Gypsy in my Soul The Guitar Collective. photo by M O Brien PRESENTER S INFORMATION

Similar documents
LINCOLN PUBLIC SCHOOLS Music Learning Expectations: Grade 4

Disney Performing Arts

Newport Public Schools Curriculum Framework

Musical Literacy. Clarifying Objectives. Musical Response

18 Benefits of Playing a Musical Instrument

2012 Music Standards GRADES K-1-2

The concept and purpose of this program has four goals:

MUSIC. Minors and Elective Courses

Demonstrate technical proficiency on instrument or voice at a level appropriate for the corequisite

Music Literacy for All

Adam Doige musician, promoter, producer, sales rep

Strategies for Success Advising Guide:

National Standards for Music Education

Table of Contents. Creating Simple Solos Dan Denley's

Music. griffith.edu.au/music. Do you need to be able to sing in tune to be a pop star? At a glance. Music audition. Mr Brendan Anthony.

RESEARCH IN MUSIC EDUCATION AND SOUND ARTS (Completed in, and/or about New Zealand)

Beginner Guitar Level I

Sample Entrance Test for CR (BA in Popular Music)

KODÁLY METHOD AND ITS INFLUENCE ON TEACHING WIND INSTRUMENTS IN HUNGARY

Guitar Rubric. Technical Exercises Guitar. Debut. Group A: Scales. Group B: Chords. Group C: Riff

presented by Doug Beach

Silver Burdett Making Music

Learning To Play The Guitar An Absolute Beginner s Guide By Anthony Pell

ALTERNATE TUNINGS FOR GUITAR...A BRIEF LOOK

DIGITAL MUSIC DAY 1 WHAT IS SOUND? ANALOG AND DIGITAL EARLY RECORDING WAX FOR YOUR EARS ROUND BUT FLAT WIRE AND TAPE PURE SOUND

Life Dates: Country of Origin: Russia Musical Era: Romantic

Hit Makers of America

ARTS, INFORMATION AND COMMUNICATIONS CAREER LEARNING AREA

MUSIC. MU 100 Fundamentals of Music Theory (4) MU 101 Listen to the Music (4) MU 102 Music Appreciation (4) MU 109 Class Voice (2)

Menu of Activities for Schools

How to Read Chord Charts

A Pianist s Story by Gill Backhouse

Arts Elective Courses Grade 7. Thomas W. Pyle Middle School

Portsmouth High School. Music Department

Parameters for Session Skills Improvising Initial Grade 8 for all instruments

ST. PATRICK'S CATHOLIC PRIMARY SCHOOL. Policy on Music

MUSICAL ANALYSIS WRITING GUIDE

C Chord. Play these three notes at the same time with your right hand. These three notes make up a C chord.

XVI INTERNATIONAL MUSIC FESTIVAL MALGRAT DE MAR 2015 RULES

Fall 2014 Classes and. Workshops. 1 P a g e

Active Listening Guide: Helping Your Students Engage With Music

The Chord Book - for 3 string guitar

Triads. Triads have a very specific structure: Triad Structure. Note that is a 5th above root ( fifth )! Note that is a 3rd above root ( third ) ROOT

Standard 1: Skills and Techniques 1

Music Technology Programs

ARTS - VISUAL- DRAMA-MUSIC & DANCE

Companion Workbook to the bonus section with Glenn Pearce

Admission Requirements to the Music Program

Medical Laboratory Technology Music

Getting Started With Facebook

Advanced Techniques for the Walkingbass

Master of Music (cand. musicae), musician

NMC MUSIC MAJOR STUDENT HANDBOOK

Music. Madison Public Schools Madison, Connecticut

VISUAL AND PERFORMING ARTS

Sample Pages. This pdf contains sample pages from the ebook The Easy Guide to Jazz Guitar Arpeggios. To get the full ebook, Click Here

Copyright 2001 by MENC: The National Assocation for Music Education

Instrumental Lessons at Ivybridge Community College

Guitar Method Beginner: Book 1

Minnesota Academic Standards

Background to Experience

CATALOG ADDENDUM: 2013 CATALOG WITH EFFECTIVE DATE OF JANUARY 1, DECEMBER 31, 2013

HOWARD COUNTY PUBLIC SCHOOLS MUSIC TECHNOLOGY

LanskySound.com. Contact us today and schedule your free consultation:

COLLIS PRIMARY SCHOOL MUSIC POLICY

Manston Primary School. Policy for Music

Small Group Tracks Syllabus

Classical Music Ludwig Van Beethoven

Set Your School Apart.

Curriculum Mapping Electronic Music (L) Semester class (18 weeks)

VCE Music Performance

Time allowed: 1 hour 30 minutes

NATIONAL STANDARDS for MUSIC EDUCATION

ACPA Holistic Delivery & Assessment Strategy 2013

Proposal for Self-Determined Major in Music Production and Sound Technology

Rehearsal Strategies A Night in Tunisia By Reginald Thomas, Professor of Jazz Piano Michigan State University, East Lansing, MI

unplugged let s jam! $9 95 take your playing to the next level full band on your: full band on your: guitar keyboard percussion saxophone

Master of Music (cand. musicae), music teacher. Degree course: CHURCH MUSIC WITH IMPROVISATION Aarhus and Aalborg

Jubilee Primary School. Music Medium Term Plan. Year 4: Music

MICHIGAN TEST FOR TEACHER CERTIFICATION (MTTC) TEST OBJECTIVES FIELD 099: MUSIC EDUCATION

The Soul of Korean Arirang Music from Korea in the Middle School Band Designed by: Vince Fejeran

MUSIC FOUNDATION ACCREDITED BY UNIVERSITY OF THE ARTS LONDON AWARDING BODY

Music Degrees and Rock Guitarists, Part I. My Background. Colleges: Junior Vs. Full

The band. 4 Write sentences: Here students must rewrite the sentences given as negatives under the pictures.

CHESHIRE PUBLIC SCHOOLS SUBJECT AREA SUMMARY SHEETS MUSIC

MAKING YOUR LINES SOUND MORE LIKE JAZZ!

Monday from Music: demographic questions we asked on survey and constructed groups

heading Skiing keeps you fit and fast! Downhill skiing requires balance and coordination. All you need are skis, snow, and a slope.

Playing Chromatic Music on Mountain Dulcimer in Tuning

How to create bass lines

DRAFT Proposed Revisions Texas Essential Knowledge and Skills (TEKS) Fine Arts, High School Music

TRADUZIONE IN INGLESE degli

Beginners Guide to the Walkingbass

How To Learn Music

DIABLO VALLEY COLLEGE CATALOG

THE DYNAMICS OF VOCAL CHAMBER MUSIC

Music, Grade 11, University/College Preparation (AMU3M)

Music Music: Grade 4 Product Performance GLE 1: Develop and apply singing skills to perform and communicate through the arts

Innovation Award. The Hearing Conservation Workshop. March 14, 2014

Choir 5. September 2014

Transcription:

The Guitar Collective photo by M O Brien PRESENTER S INFORMATION

Contents ABOUT THE SHOW... 3 PERFORMANCE SPECIFICS... 3 AUDIENCE ENGAGEMENT... 4 MARKETING... 5 PRODUCTION DETAILS... 6 CONTACTS... 7 Page 2 of 7

COMPANY PROFILE The Guitar Collective was formed in 2011 to provide opportunity for audiences to hear outstanding acoustic artist deliver a vibrant musical experience ABOUT THE SHOW SHOW SYNPOSIS This performance / concert, is using instrumental acoustic guitar music, (Classical / Gypsy / Fingerstyle repertoire) with songs from the early Jazz swing repertoire. PERFORMANCE SPECIFICS DURATION Act 1 50 mins Interval 15 Mins Act 2 45 Mins SUITABLE VENUES All Venues MAXIMUM NUMBER OF PERFORMANCES PER WEEK 6 performances MINIMUM BREAK BETWEEN PERFORMANCES 2hrs APRA OBLIGATIONS TOURING PERSONNEL The touring party consists of 3 people. Name Tim O Brien Dr Mia O Brien Role Musician / presenter Musician / presenter Tech PERFORMANCE HISTORY Year Venue Number of performances 2013 Various / see website timobrienguitarist.com in excess of 200 (each) yr Page 3 of 7

AUDIENCE ENGAGEMENT OVERVIEW Guitar Workshops Rhythm Playing 101 This is a guitar workshop that will explore the essential elements of the rhythm player / players. The Acoustic Sessions with guitarist Tim O'Brien is a workshop covering rhythm playing to improvising with examples of other topic that could be included are What is talent and how do we to develop it Understanding form and structure in music Improvising using a scale approach or change running Improving your performing skills Hand positions, right hand technique Memorizing Rhythm Changes Bass Chords Chord embellishments The foundation of guitar theory Ideas on using a metronome How to keep developing and staying motivated arranging, composing, or improve your own pieces read tablature and developing your ear Reading standard notation is it worth the effort Improve your guitar technique Music theory and ear training Page 4 of 7

Recording Performance techniques Chords for open tunings Slide Guitar expand your repertoire The business of performance COST Neg TARGET AUDIENCE FOR COMMUNITY ENGAGEMENT All Ages MARKETING COLLEAGUE RECOMMENDATIONS views "Tim O'Brien is a fine Australian guitarist that combines the fingerstyle magic of Jerry Reed and Chet Atkins with his own unique and individual approach to country, folk, classical and pop tunes. Stefan Grossman U.S.A Guitarist & International Touring Artist "I had the pleasure of touring with Tim O'Brien in Australia during the fall of 2011 and came away with a wonderful set of memories from the experience. Besides his terrific chops on the guitar and genuine engagement with his audiences, I can't recall a moment when Tim was not smiling whether on or off stage. I also cannot decide if it was more fun performing an impromptu tune with him in a duet setting or just kicking back and watching his show." Richard Gilewitz U.S.A. Guitarist & International Touring Artist "Tim covers an entertaining and diverse range of guitar music styles and techniques drawn from a lifetime's study and devotion to his craft." Nick Charles. Australian Guitarist "Tim O'Brien is recognised locally as a superlative guitarist and musician. Such a joy to listen to Tim's well rounded array of music from many genres woven with exemplary musical expression and technique." Michael Bourne - Editor of the Folk Rag Magazine Page 5 of 7

VIDEO LINKS Link IMAGES More images Viva email or Link MARKETING MATERIALS Flyers Posters and available for interview PRODUCTION DETAILS TECHNICAL SUMMARY This can range form For an out door / house concert requiring one power point to a FOH system with two instrument Mics, one vocal Mic and two Di s BUMPIN SCHEDULE Less than 1 hour BUMPOUT Less than 30 Mins CREW REQUIRED FROM VENUE Min Staffing STAGE Min Staging area 3M x 3M Guitar Collective to supply Instruments one acoustic Amp Venue to supply Marketing SOUND one acoustic Amp Venue to supply FOH FREIGHT NOTES Three Acoustic guitars one Acoustic Amp that will travel with the performers. Page 6 of 7

CONTACTS Tim O Brien ph 043111 3041 Page 7 of 7