Langston Hughes: Dream Variations Page 1 of 6



Similar documents
D36. Core Analysis Frame: Poetry. Examine Content. Examine Form and Structure. (continued on page D37)

Grade 8 English Language Arts 90 Reading and Responding, Lesson 9

SCHEHERAZADE LESSON PLAN. Discovering the world of the Arabian Nights fairy tales through the music of Rimsky-Korsakov s Scheherazade

The University of Texas at Austin

Grade 5: Module 3A: Unit 2: Lesson 13 Developing an Opinion Based on the Textual Evidence:

EXAMS Leaving Certificate English

Plan 1: The Politics of Revolution. Subject Areas: World History, Political Science, Current Events, and Social Studies

Meeting the Most Challenging Common Core Standards

ORGANIZING YOUR ESSAY:

Cambridge English: First (FCE) Writing Part 1

INSPIRE A SHARED VISION

Learning about History through Corridos Lesson 1: Telling our own stories through Corridos

Journal for Nightswimming

MONROE TOWNSHIP PUBLIC SCHOOLS CURRICULUM MAP

Character Traits. Teacher Talk

GRADE 9 READING LITERATURE...2

Genre Definitions. Albemarle County Public Schools, August 1996 Appendix F

Year 1 reading expectations (New Curriculum) Year 1 writing expectations (New Curriculum)

Grade 4 Writing Curriculum Map

Virginia English Standards of Learning Grade 8

MFL skills map. Year 3 Year 4 Year 5 Year 6 Develop understanding of the sounds of Individual letters and groups of letters (phonics).

Grade Level: 2 nd Grade

Grade 6: Module 1: Unit 2: Lesson 19 Peer Critique and Pronoun Mini-Lesson: Revising Draft Literary Analysis

Diagnostic Assessment for I m A Poet and Didn t Know It!

Teaching paraphrasing to year three (3) and four (4) students exhibiting reading difficulties will lead to increased reading comprehension

Lesson 3. The Novel ASSIGNMENT 8. Introduction to the Novel. Plot. Character

MStM Reading/Language Arts Curriculum Lesson Plan Template

Identity Box: Fred Wilson

Grade 7: Module 3A: Unit 2: Lesson 1 Introducing the Narrative Arc: The Last Day of Slavery

Lesson Plan 7 Help Wanted: The Importance of Strong Leaders and Dedicated Supporters

The Fantastic World of Stellaluna

PUSD High Frequency Word List

MUSC 160 The Blues and Its Influence April 2008 STUDENT LEARNING OUTCOMES ADDRESSED:

Academic Standards for Reading, Writing, Speaking, and Listening

English Literature Unit 3: Shakespeare and Contemporary Drama

What is oral reading fluency?

Joseph in Egypt. Genesis 39:2-3 the LORD was with Joseph and gave him success in everything he did.

UNIT PLAN: The Catcher in the Rye. Written by AnnMarie Dull, tenth grade English teacher at the High School for Environmental Studies, New York, NY

World Book Online: The trusted, student-friendly online reference tool. Name: Date:

Introduction - elite English skills target series - Unseen Poetry

This activity will work best with children in kindergarten through fourth grade.

Guided Reading Prompts for the Assessment Focuses KS2

Higher English Course Assessment Specification (C724 76)

Teacher Guide for FAST-R Passage: FAST-R: Formative Assessments of Student Thinking in Reading. I Ask My Mother to Sing Poetry

Grade 6 English Language Arts Performance Level Descriptors

The Language of Literature Model Unit

I KNOW WHY THE CAGED BIRD SINGS

Teacher Name : J. Pigg Class/Grade Level: 6 th Reading 2 nd Six Weeks Unit Title: Unit 02: Exploring Fiction and Drama

Assignment Discovery Online Curriculum

Teacher Guide for FAST-R Passage: Harriet Tubman FAST-R: Formative Assessments of Student Thinking in Reading. Harriet Tubman.

Grade 5. Ontario Provincial Curriculum-based Expectations Guideline Walking with Miskwaadesi and Walking with A`nó:wara By Subject/Strand

Lesson Plans. Content Goals: Introduction to the causes and military actions of WWII.

LESSON 2: Reflections on Identity through Song and Poem

Compiled By: Pat Elliott, Resource Teacher & Dale Mays, Grade 4 Teacher Simcoe County District School Board Ontario Canada

Plot Connections Grade Five

[i carry your heart with me(i carry it in] i carry your heart with me(i carry it in. my heart)i am never without it(anywhere

Form: Filled in table. Method: Peer assessment. Tool: Checklist. Form: Completed table. Method: Peer assessment. Tool: Checklist

Coach Tool. Lesson Planning/Lesson Observation/Lesson Debriefing

MY PLAN. This module is designed to help students gain perspective on themselves and their planning journey as they use MyRoad s My Plan feature.

Close Reading Read Aloud

Hints and tips on how to get the most out of the performance. Book 4. Acting tips

Thought for the Day Master Lesson

A Guide for Using Big Books in the Classroom

Academic Standards for Reading, Writing, Speaking, and Listening June 1, 2009 FINAL Elementary Standards Grades 3-8

Grade 4: Module 1B: Unit 3: Lesson 11 Writing the Essay: Body Paragraph

TWAS THE NIGHT BEFORE CHRISTMAS STUDY GUIDE

Picture games. 1. What do you see? A picture says a thousand words and the camera does not lie - or does it? Instructions

KET for Schools Reading and Writing Part 9 teacher s notes

Evaluation Essay Movie Review

Classical Music Ludwig Van Beethoven

A Picture Book of Martin Luther King, Jr. By David A. Adler ISBN:

KINDGERGARTEN. Listen to a story for a particular reason

Lesson plan: Group Discussion

Monsoons: A Key to Understanding India. Kelly Davidson School not available

Teacher Guide for FAST-R Passage: FAST-R: Formative Assessments of Student Thinking in Reading. A Raisin in the Sun Drama.

Lesson Plan Identifying the Components of a Commentary. Objectives

Year 5 Poetry based on Unit 2 Classic/narrative poems

Language Arts Literacy Areas of Focus: Grade 6

Making Reading Content Comprehensible for Intermediate Language Learners. Colin Dalton. University of Houston-Downtown, United States

Monitoring for Meaning

Knowledge and Understanding of the World. Early Learning Goals. National Curriculum. (learning objectives) (level 1 descriptors)

LESSON PLANS. Elementary Levels

English. Aim of the subject

COMPUTER TECHNOLOGY IN TEACHING READING

ADAPTATIONS OF CLASSIC PLAYS

The Literature of Classical Greece

Primrose Hill Primary School Literacy Policy: A baseline for outstanding practice

ELEMENTARY LIBRARY LESSON PLAN # 2-1.4a

Close reading plan. When Marian Sang By Pam Munoz Ryan. Created by Sharon Campolo, 2014 Connecticut Dream Team teacher

George Pemba

Lesson sequence. How important were Africans to the Atlantic Slave Trade? Overall enquiry question. Learning objectives

Black Studies Center

Great Books: Tales of Edgar Allan Poe Teacher s Guide

After students have been introduced to the albums, they will be briefly introduced to the people whose works they must choose from.

English. Suggested long term planning Years 1 to 6. Herts for Learning Ltd

xxx Lesson Comprehend the writing process 2. Respond positively to the writing process

Monuments and Landmarks Classroom Activity

Title My Family Tree Theme All About Me and My Family Mr. N

Ashton Community Science College Edexcel GCSE Drama Student guide. Is this the right subject for me?

Expressive Objective: Realize the importance of using polite expressions in showing respect when communicating with others

Transcription:

Langston Hughes: Dream Variations Page 1 of 6 Relevant Unit Objectives Module 1: African American Community and Culture This lesson addresses the following Essential Questions: How did African-American history, including slavery and discrimination, shape African-American communal life and cultural expression? How was the African-American community defined? Objectives of the Lesson Aim: What insights did the poetry of Langston Hughes offer about the African-American community in Harlem? At the conclusion of this lesson, students will be able to: Highlight elements in Langston Hughes poetry that reflect the community from which he came. Identify areas of concern to the African-American community in the first half of the twentieth century. Compare and contrast the different ways Langston Hughes uses dreams to define the goals of the African- American community. Trace the recurring theme of dreams in African-American culture and history. Introduction The Force of Art in a Community Teachers will have students respond to the following questions in written form or teachers can assign these questions as homework the night before the lesson and have students bring in a piece of art (or a representation of it) to share with the class at the beginning of this lesson. How does art reflect the community from which it comes? What is one piece of art (e.g., painting, sculpture, music, poetry, etc.) that you think reflects or defines your community? How does this piece of art reflect or define your community? After students have been given adequate time to complete the written task, the teacher will ask students to share their responses. The goal of the teacher should be to elicit responses that represent a wide variety of arts. Students should be encouraged to expand upon their answers to demonstrate how this art is related to their community.

Langston Hughes: Dream Variations Page 2 of 6 Instructional Procedures Step One: The Community of Langston Hughes Harlem: A Dream Deferred http://web.csustan.edu/english/reuben/pal/chap9/hughes.html The teacher distributes copies of the poem Harlem: A Dream Deferred to students. The teacher asks students to read the poem, asking them to focus on how the poem describes the community during the period in which it was written. The teacher may have students read the poem in groups, individually, or as a class. Once the reading is complete, students can complete Handout 1. Step Two: Introducing Langston Hughes The teacher provides background information about Langston Hughes. This may be done as a summary of the main points listed below, as a worksheet, as a PowerPoint presentation, mini-lecture, or other appropriate strategy. One of the leading voices of the African American artistic community of the 1920s, Langston Hughes was a member of the Harlem Renaissance. The Harlem Renaissance was the flowering of art and intellectual life during the 1920s and 1930s in Harlem, the part of New York City in which many African Americans resided. Hughes focused his writing on the realistic plight of African Americans. He authored more than 50 literary works covering all genres: poetry, fiction, autobiography, children s books, opera, and drama. In his early years, Hughes was greatly influenced by W. E. B. DuBois and his grandmother s stories about his grandfather, who took part in John Brown s raid on Harper s Ferry in 1859 to arm the slaves. Hughes attended Columbia University in New York City, dropping out in the early 1920s to see the world. After returning to the United States, he won a scholarship to Lincoln University in Pennsylvania (graduating in 1929), where he was considered one of the most promising young poets of his generation. A friend of Ernest Hemingway, Hughes continued to travel widely and made Harlem his permanent home in 1942. Hughes, unlike many of the Harlem Renaissance writers, was able to support himself financially through his writing. His works included Simple Speaks His Mind, featuring the witty and ironic street-smart Harlem resident who commented on the everyday life of African Americans. His well-known poems, such as The Negro Speaks of Rivers, The Weary Blues, and Harlem, were meant to be read aloud; due to his use of rhythmical language, the poems were frequently set to music in order to actively engage the audience. Hughes also had success on Broadway where his 1935 play The Mulatto became a hit. Step Three: Dream Variations Dream Variations. http://www.poets.org/viewmedia.php/prmmid/15610 Students will use Handout Two, Langston Hughes: Dream Variations, to guide their reading of this poem. Students will initially read the poem alone, and then will be placed in pairs by the teacher to complete the worksheet. The teacher may also wish to have a brief class discussion to ensure student understanding of the poem. The following discussion questions may be used: How does this piece of art reflect or define your community? What factors shaped Hughes vision for the African-American community? Did non-african-americans play a role in Hughes vision of the future? Why or why not?

Langston Hughes: Dream Variations Page 3 of 6 Optional Activity: A Found Poetry Exercise 1. Students read the poetry individually and highlight/underline key words or phrases (2-3 words) that are most powerful. 2. Students meet in small groups (2-4 students) and share their powerful words. 3. Students agree on a list of powerful words/phrases. 4. Students reorganize their words/phrases in such a way that embellishes on Hughes poem without reproducing. 5. Students read their poems orally to the class at the conclusion. Conclusion: Connection to Martin Luther King: Students will complete the following writing prompt: In 1963, Martin Luther King gave his famous I Have a Dream speech in front of the Lincoln Memorial in Washington, DC. This speech can be found at: http://www.americanrhetoric.com/speeches/mlkihaveadream.htm What dreams do you think Martin Luther King had for his community? Do you think Martin Luther King s dreams were similar or different from Langston Hughes s dreams? What dreams do you have for your community? Are your dreams similar or different from those of Langston Hughes or Martin Luther King? Why? Can dreams become reality? How? Can artists play a role in making dreams into reality? Optional Activity: Comparing Contemporary Poetry to Langston Hughes Students will read the lyrics/ listen to Heard Em Say by Kanye West (or another relevant contemporary song or poem) http://www.azlyrics.com/lyrics/kanyewest/heardemsay.html The teacher can use this song to lead a discussion about how contemporary art may offer insights into the communities from which an artist came. Is Kanye West s song similar to Langston Hughes poem? If so, in what ways? This poem is about West s community. What impression do you get of West s community? Based on this song, do you think life in West s community is easy or hard? Why? How is the dream described by West similar or different to that described by Hughes? Is your community similar to the community described by Kanye West? Why or why not? What role did West play as an artist in drawing attention to the plight of New Orleans after Hurricane Katrina struck? See this event on YouTube: http://www.youtube.com/watch?v=ziuzlpo1kxi Can you think of other African American contemporary artists whose work reminds you of Hughes work?

Langston Hughes: Dream Variations Page 4 of 6 Materials Basic Materials: Harlem: A Dream Deferred http://web.csustan.edu/english/reuben/pal/chap9/hughes.html Dream Variations http://www.poets.org/viewmedia.php/prmmid/15610 Handout 1: Langston Hughes: Harlem: A Dream Deferred Handout 2: Langston Hughes: Dream Variations Optional Activities: Heard Em Say by Kanye West http://www.azlyrics.com/lyrics/kanyewest/heardemsay.html Kanye West on YouTube http://www.youtube.com/watch?v=ziuzlpo1kxi

Langston Hughes: Dream Variations Page 5 of 6 Handout One: Langston Hughes Harlem: A Dream Deferred 1. This poem is about Langston Hughes community in Harlem. What impression do you get of Hughes community in this poem? 2. Based on this poem, do you think life in Hughes community is easy or hard? Why? 3. Why do you think Hughes titled this poem Harlem: A Dream Deferred? 4. Do you think this poem could be used to describe your community today? Why or why not?

Langston Hughes: Dream Variations Page 6 of 6 Handout Two: Langston Hughes Dream Variations (1926) Directions: Complete the worksheet by reading the attached poem, and answer the questions below in a brief paragraph. 1. At the end of the first stanza, Langston Hughes exclaims: That is my dream! In your own words describe what Langston Hughes dream is. 2. In both poems that you have read today, Langston Hughes talks about dreams. How is his discussion of dreams in this poem different from his discussion of dreams in the first poem? 3. Based on this poem, do you think Hughes is satisfied with life in his community? Why or why not? 4. What goals do you think Langston Hughes had for his community? 5. Would you want to live in the world described by Hughes? Why or why not?