem, The Stranger, 7 April Robin Laurence, How Soon Is Now a thrilling mix that spans manga ceramics, tattooed pigs, The Georgia Straight, 12 February Jen Graves, Yes I Would, The Stranger, 6 February Regina Hackett, Fabulous works by B.C. artists require a Seattle response, The Seattle Post-Intelligencer, 15 January Emily Pothast, Would You Like To Start Again At The Beginning?, Scrawl No. 1, Crawl Space Gallery PUBLISHED WRITING BY THE ARTIST 2015 Raymond Boisjoly, Both a Condensation and a Fraying of Thought, C Magazine, Summer Raymond Boisjoly,,,,,,, (Exile), Public. 50: Retreat, Spring 2014 PUBLIC ART PROJECTS RESIDENCIES Raymond Boisjoly, The Name of the Road May Tell You Where You Are Going. Ginger Goodwin Way. Or Gallery and Publication Studio. Raymond Boisjoly, Always New Colours, Secondary Explanation: Duane Linklater. The New Gallery 2012 Raymond Boisjoly, The Writing Lesson, The Capilano Review, Winter 2010 Raymond Boisjoly, The story is in its telling, Pyramid Power, Volume 1: Issue 7, Spring 2009 Raymond Boisjoly, Possibly Possibly: Notes On Paper, Interrobang, Morris and Helen Belkin Art Gallery, Vancouver 2007 Raymond Boisjoly, Manipulated Images from Hubblesite.org., Pyramid Power. Volume 1: Issue 2, Spring 2006 Raymond Boisjoly, Uncredited translation of Au Lecteur from Les fleurs du mal (Charles Baudelaire) as To The Reader, Woo Magazine, Vol. 4, Issue (Shadows) & (Reflections), Esker Foundation, Calgary Something Somewhere, Baba s House Flin Flon 2011 Contributor to Digital Natives, organized by Other Sights, Vancouver Contingent Matters, Aperture Public Art Project, The Vancouver Public Library All That Was, Access Public Art, Access Gallery, Vancouver 2015 Participant in Dot Feature: Artist Residency for Risograph Printing, Or Gallery, Vancouver
5 Curatorial Residency, 221a, Vancouver 2014 In Kind Negotiations with Raymond Boisjoly, thematic residency, The Banff Centre 2013 Artist Participant in Immersion Emergencies and Possible Worlds, The Banff Centre 2012 The Retreat: A Position of documenta (13), The Banff Centre Immersion Emergencies and Possible Worlds, Niagara, ON 2011 La Commune. The Asylum. Die Bühne., The Banff Centre 2010 Self-directed residency, The Banff Centre
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