Jermaine Griggs & Chuku Onyemachi QUICK REFERENCE ON. Minor Major Seventh Chords
|
|
- Barnard Gibson
- 7 years ago
- Views:
Transcription
1 Jermaine Griggs & Chuku Onyemachi QUICK REFERENCE ON Minor Major Seventh Chords
2 CHAPTER 1 What Is The Minor Major Seventh Chord?
3 The minor major seventh chord, as its name implies, is basically a minor triad with an additional tone that is an interval of a major seventh away from the root. The addition of a tone to a minor triad that is a major seventh from its root produces the minor major seventh chord. For instance, the C minor triad:...plus another note that is a major seventh from its root (which is B):...produces the C minor major seventh chord. So, it s basically the minor triad and the major seventh interval that we're concerned with. If you do a little contrast between the minor major seventh chord and the minor seventh chord, you'll discover that the minor seventh chord is a minor triad with a minor seventh.
4 The C minor seventh chord:...is basically the C minor triad:...with another tone that is a minor seventh higher than C (which is Bb):
5 Comparing the C minor seventh with the C minor major seventh:..."can you tell the difference between the minor seventh and the minor major seventh chord?" The difference between both chords is that the seventh tone of the C minor major seventh chord is the major seventh (B) while that of the minor seventh chord is a minor seventh (Bb). "What's the relationship between the minor seventh and the minor major seventh chord?" Both chords stem from the minor triad. If you remove the seventh tone from both chords, you'll be left with the C minor triad. Now that you have a definition of the minor major seventh chord, let's take it a step further by breaking down the minor major seventh chord.
6 CHAPTER 2 What Is The Minor Major Seventh Chord Made Up Of?
7 No matter how complex a chord is, it can be broken down into smaller fragments intervals (two note relationships). In this segment, we're breaking the minor major seventh chord down into its intervallic components. The goal of this breakdown is to subject it to analysis and enhance our perception of it. Let's use the C minor major seventh chord for this breakdown. The C minor major seventh chord can be broken down into these intervals... C and Eb:...a minor third. C and G:...a perfect fifth.
8 C and B:...a major seventh. In a nutshell, the intervallic components of the minor major seventh chord are the minor third, the perfect fifth and the major seventh intervals. What is the Minor Third? The minor third is the relationship between the first and the third tones of the minor scale. So using any minor scale that you are familiar with, the relationship between the first and the third tones will produce the minor third interval. Now it is important for me to say at this point that the quality of third in the seventh chord determines the quality of that chord. The minor major seventh chord is a minor chord because of the quality of third it possesses. What is the Perfect Fifth? The perfect fifth is the interval between the first and the fifth tones of the minor [or major] scale. We have C and G as the first and fifth tones of C minor scale and that's a perfect fifth.
9 Considering that the perfect fifth interval is said to be a universally stable interval, we can say that the minor minor major seventh chord is a stable chord. The Major Seventh In chord formation of minor chords, music scholars tend to abandon the regular natural minor scale because of its shortcomings and use the harmonic minor scale, which is a chromatic variant of the natural minor scale. The harmonic minor scale can be formed by raising the seventh tone of the natural minor scale by a half step. If we raise the seventh tone of the A natural minor scale (G):...by a half step, we'll have the A harmonic minor scale: The interval between the first and seventh tones of the A harmonic
10 minor scale (A to G#):...is a major seventh interval. Attention: The harmonic minor and melodic minor scales can be used in the chord formation of the minor major seventh chord; however, we'll be focusing on the harmonic minor scale in this lesson. The minor major seventh chord is a minor chord due to the quality of its third and sounds stable because of its fifth. However, it sounds dissonant just like every other seventh chord because of its major seventh interval. It is called a seventh chord because it encompasses seven degrees of the harmonic minor scale.
11 CHAPTER 3 Chord Formation Of The Minor Major Seventh Chord
12 We'll be covering three chord formation techniques that you can use to form the minor major seventh chord in all twelve keys starting with the scale approach, and then the intervallic approach before we end with the chordal approach. Let s get started with it! Scale Approach to the Chord Formation of the Minor Major Seventh Chord Earlier in this lesson, we talked about the harmonic minor scale and how it can be used to form the minor major seventh chord. Here are the harmonic minor scales in all 12 keys for your reference: C harmonic minor scale:
13 C# harmonic minor scale: D harmonic minor scale: Eb harmonic minor scale:
14 E harmonic minor scale: F harmonic minor scale: F# harmonic minor scale:
15 G harmonic minor scale: Ab harmonic minor scale: A harmonic minor scale:
16 Bb harmonic minor scale: B harmonic minor scale: Using the pick skip technique, you can form the minor major seventh chord in all the keys. Let s use the D harmonic minor scale to form the minor major seventh chord.
17 Using the D harmonic minor scale: If you pick D:.skip E and pick F:
18 skip G and pick A:.skip Bb and pick C#: We will have the D minor major seventh chord:...which consists of D, F, A, and C#
19 If you transpose this chord to C, here is what it looks like: The minor major seventh chord can be formed in any key using the harmonic minor scale. Intervallic Approach to the Chord Formation of the Minor Major Seventh Chord The minor major seventh chord has three intervallic components the minor third, the perfect fifth, and the major seventh intervals. If we put these three intervals together in one octave, we will have the minor major seventh chord. What is the Minor Third? The minor third is the relationship between the first and the third tones of any given minor scale. A and C are the first and third tones
20 of the A harmonic minor scale. Therefore, A C:...is a minor third interval. What is the Perfect Fifth? A perfect fifth is the relationship between the first and fifth tones of any given minor [or major] scale. A and E are the first and fifth tones of the A harmonic minor scale (the version of the minor scale we choose to use for this chord). The relationship between A and E:...produces the perfect fifth interval. What is the Major Seventh? A major seventh is the interval between the first and the seventh tones of the harmonic minor scale. This is also the same size as the interval between the first and seventh tones of the major scale. A and G# are the first and seventh tones of the A harmonic minor scale.
21 The relationship between A and G#:...produces the major seventh interval. Formation of the E minor major seventh chord would entail that the first and third tones:...the first and fifth tones:
22 ...and the first and seventh tones:...of the E harmonic minor scale:...all be stacked together in one octave. That s pretty much: E G (the minor third) E B (the perfect fifth) E D# (the major seventh)
23 So put together, E G B D#:...produces the E minor major seventh chord. Following the same procedure in all the keys will produce the minor major seventh chord. Chordal Approach to the Formation of the Minor Major Seventh Chord I suppose you are familiar with the minor triad in all keys. Formation of the minor major seventh chord is as easy as adding another note that is a major seventh higher than the root of a given minor triad. The C minor triad:
24 ...can be upgraded to a C minor major seventh chord by the addition of another note that is a major seventh higher than the root of the C minor triad. A major seventh above C (the root or keynote of the chord) is B: Therefore, the addition of B to the C minor triad would produce the C minor major seventh chord: This pretty much validates my submission in the beginning, that the minor major seventh chord is a minor triad with an additional tone that is a major seventh from the root of the triad. All the best!
25 Minor Major Seventh Chord QUICK REFERENCE ON MINOR MAJOR SEVENTH CHORDS Workbook 126 Exercises
26 YOU WILL BE GIVEN A NOTE. DETERMINE THE MINOR THIRD INTERVAL FROM THE NOTE GIVEN. Question: Given the root note in the key of Db, dot its minor third interval.
27 Question #1 Question: Given the C note, dot its minor third interval.
28 Question #2 Question: Given the F note, dot its minor third interval.
29 Question #3 Question: Given the Bb note, dot its minor third interval.
30 Question #4 Question: Given the Eb note, dot its minor third interval.
31 Question #5 Question: Given the Ab note, dot its minor third interval.
32 Question #6 Question: Given the Db note, dot its minor third interval.
33 Question #7 Question: Given the Gb note, dot its minor third interval.
34 Question #8 Question: Given the B note, dot its minor third interval.
35 Question #9 Question: Given the E note, dot its minor third interval.
36 Question #10 Question: Given the A note, dot its minor third interval.
37 Question #11 Question: Given the D note, dot its minor third interval.
38 Question #12 Question: Given the G note, dot its minor third interval.
39 Question #13 Question: Given the C note, dot its minor third interval.
40 Question #14 Question: Given the G note, dot its minor third interval.
41 Question #15 Question: Given the D note, dot its minor third interval.
42 Question #16 Question: Given the A note, dot its minor third interval.
43 Question #17 Question: Given the E note, dot its minor third interval.
44 Question #18 Question: Given the B note, dot its minor third interval.
45 Question #19 Question: Given the Gb note, dot its minor third interval.
46 Question #20 Question: Given the Db note, dot its minor third interval.
47 Question #21 Question: Given the Ab note, dot its minor third interval.
48 Question #22 Question: Given the Eb note, dot its minor third interval.
49 Question #23 Question: Given the Bb note, dot its minor third interval.
50 Question #24 Question: Given the F note, dot its minor third interval.
51 YOU WILL BE GIVEN A NOTE. DETERMINE THE PERFECT FIFTH INTERVAL FROM THE NOTE GIVEN. Question: Given the Db note, dot its perfect fifth interval.
52 Question #25 Question: Given the C note, dot its augmented fifth interval.
53 Question #26 Question: Given the F note, dot its perfect fifth interval.
54 Question #27 Question: Given the Bb note, dot its perfect fifth interval.
55 Question #28 Question: Given the Eb note, dot its perfect fifth interval.
56 Question #29 Question: Given the Ab note, dot its perfect fifth interval.
57 Question #30 Question: Given the Db note, dot its perfect fifth interval.
58 Question #31 Question: Given the Gb note, dot its perfect fifth interval.
59 Question #32 Question: Given the B note, dot its perfect fifth interval.
60 Question #33 Question: Given the E note, dot its perfect fifth interval.
61 Question #34 Question: Given the A note, dot its perfect fifth interval.
62 Question #35 Question: Given the D note, dot its perfect fifth interval.
63 Question #36 Question: Given the G note, dot its perfect fifth interval.
64 Question #37 Question: Given the C note, dot perfect fifth interval.
65 Question #38 Question: Given the G note, dot its perfect fifth interval.
66 Question #39 Question: Given the D note, dot its perfect fifth interval.
67 Question #40 Question: Given the A note, dot its perfect fifth interval.
68 Question #41 Question: Given the E note, dot its perfect fifth interval.
69 Question #42 Question: Given the B note, dot its perfect fifth interval.
70 Question #43 Question: Given the Gb note, dot its perfect fifth interval.
71 Question #44 Question: Given the Db note, dot its perfect fifth interval.
72 Question #45 Question: Given the Ab note, dot its perfect fifth interval.
73 Question #46 Question: Given the Eb note, dot its perfect fifth interval.
74 Question #47 Question: Given the Bb note, dot its perfect fifth interval.
75 Question #48 Question: Given the F note, dot its perfect fifth interval.
76 YOU WILL BE GIVEN A NOTE. FORM THE MAJOR SEVENTH INTERVAL FROM THE NOTE GIVEN. Question: Given the Db note, dot its major seventh interval.
77 Question #49 Question: Given the C note, dot its major seventh interval.
78 Question #50 Question: Given the F note, dot its major seventh interval.
79 Question #51 Question: Given the Bb note, dot its major seventh interval.
80 Question #52 Question: Given the Eb note, dot its major seventh interval.
81 Question #53 Question: Given the Ab note, dot its major seventh interval.
82 Question #54 Question: Given Db note, dot its major seventh interval.
83 Question #55 Question: Given the Gb note, dot its major seventh interval.
84 Question #56 Question: Given the B note, dot its major seventh interval.
85 Question #57 Question: Given the E note, dot its major seventh interval.
86 Question #58 Question: Given the A note, dot its major seventh interval.
87 Question #59 Question: Given the D note, dot its major seventh interval.
88 Question #60 Question: Given the G note, dot its major seventh interval.
89 Question #61 Question: Given the C note, dot its major seventh interval.
90 Question #62 Question: Given the G note, dot its major seventh interval.
91 Question #63 Question: Given the D note, dot its major seventh interval.
92 Question #64 Question: Given the A note, dot its major seventh interval.
93 Question #65 Question: Given the E note, dot its major seventh interval.
94 Question #66 Question: Given the B note, dot its major seventh interval.
95 Question #67 Question: Given the Gb note, dot its major seventh interval.
96 Question #68 Question: Given the Db note, dot its major seventh interval.
97 Question #69 Question: Given the Ab note, dot its major seventh interval.
98 Question #70 Question: Given the Eb note, dot its major seventh interval.
99 Question #71 Question: Given the Bb note, dot its major seventh interval.
100 Question #72 Question: Given the F note, dot its major seventh interval.
101 YOU WILL BE GIVEN THE HARMONIC MINOR SCALE IN ANY KEY TO FORM A MINOR MAJOR SEVENTH CHORD. Question: Given the harmonic minor scale in the key of Db, derive the Db minor major seventh chord.
102 Question #73 Question: Given the harmonic minor scale in the key of C, derive the C minor major seventh chord.
103 Question #74 Question: Given the harmonic minor scale in the key of F, derive the F minor major seventh chord.
104 Question #75 Question: Given the harmonic minor scale in the key of Bb, derive the Bb minor major seventh chord.
105 Question #76 Question: Given the harmonic minor scale in the key of Eb, derive the Eb minor major seventh chord.
106 Question #77 Question: Given the harmonic minor scale in the key of Ab, derive the Ab minor major seventh chord.
107 Question #78 Question: Given the harmonic minor scale in the key of Db, derive the Db minor major seventh chord.
108 Question #79 Question: Given the harmonic minor scale in the key of Gb, derive the Gb minor major seventh chord.
109 Question #80 Question: Given the harmonic minor scale in the key of B, derive the B minor major seventh chord.
110 Question #81 Question: Given the harmonic minor scale in the key of E, derive the E minor major seventh chord.
111 Question #82 Question: Given the harmonic minor scale in the key of A, derive the A minor major seventh chord.
112 Question #83 Question: Given the harmonic minor scale in the key of D, derive the D minor major seventh chord.
113 Question #84 Question: Given the harmonic minor scale in the key of G, derive the G minor major seventh chord.
114 Question #85 Question: Given the harmonic minor scale in the key of C, derive the C minor major seventh chord.
115 Question #86 Question: Given the harmonic minor scale in the key of G, derive the G minor major seventh chord.
116 Question #87 Question: Given the harmonic minor scale in the key of D, derive the D minor major seventh chord.
117 Question #88 Question: Given the harmonic minor scale in the key of A, derive the A minor major seventh chord.
118 Question #89 Question: Given the harmonic minor scale in the key of E, derive the E minor major seventh chord.
119 Question #90 Question: Given the harmonic minor scale in the key of B, derive the B minor major seventh chord.
120 Question #91 Question: Given the harmonic minor scale in the key of Gb, derive the Gb minor major seventh chord.
121 Question #92 Question: Given the harmonic minor scale in the key of Db, derive the Db minor major seventh chord.
122 Question #93 Question: Given the harmonic minor scale in the key of Ab, derive the Ab minor major seventh chord.
123 Question #94 Question: Given the harmonic minor scale in the key of Eb, derive the Eb minor major seventh chord.
124 Question #95 Question: Given the harmonic minor scale in the key of Bb, derive the Bb minor major seventh chord.
125 Question #96 Question: Given the harmonic minor scale in the key of F, derive the F minor major seventh chord.
126 YOU WILL BE GIVEN THE MAJOR SEVENTH CHORD IN A KEY. DETERMINE THE MINOR MAJOR SEVENTH CHORD OF THAT KEY. Question: Given the Db major seventh chord, determine its minor major seventh chord.
127 Question #97 Question: Given the C major seventh chord, determine its minor major seventh chord.
128 Question #98 Question: Given the F major seventh chord, determine its minor major seventh chord.
129 Question #99 Question: Given the Bb major seventh chord, determine its minor major seventh chord.
130 Question #100 Question: Given the Eb major seventh chord, determine its minor major seventh chord.
131 Question #101 Question: Given the Ab major seventh chord, determine its minor major seventh chord.
132 Question #102 Question: Given the Db major seventh chord, determine its minor major seventh chord.
133 Question #103 Question: Given the Gb major seventh chord, determine its minor major seventh chord.
134 Question #104 Question: Given the B major seventh chord, determine its minor major seventh chord.
135 Question #105 Question: Given the E major seventh chord, determine its minor major seventh chord.
136 Question #106 Question: Given the A major seventh chord, determine its minor major seventh chord.
137 Question #107 Question: Given the D major seventh chord, determine its minor major seventh chord.
138 Question #108 Question: Given the G major seventh chord, determine its minor major seventh chord.
139 Question #109 Question: Given the C major seventh chord, determine its minor major seventh chord.
140 Question #110 Question: Given the G major seventh chord, determine its minor major seventh chord.
141 Question #111 Question: Given the D major seventh chord, determine its minor major seventh chord.
142 Question #112 Question: Given the A major seventh chord, determine its minor major seventh chord.
143 Question #113 Question: Given the E major seventh chord, determine its minor major seventh chord.
144 Question #114 Question: Given the B major seventh chord, determine its minor major seventh chord.
145 Question #115 Question: Given the Gb major seventh chord, determine its minor major seventh chord.
146 Question #116 Question: Given the Db major seventh chord, determine its minor major seventh chord.
147 Question #117 Question: Given the Ab major seventh chord, determine its minor major seventh chord.
148 Question #118 Question: Given the Eb major seventh chord, determine its minor major seventh chord.
149 Question #119 Question: Given the Bb major seventh chord, determine its minor major seventh chord.
150 Question #120 Question: Given the F major seventh chord, determine its minor major seventh chord.
151 Question #121 Question: Given the C major seventh chord, determine its minor major seventh chord.
152 Question #122 Question: Given the G major seventh chord, determine its minor major seventh chord.
153 Question #123 Question: Given the D major seventh chord, determine its minor major seventh chord.
154 Question #124 Question: Given the A major seventh chord, determine its minor major seventh chord.
155 Question #125 Question: Given the E major seventh chord, determine its minor major seventh chord.
156 Question #126 Question: Given the B major seventh chord, determine its minor major seventh chord.
157 Minor Major Seventh Chord QUICK REFERENCE ON MINOR MAJOR SEVENTH CHORDS Workbook 126 Answers
158 ANSWERS TO QUESTIONS 1 24
159 Answer #1 Answer #2
160 Answer #3 Answer #4
161 Answer #5 Answer #6
162 Answer #7 Answer #8
163 Answer #9 Answer #10
164 Answer #11 Answer #12
165 Answer #13 Answer #14
166 Answer #15 Answer #16
167 Answer #17 Answer #18
168 Answer #19 Answer #20
169 Answer #21 Answer #22
170 Answer #23 Answer #24
171 ANSWERS TO QUESTIONS 25 48
172 Answer #25 Answer #26
173 Answer #27 Answer #28
174 Answer #29 Answer #30
175 Answer #31 Answer #32
176 Answer #33 Answer #34
177 Answer #35 Answer #36
178 Answer #37 Answer #38
179 Answer #39 Answer #40
180 Answer #41 Answer #42
181 Answer #43 Answer #44
182 Answer #45 Answer #46
183 Answer #47 Answer #48
184 ANSWERS TO QUESTIONS 49 72
185 Answer #49 Answer #50
186 Answer #51 Answer #52
187 Answer #53 Answer #54
188 Answer #55 Answer #56
189 Answer #57 Answer #58
190 Answer #59 Answer #60
191 Answer #61 Answer #62
192 Answer #63 Answer #64
193 Answer #65 Answer #66
194 Answer #67 Answer #68
195 Answer #69 Answer #70
196 Answer #71 Answer #72
197 ANSWERS TO QUESTIONS 73 96
198 Answer #73 Answer #74
199 Answer #75 Answer #76
200 Answer #77 Answer #78
201 Answer #79 Answer #80
202 Answer #81 Answer #82
203 Answer #83 Answer #84
204 Answer #85 Answer #86
205 Answer #87 Answer #88
206 Answer #89 Answer #90
207 Answer #91 Answer #92
208 Answer #93 Answer #94
209 Answer #95 Answer #96
210 ANSWERS TO QUESTIONS
211 Answer #97 Answer #98
212 Answer #99 Answer #100
213 Answer #101 Answer #102.
214 Answer #103 Answer #104
215 Answer #105 Answer #106
216 Answer #107 Answer #108
217 Answer #109 Answer #110
218 Answer #111 Answer #112
219 Answer #113 Answer #114
220 Answer #115 Answer #116
221 Answer #117 Answer #118
222 Answer #119 Answer #120
223 Answer #121 Answer #122
224 Answer #123 Answer #124
225 Answer #125 Answer #126
Fundamentals Keyboard Exam
Fundamentals Keyboard Exam General requirements: 1. Scales: be prepared to play: All major and minor scales (including melodic minor, natural minor, and harmonic minor) up to five sharps and flats, ith
More informationHOW SCALES, KEY SIGNATURES, & ARPEGGIOS WORK www.tubapeter.com
1 HOW SCALES, KEY SIGNATURES, & ARPEGGIOS WORK www.tubapeter.com WHAT IS A SCALE? A scale is all the pitches that you can play in a key signature without playing any accidentals. The key of Bb is Bb and
More informationChords and Voicings Made Simple By: Sungmin Shin January 2012
Chords and Voicings Made Simple By: Sungmin Shin January 2012 I. Intervals An interval is the space between two notes. intervals of a 2nd, 3rd, 6th, and 7th can be diminished, minor, major, or augmented
More informationMMTA Written Theory Exam Requirements Level 3 and Below. b. Notes on grand staff from Low F to High G, including inner ledger lines (D,C,B).
MMTA Exam Requirements Level 3 and Below b. Notes on grand staff from Low F to High G, including inner ledger lines (D,C,B). c. Staff and grand staff stem placement. d. Accidentals: e. Intervals: 2 nd
More informationINTERVALS. An INTERVAL is the distance between two notes /pitches. Intervals are named by size and quality:
Dr. Barbara Murphy University of Tennessee School of Music INTERVALS An INTERVAL is the distance between two notes /pitches. Intervals are named by size and quality: Interval Size: The size is an Arabic
More informationMajor Scale Construction. The musical alphabet is just like the English one except we only go up to G. There is no H so you have to go back to A.
Major Scale Construction The musical alphabet is just like the English one except we only go up to G. There is no H so you have to go back to A. A B C D E F G A B C D E F G etc. Scales are a series of
More informationPREPARING TO STUDY JAZZ AT THE NEW ZEALAND SCHOOL OF MUSIC. The Jazz Theory Entrance Test 2010 STUDY GUIDE
PREPARING TO STUDY JAZZ AT THE NEW ZEALAND SCHOOL OF MUSIC The Jazz Theory Entrance Test 2010 STUDY GUIDE The Jazz Theory Entrance Test Study Guide Every concept that you will study in jazz theory, either
More informationExpanding Your Harmonic Horizons
2016 American String Teachers National Conference Expanding Your Harmonic Horizons Harmony Clinic for Harpists Presented By Felice Pomeranz Publications used as resources from Felice's Library of Teaching
More informationUkulele Music Theory Part 2 Keys & Chord Families By Pete Farrugia BA (Hons), Dip Mus, Dip LCM
This lesson assumes that you are using a ukulele tuned to the notes G, C, E and A. Ukulele Notes In lesson 1, we introduced the sequence of 12 notes, which repeats up and down the full range of musical
More informationHow to create bass lines
First rule: always memorize the melody of the song! Always. Always. Always. You should be able to sing and play it in the original key. If you really want to be totally extra, extra awesome, you will be
More informationGOSPELKEYS TM 202 MASTERING WORSHIP CHORDS TRANSCRIPTS SIDENOTES. www.hearandplay.com www.gospelkeys202.com. Minister Jermaine A.
GOSPELKEYS TM 202 MASTERING WORSHIP CHORDS TRANSCRIPTS & SIDENOTES www.hearandplay.com www.gospelkeys202.com Minister Jermaine A. Griggs, Author 1 INTRODUCTION Hello my friend, and welcome to Gospel Keys
More information7th Chord Scales (Scales that work for the 7th chords)
7th Chord Scales (Scales that work for the 7th chords) Ted Greene 1975, July 15 1) MIXOLYDIAN SCALE: This scale is a major scale with a b7th tone. Try making this alteration to your fingerings of the major
More informationLevel 3 Scale Reference Sheet MP: 4 scales 2 major and 2 harmonic minor
Level 3 Scale Reference Sheet MP: 4 scales 2 major and 2 harmonic minor 1. Play Scale (As tetrachord or one octave, hands separate or together) 2. Play I and V chords (of the scale you just played) (Hands
More informationMUSIC OFFICE - SONGWRITING SESSIONS SESSION 1 HARMONY
MUSIC OFFICE - SONGWRITING SESSIONS SESSION 1 HARMONY Introduction All songwriters will use harmony in some form or another. It is what makes up the harmonic footprint of a song. Chord sequences and melodies
More informationBi- Tonal Quartal Harmony in Theory and Practice 1 Bruce P. Mahin, Professor of Music Radford University
Bi- Tonal Quartal Harmony in Theory and Practice 1 Bruce P. Mahin, Professor of Music Radford University In a significant departure from previous theories of quartal harmony, Bi- tonal Quartal Harmony
More informationHow to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 Revised 4 September 2012
How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 Revised 4 September 2012 There are different forms of jazz improvisation. For example, in free improvisation, the player is under
More informationPiano Requirements LEVEL 3 & BELOW
Piano Requirements LEVEL 3 & BELOW Technical Skills: Time limit: 5 minutes Play the following in the keys of F, C, G, D, A, E, B: 1. Five-note Major scales, ascending and descending, hands separate or
More informationLearning to play the piano
Learning to play the piano INTRODUCTION TO THE KEYBOARD... 2 STEPPING UP... 2 TREBLE SPACES... 7 BASS SPACES... 9 TIME SIGNATURE... 12 UP AND DOWN THE HILLS... 15 UP AND DOWN THE HILLS IN G MAJOR... 16
More informationAs Example 2 demonstrates, minor keys have their own pattern of major, minor, and diminished triads:
Lesson QQQ Advanced Roman Numeral Usage Introduction: Roman numerals are a useful, shorthand way of naming and analyzing chords, and of showing their relationships to a tonic. Conventional Roman numerals
More informationFoundation Course. Study Kit No 1. Away In A Manger
Foundation Course Study Kit No 1 Away In A Manger Reharmonization Study Kit No. 1 Away In A Manger Author: Rosablanca Suen Web: www.learnpianowithrosa.com Email: Rosa@LearnPianoWithRosa.com Cover Design:
More informationHow To Improvise a Solo A Workshop for Beginners
1 How To Improvise a Solo A Workshop for Beginners 10:00-10:30 am Arrival, Setup and Performance 10:30 to 12:00 pm Interactive Workshop 12:00 to 12:30 Lunch 12:30 to 2:00 pm Workshop 2:00 tp 3:30 pm Open
More informationKeyboard Basics. By Starling Jones, Jr. http://www.starlingsounds.com& http://www.smoothchords.com
Keyboard Basics By Starling Jones, Jr. In starting on the piano I recommend starting on weighted keys. I say this as your fingers will be adjusted to the stiffness of the keys. When you then progress to
More informationInternet Guitar Lessons Video and Lesson Content
Internet Guitar Lessons Video and Lesson Content Backing Tracks Creating Backing Tracks Improvising over Chord Changes 6 - Backing Track Studio Session Gear Rundown Virtual Gig Part 1 Virtual Gig Part
More informationAt the piano; learning a natural hand position; the steady beat; pre-reading: two black keys Learning finger numbers, posture, and arm weight;
PREPARATORY 0 1 At the piano; learning a natural hand position; the steady beat; pre-reading: two black keys Learning finger numbers, posture, and arm weight; pre-reading: three black keys; double bar
More informationGuitar Rubric. Technical Exercises Guitar. Debut. Group A: Scales. Group B: Chords. Group C: Riff
Guitar Rubric Technical Exercises Guitar Debut In this section the examiner will ask you to play a selection of exercises drawn from each of the three groups shown below. Groups A and B contain examples
More informationCrash Course in Music Theory for Guitarists by Andy Drudy
Crash Course in Music Theory for Guitarists by Andy rudy An in-depth knowledge of music theory is essential for any musician. Learning the ropes so-to-speak, will rapidly expand your insight into you own
More informationAdding a diatonic seventh to a diminished leading-tone triad in minor will result in the following sonority:
Lesson PPP: Fully-Diminished Seventh Chords Introduction: In Lesson 6 we looked at the diminished leading-tone triad: vii o. There, we discussed why the tritone between the root and fifth of the chord
More informationÜ F F F F F F : F F ÜF H H H H H ÜH H H H HÜH. : H r H H HH H H. H H H H r Ü H CHORDS FROM SCALES
CHORDS ROM SCALES This tutorial is all about making chords out of scales. irst step is to catch a fish - not any old fish but a musical one. A bass, for instance. Not really. Read on. CHORDS ROM SCALES
More informationAn Introduction to Chords
1 An Introduction to Chords by David Gilson A chord is the musical sound produced by playing a number of notes at the same time. The sound of the chord is different depending on the key you are playing
More informationJim Hall Chords and Comping Techniques
Jim Hall Chords and Comping Techniques Jazz guitar comping is an art form in its own right. The comping rhythms, melodies, and voicings of the greatest Jazz guitarists are delightful to listen to, with
More informationA MUSICAL APPROACH TO LEARNING THE BANJO NECK
A MUSICAL APPROACH TO LEARNING THE BANJO NECK Introduction One of the things that has become clear to me, after a number of years of playing banjo, is that if I have any hope of improvising creatively
More informationMusic Theory Unplugged By Dr. David Salisbury Functional Harmony Introduction
Functional Harmony Introduction One aspect of music theory is the ability to analyse what is taking place in the music in order to be able to more fully understand the music. This helps with performing
More informationIntroduction to Chords For Jazz Band
Introduction to Chords For Jazz Band First, let s start with a major scale and review the scale degrees. We refer to the distance between two notes as an interval, and an interval has two aspects: the
More informationEveryone cringes at the words "Music Theory", but this is mainly banjo related and very important to learning how to play.
BLUEGRASS MUSIC THEORY 101 By Sherry Chapman Texasbanjo The Banjo Hangout Introduction Everyone cringes at the words "Music Theory", but this is mainly banjo related and very important to learning how
More informationBasic Music Theory. Reading Different Clefs
1 Basic Music Theory Reading Different Clefs The most commonly used clefs are the treble and bass. The ability to read both of these clefs proficiently is essential for Leaving Cert. Music. Clef reading
More informationLecture Notes on Pitch-Class Set Theory. Topic 4: Inversion. John Paul Ito
Lecture Notes on Pitch-Class Set Theory Topic 4: Inversion John Paul Ito Inversion We have already seen in the notes on set classes that while in tonal theory, to invert a chord is to take the lowest note
More informationMusic Theory IV. Final Exam. All Chapters H&VL. Prof. Andy Brick. I pledge my honor that I have abided by the Stevens Honor System.
Music Theory IV Final Exam All Chapters H&VL Prof. Andy Brick I pledge my honor that I have abided by the Stevens Honor System. 04/08/08 Due Week of, May 04 2008 Due Week of April 13: Exposition & Development
More informationevirtuoso-online Lessons
evirtuoso-online Lessons Chords Lesson 3 Chord Progressions www.evirtuoso.com Chord Progressions are very popular and a strong foundation for many instruments and songs. Any chords combined together in
More informationLesson DDD: Figured Bass. Introduction:
Lesson DDD: Figured Bass Introduction: In this lesson you will learn about the various uses of figured bass. Figured bass comes from a Baroque compositional practice in which composers used a numerical
More informationStudents' guide: Area of study 1 (The Western classical tradition 1650-1910)
Students' guide: Area of study 1 (The Western classical tradition 1650-1910) This resource gives students a breakdown of Haydn's Symphony 101 in D major 'The Clock' movt. 2. It also offers guidance on
More informationGEORGE GOODMAN S HARMONICA CHEAT SHEET By George Goodman. Copyright 2014 George Goodman GeorgeGoodman.com 2 nd Edition, License Notes
GEORGE GOODMAN S HARMONICA CHEAT SHEET By George Goodman Copyright 2014 George Goodman GeorgeGoodman.com 2 nd Edition, License Notes Thank you for downloading this free ebook. Although this is a free book,
More informationHow to Read Music Notation
How to Read Music Notation The New School of American Music IN JUST 30 MINUTES! C D E F G A B C D E F G A B C D E F G A B C D E F G A B C D E F G A B C D E 1. MELODIES The first thing to learn about reading
More informationThe Chord Book - for 3 string guitar
The Chord Book - for 3 string guitar Prepared for: 3 string fretted cbg Prepared by: Patrick Curley Forward This short ebook will help you play chords on your 3 string guitar. I m tuned to G, if you re
More informationMusic Fundamentals 5: Triads, Chords, Introduction to Roman Numerals. Collection Editor: Terry B. Ewell
Music Fundamentals 5: Triads, Chords, Introduction to Roman Numerals Collection Editor: Terry B. Ewell Music Fundamentals 5: Triads, Chords, Introduction to Roman Numerals Collection Editor: Terry B.
More informationCuban Tres Guitar Chord & Scale Book
Cuban Tres Guitar Chord & Scale Book Written by: Rudy Furlan Copyright 2004 This E-book will explain how to tune your C Cuban Tres Guitar and show you how to finger chords and play scales. It is designed
More informationJazz Guitar Chord Construction Thelonious Monk Institute of Jazz Online Jazz Handbook
Jazz Guitar Chord Construction Thelonious Monk Institute of Jazz Online Jazz Handbook welcome to the guitar chapter of the Thelonious Monk Institute of Jazz s Online Jazz Handbook! A guitarist in a jazz
More informationThe Tuning CD Using Drones to Improve Intonation By Tom Ball
The Tuning CD Using Drones to Improve Intonation By Tom Ball A drone is a sustained tone on a fixed pitch. Practicing while a drone is sounding can help musicians improve intonation through pitch matching,
More informationMU 3323 JAZZ HARMONY III. Chord Scales
JAZZ HARMONY III Chord Scales US Army Element, School of Music NAB Little Creek, Norfolk, VA 23521-5170 13 Credit Hours Edition Code 8 Edition Date: March 1988 SUBCOURSE INTRODUCTION This subcourse will
More informationb 9 œ nœ j œ œ œ œ œ J œ j n œ Œ Œ & b b b b b c ÿ œ j œ œ œ Ó œ. & b b b b b œ bœ œ œ œ œ œbœ SANCTICITY
SANCTICITY ohn Scofield guitar solo from the live CD im Hall & Friends, Live at Town Hall, Volumes 1 & 2 azz Heritage CD 522980L Sancticity, a tune by Coleman Hawkins, is based on the same harmonic progression
More informationGRADE THREE THEORY REVISION
GRADE THREE THEORY REVISION Note Pitches Use flashcards to make sure you know all your notes including leger lines. Whenever you name a note remember to check the clef, keysignature, and for accidentals
More informationSVL AP Music Theory Syllabus/Online Course Plan
SVL AP Music Theory Syllabus/Online Course Plan Certificated Teacher: Norilee Kimball Date: April, 2010 Stage One Desired Results Course Title/Grade Level: AP Music Theory/Grades 9-12 Credit: one semester
More informationThe Basic Jazz Guitar Chord Book
The Basic Jazz Guitar Chord Book By Dirk Laukens / January 25, 2005 Hello and welcome to the basic jazz guitar chord book, brought to you by www.jazzguitar.be. How are guitar chords built? What makes a
More informationSwing & Jump Blues Guitar Matthieu Brandt
Swing & Jump Blues Guitar Matthieu Brandt Goto www.swingblues.com for more on Swing and Jump Blues Guitar. 1997-2016 No part of this material (book/cd/website) may be reproduced in any way without prior
More informationHow to Play Chords on your Mountain Dulcimer tuned DAd
How to Play Chords on your Mountain Dulcimer tuned DAd (or Surviving in a Multi-Instrument Jam) by Missy Strothers If you are like me, sooner or later you ll get into a festival situation where you ll
More informationHow To Determine Chords for Mountain Dulcimer Playing (How The Person Who Wrote the Chord Book Figured It Out)
How To Determine Chds f Mountain Dulcimer Playing (How The Person Who Wrote the Chd Book Figured It Out) by Roger Huffmaster Did you ever wonder how the person who wrote the mountain dulcimer chd chart
More informationMUSIC THEORY BASICS. Introduction
MUSIC THEORY BASICS Introduction o Welcome to the fascinating world of music theory in EZkeys and in real life. On the following pages you will be taking a guided tour through the basic principles applied
More informationMusic Theory. Basic Level
Music Theory Basic Level June 2005 Introduction... 3 Intervals... 4 Theory... 4 Usage... 5 Chords... 7 Theory... 7 Triads... 8 Four-note chords... 8 Usage... 8 The Major Scale... 10 Theory... 10 Usage...
More informationPerfect Pitch Versus Relative Pitch Tutorial
1 Perfect Pitch Versus Relative Pitch Tutorial By Jay Graydon I offer this tutorial gratis for the San Luis Obispo County and LA County schools music departments. Please feel free to share with other schools
More informationTonic- The main pitch in tonal music, and also the first (and last) letter of a major or minor scale.
Scale- A scale is a series of pitches in ascending order, such as D E F G A B C D. There are many kinds of scales, which differ in how many different pitch names they use, and in the pattern of steps they
More informationRomantic and impressionist harmony
Romantic and impressionist harmony Thanks to Ward Meijer amd Walther Pondman, students at the ArtEZ Conservatorium Netherlands, for their inspiration and critical remarks. In this short tet, I will provide
More informationIntervals Harmony Chords and Scales. Workbook
Intervals Harmony Chords and Scales Workbook Introduction In writing this book I was able to make many discoveries for myself both in methods of teaching and basic use of music theory. In every discipline
More informationGUITAR THEORY REVOLUTION
GUITAR THEORY REVOLUTION The Major and Minor Pentatonic Scales Copyright Guitar Theory Revolution 2011 1 Contents Introduction 3 What are the Major and Minor Pentatonic Scales 3 Diagrams for all the Pentatonic
More informationPage 1 of 36. Companion Workbook. 2005 leadworship.com
Page 1 of 36 Companion Workbook Page 2 of 36 Glossary of Terms: Chord: A combination of 3 or more notes that blend harmoniously when sounded together. Chord Scale: All of the chord combinations that naturally
More informationDeveloping a cohesive walking bass line 2005 Eric Elias
Developing a cohesive walking bass line 00 Eric Elias Developing a walking bass lines is a subject that many of my students (guitarists and bassists alike) have been interested in. If you are a jazz player,
More informationBeautiful Simple Guitar Chord Progressions
Beautiful Simple Guitar Chord Progressions The purpose of beautiful simple guitar chord progressions is to present guitar mechanisms as simply as possible. Using mostly three finger chords beautiful guitar
More informationSample of Version 2.0 of Swing & Jump Blues Guitar
The Charlie Christian Approach Charlie Christian (1916 1942) was one of the first real swing guitar players that had a lasting influence on all other swing and jump guitar players after him. Even more
More informationMAKING YOUR LINES SOUND MORE LIKE JAZZ!
MAKING YOUR LINES SOUND MORE LIKE JAZZ! BY ALISDAIR MACRAE BIRCH One of the common questions asked by jazz guitar students is, How do I make my lines sound more like jazz? or Why do my improvised lines
More informationUKULELE CHORD SHAPES. More Strumming, Less Memorizing BRAD BORDESSA
UKULELE CHORD SHAPES More Strumming, Less Memorizing BRAD BORDESSA TABLE OF CONTENTS GRATITUDES 2 9th 26 13th 26 INTRODUCTION 3 Altered 27 HOW TO USE THIS BOOK 4 Suspended 2 28 The Fingerboard 5 Suspended
More informationMu2108 Set Theory: A Gentle Introduction Dr. Clark Ross
Mu2108 Set Theory: A Gentle Introduction Dr. Clark Ross Consider (and play) the opening to Schoenberg s Three Piano Pieces, Op. 11, no. 1 (1909): If we wish to understand how it is organized, we could
More informationKEYBOARD BENCHMARKS First Part
KEYBOARD BENCHMARKS First Part Practice Materials and Study Guide 2 nd Edition Compiled by the Ave Maria University Department of Music 2010. All rights reserved. 2 Contents RATIONALE AND SCHEMAE FOR THE
More informationPlaying Chromatic Music on Mountain Dulcimer in 1-3-5 Tuning
Playing Chromatic Music on Mountain Dulcimer in 1-3-5 Tuning By Rob Brereton The sentence I dread hearing when I talk to mountain dulcimer players is, There ain t no notes on a dulcimer, you just play
More informationLEFT HAND CHORD COMBINING ON THE ACCORDION
LEFT HAND CHORD COMBINING ON THE ACCORDION The standard Stradella bass system on the accordion only provides four chord types: Major, minor, 7-th and diminished. It's possible to play other chords by using
More informationwww.migu-music.com Michael Gundlach DOWNLOAD PDF FILE WALKING BASS for Piano An easy method for creating Walking Bass Lines on Piano
www.migu-music.com Michael Gundlach DOWNLOAD PDF FILE WALKING BASS for Piano An easy method for creating Walking Bass Lines on Piano Table of Contents 3 Explanation of the Contents 5 Introduction to the
More information2012 Saskatchewan Curriculum. Jazz Theory. To Accompany Instrumental Jazz 10, 20, 30
2012 Saskatchewan Curriculum To Accompany Instrumental Jazz 10, 20, 0 ISBN 98-1-10-06-2 1. Arts education (Secondary school) - Saskatchewan - Curricula. 2. Competency-based education - Saskatchewan. Saskatchewan.
More informationImportant Rules for 4-Part Progressions
Imptant Rules f 4-Part Progressions In general, some theists (including Ottman and myself) try to spend most of our time telling you what to do rather than what not to do. If you internalize all of our
More informationTable of Contents. Interlude: Terminology; Drop 2 and Drop 3 Voicing 57 More droppings? An explanation of some common terms.
1 Table of Contents Introduction: Theory, Triads and Terminology. 3 Understand the building blocks of chords. Learn the often inconsistent jargon associated with playing jazz chords. Section 1: Functional
More informationApproaches to Arranging: Developing Harmony by Artemus
Approaches to Arranging: Developing Harmony by Artemus The starting point of any adventure in producing an arrangement would be to have a good idea on what you wish to achieve. What is the purpose of your
More informationPERPETUAL MOTION BEBOP EXERCISES
PERPETUAL MOTION BEBOP EXERCISES Jason Lyon 2007 www.opus28.co.uk/jazzarticles.html Bebop is much more than just one particular style, it is pretty much the grammar of modern jazz, and bebop licks are
More informationSlash Chords: Triads with a Wrong Bass Note?
patrick schenkius Slash Chords: Triads with a Wrong Bass Note? In this article the phenomenon slash chord is being examined by categorizing almost all of them and the way these chords function inside the
More informationStandard 1: Skills and Techniques 1
1 Standard 1: Skills and Techniques 1 CB.1.1 Instrument Knowledge Skills CB.1.1.1 Instrument in good playing condition- including proper assembly, reed care, and cleaning. CB.1.2 Playing Posture Skills
More informationThe DADGAD Chord Primer: How to Build Chords in DADGAD Tuning. Version 2.2. By: Mark Parnis www.markparnis.com mark@markparnis.com
The DADGAD Chord Primer: How to Build Chords in DADGAD Tuning Version 2.2 By: Mark Parnis www.markparnis.com mark@markparnis.com DADGAD is essentially a variant on open D tuning, DADF # AD. The subtle
More informationHarmony Review Follow up: This harmony test has 36 questions. - - - - - Section I: Terms (8 questions)
Harmony Review Follow up: This harmony test has 36 questions. Section I: Terms (8 questions) From what we covered last Wednesday, you should be fine on this if you know the terms on the first section of
More informationPitch Class Sets [0,1,4] [0,1,4]
Pitch Class Sets Paul Nelson - Revised: // Pitch Class Sets are a method for describing harmonies in th century music. These notations and methods can describe and manipulate any type of chord that can
More informationModulation to Any Key
Modulation to Any Key by James M. Stevens In this exercise, I am demonstrating how to modulate from the key of C to any key. Most pianists are comfortable changing keys that move up a half step, whole
More informationToday, Iʼd like to introduce you to an analytical system that Iʼve designed for microtonal music called Fractional Set Theory.
College Music Society Great Lakes Regional Conference Chicago, IL 2012 1 LECTURE NOTES (to be read in a conversational manner) Today, Iʼd like to introduce you to an analytical system that Iʼve designed
More informationStudent Learning Guide to Pierre La Plante s American Riversongs. This guide belongs
Student Learning Guide to Pierre La Plante s American Riversongs This guide belongs to 2 CONTENTS Learning Goals 3 Assignments 3 Historical Notes 4 Practice Guide 7 Creative Project 10 Optional Band Project
More informationUNDERGRADUATE MUSIC THEORY PLACEMENT TEST INFORMATION
UNDERGRADUATE MUSIC THEORY PLACEMENT TEST INFORMATION The theory placement test is designed to determine whether you are ready to enroll in MUS 121 (Music Theory I) or whether you must first take MUS 120
More informationBard Conservatory Seminar Theory Component. Extended Functional Harmonies
Bard Conservatory Seminar Theory Component Extended Functional Harmonies What we have been referring to as diatonic chords are those which are constructed from triads or seventh chords built on one of
More informationGetting Started with 4-part Harmony
Getting Started with 4-part Harmony Some of you have already written chord progressions in a previous theory class. However, it is my experience that few students come to college with the ability to consistently
More informationPlaying By Ear Who Can Play By Ear?... 2 How To Play By Ear... 3 Happy Birthday To You (By Ear)... 4 Match Tones... 5 Add Chords...
Playing By Ear Who Can Play By Ear?... 2 How To Play By Ear... 3 Happy Birthday To You (By Ear)... 4 Match Tones... 5 Add Chords... 6 Allcanplay TM Piano * MaxLearning.Net 2009 * Playing By Ear * 4/6/2009
More informationHow to Practice Scales
How to Practice Scales Step #1). Make a 5-Day Practice Plan In order to cycle through as many areas of scale practice as possible (and not get bored) it is important to have a plan. Your plan should cover
More informationA BRIEF GUIDE TO PIANO FOURTH VOICINGS
A BRIEF GUIDE TO PIANO FOURTH VOICINGS INTRODUCTION This article is intended to give you a basic command of the most useful piano chords voiced in fourths (also known as quartal voicings ). This sound
More informationGuitar Reference. By: Frank Markovich
Guitar Reference By: Frank Markovich Guitar Reference Introduction The purpose of this book is to give the student the reference materials for learning how to play the guitar. In this book you will find
More informationMusic, Grade 11, University/College Preparation (AMU3M)
Music, Grade 11, University/College Preparation (AMU3M) This course emphasizes the appreciation, analysis, and performance of various kinds of music, including baroque and classical music, popular music,
More informationMusician Transformation Training SONG SOLIDITY
Musician Transformation Training SONG SOLIDITY This training will cover key techniques and insights that will ensure you get the most out of the Song Station program, which covers Song Solidity concepts.
More informationFIGURED-BASS NOTATION
MU 182: Theory II R. Vigil FIGURED-BASS NOTATION General In common-practice tonal music, chords are generally understood in two different ways. On the one hand, they can be seen as triadic structures emanating
More informationTutorial 1J: Chords, Keys, and Progressions
Tutorial 1J: Chords, Keys, and Progressions Welcome! In this tutorial you ll learn how to: Other Level 1 Tutorials 1. Relate chords with keys 1A: Virtual Practice 2. Use basic blues progressions & blues
More informationBanjo Basics For Standard G Tuning
Banjo Basics For Standard G uning by D.A. Jacobs his text is distributed free of charge o all Banjo Students D.A.Jacobs 2004 All Rights Reserved Why his ext? When I first decided to learn banjo I had one
More informationReharmonizations and Substitutions
Reharmonizations and Substitutions 7 th chords and scale harmonization Reharmonizing: Substituting chromatic chords within the iii vi ii V I progression For the sake of variety, coloration and creativity,
More information