Chord Symbols Major Mode Key: ø ø

Size: px
Start display at page:

Download "Chord Symbols Major Mode Key: ø ø"

Transcription

1 Chord Symbols Major Mode Key: C major Triads: C Dm Em F G Am Bº C/E I I I Dm/F ii ii ii iii iii iii IV IV IV V V V vi vi vi ii ii ii ii V V V V vii A B C D E V /ii V /ii V /ii V /ii V /iii V /iii V /iii V /iii V /IV V /IV V /IV V /IV V /V V /V V /V V /V V /vi V /vi V /vi V /vi Text C#º D#º Eº F#º G#º vii /ii vii /iii vii /IV vii /V vii /vi (Secondary function chord resolutions shown by arrows) N It Fr Ger

2 Chord Symbols Major Mode Key: C Major Triads: C C/E C/G Dm Dm/F Dm/A G /B /D Am /C /E Bº /D /F I I I ii ii ii iii iii iii IV IV IV V V V vi vi vi Em /G /B F /A /C Dm /F /A /C G /B /D /F BØ /D /F /A ii ii ii ii V V V V vii Build a dominant seventh chord a perfect fifth above the root of the target chord of resolution. In musical literature, secondary dominant function chords may be either major triads or dominant seventh structures. Since the dominant seventh structure contains the triad, we'll list the seventh chords here. A /C# /E /G B /D# /F# /A C /E /G /Bb D /F# /A /C E /G# /B /D V /ii V /ii V /ii V /ii V /iii V /iii V /iii V /iii V /IV V /IV V /IV V /IV V /V V /V V /V V /V V /vi V /vi V /vi V /vi C#º D#º Eº (EØ) F#º (F#Ø) G#º vii /ii vii /iii vii /IV vii /V vii /vi Build a diminshed seventh chord on the leading tone below the root of the target chord of resolution. In musical literature, secondary diminished function chords may be either diminished triads or diminished seventh structures. Since the diminished seventh structure contains the triad, we'll list the seventh chords here. Also note that secondary leading tone chords resolving to a major chord may be either fully diminished or half diminished, as shown. (omit ) Db/F Ab* Ab*# Ab* N It Fr Ger (* denotes enharmonic spelling of the th for upward resolution)

3 Chord Symbols Major Mode Key: Triads: I I I ii ii ii iii iii iii IV IV IV V V V vi vi vi ii ii ii ii V V V V vii V /ii V /ii V /ii V /ii V /iii V /iii V /iii V /iii V /IV V /IV V /IV V /IV V /V V /V V /V V /V V /vi V /vi V /vi V /vi vii /ii vii /iii vii /IV vii /V vii /vi N It Fr Ger

4 Chord Symbols Minor Mode Key: C minor Common Triads: Cm Dº Eb Fm G Ab Bº i i i ii ii ii (b) III / III III iv iv iv V V V (b) VI VI VI ii ii ii ii V V V V vii Bb C D Eb F V /III / V /III V /III V /III V /iv V /iv V /iv V /iv V /V V /V V /V V /V V /VI V /VI V /VI V /VI V /VII V /VII V /VII V /VII Dº Eº F#º Gº Aº vii /III vii /iv vii /V vii /VI vii /VII N It Fr Ger Other Triads of the Minor Mode: Bb ii ii ii III III (b) III IV IV IV v v v vi vi vi (b) VII VII VII

5 Chord Symbols Minor Mode Key: C minor Common Triads: Cm Cm/Eb Cm/G Dº Dº/F Dº/Ab Eb /G /Bb Fm /Ab /C G /B /D Ab /C /Eb Bº /D /F i i i ii ii ii (b) III III III iv iv iv V V V (b) VI VI VI DØ /F /Ab /C G /B /D /F Bº /D /F /Ab ii ii ii ii V V V V vii V /III V /III V /III V /III V /iv V /iv V /iv V /iv V /V V /V V /V V /V V /VI V /VI V /VI V /VI V /VII V /VII V /VII V /VII Build a dominant seventh chord a perfect fifth above the root of the target chord of resolution. In musical literature, secondary dominant function chords may be either major triads or dominant seventh structures. Since the dominant seventh structure contains the triad, we'll list the seventh chords here. Bb /D /F /Ab C /E /G /Bb D /F# /A /C Eb /G /Bb /Db F /A /C /Eb Dº (DØ) Eº F#º (F#Ø) Gº (GØ) Aº (AØ) vii /III vii /iv vii /V vii /VI vii /VII Build a diminshed seventh chord on the leading tone below the root of the target chord of resolution. In musical literature, secondary diminished function chords may be either diminished triads or diminished seventh structures. Since the diminished seventh structure contains the triad, we'll list the seventh chords here. Also note that secondary leading tone chords resolving to a major chord may be either fully diminished or half diminished, as shown. (omit Db/F Ab* Ab*# Ab* ) N It Fr Ger (* denotes enharmonic spelling of the th for upward resolution) Other Triads of the Minor Mode: (Other chords that are sometimes found in minor key literature that can be attributed to variations of the th and th scale degrees in minor. Several of the chords below could also be attributed to simple mode mixture) Dm /F /A Eb /G /B F /A /C Gm /Bb /D Aº /C /Eb Bb /D /F ii ii ii III III (b) III IV IV IV v v v vi vi vi (b) VII VII VII

6 Chord Symbols Minor Mode Key: Text Common Triads: i i i ii ii ii III III III iv iv iv V V V VI VI VI Text ii ii ii ii V V V V vii V /III V /III V /III V /III V /iv V /iv V /iv V /iv V /V V /V V /V V /V V /VI V /VI V /VI V /VI V /VII V /VII V /VII V /VII vii /III vii /iv vii /V vii /VI vii /VII N It Fr Ger Other Triads of the Minor Mode: ii ii ii III III III IV IV IV v v v vi vi vi VII VII VII

Chords and Voicings Made Simple By: Sungmin Shin January 2012

Chords and Voicings Made Simple By: Sungmin Shin January 2012 Chords and Voicings Made Simple By: Sungmin Shin January 2012 I. Intervals An interval is the space between two notes. intervals of a 2nd, 3rd, 6th, and 7th can be diminished, minor, major, or augmented

More information

How To Improvise a Solo A Workshop for Beginners

How To Improvise a Solo A Workshop for Beginners 1 How To Improvise a Solo A Workshop for Beginners 10:00-10:30 am Arrival, Setup and Performance 10:30 to 12:00 pm Interactive Workshop 12:00 to 12:30 Lunch 12:30 to 2:00 pm Workshop 2:00 tp 3:30 pm Open

More information

MUSIC OFFICE - SONGWRITING SESSIONS SESSION 1 HARMONY

MUSIC OFFICE - SONGWRITING SESSIONS SESSION 1 HARMONY MUSIC OFFICE - SONGWRITING SESSIONS SESSION 1 HARMONY Introduction All songwriters will use harmony in some form or another. It is what makes up the harmonic footprint of a song. Chord sequences and melodies

More information

Tutorial 1J: Chords, Keys, and Progressions

Tutorial 1J: Chords, Keys, and Progressions Tutorial 1J: Chords, Keys, and Progressions Welcome! In this tutorial you ll learn how to: Other Level 1 Tutorials 1. Relate chords with keys 1A: Virtual Practice 2. Use basic blues progressions & blues

More information

An Introduction to Chords

An Introduction to Chords 1 An Introduction to Chords by David Gilson A chord is the musical sound produced by playing a number of notes at the same time. The sound of the chord is different depending on the key you are playing

More information

PREPARING TO STUDY JAZZ AT THE NEW ZEALAND SCHOOL OF MUSIC. The Jazz Theory Entrance Test 2010 STUDY GUIDE

PREPARING TO STUDY JAZZ AT THE NEW ZEALAND SCHOOL OF MUSIC. The Jazz Theory Entrance Test 2010 STUDY GUIDE PREPARING TO STUDY JAZZ AT THE NEW ZEALAND SCHOOL OF MUSIC The Jazz Theory Entrance Test 2010 STUDY GUIDE The Jazz Theory Entrance Test Study Guide Every concept that you will study in jazz theory, either

More information

Ukulele Music Theory Part 2 Keys & Chord Families By Pete Farrugia BA (Hons), Dip Mus, Dip LCM

Ukulele Music Theory Part 2 Keys & Chord Families By Pete Farrugia BA (Hons), Dip Mus, Dip LCM This lesson assumes that you are using a ukulele tuned to the notes G, C, E and A. Ukulele Notes In lesson 1, we introduced the sequence of 12 notes, which repeats up and down the full range of musical

More information

Page 1 of 36. Companion Workbook. 2005 leadworship.com

Page 1 of 36. Companion Workbook. 2005 leadworship.com Page 1 of 36 Companion Workbook Page 2 of 36 Glossary of Terms: Chord: A combination of 3 or more notes that blend harmoniously when sounded together. Chord Scale: All of the chord combinations that naturally

More information

Slash Chords: Triads with a Wrong Bass Note?

Slash Chords: Triads with a Wrong Bass Note? patrick schenkius Slash Chords: Triads with a Wrong Bass Note? In this article the phenomenon slash chord is being examined by categorizing almost all of them and the way these chords function inside the

More information

Basic Music Theory. Reading Different Clefs

Basic Music Theory. Reading Different Clefs 1 Basic Music Theory Reading Different Clefs The most commonly used clefs are the treble and bass. The ability to read both of these clefs proficiently is essential for Leaving Cert. Music. Clef reading

More information

Introduction to Chords For Jazz Band

Introduction to Chords For Jazz Band Introduction to Chords For Jazz Band First, let s start with a major scale and review the scale degrees. We refer to the distance between two notes as an interval, and an interval has two aspects: the

More information

The Basic Jazz Guitar Chord Book

The Basic Jazz Guitar Chord Book The Basic Jazz Guitar Chord Book By Dirk Laukens / January 25, 2005 Hello and welcome to the basic jazz guitar chord book, brought to you by www.jazzguitar.be. How are guitar chords built? What makes a

More information

As Example 2 demonstrates, minor keys have their own pattern of major, minor, and diminished triads:

As Example 2 demonstrates, minor keys have their own pattern of major, minor, and diminished triads: Lesson QQQ Advanced Roman Numeral Usage Introduction: Roman numerals are a useful, shorthand way of naming and analyzing chords, and of showing their relationships to a tonic. Conventional Roman numerals

More information

Adding a diatonic seventh to a diminished leading-tone triad in minor will result in the following sonority:

Adding a diatonic seventh to a diminished leading-tone triad in minor will result in the following sonority: Lesson PPP: Fully-Diminished Seventh Chords Introduction: In Lesson 6 we looked at the diminished leading-tone triad: vii o. There, we discussed why the tritone between the root and fifth of the chord

More information

How To Determine Chords for Mountain Dulcimer Playing (How The Person Who Wrote the Chord Book Figured It Out)

How To Determine Chords for Mountain Dulcimer Playing (How The Person Who Wrote the Chord Book Figured It Out) How To Determine Chds f Mountain Dulcimer Playing (How The Person Who Wrote the Chd Book Figured It Out) by Roger Huffmaster Did you ever wonder how the person who wrote the mountain dulcimer chd chart

More information

Fundamentals Keyboard Exam

Fundamentals Keyboard Exam Fundamentals Keyboard Exam General requirements: 1. Scales: be prepared to play: All major and minor scales (including melodic minor, natural minor, and harmonic minor) up to five sharps and flats, ith

More information

evirtuoso-online Lessons

evirtuoso-online Lessons evirtuoso-online Lessons Chords Lesson 3 Chord Progressions www.evirtuoso.com Chord Progressions are very popular and a strong foundation for many instruments and songs. Any chords combined together in

More information

Foundation Course. Study Kit No 1. Away In A Manger

Foundation Course. Study Kit No 1. Away In A Manger Foundation Course Study Kit No 1 Away In A Manger Reharmonization Study Kit No. 1 Away In A Manger Author: Rosablanca Suen Web: www.learnpianowithrosa.com Email: Rosa@LearnPianoWithRosa.com Cover Design:

More information

Pentatonic Guitar Magic How To Use The Simple Pentatonic Scale To Solo Over Chords from Blues to Rock tojazz.

Pentatonic Guitar Magic How To Use The Simple Pentatonic Scale To Solo Over Chords from Blues to Rock tojazz. Pentatonic Guitar Magic How To Use The Simple Pentatonic Scale To Solo Over Chords from Blues to Rock tojazz. This ebook may be freely distributed but not copied or altered in any way. WARNING: There is

More information

Reharmonizations and Substitutions

Reharmonizations and Substitutions Reharmonizations and Substitutions 7 th chords and scale harmonization Reharmonizing: Substituting chromatic chords within the iii vi ii V I progression For the sake of variety, coloration and creativity,

More information

MI OR PE TATO ICS. Cm shape Minor Pentatonic Scale. PDF Created with deskpdf PDF Writer - Trial :: http://www.docudesk.com. Root. 5th. 4th. Root.

MI OR PE TATO ICS. Cm shape Minor Pentatonic Scale. PDF Created with deskpdf PDF Writer - Trial :: http://www.docudesk.com. Root. 5th. 4th. Root. MI OR PE TATO ICS Em shape Minor Pentatonic Scale 1 4 5 Dm shape Minor Pentatonic Scale 1 4 5 Cm shape Minor Pentatonic Scale 1 4 5 MI OR PE TATO ICS Am shape Minor Pentatonic Scale 1 4 5 Gm shape Minor

More information

MMTA Written Theory Exam Requirements Level 3 and Below. b. Notes on grand staff from Low F to High G, including inner ledger lines (D,C,B).

MMTA Written Theory Exam Requirements Level 3 and Below. b. Notes on grand staff from Low F to High G, including inner ledger lines (D,C,B). MMTA Exam Requirements Level 3 and Below b. Notes on grand staff from Low F to High G, including inner ledger lines (D,C,B). c. Staff and grand staff stem placement. d. Accidentals: e. Intervals: 2 nd

More information

How to Play Chords on your Mountain Dulcimer tuned DAd

How to Play Chords on your Mountain Dulcimer tuned DAd How to Play Chords on your Mountain Dulcimer tuned DAd (or Surviving in a Multi-Instrument Jam) by Missy Strothers If you are like me, sooner or later you ll get into a festival situation where you ll

More information

MUSIC THEORY BASICS. Introduction

MUSIC THEORY BASICS. Introduction MUSIC THEORY BASICS Introduction o Welcome to the fascinating world of music theory in EZkeys and in real life. On the following pages you will be taking a guided tour through the basic principles applied

More information

INTERVALS. An INTERVAL is the distance between two notes /pitches. Intervals are named by size and quality:

INTERVALS. An INTERVAL is the distance between two notes /pitches. Intervals are named by size and quality: Dr. Barbara Murphy University of Tennessee School of Music INTERVALS An INTERVAL is the distance between two notes /pitches. Intervals are named by size and quality: Interval Size: The size is an Arabic

More information

Major Scale Construction. The musical alphabet is just like the English one except we only go up to G. There is no H so you have to go back to A.

Major Scale Construction. The musical alphabet is just like the English one except we only go up to G. There is no H so you have to go back to A. Major Scale Construction The musical alphabet is just like the English one except we only go up to G. There is no H so you have to go back to A. A B C D E F G A B C D E F G etc. Scales are a series of

More information

Developing a cohesive walking bass line 2005 Eric Elias

Developing a cohesive walking bass line 2005 Eric Elias Developing a cohesive walking bass line 00 Eric Elias Developing a walking bass lines is a subject that many of my students (guitarists and bassists alike) have been interested in. If you are a jazz player,

More information

LEFT HAND CHORD COMBINING ON THE ACCORDION

LEFT HAND CHORD COMBINING ON THE ACCORDION LEFT HAND CHORD COMBINING ON THE ACCORDION The standard Stradella bass system on the accordion only provides four chord types: Major, minor, 7-th and diminished. It's possible to play other chords by using

More information

Music Theory IV. Final Exam. All Chapters H&VL. Prof. Andy Brick. I pledge my honor that I have abided by the Stevens Honor System.

Music Theory IV. Final Exam. All Chapters H&VL. Prof. Andy Brick. I pledge my honor that I have abided by the Stevens Honor System. Music Theory IV Final Exam All Chapters H&VL Prof. Andy Brick I pledge my honor that I have abided by the Stevens Honor System. 04/08/08 Due Week of, May 04 2008 Due Week of April 13: Exposition & Development

More information

Expanding Your Harmonic Horizons

Expanding Your Harmonic Horizons 2016 American String Teachers National Conference Expanding Your Harmonic Horizons Harmony Clinic for Harpists Presented By Felice Pomeranz Publications used as resources from Felice's Library of Teaching

More information

UKULELE CHORD SHAPES. More Strumming, Less Memorizing BRAD BORDESSA

UKULELE CHORD SHAPES. More Strumming, Less Memorizing BRAD BORDESSA UKULELE CHORD SHAPES More Strumming, Less Memorizing BRAD BORDESSA TABLE OF CONTENTS GRATITUDES 2 9th 26 13th 26 INTRODUCTION 3 Altered 27 HOW TO USE THIS BOOK 4 Suspended 2 28 The Fingerboard 5 Suspended

More information

Jazz Guitar Chord Construction Thelonious Monk Institute of Jazz Online Jazz Handbook

Jazz Guitar Chord Construction Thelonious Monk Institute of Jazz Online Jazz Handbook Jazz Guitar Chord Construction Thelonious Monk Institute of Jazz Online Jazz Handbook welcome to the guitar chapter of the Thelonious Monk Institute of Jazz s Online Jazz Handbook! A guitarist in a jazz

More information

The pianist has a few functions in a jazz combo. First, he comps for, and interacts with, other players as they solo.

The pianist has a few functions in a jazz combo. First, he comps for, and interacts with, other players as they solo. Piano Chord Voicings for jazz combo The pianist has a few functions in a jazz combo. First, he comps for, and interacts with, other players as they solo. Secondly, he acts as a soloist himself. Therefore,

More information

Ü F F F F F F : F F ÜF H H H H H ÜH H H H HÜH. : H r H H HH H H. H H H H r Ü H CHORDS FROM SCALES

Ü F F F F F F : F F ÜF H H H H H ÜH H H H HÜH. : H r H H HH H H. H H H H r Ü H CHORDS FROM SCALES CHORDS ROM SCALES This tutorial is all about making chords out of scales. irst step is to catch a fish - not any old fish but a musical one. A bass, for instance. Not really. Read on. CHORDS ROM SCALES

More information

b 9 œ nœ j œ œ œ œ œ J œ j n œ Œ Œ & b b b b b c ÿ œ j œ œ œ Ó œ. & b b b b b œ bœ œ œ œ œ œbœ SANCTICITY

b 9 œ nœ j œ œ œ œ œ J œ j n œ Œ Œ & b b b b b c ÿ œ j œ œ œ Ó œ. & b b b b b œ bœ œ œ œ œ œbœ SANCTICITY SANCTICITY ohn Scofield guitar solo from the live CD im Hall & Friends, Live at Town Hall, Volumes 1 & 2 azz Heritage CD 522980L Sancticity, a tune by Coleman Hawkins, is based on the same harmonic progression

More information

The Chord Book - for 3 string guitar

The Chord Book - for 3 string guitar The Chord Book - for 3 string guitar Prepared for: 3 string fretted cbg Prepared by: Patrick Curley Forward This short ebook will help you play chords on your 3 string guitar. I m tuned to G, if you re

More information

HOW SCALES, KEY SIGNATURES, & ARPEGGIOS WORK www.tubapeter.com

HOW SCALES, KEY SIGNATURES, & ARPEGGIOS WORK www.tubapeter.com 1 HOW SCALES, KEY SIGNATURES, & ARPEGGIOS WORK www.tubapeter.com WHAT IS A SCALE? A scale is all the pitches that you can play in a key signature without playing any accidentals. The key of Bb is Bb and

More information

Chords and More Chords for DGdg Tenor Banjo By Mirek Patek

Chords and More Chords for DGdg Tenor Banjo By Mirek Patek Chords and More Chords for DGdg Tenor Banjo By Mirek Patek This tenth article about the fingerstyle tenor banjo in DGdg tuning will be focused on banjo accompaniment, i.e. on playing chords. The goal is

More information

Table of Contents. Interlude: Terminology; Drop 2 and Drop 3 Voicing 57 More droppings? An explanation of some common terms.

Table of Contents. Interlude: Terminology; Drop 2 and Drop 3 Voicing 57 More droppings? An explanation of some common terms. 1 Table of Contents Introduction: Theory, Triads and Terminology. 3 Understand the building blocks of chords. Learn the often inconsistent jargon associated with playing jazz chords. Section 1: Functional

More information

MU 3323 JAZZ HARMONY III. Chord Scales

MU 3323 JAZZ HARMONY III. Chord Scales JAZZ HARMONY III Chord Scales US Army Element, School of Music NAB Little Creek, Norfolk, VA 23521-5170 13 Credit Hours Edition Code 8 Edition Date: March 1988 SUBCOURSE INTRODUCTION This subcourse will

More information

Sample Pages. This pdf contains sample pages from the ebook The Easy Guide to Jazz Guitar Arpeggios. To get the full ebook, Click Here

Sample Pages. This pdf contains sample pages from the ebook The Easy Guide to Jazz Guitar Arpeggios. To get the full ebook, Click Here 1 Sample Pages This pdf contains sample pages from the ebook The Easy Guide to Jazz Guitar Arpeggios. To get the full ebook, Click Here 2 Contents Introduction....6 What Are Arpeggios?....7 Chapter 1:

More information

Jim Hall Chords and Comping Techniques

Jim Hall Chords and Comping Techniques Jim Hall Chords and Comping Techniques Jazz guitar comping is an art form in its own right. The comping rhythms, melodies, and voicings of the greatest Jazz guitarists are delightful to listen to, with

More information

Keyboard Basics. By Starling Jones, Jr. http://www.starlingsounds.com& http://www.smoothchords.com

Keyboard Basics. By Starling Jones, Jr. http://www.starlingsounds.com& http://www.smoothchords.com Keyboard Basics By Starling Jones, Jr. In starting on the piano I recommend starting on weighted keys. I say this as your fingers will be adjusted to the stiffness of the keys. When you then progress to

More information

Level 3 Scale Reference Sheet MP: 4 scales 2 major and 2 harmonic minor

Level 3 Scale Reference Sheet MP: 4 scales 2 major and 2 harmonic minor Level 3 Scale Reference Sheet MP: 4 scales 2 major and 2 harmonic minor 1. Play Scale (As tetrachord or one octave, hands separate or together) 2. Play I and V chords (of the scale you just played) (Hands

More information

Practice Test University of Massachusetts Graduate Diagnostic Examination in Music Theory

Practice Test University of Massachusetts Graduate Diagnostic Examination in Music Theory name: date: Practice Test University of Massachusetts Graduate Diagnostic Examination in Music Theory Make no marks on this page below this line area Rudiments [1 point each] 1 2 3 4 5 6 7 8 9 10 results

More information

Basic Music Theory for Junior Cert.

Basic Music Theory for Junior Cert. 1 Reading Different Clefs Basic Music Theory for Junior Cert. The most commonly used clefs are the treble and bass. The ability to read both of these clefs proficiently is essential for Junior Cert. Music.

More information

BEBOP EXERCISES. Jason Lyon 2008. www.opus28.co.uk/jazzarticles.html INTRODUCTION

BEBOP EXERCISES. Jason Lyon 2008. www.opus28.co.uk/jazzarticles.html INTRODUCTION BEBOP EXERCISES www.opus28.co.uk/jazzarticles.html INTRODUCTION Bebop is all about being able to play any chromatic tone on any chord. Obviously, if we just play chromatically with free abandon, the harmony

More information

Modulation to Any Key

Modulation to Any Key Modulation to Any Key by James M. Stevens In this exercise, I am demonstrating how to modulate from the key of C to any key. Most pianists are comfortable changing keys that move up a half step, whole

More information

Guitar Rubric. Technical Exercises Guitar. Debut. Group A: Scales. Group B: Chords. Group C: Riff

Guitar Rubric. Technical Exercises Guitar. Debut. Group A: Scales. Group B: Chords. Group C: Riff Guitar Rubric Technical Exercises Guitar Debut In this section the examiner will ask you to play a selection of exercises drawn from each of the three groups shown below. Groups A and B contain examples

More information

Music Theory Unplugged By Dr. David Salisbury Functional Harmony Introduction

Music Theory Unplugged By Dr. David Salisbury Functional Harmony Introduction Functional Harmony Introduction One aspect of music theory is the ability to analyse what is taking place in the music in order to be able to more fully understand the music. This helps with performing

More information

CHORD AVAILABILITY. NOTE: I ve used different abbreviations for different chord names. / for add (e.g. C/9 = C add 9, Em7/11 = Em7 add 11)

CHORD AVAILABILITY. NOTE: I ve used different abbreviations for different chord names. / for add (e.g. C/9 = C add 9, Em7/11 = Em7 add 11) CHORD AVAILABILITY Any songwriter, whether they are amateur or professional, is bound to get stuck sometimes in finding that elusive chord to use in their song. What many of them don t realize is the number

More information

www.migu-music.com Michael Gundlach DOWNLOAD PDF FILE WALKING BASS for Piano An easy method for creating Walking Bass Lines on Piano

www.migu-music.com Michael Gundlach DOWNLOAD PDF FILE WALKING BASS for Piano An easy method for creating Walking Bass Lines on Piano www.migu-music.com Michael Gundlach DOWNLOAD PDF FILE WALKING BASS for Piano An easy method for creating Walking Bass Lines on Piano Table of Contents 3 Explanation of the Contents 5 Introduction to the

More information

Romantic and impressionist harmony

Romantic and impressionist harmony Romantic and impressionist harmony Thanks to Ward Meijer amd Walther Pondman, students at the ArtEZ Conservatorium Netherlands, for their inspiration and critical remarks. In this short tet, I will provide

More information

Lesson 21: Substitution Chords Play Piano By Ear Audio Course. Materials For This Lesson

Lesson 21: Substitution Chords Play Piano By Ear Audio Course. Materials For This Lesson Hello, and welcome to Lesson 21. In Lesson 19 you learned Drink To Me Only With Thine Eyes, using just four chords. In this lesson we ll be using substitution chords to create a more professional sounding

More information

Nashville Number System

Nashville Number System presents the Nashville Number System for worship teams 1. WHY THE NASHVILLE NUMBER SYSTEM?... 2 SOME DISCLAIMERS... 2 2. BASICS OF THE NNS... 3 PRACTICE EXAMPLE #1... 4 3. SLASH CHORDS... 5 PRACTICE EXAMPLE

More information

Cuban Tres Guitar Chord & Scale Book

Cuban Tres Guitar Chord & Scale Book Cuban Tres Guitar Chord & Scale Book Written by: Rudy Furlan Copyright 2004 This E-book will explain how to tune your C Cuban Tres Guitar and show you how to finger chords and play scales. It is designed

More information

GEORGE GOODMAN S HARMONICA CHEAT SHEET By George Goodman. Copyright 2014 George Goodman GeorgeGoodman.com 2 nd Edition, License Notes

GEORGE GOODMAN S HARMONICA CHEAT SHEET By George Goodman. Copyright 2014 George Goodman GeorgeGoodman.com 2 nd Edition, License Notes GEORGE GOODMAN S HARMONICA CHEAT SHEET By George Goodman Copyright 2014 George Goodman GeorgeGoodman.com 2 nd Edition, License Notes Thank you for downloading this free ebook. Although this is a free book,

More information

How to create bass lines

How to create bass lines First rule: always memorize the melody of the song! Always. Always. Always. You should be able to sing and play it in the original key. If you really want to be totally extra, extra awesome, you will be

More information

Intervals Harmony Chords and Scales. Workbook

Intervals Harmony Chords and Scales. Workbook Intervals Harmony Chords and Scales Workbook Introduction In writing this book I was able to make many discoveries for myself both in methods of teaching and basic use of music theory. In every discipline

More information

2012 Saskatchewan Curriculum. Jazz Theory. To Accompany Instrumental Jazz 10, 20, 30

2012 Saskatchewan Curriculum. Jazz Theory. To Accompany Instrumental Jazz 10, 20, 30 2012 Saskatchewan Curriculum To Accompany Instrumental Jazz 10, 20, 0 ISBN 98-1-10-06-2 1. Arts education (Secondary school) - Saskatchewan - Curricula. 2. Competency-based education - Saskatchewan. Saskatchewan.

More information

Bard Conservatory Seminar Theory Component. Extended Functional Harmonies

Bard Conservatory Seminar Theory Component. Extended Functional Harmonies Bard Conservatory Seminar Theory Component Extended Functional Harmonies What we have been referring to as diatonic chords are those which are constructed from triads or seventh chords built on one of

More information

Piano Requirements LEVEL 3 & BELOW

Piano Requirements LEVEL 3 & BELOW Piano Requirements LEVEL 3 & BELOW Technical Skills: Time limit: 5 minutes Play the following in the keys of F, C, G, D, A, E, B: 1. Five-note Major scales, ascending and descending, hands separate or

More information

Harmony Review Follow up: This harmony test has 36 questions. - - - - - Section I: Terms (8 questions)

Harmony Review Follow up: This harmony test has 36 questions. - - - - - Section I: Terms (8 questions) Harmony Review Follow up: This harmony test has 36 questions. Section I: Terms (8 questions) From what we covered last Wednesday, you should be fine on this if you know the terms on the first section of

More information

A MUSICAL APPROACH TO LEARNING THE BANJO NECK

A MUSICAL APPROACH TO LEARNING THE BANJO NECK A MUSICAL APPROACH TO LEARNING THE BANJO NECK Introduction One of the things that has become clear to me, after a number of years of playing banjo, is that if I have any hope of improvising creatively

More information

Study Kit No 9. Aura Lee (Love Me Tender)

Study Kit No 9. Aura Lee (Love Me Tender) Study Kit No 9 Aura Lee (Love Me Tender) Reharmonization Study Kit No. 9 Aura Lee Author: Rosablanca Suen Web: www.learnpianowithrosa.com Email: Rosa@LearnPianoWithRosa.com Cover Design: Raymond Suen Copyright

More information

Crash Course in Music Theory for Guitarists by Andy Drudy

Crash Course in Music Theory for Guitarists by Andy Drudy Crash Course in Music Theory for Guitarists by Andy rudy An in-depth knowledge of music theory is essential for any musician. Learning the ropes so-to-speak, will rapidly expand your insight into you own

More information

How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 Revised 4 September 2012

How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 Revised 4 September 2012 How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 Revised 4 September 2012 There are different forms of jazz improvisation. For example, in free improvisation, the player is under

More information

GOSPELKEYS TM 202 MASTERING WORSHIP CHORDS TRANSCRIPTS SIDENOTES. www.hearandplay.com www.gospelkeys202.com. Minister Jermaine A.

GOSPELKEYS TM 202 MASTERING WORSHIP CHORDS TRANSCRIPTS SIDENOTES. www.hearandplay.com www.gospelkeys202.com. Minister Jermaine A. GOSPELKEYS TM 202 MASTERING WORSHIP CHORDS TRANSCRIPTS & SIDENOTES www.hearandplay.com www.gospelkeys202.com Minister Jermaine A. Griggs, Author 1 INTRODUCTION Hello my friend, and welcome to Gospel Keys

More information

Introduction to Chord Theory & Chord Voicing for the Guitarist Volume Two taught by John Miller

Introduction to Chord Theory & Chord Voicing for the Guitarist Volume Two taught by John Miller Introduction to Chord Theory & Chord Voicing for the Guitarist Volume Two taught by John Miller INTRO TO CHORD THEORY AND CHORD VOICING FOR THE GUITARIST, VOLUME 2 I. SIXTH CHORDS, TONIC FUNCTION, AND

More information

Terms of Use. By purchasing Jamorama, the Ultimate Guitar Learning Kit, you agree to the following -

Terms of Use. By purchasing Jamorama, the Ultimate Guitar Learning Kit, you agree to the following - Terms of Use By purchasing Jamorama, the Ultimate Guitar Learning Kit, you agree to the following - You will use Jamorama, Chordinator, Jayde Musica, Guitearit, Advanced Learning Techniques for Guitar,

More information

PERPETUAL MOTION BEBOP EXERCISES

PERPETUAL MOTION BEBOP EXERCISES PERPETUAL MOTION BEBOP EXERCISES Jason Lyon 2007 www.opus28.co.uk/jazzarticles.html Bebop is much more than just one particular style, it is pretty much the grammar of modern jazz, and bebop licks are

More information

7th Chord Scales (Scales that work for the 7th chords)

7th Chord Scales (Scales that work for the 7th chords) 7th Chord Scales (Scales that work for the 7th chords) Ted Greene 1975, July 15 1) MIXOLYDIAN SCALE: This scale is a major scale with a b7th tone. Try making this alteration to your fingerings of the major

More information

PENTATONICS BY CHORD TYPE

PENTATONICS BY CHORD TYPE PENTATONICS BY CHORD TYPE Extract from Pentatonic & Hexatonic Scales in Jazz, Jason Lyon 2007 www.opus28.co.uk/jazzarticles.html 1. WHAT TO PLAY ON A MINOR 7TH CHORD AS OF now, we ll be thinking primarily

More information

SUBSTITUTING CHORDS. B C D E F# G Row 4 D E F# G A B Row 5

SUBSTITUTING CHORDS. B C D E F# G Row 4 D E F# G A B Row 5 SUBSTITUTING CHORDS By Karen Daniels Simply put, chord substitution is the use of one chord in place of another chord and using them is one way to give your music interest and a change in sound. Many chord

More information

Illuminating Text: A Macro Analysis of Franz SchubertÕs ÒAuf dem Wasser zu singenó

Illuminating Text: A Macro Analysis of Franz SchubertÕs ÒAuf dem Wasser zu singenó Illuminating Text: A Macro Analysis of Franz SchubertÕs ÒAuf dem Wasser zu singenó Maureen Schafer In ÒAuf dem Wasser zu singen,ó Franz Schubert embellishes a sentimental poem by L. Graf zu Stollberg to

More information

Companion Instruction Booklet

Companion Instruction Booklet Companion Instruction Booklet Page 1 of 33 Glossary of Terms: Page 2 of 33 Chord: A group of notes played together, such as the notes C-E-G (C Major) Open Chord: A group of notes played on guitar that

More information

Music Theory. Basic Level

Music Theory. Basic Level Music Theory Basic Level June 2005 Introduction... 3 Intervals... 4 Theory... 4 Usage... 5 Chords... 7 Theory... 7 Triads... 8 Four-note chords... 8 Usage... 8 The Major Scale... 10 Theory... 10 Usage...

More information

Bi- Tonal Quartal Harmony in Theory and Practice 1 Bruce P. Mahin, Professor of Music Radford University

Bi- Tonal Quartal Harmony in Theory and Practice 1 Bruce P. Mahin, Professor of Music Radford University Bi- Tonal Quartal Harmony in Theory and Practice 1 Bruce P. Mahin, Professor of Music Radford University In a significant departure from previous theories of quartal harmony, Bi- tonal Quartal Harmony

More information

Playing By Ear Who Can Play By Ear?... 2 How To Play By Ear... 3 Happy Birthday To You (By Ear)... 4 Match Tones... 5 Add Chords...

Playing By Ear Who Can Play By Ear?... 2 How To Play By Ear... 3 Happy Birthday To You (By Ear)... 4 Match Tones... 5 Add Chords... Playing By Ear Who Can Play By Ear?... 2 How To Play By Ear... 3 Happy Birthday To You (By Ear)... 4 Match Tones... 5 Add Chords... 6 Allcanplay TM Piano * MaxLearning.Net 2009 * Playing By Ear * 4/6/2009

More information

Lever Harp Tunings & Major Keys

Lever Harp Tunings & Major Keys Lever Harp Tunings & Major Keys As you probably are aware, the levers on your harp raise the pitch of a given string by one half-step. Unlike the pedal harp, where each string can be played as a flat,

More information

Lesson DDD: Figured Bass. Introduction:

Lesson DDD: Figured Bass. Introduction: Lesson DDD: Figured Bass Introduction: In this lesson you will learn about the various uses of figured bass. Figured bass comes from a Baroque compositional practice in which composers used a numerical

More information

Legacy Learning Systems 2510 Franklin Pike, Suite 200 Nashville, TN 37204

Legacy Learning Systems 2510 Franklin Pike, Suite 200 Nashville, TN 37204 Legacy Learning Systems 2510 Franklin Pike, Suite 200 Nashville, TN 37204 Gibson's Learn and Master Guitar. Copyright 2010 by Legacy Learning Systems, Inc. All rights reserved. No part of this product,

More information

THIS IS NOT A FREE EBOOK.

THIS IS NOT A FREE EBOOK. $11.95 USD Copyright 2007 by Pantomime Music Publications P.O. Box 31177, Halifax, Nova Scotia, Canada B3K 5Y1 All rights reserved. Printed in Canada. This book is protected by Copyright. Permission must

More information

The Tuning CD Using Drones to Improve Intonation By Tom Ball

The Tuning CD Using Drones to Improve Intonation By Tom Ball The Tuning CD Using Drones to Improve Intonation By Tom Ball A drone is a sustained tone on a fixed pitch. Practicing while a drone is sounding can help musicians improve intonation through pitch matching,

More information

The DADGAD Chord Primer: How to Build Chords in DADGAD Tuning. Version 2.2. By: Mark Parnis www.markparnis.com mark@markparnis.com

The DADGAD Chord Primer: How to Build Chords in DADGAD Tuning. Version 2.2. By: Mark Parnis www.markparnis.com mark@markparnis.com The DADGAD Chord Primer: How to Build Chords in DADGAD Tuning Version 2.2 By: Mark Parnis www.markparnis.com mark@markparnis.com DADGAD is essentially a variant on open D tuning, DADF # AD. The subtle

More information

The Many Benefits of Discovering the Root Progressions in the Music of Classical and Contemporary Composers

The Many Benefits of Discovering the Root Progressions in the Music of Classical and Contemporary Composers The Many Benefits of Discovering the Root Progressions in the Music of Classical and Contemporary Composers Dr Margaret S. Brandman freelance composer and music educator This paper discusses the advantages

More information

Please Read This Page First

Please Read This Page First Mandolin and Fiddle Improvisation Using the Chord Tone Scale Copyright 2008 by Pete Martin Please Read This Page First This book is distributed using the shareware system. Try it out, if you like it please

More information

L. DROP 2 VOICINGS. Bebop, hard bop, contemporary jazz. Bill Evans, Barry Harris, Oscar Peterson, Kenny Barron.

L. DROP 2 VOICINGS. Bebop, hard bop, contemporary jazz. Bill Evans, Barry Harris, Oscar Peterson, Kenny Barron. L. DROP 2 VOICINGS Bebop, hard bop, contemporary jazz. Bill Evans, Barry Harris, Oscar Peterson, Kenny Barron. Extract from A Compendium of Jazz Piano Voicings Jason Lyon 2007, AN ARRANGING technique used

More information

Music Fundamentals 5: Triads, Chords, Introduction to Roman Numerals. Collection Editor: Terry B. Ewell

Music Fundamentals 5: Triads, Chords, Introduction to Roman Numerals. Collection Editor: Terry B. Ewell Music Fundamentals 5: Triads, Chords, Introduction to Roman Numerals Collection Editor: Terry B. Ewell Music Fundamentals 5: Triads, Chords, Introduction to Roman Numerals Collection Editor: Terry B.

More information

The Secret Weapon for Bar Chords

The Secret Weapon for Bar Chords Created by BCM The Secret Weapon for Bar Chords This handy device will make it much easier to form bar chords on your guitar. It is an effective tool that will give you immediate results. No more hours

More information

How they invented chord patterns for the guitar. J. Chaurette. Dec., 2012

How they invented chord patterns for the guitar. J. Chaurette. Dec., 2012 How they invented chord patterns for the guitar J. Chaurette Dec., 2012 The guitar has a very long history; it has evolved over the ages to what it is now. It has achieved its final distinct form in 1770,

More information

Approaches to Arranging: Developing Harmony by Artemus

Approaches to Arranging: Developing Harmony by Artemus Approaches to Arranging: Developing Harmony by Artemus The starting point of any adventure in producing an arrangement would be to have a good idea on what you wish to achieve. What is the purpose of your

More information

MICHAEL GUNDLACH THE COCK TAIL PIANO METHOD VOLUME. www.migu-music.com DOWNLOAD PDF FILE

MICHAEL GUNDLACH THE COCK TAIL PIANO METHOD VOLUME. www.migu-music.com DOWNLOAD PDF FILE MIHAEL UNDLAH THE OK TAIL PIANO METHOD VOLUME 1 TE HN IQU ES OF ST Y LISH PIA NO EN TER TA I NM EN T migu-musiom DOWNLOAD PDF FILE Table of ontents 4 Explanation of ontents 6 S Wonderful48 Harmony Part

More information

MAKING YOUR LINES SOUND MORE LIKE JAZZ!

MAKING YOUR LINES SOUND MORE LIKE JAZZ! MAKING YOUR LINES SOUND MORE LIKE JAZZ! BY ALISDAIR MACRAE BIRCH One of the common questions asked by jazz guitar students is, How do I make my lines sound more like jazz? or Why do my improvised lines

More information

FIGURED-BASS NOTATION

FIGURED-BASS NOTATION MU 182: Theory II R. Vigil FIGURED-BASS NOTATION General In common-practice tonal music, chords are generally understood in two different ways. On the one hand, they can be seen as triadic structures emanating

More information

KEYBOARD BENCHMARKS First Part

KEYBOARD BENCHMARKS First Part KEYBOARD BENCHMARKS First Part Practice Materials and Study Guide 2 nd Edition Compiled by the Ave Maria University Department of Music 2010. All rights reserved. 2 Contents RATIONALE AND SCHEMAE FOR THE

More information

Students of jazz must overcome several hurdles in their development

Students of jazz must overcome several hurdles in their development Teaching Jazz mprovisation Using Macro-Analytical Techniques Nolan Stolz Students of jazz must overcome several hurdles in their development as musicians. Technical fluidity may be mastered in a practice

More information

Swing & Jump Blues Guitar Matthieu Brandt

Swing & Jump Blues Guitar Matthieu Brandt Swing & Jump Blues Guitar Matthieu Brandt Goto www.swingblues.com for more on Swing and Jump Blues Guitar. 1997-2016 No part of this material (book/cd/website) may be reproduced in any way without prior

More information

Sample of Version 2.0 of Swing & Jump Blues Guitar

Sample of Version 2.0 of Swing & Jump Blues Guitar The Charlie Christian Approach Charlie Christian (1916 1942) was one of the first real swing guitar players that had a lasting influence on all other swing and jump guitar players after him. Even more

More information