ABPL Post-Renaissance Architecture
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1 ABPL Post-Renaissance Architecture Brunelleschi
2 COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice
3 Florence
4 Florence, aerial view MUAS 20,152
5 the arch and the impost block
6 the Parthenon, from the north-west Miles Lewis
7 Port St-André, Autun, France, early C1st AD Miles Lewis
8 Colosseum, Rome, AD wall elevation and cutaway view Trewin Copplestone [ed], World Architecture (London 1963), p 59 the beam or lintel is supported by round columns, not by square piers, or by sections of wall, or anything else the arch is a hole in a wall, and if two archways are next to each other, the piece in between is a piece of wall, and is therefore rectangular in plan - that is, it is a pier, not a column
9 Roman temple at Termessus in Pisidia, AD C2nd Robertson, Greek and Roman Architecture, p 228 a beam or lintel, itself supported on columns, can support a wall (or pediment), and a wall is allowed to contain an arched opening, so you can have an arch above columns, provided that there is a lintel in between
10 approaching the impost block: a short section of entablature Santa Costanza, Rome Porticus of Pompey, Rome, AD c 285, from an anonymous C16th drawing Marco Bussagli [ed], Rome: Art & Architecture (Königswinter [Germany] 2004), p 167 Bates Lowry, Renaissance Architecture (London 1968 [New York 1962]), fig 3
![Marco Bussagli [ed], Rome: Art & Architecture (Königswinter [Germany] 2004),](/docs-images/42/3477170/images/page_10.jpg "p 167 Bates Lowry, Renaissance Architecture (London 1968 [New York 1962]),")
11 the medieval impost block
12 Palatine chapel, Aachen, by Odo of Metz, detail of the gallery arcade XBiAltet The Early Middle Ages X B i Altet, The Early Middle Ages from Late Antiquity to A.D (Köln 1997), p 130
13 Abbey Church of Corvey, capitals and impost blocks in the lower westwork Altet, The Early Middle Ages, p 148
14 St Michael, Hildesheim, i detail of block capital P O tli f E Pevsner, Outline of European Architecture [1968], p 67
15 Duomo SS Petro e Paolo, Cefalù, Sicily, 1131 onwards impost block of portico Miles Lewis
16 dosserets & pulvinos
17 House of Amor & Psyche, Ostia, c 300 MUAS 830
18 the pulvino San Vitale, Ravenna: columns and capitals in the chancel Scala, RA 155 (1973); RA 82 (1974)
19 the classicizing dosseret block Sant' Agata dei Goti, Rome, c : detail of Ionic capital Santo Stefano Rotondo, Rome, : detail of column head and dosseret block in outer arcade Emil Mâle [translated David Buxton], The Early Churches of Rome (London 1960), pls 41, 74
20 the Tuscan Proto-Renaissance
21 San Miniato, Florence, 1014 onwards (lower facade c 1070-; upper facade ; pediment early 1200s) Vis Ed Inc
22 S Miniato: interior view & capital from the north side of the choir Scala 8479 [1971]; Miles Lewis
23 Baptistery of S Giovanni, Piazza del Duomo, Florence, C5th, C11th, C12th MUAS 6,725
24 Filippo Brunelleschi ( ) 1446)
25 Ospedale degli Innocenti, or Foundling Hospital, Piazza de' Servi, Florence, by Brunellschi, : reconstruction of the original intended form, by Morozzi Heinrich Klotz, Filippo Brunelleschi: the Early Works and the Medieval Tradition (London 1990), p 114
26 Ospedale degli Innocenti, or Foundling Hospital, Florence, by Brunelleschi, Fine Arts, 172/K673/3CAN C3899
27 Ospedale degli Innocenti: loggia MUAS 14,881
28 Loggia dei Lanzi [Loggia dei Priori], Florence, by Benci di Cione & Simone Talenti, Firenze, no 24
29 Ospedale degli Innocenti: capital in portico San Miniato: capital from the north side of the nave Giovanni Fanelli, Brunelleschi (Florence 1985 [1980]), p 45: Miles Lewis
30 tabernacle windows: the Foundling Hospital & the Baptistery
31 Ospedale degli Innocenti: loggia arcade Fanelli, Brunelleschi, p 44, replacing black & white view, Fine Arts, 172/F632/8I/ 10; RE Fine Arts, 172/F632/8I/ 9; RE
32 Ospedale degli Innocenti: plan Fine Arts, 172/F632/8I/ 18; RE
33 Ospedale degli Innocenti: views in the long court and the square court Klotz, Brunelleschi, pl I, replacing Fine Arts, 172/F632/8I/ 6; RE Philip Goad, no date
34 Ospedale degli Innocenti: the square court Miles Lewis
35 the wheel motif San Miniato Ospedale degli Innocenti Miles Lewis
36 Ospedale degli Innocenti: reconstructions of Brunelleschi's s intended elevation & the loggia as in 1429 Klotz, Brunelleschi, p 109
37 Ospedale degli Innocenti: detail of the upper façade & bent architrave Fanelli, Brunelleschi, p 45 Baptistery of S Giovanni, detail of the corner of the attic Miles Lewis
38 S Lorenzo, Florence, by Brunelleschi, begun 1421: plan of church complex Fine Arts, 172/F632/2LO/PLAN/11; RE
39 S Lorenzo: view from above Miles Lewis
40 S Lorenzo: long section Fine Arts, 172/F632/2LO/PLAN/19; RE
41 S Lorenzo: interior view & detail of nave arcade Fine Arts, 172/F632/2LO/INT/History of Western Art;, RE ; c ; 172/F632/2LO/INT/12; RE ; 13-56
42 S Lorenzo: b/w detail of capital Corinthian order from the Monument of Lysicrates, Athens 334 Fine Arts, 172/F632/2LO/INT/18; RE ; D38824; Copplestone, World Architecture, p 48
43 SL b/ d t il f it l S Lorenzo: b/w detail of capital Baptistery of S Giovanni: capital of the exterior blind arcade, completed 1049 Fine Arts, 172/F632/2LO/INT/18; RE ; D38824: Klotz, Brunelleschi, p 147
44 Santo Spirito, Florence, by Brunelleschi, [?1436]: view from above Fine Arts, 172/F632/2SPI/EXT/1; RE
45 Santo Spirito schematic plan showing the chapel arrangement the setting-out of the chapels Eugenio Luporini, Brunelleschi: Forma e Ragione (Milano 1964), pp 114, 15
46 Santo Spirito hypothetical reconstruction of Brunelleschi's model, by Sanpaolese view along the south flank Fine Arts, 172/F632/2SPI/PLAN/10; RE Miles Lewis
47 Santo Spirito: plan MUAS 24,862
48 Santo Spirito half transverse sections and longitudinal section, showing the proportions Luporini, Brunelleschi, p 117
49 Santo Spirito interior detail below dome Fine Arts 172/F632/2SPI/INT/3; Fine Arts, 172/F632/2SPI/INT/3; RE ; c /F632/2SPI/INT/16; RE
50 Santo Spirito: details of arcading & impost block Giovanni Fanelli, Brunelleschi (Florence 1985 [1980]), p 71 Miles Lewis
51 centralised spaces
52 S Lorenzo, Florence, Old Sacristy by Brunelleschi, : plan & section Linda Murray, Michelangelo (London 1980), p 114
53 Old Sacristy, S Lorenzo view towards altar Fine Arts, 172/F632/2LO/OSAC/11; RE ; C
54 S Lorenzo, Old Sacristy: view of domes & detail of apse wall Fine Arts, 172/F632/2LO/OSAC/6; RE ; C ; Fanelli, Brunelleschi, p 49
55 Old Sacristy, S Lorenzo section; cupola from above Fine Arts, 172/F632/2LO/OSAC/35; Fine Arts, 172/F632/2LO/OSAC/35; RE ; C ; 172/F632/2LO/OSAC/4; RE ; C
56 Cappella Pazzi Santa Croce, Florence, by Arnolfo di Cambio, (western facade C19th) view & plan Fine Arts, 172/F632/2CR/EXT/2; RE ; 37; Eugenio Luporini, Brunelleschi: Forma e Ragione (Milano 1964), p 145
57 Cappella Pazzi, Santa Croce, Florence, by Brunelleschi, c (façade completed, probably by Guiliano da Maiano, ): general view & detail of the façade Fine Arts, 172/F632/2CR/PAZEXT/2; RE ; c ; Fanelli, Brunelleschi, 54
58 Cappella Pazzi: detail of façade attic Florence Baptistery, attic Fanelli, Brunelleschi, 55 Miles Lewis
59 Cappella Pazzi: plan Fine Arts, 172/F632/2CR/PAZPLAN/3; RE
60 Cappella Pazzi: transverse view & view towards sarsella Fine Arts, 172/F632/2CR/PAZINT/10; RE ; 13-55; 172/F632/2CR/PAZINT/12; RE ; c
61 Cappella Pazzi: corner treatment in the sanctuary Klotz, Brunelleschi, p 41
62 Cappella Pazzi section & view up to dome Fine Arts, 172/F632/2CR/PAZPLAN/10; RE /F632/2CR/PAZINT/14; RE
63 Santa Maria degli Angeli, Florence by Brunelleschi, begun 1433 modern view & contemporary sketch from the Codice Rustici Fine Arts, 172/F632/2MANG/1; RE Fanelli, Brunelleschi, p 63
64 Santa Maria degli Angeli: early plan drawn by Giuliano da Sangallo; reconstructed section Biblioteca Vaticana, Rome, Codice Barberiniano-Latino 4424 f.15v. Icarus. Fine Arts, 172/F632/2MANG/10; RE
65 the rib & web dome Cathedral, Zamorra, Spain, : dome
66 San Antonio, Padua, Heinrich Klotz, Filippo Brunelleschi: the Early Works and the M di l T diti (L d 1990) 138
67 Sagrestia Vecchia, or Old Sacristy of San Lorenzo, Florence, by Filippo Brunelleschi, Eugenio Battisti Eugenio Battisti Brunelleschi (London 1981), p 94
68 Old Sacristy of S Lorenzo, view of vault and dome Battisti, Brunelleschi, p 94
69 Old Sacristy of S Lorenzo axonometric view Klotz, Filippo Brunelleschi, pl VII
70 Pazzi Chapel, Santa Croce, Florence, by Filippo Brunelleschi & Guiliano da Maiano, c & -1461: dome view & diagram Battisti, Brunelleschi, p 94; Fine Arts, 172/F632/2CR/PAZINT/14; RE
71 Duomo, Florence Duomo Santa Maria del Fiore, Florence, George Tibbits
72 Duomos of Pisa ( ) & Florence comparative plans Klotz, Brunelleschi, p 79
73 Duomo Santa Maria del Fiore, Florence, stages of construction Miles Lewis, based on a drawing by G Rich, 1969, in F D Prager & Gustina Scaglia, Brunelleschi: Studies of His Technology and Inventions, Cambridge [Massachusetts 1970), p 3
74 Duomo, Florence view of dome &drum George Tibbits
75 Duomo, Florence: dome from above & below Philip Goad; George Tibbits
76 Duomo, Florence, cutaway isometric of dome L H Heydenreich & Wolfgang Lotz, Architecture in Italy 1400 to 1600 (Harmondsworth, Middlesex, 1974), p 3
77 Flavian Palace or Domus Augustana, Rome, inaugurated AD 92: domed octagonal hall Boethius & Ward-Perkins, Etruscan & Roman Architecture, p 252
78 Baptistery, Florence: section & interior view Fritz Baumgart, A History of Architectural Styles (London 1970 [1969]), p 85; Fine Arts
79 Duomo, Florence, detail of the circle within the two shells & diagram of the circle within the outer shell King, Brunelleschi's Dome, p 108
80 Duomo, Florence, the system of chains inside the dome Battisti, Brunelleschi, p 137
81 Duomo, Florence, diagram of the dome with the location of the chains Prager & Scaglia, Brunelleschi: Studies, p 34, fig 9
82 Duomo, Florence: the sandstone chain; the stone armature of the dome King, Brunelleschi's Dome, p 73; Battisti, Brunelleschi, p 141
83 Duomo, Florence section of a median vertical in a segment of the dome Battisti, Brunelleschi, p 144
84 Duomo, Florence second passageway in the dome; stairs from second to third passageway Battisti, Brunelleschi, pp 153, 158
85 Duomo, Florence, dome of : Brunelleschi's scaffolding as reported by Nelli, 1755 Prager & Scaglia, Brunelleschi: Studies, p 28
86 Duomo, Florence, plan of scaffolding holes and reconstruction of working platform Battisti, Brunelleschi, p 123
87 Duomo, Florence: conjectural reconstruction of the first stage of construction, with scaffolding attached to the interior Battisti, Brunelleschi, p 139
88 Duomo, Florence, sections with conjectural reconstruction of scaffolding Battisti, Brunelleschi, p 166
89 Duomo, Florence, plan and section of scaffolding and centering at the top, as conjectured by F Gattari & A Vartolo Battisti, Brunelleschi, p 167
90 lantern of the Duomo: wooden model by Brunelleschi; as executed by Giuliano da Maiano, Museo del Opera del Duomo, Florence. FA, 172/ F632/ 2CAT/ LAN/ 3; RE ; Fanelli, Brunelleschi, p 35
91 Duomo, Florence: medium duty hoist, scaffolding and cranes used in the construction ti of the lantern, & crane on rollers, used to build the cone, from B Ghiberti, Zibaldone Battisti, Brunelleschi, p 262-3
92 Santa Maria delle Carceri, Prato, by Giuliano da Sangallo, Fine Arts, 172/F912/2ca. C ; Fine Arts, 172/F912/2ca. C ; Murray, Architecture of the Italian Renaissance, p 103
93 Santa Maria delle Carceri, Prato Icarus 1990; Fine Arts, 172/F912/2ca/in; 9 506; Murray, Architecture of the Italian Renaissance, p 103
94 Madonna del Calcinaio, Cortona, by Francesco di Giorgio, Fine Arts, unnumbered; B B & H Lewis
95 Madonna del Calcinaio, Cortona Fine Arts, 172/C831/2ca/in; B B & H Lewis
96
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