2 TIBET IS another arena of confluence of two ancient cultures. Tibet adopted government organization and social standards from China. But its spiritual guidance came from Buddhism. Devanagari script was adapted to the Tibetan language and Sanskrit scriptures were translated into Tibetan, the oldest of the Sino-Tibetan family of languages. Tibetan tantrism developed along its own unique path. At least four scripts came into use. Its written form is so special that the script came to be called the only script that was beautiful whether written or printed. The seed-syllables and the mystic monograms are not only potent with spiritual energy but also calligraphers delight. Om mani padme hum, the mantra of liberation, not only reverberates every conceivable religious space, but decorates in writing in myriad forms. What follows is a glimpse of this esoteric dimension of writing.
3 Tibet adopted government organisation, social standards, ink and paper from China but looked toward India for spiritual guidance. Tibet was inspired by Buddhism and adapted Sanskrit for scriptures.
4 The Indian Contribution Both the original script, Brahmi, and the religion, Buddhism, travelled from India and took root in Tibet, eventually to evolve as mystic mantras and tantric Buddhism respectively.
5 The Tibetan Language Tibetan, a Sino-Tibetan language, now spoken by about 6 million people, was not a written language till Buddhism was introduced to Tibet in the 7 th century
6 Script for Tibetan Language To propagate Buddhism and to read its scriptures in Sanskrit, a script based on Devanagari was devised.
7 Variants of Script Over the period a number of styles came into use. Below is written Om Mani Padme Ham, the most important mantra, in the main styles Uchen, a book script for Buddhist texts, often carved in wood for printing Lentsa, a special type of script used for seed-syllables and mystic monograms Drutsa, a decorative script for title pages of books and for documents; Ume, a cursive hand script
8 The Alphabet It consists of 30 consonants and 4 vowels for writing the dialect and 6 extra letters for writing Sanskrit loan words. The Tibetan script is syllabic, that is, each letter is a consonant plus a vowel.
9 Vowels The Alphabet (only Uchen shown) For Sanskrit words Consonants
10 Writing Medium Initially manuscripts were written on special paper or birch bark. The paper was coated with black ink and the text written in gold or silver ink
11 Writing Medium Later the text was engraved on wooden blocks, and an impression was taken on paper.
12 Carving and printing came to attain such a perfection that Tibetan script is considered to be the only script of the East that is beautiful whether printed or written
13 Sacred mantra Tibetans considered that every letter is a sacred symbol worthy of veneration. A written mantra is as potent as a spoken one.
14 Sacred mantra The most important mantra is 'Om Mani Padme Ham. The universal chant of this mantra of liberation resonates through the Tibetan mountains, villages and temples.
15 OM The breakthrough MANI (jewel) of seeing the absolute PADME (lotus) in the relative HAM beyond time, space and individuality
16 'Om Mani Padme Ham' Written and placed inside prayer wheels held in hand Sacred mantra
17 Sacred mantra In Prayer Wheels 'Om Mani Padme Ham' written and placed inside large prayer wheels
18 Prayer Wheels 'Om Mani Padme Ham'
19 Sacred Monograms Sacred monograms are unique to Tibetan tantrism. These are compound letters made in the form of a single character, a distinct calligraphic feat. These are composed in Lentsa style
20 Sacred Monograms Om Mani Padme Ham composed as a monogram
21 Sacred Monogram All-powerful ten All-powerful Ten is the best known monogram. It comprises ten letters represented in a stylized version of Lentsa
22 All-powerful Ten The symbol consists of an ornamental ring of fire, Circle of Wisdom, then the main symbol which combines seven individual syllables, on top are a crescent, a disc and a curved shape. Each symbolises one of the ten perfections (paramitas).
23 All-powerful Ten - Identified Anusvara Tilakam Visarga ham ma va ya ksha la ra
24 This is another page from the glorious history of sacred calligraphy that portrays vitality. We may wonder whether Buddhism was unconsciously seeking eternal beauty in the Letter, while consciously following the Spirit.
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