How To Draw The Bay Of Nespoli And Vesuvius From Mergellina



Similar documents
President and Fellows of Harvard College

Recto President and Fellows of Harvard College

ANDREA DEL SARTO: THE RENAISSANCE WORKSHOP IN ACTION

Riferimenti a Costa nella letteratura inglese

Masterpieces. from Spain s Royal Court Museo del Prado. 16 May - 31 Aug Media Kit

President and Fellows of Harvard College

President and Fellows of Harvard College

Louise Bourgeois: No Exit November 15, May 15, 2016

OBJECT LIST. Andrea del Sarto: The Renaissance Workshop in Action June 23 September 13, 2015 At the J. Paul Getty Museum, Getty Center

Introduction to Art Historical Research: Western Painting

Keywords for the study of Junior Cert art

LEONARDO DA VINCI OIL PAINTING REPRODUCTION ARTI FIORENTINE FIRENZE ITALY

President and Fellows of Harvard College

UNTIL MARCH 12, MAXXI Museo nazionale delle arti del XXI secolo Via Guido Reni, 4A ROMA


Art History ARTH ART HISTORY Sacramento City College Catalog. Degree: A.A. Art History AA-T Art History for Transfer

Caravaggio St Andrew on the cross, c Oil on canvas Cleveland, The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, x 152.

Baroque Architecture. Arch 225

WINSTON ROETH. Lives and works in Beacon, NY and Waldoboro, ME. SOLO EXHIBITIONS. Jensen Gallery, Sydney - Australia.

rotation 2 President and Fellows of Harvard College

Renaissance Architecture, Civil Engineering and Design from Brunelleschi to Leonardo and Michelangelo Spring Semester 2015 Francesco Vossilla Ph.D.

Recent Acquisitions of Italian Renaissance Prints: Ideas Made Flesh June 7, October 4, 2015

Records of British Assets Trust Ltd, investment trust, Edinburgh, Scotland

A Guide for Authors E. Osborn Drive Scottsdale, AZ (480)

Mary Sudar Accredited Senior Appraiser American Society of Appraisers

The British Museum Board Meeting 03 July 2014

Birth of the Cool: California Art, Design, and Culture at Midcentury

The Kelvingrove Review Issue 5

ALEXANDRA WOLFRAMM. Restless Home Oil and acrylic on canvas 200 x 200 cm

MA in the Art Market and the History of Collecting

A Teachers Guide to: 11 October January 2014

The Sacred Made Real: Spanish Painting and Sculpture, February 28, May 31, 2010

Sarah C. McPhee Curriculum Vitae. Art History Department Emory University Carlos Hall, 581 S. Kilgo Circle Telephone:

European Paintings: From Leonardo to Rembrandt to Goya Uncover the meaning behind the art of the great painters from 1400 to 1800 SYLLABUS

ACCADEMIA ITALIANA DI LINGUA

Curriculum vitae of Lawrence Bu3gieg updated 9 th April 2015

Sargy Mann Gouaches. 1 st DECEMBER 19 TH DECEMBER 2009

BARBARA J. JOHNSTON, PH.D.

ANTICO: THE GOLDEN AGE OF RENAISSANCE BRONZES May 1, 2012, through July 29, 2012

THE ART OF FLORENCE GLENN M. ANDRES JOHN M. HUNISAK A. RICHARD TURNER. Principal photography by TAKASHI OKAMURA

Mundo virtual: Middle Earth Online The Lord of the Rings da produtora Sierra Entretainment.

Copyright in Photography


Salvatore Capasso (MA Econ, PhD)

7 DECEMBER 2007 Sotheby s series of Old Master Paintings sales concluded yesterday having

Twinning Czech Republic Italy. Capital Market: Legislation and Regulations AGENDA STUDY VISIT

Mount Holyoke College Art Museum Friends of Art

Today, some people believe the source of art lies in the soul of the individual artist,

SIMONA ARTUSI Via Olanda Rome, Italy Mob.:

Diploma Lecture Series 2012 Absolutism to enlightenment: European art and culture

PRACTICAL CASES. Daniele Muritano Civil law notary in Empoli, TEP

ART PRIZE CBM - Premio Biennale Carlo Bonatto Minella TURIN PRAGUE LONDON ANNOUNCEMENT

Chronology of the works Unique Forms of Continuity in Space and Development of a Bottle in Space by Umberto Boccioni

What is Art History? Art History at Creighton Course of Study Learning Assessment Plan Internships and Study Abroad

Records of Dorchester Hotel Ltd, hotel managers, London, England

Salerno Vesuvius Amalfi Coast

Seurat & the influence of Impressionism

Florence city of museums. Museum Studies and History of Museums Instructor: Office Hours: COURSE DESCRIPTION

MICHELANGELO PISTOLETTO BEFORE THE MIRROR

Blinn College Division of Visual and Performing Arts Theatre Arts Program-Brenham. By John Logan. Resource Guide

Art Appreciation Lecture Series 2014 Realism to Surrealism: European art and culture Italian Art between the Wars. Dr Christopher Allen

Schools Online Project

Maurizio Meldolesi PORTFOLIO

Proposed Legislation Would Require Registration and Public Disclosure Regarding Private Investment Fund

THE ART AND HISTORY OF STREET PAINTING. Kurt Wenner 2011

ORANGE COUNTY MUSEUM OF ART ANNOUNCES PLANS TO MOVE TO SEGERSTROM CENTER FOR THE ARTS

John M. Williams Johnmwilliamsfineart.com. History Comes to Life Naples, FL The Depot Museum (April 1 - May 31)

Georgetown University Art and Museum Studies M.A. Program FAQS

Callforthe position of DIRECTOR OF PALAZZO MADAMA. Candidate Brief

Or search for a local conservator at

accademia italiana A R T E M 0 D A D E S I G N

Rineke Dijkstra Golani Brigade, Orev Unit, Elyacim, Israel, May 26, 1999, 1999

ART (Including Crafts) Ordinary and Higher Level Courses

Supplemental Images for Phalaris: Literary Myth or Historical Reality? Reassessing Archaic Akragas, by Gianfranco Adornato (AJA 116 [2012] ).

FIRST-TIME HOMEBUYERS: UPDATE FROM THE 2005 AMERICAN HOUSING SURVEY

Both, Jan Dutch, 1615/

WATER DROPS. Giovanni De Angelis. exhibition at MACRO Museum Rome 25 June 15 September 2011

Ministero Istruzione Università e Ricerca Alta Formazione Artistica e Musicale

Room 101 Moffitt T/TH: 9:30-11:00

Boston University in Madrid CAS SP 300 HISTORY OF SPANISH ART Summer 2014

EUROPEAN HERITAGE DAYS

OBJECT LIST GREECE S ENCHANTING LANDSCAPE: WATERCOLORS BY EDWARD DODWELL AND SIMONE POMARDI

Human resource manager

Art + Design. College of Arts, Media and Design Graduate Programs

4. Tomb of the Shields and Seats, Cerveteri, plan. Reproduced from Etruscan Cities by Filippo Coarelli (1975).

Massachusetts Artists Foundation photography fellowship, Mass. Council on the Arts and Humanities Massproductions grant,

Northern Italy Summer Course. Northern One: 7th July - 21st July 2014

Villa La Massa Friends of Art A Taste of Renaissance in Florence

NO. OF CREDITS: 6 QUARTER CREDITS WA CLOCK HRS: 60 [semester equivalent = 4.00 credits] OREGON PDUs: 60

VTS: Visual Thinking Strategies

5th Annual ISNVD Scientific Meeting. March 27-29, 2015

Hoofdstuk 4 Beeldpagina 11

Arch of Titus, Rome, Via Sacra. Reproduced from Rome of the Caesars by Leonardo B. Dal Maso (1977), p. 45.

Evaluation of the J. Paul Getty Museum s Lecture Program

Tel Palazzo Madama Museo Civico d Arte Antica

Pre- & Post-visit Materials for Teachers

MERIDIANO ITALY S PRIME MERIDIAN

PIERO DELLA FRANCESCA: IN THE HEART OF ITALIAN RENAISSANCE

P U B L I C COLLECTIONS

Art Appreciation Lecture Series 2014 Realism to Surrealism: European art and culture Impressionist Women Lorraine Kypiotis 7/8 May 2014

Transcription:

Expanding Horizons: Giovanni Battista Lusieri and the Panoramic Landscape 2012-06-30 to 2012-10-28 Objects proposed for protection under Part Six of the Tribunals, Courts and Enforcement Act 2007 (Protections of cultural objects on loan from outside the UK). National Gallery of Art, 6th Street and Constitution Avenue, Washington DC, USA Type of work: Title: Drawing The Bay of Naples and Vesuvius from Mergellina Date Created: Maker: Maker dates: Nationality: Dimensions: Materials: Identifying marks: Place of manufacture: Ownership 1933-1945: 1782 / 1794 Giovanni Battista Lusieri about 1755-1821 Italian (Roman) 62.80 x 93.80 cm Watercolour on paper Giovanni Battista Lusieri, The Bay of Naples and Vesuvius from Mergellina - Courtesy National Gallery of Art, Washington In the collection of the 10th Earl of Elgin and 14th Earl of Kincardine (1881 1968). Provenance: The artist s heirs; purchased by the 7th Earl of Elgin; by descent to the 11th Earl of Elgin and the 15th Earl of Kincardine; 1986, their sale, London, Sotherby s, 30 June, lot 110, purchased by Ian Woodner, New York; 1990, by inheritance to his daughters, Andrea and Dian Woodner, New York; 2006, National Gallery of Art, Washington, Woodner Collection, gift of Andrea Woodner. Exhibition history: 1990 All ombra del Vesuvio: Napoli nella veduta europea dal Quattrocento all Ottocento, Castel Sant Elmo, Naples, 1990, 407 (reproduced p. 147). 1990 In the Shadow of Vesuvius: View of Naples from Baroque to Romanticism, 1631 1830, Accademia Italiana delle Arti e delle Arti Applicate, London 1990, as Naples from Mergellina (reproduced p. 83 and cover). 1990 Master Drawings from the Woodner Collection, Metropolitan Museum of Art, New York, 1990, no. 47. 1995 The Touch of the Artist: Master Drawings from the Woodner Collections, National Gallery of Art, Washington, 1995 1996, no. 97 2006 Master Drawings from the Woodner Collections, National Gallery of Art, Washington D C 2006 2007 Page 1 of 6

Page 2 of 6 Publications: Spinosa, Nicola. Pittura napoletana del Settecento dal Rococo al Classicismo. (Naples, 1987) no. 342, pl. 75, as Napoli da ponente. Spinosa, Nicola and Leonardo Di Mauro. Vedute napoletane del Settecento. (Naples, 1989) pp.161 162, no. 183, pl. 109, as Mergellina. Seta, Cesare de. L Italia del Grand Tour: Da Montaigne a Goethe. (Naples, 1992) p. 185 (reproduced), as Napoli da Mergellina. The Touch of the Artist: Master Drawings from the Woodner Collections. Exh. Cat. National Gallery of Art Washington 1995 1996 no 97

Page 3 of 6 The J. Paul Getty Museum, 1200 Getty Centre Drive, Suite 1000, Los Angeles 90040-1687, USA Type of work: Title: Drawing Date Created: 1791 View of the Bay of Naples, Looking Southwest from the Pizzofalcone towards Capo di Posilippo Maker: Giovanni Battista Lusieri Maker dates: about 1755-1821 Nationality: Italian (Roman) Dimensions: 101.80 x 271.90 (framed: 120.00 x 290.20 x 7.30 cm) Materials: Watercolour, gouache, graphite, pen and ink and Identifying marks: Signed and dated lower centre edge G.B. Lusier 1791 Giovanni Battista Lusieri, View of the Bay of Naples, Looking Southwest from the Pizzofalcone towards Capo di Posilippo - The J. Paul Getty Museum, Los Angeles Place of manufacture: Ownership 1933-1945: In the collection of Stowe School, near Buckinghamshire Provenance: 1791, Commissioned from the artist, shipped to England by Sir William Hamilton (1730 1803); 1801, Hamilton Sale, Christies, London, March 28, lot 24, probably sold to Richard Temple Nugent Brydges Chandos Grenville; by 1817, Richard Temple Nugent Brydges Chandos Grenville, first duke of Birmingham and Chandos, English (1776 1839), probably acquired in the Hamilton sale; 1848, Richard Grenville, second duke of Birmingham and Chandos (1797 1861), Stowe sale, Christie and Manson (on premises), lot 160, September 13 to Richard Grenville; 1889, Richard Grenville, third duke of Buckingham and Chandos (1823 1889) by inheritance to his daughter, Mary Temple Gore Langdon (1852 1944); 1921, Mary Temple Gore Langdon, Stowe sale, Jackson Stops, lot 1562, probably to H. Shaw; 1922, H. Shaw, Stowe sale, Jackson Stops, lot 204, October 13, to Allied Schools (as part of the fixtures of Stowe); until 1984, Stowe School, near Buckinghamshire; 1985, Artemis Fines Arts Ltd., London, England. Exhibition history: All Ombra del Vesuvio: Napoli Nella Veduta Europa / In the Shadow of Vesuvius: Naples in the European View (May 11 to July 29, 1990), Museo e Gallerie Nazionali di Capoimonte, Naples. Goethe and the Visual Arts, (May 20 to August 7 1994), Schrin Kunsthalle, Frankfurt. Vases and Volcanoes: Sir William Hamilton, Collector and Connoisseur (March 12 to July 14 1996), The British Museum, London. Devises of Wonder: From the World in a Box to Images on a Screen (November 13 2001 to February 3 2002), The J. Paul Getty Museum at the Getty Center, Los Angeles.

Publications: Seely, J. Stowe, A Description of the House and Gardens. (Buckingham:1817) p.58. Seely, J. Stowe, A Description of the House and Gardens. (Buckingham:1827) p. 70, nos. 303,304. Chandler, R., and J. Seely. Stowe, A Description of the House and Gardens. (Buckingham: 1832) p. 74, nos. 303,304. Calkin and Budd. Stowe, A Description of the House and Gardens. (London: 1838) p. 57, nos. 182, 184. Harrison, J. (appraiser). Inventory of the Household Funiture, Etc. at Stowe House taken by order of His Grace the Duke of Buckingham and Chandos, Jan. & Feb. 1839. (Huntington Library, Stowe Mss. ST 274: 1839) f. 17. Forster, Henry Ramsey. The Stowe Catalogue priced and annotated. (London:1848) p. 165, np.106. Acquisitions/1985. The J. Paul Getty Museum Journal 14 (1986), p. 214, no. 115. Spinosa, Nicola. Pittura napoletana del Settecento dal Rococo al Classicismo. (Naples: 1987) vol. 2, p. 166, no. 342, fig.447. Williams, Charles I.M. Lusieri s Masterpiece? Burlington Magazine 129 (July 1987) pp. 457 459. Hawcroft, Francis W. Travels in Italy 1776 1783 Based on the Memoirs of Thomas Jones, exh. Cat. (Manchester: 1988) p. 86, under no. 93. Spinosa, Nicola, and Leonardo Di Mauro. Vedute napoletane del Settecento (Naples: Electa, 1989), pp.28, 128 129 (tav. 110), 203, no. 184 (details in colour on dust jacket and slip case). Bean, Jacob, and William Griswold. 18th Century Italian Drawings in the Metropolitan Museum of Art. (New York: 1990) p. 142, under no. 29. Knight, Carlo. Lusieri di Hamilton. Napoli Nobilissima, Rivista di Arti Figurative, Architettura, Archeologia e Urbanistica XXXI, fasc. III- IV (May August 1992) pp. 81 6. Gage, John. Lusieri, Hamilton and the Palazzo Sessa. Burlington Magazine, vol.135. (November 1993) pp. 765 766. Knight, Hamilton s Lusieris. Burlington Magazine, 135. (August 1993) pp. 536 538. Frederickson, Burton, et al. Masterpieces of the J. Paul Getty Museum: Paintings (Los Angeles: J. Paul Getty Museum, 1997), p. 39, no. 20, ill., entry by Dawson Carr. Jaffe, David. Summery Catalogue of European Paintings in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum. 1997), p. 77, ill. Miller, Norbet. Der Wanderer. Goethe in Italien (Munich and Vienna: Carl Hanser, 2002), pp. 210, 304 5, 712, ill. Flick, Gert Rudolf. Missing Masterpieces: Lost Works of Art, 1450 1900 (London: The British Art Journal, with Merrell, 2003), pp. 173-177. Spirito, Fabrizia. Lusieri, Naples: Electa, 2003 no 30, p. 127, 165, colour illus., pp. 70-71. D Hancarville, Pierre- Francois Hugues. The Complete Collection of Antiquities from the Cabinet of Sir William Hamilton (Cologne, 2004) pp. 16-17, illus. Millon, Henry A., ed. Circa1700: Architecture in Europe and the Americas (New Haven and London: Yale University Press, 2005), pp. 16-17, 33. Page 4 of 6

Page 5 of 6 Type of work: Title: Drawing An Extensive View of Rome from Orti della Pineta Sacchetti Date Created: Maker: Maker dates: Nationality: Dimensions: Materials: Identifying marks: Place of manufacture: Ownership 1933-1945: 1780 Giovanni Battista Lusieri about 1755-1821 Italian (Roman) 30.20 x 42.90 cm Black lead and black chalk on paper Uknown collection Giovanni Battista Lusieri, An Extensive View of Rome from Orti della Pineta Sacchetti - The J. Paul Getty Museum, Los Angeles Provenance: Exhibition history: Publications: Unknown collection (sold, Christie s New York, 24th January 2001, lot 82, to the J. Paul Getty Museum) Source: Christie s, sale catalogue, January, 24, 2001, lot 82- no provenance given. Rome on the Grand Tour (January 8 to August 11, 2002) The J. Paul Getty Museum at the Getty Center (Los Angeles).

Page 6 of 6