Advanced Certification in Sound Engineering & Music Production
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1 Advanced Certification in Sound Engineering & Music Production At TGC, Sound PRO is a program for all the music enthusiast having keen interest in Audio Engineering and Recording. Made with a 100% practical approach Sound pro is about practice on Recording, Sychronization, Mixing, Reproducing voice, Music and Sound Effects. Sound PRO deals with Audio for a wide range of applications i.e. music production, Film and A/V post production, live sound reinforcement, advertising and multimedia broadcast. At TGC, a course in Sound PRO will help you prepare a career as Musician, Music Production Artist and Sound Engineer. Faculty at TGC is young & talented Music producers with relevant hands on experience. Programme Outline: Sound Engineering Institute Normal Track Course Duration: 4 months Schedule: 2 Hour/3 days a week 1 / 5
2 Fast Track Course Duration: 3 months Schedule: 2 Hours/ 4 days a week (Weekend options also available) Introduction to AD / DA Converters / History of Recording TAPE / VINYL - Analog Gear PREs /EQs/ Compressors/ EFFECTS Unit. - Mixing Console. - Types of Microphones & Signal Path. Audio & Sonics - Audio Bandwidth. - What is Bit and Sample rate. - Various Audio Formats - Identifying various elements/ instruments in a song. - Frequency range of various instruments. EQ & Dynamics I (Cubase) - Eq and Compression (Dynamics Processing) Vol 1. - Types of Compressors & Limiters (Classic & Modern). - Limiting. - Passive EQ. - Saturation. 2 / 5
3 Eq & Dynamics II (Cubase) - Eq and Compression (Dynamics Processing) - Applying compression on various types of sounds/instruments/drums. - Mix Bus Compression. - Mastering EQ (Clinical). - De-essing & Multiband Compression. RECORDING (Cubase) - Eq and Compression (Dynamics Processing) Vol 2. - How to apply compression on various types of sounds/instruments/drums. - Mix Bus Compression. - Mastering EQ (Clinical). - De-essing & Multiband Compression. Vocal/Instrument Tuning & Harmonization - Eq and Compression (Dynamics Processing) MIXING (Cubase) - Litening to reference tracks (various styles) - Organizing the session and labelling + colouring. - Grouping Tracks and creating Buses. - Basic Balancing starting with drums finishing on vocals. - Using OZONE to tame a rough Mix. - Widening Tracks. 3 / 5
4 - Drum Replacement and Audio Quantization. - Beat Detective/ Audio Transposing. MIXING II (Cubase) - Using EQ to cut unwanted freq. - Compressing Vocals - Eq and De-essing Vocals. - Eq ing Drums. - Drum Compression. - Eq Drums. - Masking of sounds. - Exciter/ Declicker etc. - Gating Drums. MIXING III (Cubase) - Compression on guitars - Compression on synths and eq. - Using Effects Reverb / Delay / Chorus / Modulation to colour sounds. - Using Effects to colour Vocals and make them sit extreme vs. subtle applications. - Using Emulation Plugins of Classic Gear: Tape/Tubes etc. - Guitar FX Processing. - Fade Application. Mastering (Cubase) - Using Ozone: - Pre Eq - Compression (Single/ Mixbus / Multiband) - Spatialization of Entire MIX - Post EQ. - Saturation (TUBE / TAPE / EXCITER) - Limiting and Level Maximization - Interpreting Meters / Phase & Level. - Normalization. - Dithering and Noise Shaping. 4 / 5
5 Acoustics & Project Development and Review - Using Ozone: - Pre Eq - Compression (Single/ Mixbus / Multiband) - Spatialization of Entire MIX - Post EQ. - Saturation (TUBE / TAPE / EXCITER) - Limiting and Level Maximization - Interpreting Meters / Phase & Level. - Normalization. - Dithering and Noise Shaping. Project Submission Know more about Audio Editing Name: Mobile: State: 5 / 5
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