2 London, 1986-94), I, pp. 105-9.

WILLIAM WORDSWORTH William Wordsworth, The Poetical Works, ed. E. de Selincourt and Helen Darbishire (5 vols, Oxford, 1940-49; rev. ed. 1952-59). William Wordsworth, The Poems, ed. John O. Hayden (Penguin English Poets, 2 vols, Harmondsworth, 1977). William Wordsworth, The Salisbury Plain Poems, ed. Stephen Gill (The Cornell Wordsworth, Ithaca and Hassocks, 1975). William Wordsworth, 'The Ruined Cottage' and 'The Pedlar', ed. James Butler (The Cornell Wordsworth, Ithaca and Hassocks, 1979). Wordsworth (William), Lyrical Ballads, and Other Poems, 1797-1800, ed. James Butler and Karen Green (The Cornell Wordsworth, Ithaca, N.Y., 1992) [includes Coleridge's contributions, pp. 766-800]. William Wordsworth, Poems, in Two Volumes, and Other Poems, 1800-1807, ed. Jared Curtis (The Cornell Wordsworth, Ithaca and Hassocks, 1983). William Wordsworth, The Prelude, 1798-1799, ed. Stephen Parrish (The Cornell Wordsworth, Ithaca and Hassocks, 1977). William Wordsworth, The Prelude; or, Growth of a Poet's Mind, ed. E. de Selincourt, rev. Helen Darbishire (2nd rev. ed., Oxford, 1959). William Wordsworth, The Prelude, 1799, 1805, 1850, ed. J. Wordsworth, M.H. Abrams & S. Gill (Norton Critical Editions, New York and London, 1979). William Wordsworth, The Prelude; The Four Texts (1798, 1799, 1805, 1850), ed. Jonathan Wordsworth (Penguin English Poets, London, 1995). William Wordsworth, The Thirteen-Book 'Prelude', ed. Mark L. Reed (2 vols, Ithaca and London, 1991). William Wordsworth, Home at Grasmere, ed. Beth Darlington (The Cornell Wordsworth, Ithaca and Hassocks, 1977). William Wordsworth, The Prose Works, ed. W.J.B. Owen and J.W. Smyser (3 vols, Oxford, 1974). William Wordsworth, Wordsworth's Guide to the Lakes (5th ed., 1835), ed. E. de Selincourt (Oxford, 1977) [handy pocket ed., brief notes]; full text with full commentary also in The Prose Works, II, giving its full title as A Guide Through the District of The Lakes in The North of England, with A Description of the Scenery, &c. for the Use of Tourists and Residents (pp. 123-458), including also the associated, incomplete essay on 'The Sublime and the Beautiful' (c. 1811-12), pp. 348-60]; see also Pearsall (W.H.) and Pennington (Winifred), The Lake District; A Landscape History (New Naturalist; London, 1973), and McCracken (David), Wordsworth and the Lake District; A Guide to the Poems and their Places (Oxford, 1984). Virginia Woolf reviewed the 5th ed. of the Guide in 1906; see Andrew McNeillie (ed.), The Essays of Virginia Woolf (4 Vols,

2 London, 1986-94), I, pp. 105-9. Shaver (Chester L.) and Shaver (Alice C.), (eds), Wordsworth's Library; A Catalogue (New York, 1979). Wu (Duncan) (ed.), Wordsworth's Reading, 1770-1799 (Cambridge, 1993). S.T. Coleridge, Biographia Literaria, or, Biographical Sketches of My Literary Life and Opinions, ed. James Engell and W. Jackson Bate (2 vols, Princeton, 1983). Thomas de Quincey, Recollections of the Lakes and the Lake Poets, ed. David Wright (Harmondsworth, 1970). William Hazlitt, 'Character of Mr. Wordsworth's New Poem, The Excursion', The Examiner, 21st August, 1814, pp. 541-2; 28th August, 1814, pp. 555-8; 2nd October, 1814, pp. 636-8; see The Complete Works, ed. P.P. Howe (21 vols, London, 1930-4), Vol. XIX, and compare Thomas De Quincey, 'On Wordsworth's Poetry', Tait's Edinburgh Magazine (1845), reprinted in J.E. Jordan (ed), De Quincey as Critic (London, 1973), Chap. 28; compare also David Bromwich, Hazlitt; The Mind of a Critic (New York and Oxford, 1983), pp. 178-185, and [W.[illiam] H.[azlitt], 'My First Acquaintance with Poets', The Liberal. Verse and Prose from the South, II (1823), 23-46. William Godwin, Enquiry Concerning Political Justice, and Its Influence on Modern Morals and Happiness [1793], ed. Isaac Kramnick (Harmondsworth, Middx, 1976; this text is the 3rd ed. of 1798). Dorothy Wordsworth, The Grasmere Journals, ed. Pamela Woof (Oxford, 1991). Dorothy Wordsworth, The Grasmere and Alfoxden Journals, ed. Pamela Woof (World's Classics; Oxford, 2002); see also Liu (Alan), 'On the Autobiographical Present: Dorothy Wordsworth's Grasmere Journals', Criticism, 26 (1984), 123-33. For Wordsworth's use of passages from Dorothy's Journals in his extended version of the Guide Through the District of the Lakes (1822-3) see The Prose Works, II, Appendix IV (pp. 361-78). Dorothy Wordsworth, Recollections of a Tour Made in Scotland [1803], ed. Carol Kyros Walker (New Haven, Conn., 1997) [good maps & photographs]. Dorothy Wordsworth, Letters: A Selection, ed. A.G. Hill (Oxford, 1985); also by the same editor, The Letters of William and Dorothy Wordsworth, Vol. 8: A Supplement of New Letters (Oxford, 1993) [some few of these from or to DW]. Barrell (John), 'The Uses of Dorothy: "The Language of the Sense" in "Tintern Abbey"', in his Poetry, Language and Politics (Manchester, 1988), Chap. 5; but see also Grob (Alan), 'William and Dorothy; A Case Study in the Hermeneutics of Disparagement', ELH, 65 (1998), 187-221, and also

3 Jean H. Hagstrum, The Romantic Body; Love and Sexuality in Keats, Wordsworth, and Blake (Knoxville, Tenn., 1985), Chap. 3. Gittings (Robert) & Jo Manton, Dorothy Wordsworth (Oxford, 1985). Jones (Kathleen), A Passionate Sisterhood; The Sisters, Wives and Daughters of the Lake Poets (London, 1997). Levin (Susan M.), Dorothy Wordsworth & Romanticism (New Brunswick, N.J., 1987); Appendix One (pp. 175-237) is 'The Collected Poems of Dorothy Wordsworth' [edited & annotated texts]. Gill (Stephen), William Wordsworth; A Life (Oxford, 1989) [Gill's bibliography gives a for then (1989) up-to-date specification for editions of the letters of Wordsworth, Coleridge, and others of the circle]. Johnston (Kenneth R.), The Hidden Wordsworth (rev. ed., London, 2000). Roe (Nicholas), Wordsworth and Coleridge; The Radical Years (Oxford, 1988). Wu (Duncan), Wordsworth; An Inner Life (Oxford, 2002). Gill (Stephen) (ed.), The Cambridge Companion to Wordsworth (Cambridge, 2003). Keymer (Thomas) and Mee (Jon) (eds), The Cambridge Companion to English Literature, 1740-1830 (Cambridge, 2004). Roe (Nicholas) (ed.), Romanticism; An Oxford Guide (Oxford, 2005). O'Neill (Michael) (ed.), Literature of the Romantic Period; A Bibliographical Guide (Oxford, c.1998 and reprinted). Abrams (M.H.), Natural Supernaturalism; Tradition and Revolution in Romantic Literature (New York, 1971). Altieri (Charles), Painterly Abstraction in Modernist American Poetry; The Contemporaneity of Modernism (Cambridge, 1989), Chap. 3: 'Abstraction and the Romantic Tradition'; see also his 'Wordsworth's Poetics of Eloquence: A Challenge to Contemporary Theory', in Kenneth R. Johnston et al. (eds), Romantic Revolutions; Criticism and Theory (Bloomington, Ind., 1990). Arnold (Matthew) (ed.), 'Preface' to The Poems of Wordsworth (London, 1879), pp. v-xxvi. Baker (Jeffrey), Time and Mind in Wordsworth's Poetry (Detroit, 1980). Barrell (John), The Spirit of Despotism; Invasions of Privacy in the 1790s (Oxford, 2006). Beer (John), Wordsworth and the Human Heart (Basingstoke, 1978).

4 Beer (John), 'The Unity of Lyrical Ballads', in Trott (Nicola) and Perry (Seamus) (eds), 1800: The New Lyrical Ballads (Basingstoke, 2001). Beer (John), Romantic Consciousness; Blake to Mary Shelley (Houndmills, 2003). Bromwich (David), Disowned by Memory; Wordsworth's Poetry of the 1790's (Chicago, 1998). Buchan (A.M.), 'The Influence of Wordsworth on Coleridge (1795-1800)', University of Toronto Quarterly, XXXII (1963), 346-66. Budd (Malcolm), The Aesthetic Appreciation of Nature (Oxford, 2004). Byrd (Max), London Transformed; Images of the City in the Eighteenth Century (New Haven and London, 1978), Chap. 4: 'Wordsworth's London'; see also Chandler (James K.), Romantic Metropolis; The Urban Scene of British Culture (Cambridge, 2005). Chandler (James K.), Wordsworth's Second Nature; A Study of the Poetry and Politics (Chicago, 1984). Clarke (Colin), Romantic Paradox; An Essay on the Poetry of Wordsworth (London, 1962). Clery (E.J.) et al. (eds), Authorship, Commerce and the Public; Scenes of Writing, 1750-1850 (London, 2002). Cronin (Richard), ed., 1798: The Year of the Lyrical Ballads (Basingstoke, 1998); see also Trott (Nicola) and Perry (Seamus) (eds), 1800: The New Lyrical Ballads (Basingstoke, 2001). Cooper (Andrew M.), '"Nothing Exists but As It Is Perceived"', in his Doubt and Identity in Romantic Poetry (New Haven, 1988), Chap. 7. Curran (Stuart), Poetic Form and British Romanticism (Oxford, 1986). Curtis (Jared R.), Wordsworth's Experiments with Tradition; The Lyric Poems of 1802, with Texts of the Poems Based on Early Manuscripts (Ithaca and London, 1971). Danby (John F.), The Simple Wordsworth; Studies in the Poems, 1797-1807 (London, 1960). Dart (Gregory), Rousseau, Robespierre and English Romanticism (Cambridge, 1999). Davie (Donald), Articulate Energy; An Inquiry into the Syntax of English Poetry (extended ed., London, 1976). De Man (Paul), 'Wordsworth and Hölderlin', in his The Rhetoric of Romanticism (New York, 1984). Dixon (Thomas), From Passions to Emotions; The Creation of a Secular Psychological Category (Cambridge, 2004). Ellis (David), Wordsworth, Freud and the Spots of Time; Interpretation in 'The Prelude' (Cambridge, 1985). Empson (William), 'Sense in the Prelude', in his The Structure of Complex

5 Words (London, 1951). Erskine-Hill (Howard), Poetry of Opposition and Revolution; Dryden to Wordsworth (Oxford, 1996). Ferguson (Frances), Wordsworth; Language as Counter-Spirit (New Haven, 1977). Ferguson (Frances), 'Malthus, Godwin, Wordsworth, and the Spirit of Solitude' (1986), in Scarry (Elaine) (ed.), Literature and the Body; Essays on Population and Persons (Baltimore, 1988; 1990), pp. 106-24. Ferguson (Frances), Solitude and the Sublime; Romanticism and the Aesthetics of Individuation (New York, 1992). Folker (Brian), 'Wordsworth's Visionary Imagination: Democracy and War', ELH, 69 (2002), 167-97. Fraistat (Neil), 'The "Field" of Lyrical Ballads (1798)', in his The Poem and the Book; Interpreting Collections of Romantic Poetry (Chapel Hill, N.C., 1985), Chap. 3 (pp. 47-94); see also Reed (Mark), 'Wordsworth, Coleridge, and the "Plan" of the Lyrical Ballads', University of Toronto Quarterly, 34 (1965), 238-53. Fulford (Tim), Landscape, Liberty, and Authority; Poetry, Criticism, and Politics from Thomson to Wordsworth (Cambridge, 1996). Fulford (Tim), Romanticism and Masculinity; Gender Politics and Poetics in the Writings of Burke, Coleridge, Cobbett, Wordsworth, De Quincey, and Hazlitt (New York, 1999). Garber (Frederick), Self, Text, and Romantic Irony; The Example of Byron (Princeton, N.J., 1988), Chap. 6 (pp. 171-93). Gaskell (Ronald), Wordsworth's Poem of the Mind; an Essay on 'The Prelude' (Edinburgh, 1991). Glen (Heather), Vision and Disenchantment; Blake's Songs and Wordsworth's Lyrical Ballads (Cambridge, 1983). Goodfield (June), The Growth of Scientific Physiology; Physiological Method and the Mechano-Vitalist Controversy, Illustrated by the Problems of Respiration and Animal Heat (London, 1960). Goodman (Kevis), Georgic Modernity and British Romanticism; Poetry and the Mediation of History (Cambridge, 2004). Gordon (John), Physiology and the Literary Imagination; Romantic to Modern (Gainesville, Fla, 2003), esp. Chap. 1. Grob (Alan), The Philosophic Mind; A Study of Wordsworth's Poetry and Thought, 1797-1805 (Columbus, Ohio, 1973); also his 'Wordsworth and the Politics of Consciousness', in Critical Essays on William Wordsworth, ed. G.H. Gilpin (Boston, 1990). Hanley Keith), 'Crossings Out: The Problem of Textual Passages in The Prelude', in Robert Brinkley and Keith Hanley (eds), Romantic Revisions (Cambridge, 1992); see also his 'Note on Texts', in Gill (Stephen) (ed.), The Cambridge Companion to Wordsworth (Cambridge, 2003).

6 Harding (Anthony John), 'Imaginative Animism in Wordsworth's 1798-1799 Prelude', in his The Reception of Myth in English Romanticism (Columbia, Mo., 1995), Chap. 2 (pp. 60-87). Harrison (Gary), 'Wordsworth's "The Old Cumberland Beggar": The Economy of Charity in Late Eighteenth-Century Britain', Criticism: A Quarterly for Literature and the Arts, XXX (1988), 23-42; compare David Bromwich, Disowned by Memory; Wordsworth's Poetry of the 1790's (Chicago, 1998), Chap. 1. Hartman (Geoffrey), The Unmediated Vision; An Interpretation of Wordsworth, Rilke, Hopkins, and Valéry (New Haven, 1954). Hartman (Geoffrey), Wordsworth's Poetry, 1787-1814 (New Haven, 1964); see also Elam (Helen Regueiro) and Ferguson (Frances) (eds), The Wordsworthian Enlightenment; Romantic Poetry and the Ecology of Reading (Baltimore, Md, 2005) [presented as 'Essays in honor of Geoffrey Hartman']. Hartman (Geoffrey), The Unremarkable Wordsworth (London, 1987). Heffernan (James), The Re-Creation of Landscape; A Study of Wordsworth, Coleridge, Constable, and Turner (Hanover and London, 1984). Hill (Alan G.), 'Wordsworth's "Grand Design"', Proceedings of the British Academy, LXXII (1986), 187-204. Hill (J.L.), 'Experiments in the Narrative of Consciousness: Byron, Wordsworth, and Childe Harold, cantos 3 and 4', ELH, 53 (1986), 121-40. Hopkins (Brooke), 'Wordsworth's Voices; Ideology and Self-Critique in The Prelude', Studies in Romanticism, 33 (1994), 279-99. Jarvis (Simon), 'Wordsworth's Gifts of Feeling', Romanticism, 4 (1998), 90-103. Jarvis (Simon), Wordsworth's Philosophic Song (Cambridge, 2007). Johnson (Karl R., Jr), The Written Spirit; Thematic and Rhetorical Structure in Wordsworth's 'The Prelude' (Salzburg, 1978). Johnston (Kenneth), "The Idiom of Vision," in New Perspectives on Coleridge and Wordsworth, ed. Geoffrey Hartman (New York, 1972). Johnston (Kenneth), 'The Politics of "Tintern Abbey"', The Wordsworth Circle, 14 (1983), 6-14. Johnston (Kenneth), Wordsworth and 'The Recluse' (New Haven, 1984). Johnston (Kenneth), 'Self-consciousness, Social Guilt, and Romantic Poetry' [on 'The Ruined Cottage' and 'The Ancient Mariner'], in Richard Eldridge (ed.), Beyond Representation; Philosophy and Poetic Imagination (Cambridge, 1996). Jones (Mark), 'The Lucy Poems'; A Case Study in Literary Knowledge (Toronto, 1995); and see Ferguson (Frances), 'The Lucy Poems: Wordsworth's Quest for a Poetic Object', ELH, 40 (1973), 532-548, reprinted in the same author's Wordsworth; Language as Counter-Spirit (New Haven, 1977).

7 Keach (William), Arbitrary Power; Romanticism, Language, Politics (Princeton, 2004). Kearns (Sheila M.), Coleridge, Wordsworth, and Romantic Autobiography; Reading Strategies of Self-Representation (Madison, N.J., 1995); see also Vincent (David), Bread, Knowledge and Freedom; A Study of Nineteenth- Century Working Class Autobiography (London, 1981), and Treadwell (James), Autobiographical Writing and British Literature, 1783-1834 (Oxford, 2006). Knapp (Stephen), Personification and the Sublime; Milton to Coleridge (Cambridge, Mass., 1985), esp. Chap. 4: 'Wordsworth and the Limits of Allegory'; see also Crowther (Paul), The Kantian Sublime; From Morality to Art (Oxford, 1989). Leader (Zachary), Revision and Romantic Authorship (Oxford, 1996). Leavis (F.R.), 'Revaluations (VI): Wordsworth', Scrutiny, III (1934), 234-57. Leavis (F.R.), 'Wordsworth: The Creative Condition' (1970), in his The Critic as Anti-Philosopher; Essays & Papers, ed. G. Singh (London, 1982), pp. 24-40; also in Twentieth-Century Literature in Retrospect, ed. R.A. Brower (Cambridge, Mass., 1971). Lindenberger (Herbert), On Wordsworth's 'Prelude' (Princeton, 1963). Liu (Alan), Wordsworth; The Sense of History (Stanford, 1989) [perhaps; see his 'Wordsworth: The History in "Imagination"', ELH, 51 (1984), 505-548, for the main argument]. McFarland (Thomas), Romanticism and the Forms of Ruin; Wordsworth, Coleridge, and Modalities of Fragmentation (Princeton, 1981). McFarland (Thomas), Originality and Imagination (Baltimore and London, 1985). McFarland (Thomas), William Wordsworth, Intensity and Achievement (Oxford, 1992). McGann (Jerome J.), The Romantic Ideology; A Critical Investigation (Chicago, 1983), esp. Chap. 8: 'Wordsworth and the Ideology of Romantic Poems'. McGann (Jerome), Byron and Wordsworth; The Annual Byron Lecture, given in the University of Nottingham on 27 May 1998 (Nottingham, 1999). MacGillivray (J.R.), "The Three Forms of The Prelude, 1798-1805" in M. MacLure & F.W. Watt (eds.), Essays in English Literature... Presented to A.S.P. Woodhouse (Toronto, 1964). Mee (Jon), 'Wordsworth's Chastened Enthusiasm', in his Romanticism, Enthusiasm and Regulation; Poetics and the Policing of Culture in the Romantic Period (Oxford, 2003). Morris (David B.), The Religious Sublime; Christian Poetry and Critical Tradition in Eighteenth-Century England (Lexington, Ky, 1972). Mudge (Bradford K.), 'Song of Himself; Crisis and Selection in The Prelude, Books 1 and 7', Texas Studies in Literature and Language, 27 (1985), 1-24.

8 O'Neill (Michael), Romanticism and the Self-Conscious Poem (Oxford, 1997), esp. Chap. 2. Parrish (S.M.), The Art of the 'Lyrical Ballads' (Cambridge, Mass., 1973). Patterson (Annabel), Pastoral and Ideology; Virgil to Valéry (Oxford, 1988). Paulson (Ronald), Representations of Revolution (1789-1820) (New Haven and London, c.1983), Chap. 8. Pfau (thomas), Romantic Moods; Paranoia, Trauma, and Melancholy, 1790-1840 (Baltimore, 2005). Prynne (J.H.), Field Notes: 'The Solitary Reaper' and Others (Cambridge, 2007). Pyle (Forest), The Ideology of Imagination; Subject and Society in the Discourse of Romanticism (Stanford, 1995), esp. Chap. 2. Quinney (Laura), '"Tintern Abbey," Sensibility, and the Self-Disenchanted Self', ELH, 64 (1997), 131-156. Reiman (Donald H.), 'Wordsworth, Shelley, and the Romantic Inheritance', in his Romantic Texts and Contexts (Columbia, Missouri, 1987), Chap. 19 (344-367). Richardson (Alan), Literature, Education, and Romanticism; Reading as Social Practice, 1780-1832 (Cambridge, 1994). Richardson (Alan), British Romanticism and the Science of the Mind (Cambridge, 2001), esp. Chaps 3 & 6. Roe (Nicholas), 'The Politics of the Wye Valley: Re-placing "Tintern Abbey", in his The Politics of Nature: Wordsworth and Some Contemporaries (London, 1992), Chap. 6. Roe (Nicholas), 'Revising the Revolution: History and Imagination in The Prelude, 1799, 1805', in Robert Brinkley and Keith Hanley (eds), Romantic Revisions (Cambridge, 1992), pp. 87-102; see also Furniss (Tom), Edmund Burke's Aesthetic Ideology; Language, Gender, and Political Economy in Revolution (Cambridge, 1993), esp. pp. 60-67. Ruoff (G.W.), Wordsworth and Coleridge; The Making of the Major Lyrics (London, 1989). Salaman (Esther), A Collection of Moments; A Study of Involuntary Memories (London, 1970); and see also Berntsen (Dorthe), 'Voluntary and Involuntary Access to Autobiographical Memory', Memory, 6 (1998), 113-141. Stallknecht (N.P.), "The Tragic Flaw in Wordsworth's Philosophy", in Wordsworth and Coleridge; Studies in Honor of George McClean Harper, ed. E.L. Griggs (Princeton, 1939). Stillinger (Jack), 'Multiple "Consciousnesses" in Wordsworth's Prelude', in his Multiple Authorship and the Myth of Solitary Genius (New York, 1991), Chap. 4 (pp. 69-95). Stillinger (Jack), Romantic Complexity; Keats, Coleridge, and Wordsworth (Urbana, Ill., 2006).

9 Thompson (E.P.), "Disenchantment or Default: A Lay Sermon", in Conor Cruise O'Brien and William Dan Vanech (eds), Power and Consciousness (New York, 1969). Thompson (E.P.), The Romantics; England in a Revolutionary Age (Woodbridge, c.1997). Trilling (Lionel), 'The Immortality Ode' (1941), in his The Moral Obligation to be Intelligent; Selected Essays, ed. Leon Wieseltier (New York, 1999), pp. 33-61. Turner (John), 'Wordsworth and Winnicott in the Area of Play', in Peter L. Rudnytsky (ed.), Transitional Objects and Potential Spaces; Literary Uses of D.W. Winnicott (New York, 1993), pp. 161-88. Twitchell (James B.), 'Wordsworth and Wright: The Natural Sublime', in his Romantic Horizons; Aspects of the Sublime in English Poetry and Painting, 1770-1850 (Columbia, Mo., 1983), Chap. 2 (pp. 60-84). Wallace Anne D.), Walking, Literature, and English Culture; The Origins and Uses of Peripatetic in the Nineteenth Century (Oxford, 1993). Williams (Huntington), Rousseau and Romantic Autobiography (Oxford, 1983); see also Mitchell (W.J.T.), 'Influence, Autobiography, and Literary History: Rousseau's Confessions and Wordsworth's The Prelude', ELH, 57 (1990), 643-64. Williams (John), Wordsworth; Romantic Poetry and Revolution Politics (Manchester, 1989). Woodring (Carl), 'The New Sublimity in Tintern Abbey', in Donald H. Reiman (ed.), The Evidence of the Imagination; Studies of Interactions between Life and Art in English Romantic Literature (New York, 1978). Wolfson (Susan J.), 'Revision as Form: Wordsworth's Drowned Man', in her Formal Charges; The Shaping of Poetry in British Romanticism (Stanford, 1997), Chap. 4. Wyatt (John), Wordsworth and the Geologists (Cambridge, 1995). J.H. Prynne, July 2007 PDF file created on 8 September 2008