Information for Educators

Similar documents
Speaking and Listening Materials

Identity Box: Fred Wilson

contents Introduction page 2 Documentary page 3 Types of documentary page 4 Narrative page 5 Expectations page 6 Observational documentary page 7

This activity will work best with children in kindergarten through fourth grade.

Picture games. 1. What do you see? A picture says a thousand words and the camera does not lie - or does it? Instructions

Cartooning and Animation MS. Middle School

FILMS AND BOOKS ADAPTATIONS

New Jersey Core Curriculum Content Standards for Visual and Performing Arts INTRODUCTION

Starting point for theatrical production Entity that remains intact after production Blueprint for production or for reader s imagination

A. What is a play? B. What are basic elements of a play script? C. What kind of character does your group wish to write about?

The Employment of PERFORMERS WITH DISABILITIES in the Entertainment Industry

Lesson Plan Identifying the Components of a Commentary. Objectives

TO WRITING AND GIVING A GREAT SPEECH. A Reference Guide for Teachers by Elaine C. Shook Leon County 4-H

EXAMS Leaving Certificate English

Race, Gender, Sexuality, Ethnicity, Age, Socioeconomic background

KNOWing Tobacco and the Media Deconstructing Tobacco Advertising

What is your name? Do you think it reveals something about your identity and where you come from? If so, what does it reveal?

North Carolina Essential Standards Kindergarten Theatre Arts. Communication. Analysis. Aesthetics

Laugh at your fear of Public Speaking ~ Give an Icebreaker Speech!

HACKETTSTOWN, NEW JERSEY. Computer Animation Grades CURRICULUM GUIDE FINAL DRAFT. July 2014

The Life Story Interview

SECTION 5 TEST III (WRITING) SAMPLE CONSTRUCTED- RESPONSE ASSIGNMENT

TWAS THE NIGHT BEFORE CHRISTMAS STUDY GUIDE

Scheme of Work Unit Four Section C Shakespeare

Hints and tips on how to get the most out of the performance. Book 4. Acting tips

Executive Summary. Seven-year research project conducted in three phases

The Cultural Plunge: Cultural Immersion as a Means of Self-Awareness and Cultural Sensitivity among Students Teachers. Presented By William Foley

Units of Study 9th Grade

xxx Lesson Comprehend the writing process 2. Respond positively to the writing process

Authority versus Power by Melissa McDermott

What qualities are employers looking for in teen workers? How can you prove your own skills?

Arachne versus Athene Introduce Me and Drama Activities

INTRODUCTION 2 WORKPLACE HARASSMENT

Your final grade will be the sum of all your scores. The scale for each grading period for your reading grade is as follows:

Starting a Booktalk Club: Success in Just 12 Weeks!

Woolgrove School. Early Years Foundation Stage Policy.

Grade 7: Module 3A: Unit 2: Lesson 1 Introducing the Narrative Arc: The Last Day of Slavery

La Haine. Despite all this, audiences loved it and ten years later a special anniversary edition has been released at the cinema.

Lesson 5 From Family Stress to Family Strengths

MAKING MARTIN LUTHER KING JR S DREAM A REALITY

Gender: Participants define gender and discuss ways it influences their lives.

101 IELTS Speaking Part Two Topic cards about sports, hobbies and free time A- Z

Speed-dating lesson: Student worksheet

Storytelling Tips for RPCVs

Maryland 4-H Public Speaking Guide

Companion Animals Amphibians & Reptiles Cats Dogs Horses Veterinary Science

Movie Night: You Be the Critic!

D36. Core Analysis Frame: Poetry. Examine Content. Examine Form and Structure. (continued on page D37)

James is a five year old boy and spends his days at the. spends time with each individually. One of activities James loves is to sit down on the

Using sentence fragments

Animals that move slowly, animals that move quickly

The Respectful Workplace: You Can Stop Harassment: Opening the Right Doors. Taking Responsibility

Art Models and Figure Drawing

Integrated Skills in English ISE II

VI TRAINING AND RETAINING VOLUNTEERS

Why I want to be a Doctor

Lesson Plan: Citizenship

1. imagery 2. plot 3. foreshadowing. 10. structure 11. symbol 12. narrative. 13. motif 14. conflict 15. theme

Expeditionary Learning at King Middle School. June 18, 2009

Lesson Effective Communication Skills

Gifted Middle School Summer Reading Animal Farm

Executive Summary. Thomas A. Edison High School. Patrick J Maguire 9020 SW Beaverton-Hillsdale Hwy Portland, OR

Standard 1: Learn and develop skills and meet technical demands unique to dance, music, theatre/drama and visual arts.

School Bullying Survey

Ten Tips for Facilitating Classroom Discussions on Sensitive Topics

Writing a Scholarship Essay. Making the essay work for you!

Exploring Media. Time. Activity Overview. Activity Objectives. Materials Needed. Trainer s Preparation. 30 minutes

INSPIRE A SHARED VISION

Lost For Words This article originally appeared in Special Children magazine, Issue 191, October 2009

Thought for the Day Master Lesson

Jefferson Township Public Schools. Technology Curriculum. Video Production II: Television Studio. Grades 10, 11 & 12. August 2011

Video: The Next High-Impact Marketing Tool for Attorneys. May 29, 2008

Set Your School Apart.

Classroom Toolkit for National Bullying Prevention Awareness Week

Connecting America s Youth to Nature

Poetry to Play Creating a Dramatic Scene from a Chapter of The Odyssey Lesson Plan

USEFUL TERMS Crowdfunding getfunding.com.au Rewards Keep It All Campaigns All or Nothing Campaigns

D24. Core Analysis Frame: Fiction. Examine Setting. Analyze Characters. Examine Plot. (continued on page D25)

This document has been produced to support the development of effective questioning and dialogue between teacher and pupils.

CAHPS Hospice Survey

Job interview. The. a concise guide to preparing for the Employment Interview Process

Cambridge English: Preliminary (PET) Frequently Asked Questions (FAQs)

ADVANCED COMMUNICATION SERIES STORYTELLING. Assignment #1: THE FOLK TALE

WSESU English Language & Literature Curriculum Framework

Course Syllabus. AAD 252: Art and Gender

There s a Boy in the Girls Bathroom by Louis Sachar

Diversity & Inclusion

LifeSmarts Safety Smart Ambassador Program PowerPoint Discussion Notes

a. Identify physical qualities that might reveal a character s inner traits in the imagined world of a drama/theatre work.

Letter from the Editor-in-Chief: What Makes an Excellent Professor?

THE SIX STAGES OF PARENTHOOD

Creating a Short Story

Grade 4 Writing Curriculum Map

Communication Process

BEFORE SEEING THE FILM

Learning about History through Corridos Lesson 1: Telling our own stories through Corridos

TEACHER S GUIDE BIG IDEAS SIMPLY EXPLAINED THE VISUAL GUIDE TO UNDERSTANDING SHAKESPEARE. Aligned with the Common Core standards by Kathleen Odean

Digital Citizenship: Etiquette. My Online code & Breaking Down Hate Speech Grades 9-12

Fifth Grade English Language Arts Learning Goals for 3 rd 9- Weeks

Student s Guide To Interviewing..

Transcription:

Information for Educators Summary of the Show: N*GGER WETB*CK CH*NK (or N*W*C) is a 90- minute stage show that tells the real- life stories of three young men from different ethnic backgrounds to deconstruct notions of race in contemporary American culture. Drama, hip hop, slam poetry, and stand- up comedy are intermingled to communicate the show s overall message: There s only one race: the human race. The three original cast members and co- creators met and became best friends while in community college. The show was developed after they transferred to UCLA - largely in response to challenges they faced as performers of color. Before they graduated, the show had a six week professional run in Los Angeles which was followed by a seven year national tour. N*W*C, as it is often called, has been performed on more than 150 college campuses and was a featured performance at the 2007 National Conference on Race and Ethnicity. A post show Q&A session with the cast will be held immediately following the performance. Show Themes and Topics: Ethnic Identity: Early childhood experiences of first discovering ethnic classifications Accusations of talking white Perceptions of Asian- Americans as the model minority Emasculation of the Asian- American male Machismo expectations for Latino males Perception of African American males as being threatening/violent Assimilation strategies and passing Cultural appreciation and pride Stereotyping and the Impact of Stereotypes: Inherent nature of stereotypes Origin of racial stereotyping Fear of rioting by minority groups Immigration: Living illegally in the United States Immigrants taking jobs away from other groups of people Contributions of immigrants to the US culture and economy Impact of illegal immigration on young children brought into the country by their parents

Media Representation: Lack of representation of minorities Misrepresentation of minorities Effect of the media s representation of minorities on young children Language/Racial Slurs: The power of language The prevalence of hate speech The origins of the words nigger, wetback, and chink How the context in which we use language can vastly alter its meaning Web Resources: Project Website www.nwclive.com New York Times Feature Article http://www.nytimes.com/2007/06/09/theater/09race.html?_r=0 Los Angeles Times Review http://articles.latimes.com/2007/jul/09/entertainment/et- nwc9 National Hispanic Media Coalition Interview https://www.youtube.com/watch?v=j61lghg3cbo

N*W*C Discussion Questions, Activities and Assignments State of California Grades 9-12 Language advisory: this show contains significant usage of the three racial slurs in the title (N*GGER WETB*CK CH*NK). As a major focus of the play, the use of the words in educational, media and personal settings is discussed throughout the performance. A few carefully placed additional swear words are also used during the performance. Discussion and/or reflective writing prompts for students who have attended a performance of N*W*C: Is it ever appropriate to use the words that constitute the title of this show? Do you think people of other ages, ethnicities, or from other parts of the country or world would answer the previous question differently than you? Why? What was the impact of those words on each of the main characters (Rafa, Jackson and Dion)? These words are not the only ones of this kind in our culture, or in other cultures. Why do you think words like these are created and used within a society? The characters in the show describe the moment in their childhood when they first realized they are not white in the eyes of others. What are some of the ways people outside the play discover their own ethnic or cultural identity? Rafa describes feeling a strong childhood sense of identity as an American despite the fact that he was undocumented in this country. What experiences challenge that identity? Jackson is bullied by students in Atlanta because he does not speak and dress in an expected way. In what ways does he adapt his personal expression to better fit in? How are those changes perceived when he moves back to Los Angeles? This is not a traditional play in the sense that the performers portrayed themselves (at a variety of ages) as well as multiple other characters. Were you able to keep track of all these characters throughout the performance? What techniques were used to help the audience differentiate among the multiple characters? Humor is used throughout this performance in a number of different ways even though some very serious issues are discussed. Why do you think the creators of the show chose to use so much humor? In what ways was it effective? Did you find any of it to be ineffective? The play argues that, There is only one race the human race. Do you agree? Do you think the authors intended that more as a statement of fact, or a philosophy they would like to see in the world?

Class Activity inspired by N*W*C: LIST GAME Requirements: Video projection ability and Internet. Students need: Paper and a pencil. Time: Approximately 40 minutes for a group of 20 students. One of the most controversial (and popular) scenes in N*W*C is called List Game. In this scene the performers list stereotypes that are commonly associated with people of their cultural background by theme (such as foods, jobs, and means of transportation). Show the following two- minute List Game scene to the class. It is available at: https://www.youtube.com/watch?v=12crpigm9vs Note: You can stop the clip at 1:57 if you feel the big penis lines are not appropriate for your class. Write this definition of a stereotype on the board for students to consider. Stereotype: an idea or image that many people hold of a particular type of person, but which is often not true in reality. Ask students to choose an aspect of their identity for which others may hold stereotypical beliefs. This could include age, ability, sexual identity, religious belief, club membership or hobby, or of course cultural or ethnic identity. Students should then be prompted to write one or two stereotypes that others might hold about them for each item in the following list. The instructor will read each out loud and wait about 30 seconds to one minute before moving on. If students don t have a response they may skip that item. 1. Foods 2. Clothing 3. Way of speaking 4. Careers 5. Type of pet 6. Hairstyle After the writing portion, put students in groups of 3-4 and ask them to compare their results and then create a short list game performance of their own for three of the listed categories. It should include saying the phrase list game together at the start and acting out the stereotypes once category at a time. Note: it may be helpful to review the video again at this time as a model for their performances. Students will need about 15 minutes to discuss and prepare their short scenes. Class performances will take about 5 minutes. After all groups have performed, ask the students to reflect in a class discussion about how it felt to perform their stereotypes. Did any students find it difficult to share? Did any find the exercise empowering?

Journal Assignment in Response to N*W*C: The authors of this play created the show through a process that involved writing journal- style narratives about their experiences. They met weekly to agree on a theme and then split up to write highly personal stories in the selected theme in as much detail as they could remember. Replicate the first four writing assignments that the creators of N*W*C used to create their show by writing four journal entries of approximately 2-3 pages each. Each should take the form of a story. Each prompt asks about a moment of personal realization or discovery. This should be the climax of your story. Start your story before that moment, and walk us through key events that led up to it. Add details to give dimension to the characters, setting, and emotions of the story. End with a short conclusion about how your life changed after that moment. The Four Writing Assignments: 1) When was the first time you remember feeling different than people around you, like an other? 2) Did you ever do anything to try and fit in; to be like everyone else? 3) When was the first time you realize you had an ethnic identity? 4) Do you feel like you are represented in media (ie. film, TV)? Why or why not? These entries could be assigned over a period of days or weeks and should conclude with sharing the stories out loud in small groups. Activities were designed to assist in meeting expectations content standards of the California State Board of Education (www.cde.ca.gov), including: California Content Standards for Visual And Performing Arts 1.0 ARTISTIC PERCEPTION 4.0 AESTHETIC VALUING/Responding to, Analyzing, and Critiquing Theatrical Experiences 5.0 CONNECTIONS, RELATIONSHIPS, APPLICATIONS Guiding Principles of the Arts Content Standards: Learning through active practice, rehearsal, and creation or performance of works in the arts / Reflecting on the arts in thoughtful essay or journal writing on one s observations, feelings, and ideas about the arts / Participating in arts criticism on the basis of observation, knowledge, and criteria California Common Core State Standards for English Language Arts Stated goals for all students: They come to understand other perspectives and cultures. Students appreciate that the twenty- first- century classroom and workplace are settings in which people from often widely divergent cultures and who represent diverse experiences and perspectives must learn and work together. Students actively seek to understand other perspectives and cultures through reading and listening. Questions and comments are welcome. Contact Speak Theater Arts at info@speaktheaterarts.com.