Students will know Vocabulary: harmony chord progression improvisation

Size: px
Start display at page:

Download "Students will know Vocabulary: harmony chord progression improvisation"

Transcription

1 HS Choir Proficient Creating Essential Questions: 1. How do artists generate and select creative ideas? 2. How do artists make creative decisions? 3. How do artists improve the quality of their creative work? 4. When is a creative work ready to share? Essential harmony, chord progression, improvisation, genre, mood, melody, major and minor tonality, interval, key signature elements of music (i.e. form, dynamics, tempo, rhythm, melody and harmony), articulation (i.e. staccato, legato, tenuto, marcato) Anchor Standard 1: Generate and select among multiple musical ideas relevant to a personal experience, interest, or specific purpose. HS Proficient.1: Generate ideas for an original improvisation and/or composition. The creative ideas, concepts, and feelings that influence artists work emerge from a variety of sources. Students will be able to. generate musical ideas for a specific purpose; record or notate those ideas. select multiple ideas to develop into a finished product demonstrating the effective use of unity/variety. explain the reasons for the choices. harmony chord progression improvisation music supplies a medium for self-expression. musicians have an infinite number of choices with regard to combinations of musical elements that have an effect on the musical composition. improvise a basic harmony part to a well-known song based on a I-IV-V chord progression.

2 Anchor Standard 2: Develop a plan for using/presenting selected musical ideas. HS Proficient.2: Using technology, develop a plan to present musical ideas and talk about their selections. Artists creative choices are influenced by their experience, context, and expressive intent. Students will be able to. describe a plan to develop a compositional idea for a specific purpose or mood and include how elements of music convey expressive intent and unity/variety, and how personal experiences influence musical choices. genre mood melody major and minor tonality interval style in music refers to performing in a certain way that identifies with a particular person, group, or time period. artists creative choices are influenced by their experience, context, and expressive intent. identify the choral style of performed literature in class.

3 Anchor Standard 3: Develop and modify musical ideas to create a work that meets appropriate criteria. HS Proficient.3: Using technology, create and edit a project. Artists share their work through performance. create, evaluate, and refine a composition that realizes the creative intent by including unity/variety. use feedback from others to improve craftsmanship. genre key signature melody harmony musicians have an infinite number of choices with regard to combinations of musical elements that have an effect on the musical composition. using accurate musical vocabulary allows people to communicate using the language of music. being able to describe and analyze music gives one a more in-depth understanding of music as a whole. as a class, modify a wellknown song or piece of class repertoire.

4 Anchor Standard 4: Share creative work that realizes the creator s intent and demonstrates craftsmanship and originality. HS Proficient.4: Present their project for peers/informal audience. To express their musical ideas, performers analyze, evaluate and refine their works over time through planned practice, feedback, reflection, and collaboration. present an original composition that conveys a mood through craftsmanship; and explain how the elements of music, articulation, and unity/variety are used to communicate the expressive intent. elements of music (i.e. form, dynamics, tempo, rhythm, melody and harmony) articulation (i.e. staccato, legato, tenuto, marcato) genre mood artists presentation of creative work is the culmination of a process of creation and communication. musicians have an infinite number of choices with regard to combinations of musical elements that have an effect on the musical composition. present an original composition/ improvisation/ arrangement through craftsmanship. give feedback to their peers about their composition/ improvisation/ arrangement.

5 HS Choir Proficient Responding Essential Questions: 1. How do individuals choose music to experience? 2. How does understanding the structure and context of the work influence our response? 3. How do we discern the composer s/arranger s and/or performer s expressive intent? 4. How do we judge the quality of artistic work and performance? Essential articulation (i.e. staccato, legato, tenuto and marcato),tension/release, dynamics, historical context, articulation (i.e. staccato, legato, tenuto and marcato),form, elements of music, tension/release, historical context, cultural context, form, genre, style, blend, intonation, dynamics Anchor Standard 1: Support the choice of music for a specific purpose or situation. HS Proficient.1: Listen to a variety of music. Individual selection of work is influenced by their interests, experiences, understandings and purposes. music has common articulation components such as texture, select two pieces of music in tension/release form, style and genre. or perform. different styles to listen to or dynamics music is utilized for perform. historical context expression of emotions in describe the compositional society. and performance music terminology can be characteristics that influence used to discuss music. situations. their choice. music can be broken down tell how the music connects to their interests and experiences. into common elements. select two pieces of music in contrasting styles to listen to describe characteristics of musical works and vocal styles that make them appropriate for specific identify, define, and demonstrate knowledge of all terms regarding tempo, style and dynamics as experienced in the selected literature.

6 Anchor Standard 2: Explain how your analysis of the structure and context of the work influence your response. HS Proficient.2: Analyze the musical elements and compositional techniques of a variety of musical selections. Understanding the structure and context of the work influences your response. analyze the composer s/arranger s or performer s use of elements of music, unity/variety, and cultural and stylistic contexts to express the intent. articulation form elements of music tension/release historical context cultural context form genre style composers/arrangers and performers manipulate elements within an historical/cultural context. explore the genre, style, composer, and historical background of repertoire being studied.

7 Anchor Standard 3: Support an interpretation of a work that reflects the composers/performers expressive intent. HS Proficient.3: Discuss the relationship between the musical elements and the interpretation. Through their use of the elements and structures of the art form, creators and performers provide clues to their expressive intent. describe how the composer/arranger uses compositional and performance characteristics to convey expressive intent. include their understanding of the cultural/historical context of the piece and how it impacted the interpretation. articulation tension/release historical context cultural context through their use of the elements and structures of the art form, composers/arrangers and performers provide clues to their expressive intent. musical elements can be used to compare two recordings from the same or different composers. describe how the composer/arranger uses compositional and performance characteristics to convey expressive intent. explain their understanding of the cultural/historical context of the piece and how it impacted the interpretation. use appropriate musical terminology in discussing the quality of choral performances. compare exemplary recordings and/or live performances of current repertoire.

8 Anchor Standard 4: Support their personal evaluation of work(s) and/or performance(s) based on analysis, interpretation, and established criteria. HS Proficient.4: Evaluate a musical performance. Quality performances are influenced by analysis, interpretation, and established criteria. evaluate a performance or composition created for a specific purpose using a list of criteria. discuss how the characteristics are used to create an expressive and effective performance/composition. elements of music tension/release historical context blend intonation dynamics the personal evaluation of artistic work and performance is informed by analysis, interpretation, and established criteria. they can apply musical criteria to their own performances and the recordings of others. discuss the accuracy and effectiveness of individual and group performances. discuss how the musical characteristics are used to create an expressive and effective performance.

9 HS Choir Proficient Performing Essential Questions: 1. How do performers select repertoire? 2. How does understanding the structure and context of music influence performance? 3. How do performers interpret music? 4. How do performers improve the quality of their performance? 5. When is a work judged ready to perform? 6. How do context and performer presentation influence audience response? 7. How do individuals and ensembles present and demonstrate their musical skills? Essential major historical musical eras (e.g. Renaissance, Baroque etc), basic musical terms (e.g. time signature, key signature, pitch), basic musical forms (e.g. ABA, AB, strophic, etc.), basic symbols (e.g. treble clef, bass clef, time signature, key signature, quarter note, eighth note, half note, whole note, and basic dynamics), elements of music (i.e. form, dynamics, tempo, rhythm, melody and harmony), articulation (i.e. staccato, legato, tenuto, marcato), dynamics (e.g. pp, mp, mf, f, ff, crescendo, decrescendo), tension/release (both harmonic and dynamic), intonation, balance and blend, basic anatomy for the breathing process, (e.g. lungs, ribs, larynx, trachea), musculature, intercostal, timbre, concert, recital, festival, public-service. Anchor Standard 1: Select work(s) to present based on interest, knowledge, ability, and context. HS Proficient.1: Analyze a selection from the current performing repertoire. explain how the technical/ expressive characteristics (i.e. articulation, tension/release) and contextual characteristics (i.e. historical) make this an appropriate song choice. Select repertoire based on student interest, knowledge, ability and context. major historical musical eras (e.g. Renaissance, Baroque etc). basic musical terms (e.g. time signature, key signature, pitch) performers interest in and/or knowledge of a work, understanding of their own abilities, and the context for their performance influence the selection of repertoire. study and sing selections representing various historical periods, styles, and cultures. compare and contrast the functions of vocal/choral music in various cultures. sing at least one foreign language piece throughout the year.

10 Anchor Standard 2: Analyze the structure and context of work(s) and their implications for performance. HS Proficient.2: Analyze a selection from the current performing repertoire. Analyzing the structure and historical/ cultural context of music influences performance analyze expressive/ technical (i.e. articulation, tension/release) and contextual characteristics (i.e. historical) of the piece and how each influences the performance. basic musical forms (e.g. ABA, AB, strophic, etc.) basic symbols (e.g. treble clef, bass clef, time signature, key signature, quarter note, eighth note, half note, whole note, and basic dynamics) composers/arrangers manipulate elements within the historical/cultural context to provide insight into their intent and how this influences performance. Anchor Standard 3: Create personal interpretation that considers creator s intent. HS Proficient.3: Listen to and/or observe two versions of the same song, preferably from current choral repertoire. Performers make interpretive decisions based on personal understanding of the work and the creator s intent explain the expressive/technical (i.e. elements of music, articulation and tension release) and contextual (i.e. historical) characteristics of two versions of the same piece, including how they convey the composer s/arranger s intent, and perform their interpretation. elements of music (i.e. form, dynamics, tempo, rhythm, melody and harmony) articulation (i.e. staccato, legato, tenuto, marcato) dynamics (e.g. pp, mp, mf, f, ff, crescendo, decrescendo) performers make interpretative decisions based on personal understanding of the work and the composer s/arranger s intent. read and notate the musical symbols in their current repertoire. read and write rhythmic patterns in simple meters and various tempos. recognize and perform music in various forms, including AB, ABA, and strophic. conceptualize their own personal experiences and relate them to their current repertoire. interpret mood and dynamics in performance. sing with basic expressive phrasing based on personal interpretation of the piece.

11 Anchor Standard 4: Develop, evaluate, and refine personal or ensemble performances individually or in collaboration with others. HS Proficient.4: Demonstrate growth throughout the rehearsal-performance cycle. To express their musical ideas, performers analyze, evaluate and refine their work(s) over time through planned practice, feedback, reflection and collaboration rehearse, evaluate and refine their individual and ensemble performance(s), using teacher/peer feedback (i.e. effectiveness), and classcreated criteria (i.e. stylistic characteristics) and selfevaluation to improve over time. elements of music (i.e. form, dynamics, tempo, rhythm, melody and harmony) articulation (i.e. staccato, legato, tenuto, marcato) tension/release (both harmonic and dynamic) intonation balance and blend basic anatomy for the breathing process (e.g. lungs, ribs, larynx, trachea) musculature (diaphragm) intercostal in order to express their musical ideas, performers analyze, evaluate and refine their work(s) over time through planned practice, feedback, reflection, and collaboration. demonstrate a developing application of proper breath control. demonstrate a developing application of proper singing posture. sing with an increasingly free and clear tone. produce Latin vowelsah,eh,ee,oh, and oo- across the vocal range. identify and articulate consonants. demonstrate developing control throughout the vocal range. sing in small ensembles with three-four voices on a part. formulate basic questions related to criteria for selfevaluation of vocal/choral performances.

12 Anchor Standard 5: Perform expressively, with appropriate interpretation and technical accuracy, and in a manner appropriate to the audience and context. HS Proficient.5: Demonstrate choral singing using expressive qualities in a manner appropriate to the context. Effective performance is impacted by venue, audience and performer etiquette Student will be able to respond to the conductor in order to successfully perform choral literature for an audience demonstrate proper breathing techniques, good intonation and appropriate stage presence adjust balance and blend to the needs of the group demonstrate technical accuracy (i.e. articulation, tension/release, historical context) elements of music (i.e. form, dynamics, tempo, rhythm, melody and harmony) timbre articulation (i.e. staccato, legato, tenuto, marcato) tension/release (both harmonic, dynamic, and word stress) intonation balance and blend a performance is judged based on quality standards that vary across time, place, and cultures. the context and how a work is presented influences the audience response. use basic dynamics, tempo, blend, and balance in a group performance. apply dynamic markings, including pp, p, mp, mf, f, ff, crescendo, decrescendo. respond to basic conducting prompts. respond to music through movement in the rehearsal process. Anchor Standard 6: Perform, individually and in groups, appropriate literature that matches the ability level of the performer and the performance ensemble. HS Proficient.6: Perform, individually and in groups, in accordance to the grade and ability level of the HS proficient choir class. Performing to a high standard of skills produces a worthy performance. Student will be able to demonstrate 8 th grade level skills to successfully perform in front of an audience. concert recital festival public-service concerts, recitals, festivals, public-service performances are opportunities for student musicians to perform and demonstrate their musical skills. demonstrate HS proficient grade level skills to successfully perform in front of an audience.

13 HS Accomplished Creating Essential Questions: 1. How do artists generate and select creative ideas? 2. How do artists make creative decisions? 3. How do artists improve the quality of their creative work? 4. When is a creative work ready to share? Essential genre, mood, melody, arrangement, style, key signature, articulation, harmony, elements of music (i.e. form, dynamics, tempo, rhythm, melody and harmony) Anchor Standard 1: Generate and select among multiple musical ideas relevant to a personal experience, interest, or specific purpose. HS Accomplished.1: Generate ideas for an original improvisation and/or composition. The creative ideas, concepts, and feelings that influence artists work emerge from a variety of sources. Students will be able to. improvise a basic harmony part to a well-known song based on a I-IV-V chord progression. genre mood melody arrangement music supplies a medium for self-expression. being able to describe and analyze music gives one a more in-depth understanding of music as a whole. musicians have an infinite number of choices with regard to combinations of musical elements that have an effect on the musical composition. compare an arrangement to an original work and discuss the differences. improvise a harmony part to a well-known song based on a I-IV-V chord progression.

14 Anchor Standard 2: Develop a plan for using/presenting selected musical ideas. HS Accomplished.2 Using technology, develop a plan to present musical ideas and talk about their selections. Artists creative choices are influenced by their experience, context, and expressive intent. Students will be able to. identify the choral style of performed literature in class. genre style mood artists creative choices are influenced by their experience, context, and expressive intent. everyone can perform and respond to music in meaningful ways such as speeches, electronic presentations, and live presentations. compare and contrast the differing choral styles of literature performed in class.

15 Anchor Standard 3: Develop and modify musical ideas to create a work that meets appropriate criteria. HS Accomplished.3: Using technology, create and edit a project. Artists evaluate and refine work through feedback, flexibility, and persistence. as a class, modify a wellknown song or piece of class repertoire. genre style mood key signature articulation melody harmony musicians have an infinite number of choices with regard to combinations of musical elements. improvisation provides a means of musical expression and experimentation that is not dependent upon a requisite level of technical skills. using accurate musical vocabulary allows people to communicate using the language of music. improvise a melody or harmony to fit current repertoire. describe how improvisation provides for a wide variety of musical possibility, making each experience unique and relevant to the user.

16 Anchor Standard 4: Share creative work that realizes the creator s intent and demonstrates craftsmanship and originality. HS Accomplished.4: Present their project for peers/informal audience. Artists share their work through performance. present an original composition/ improvisation/ arrangement through craftsmanship. give feedback to their peers about their composition/ improvisation/arrangem ent. elements of music (i.e. form, dynamics, tempo, rhythm, melody and harmony) musicians have an infinite number of choices with regard to combinations of musical elements that have an effect on the musical composition. different cultures use different combinations of sounds to create different feelings. technology allows performers of all musical skill levels to improvise using voice or instrumental modalities to create original works as a means of personal or group expression. present an original composition/ improvisation/ arrangement through craftsmanship. give feedback to their peers about their composition/ improvisation/ arrangement. improvise short rhythmic and melodic phrases in front of the class.

17 HS Choir Accomplished Responding Essential Questions: 1. How do individuals choose music to experience? 2. How does understanding the structure and context of the work influence our response? 3. How do we discern the composer s/arranger s and/or performer s expressive intent? 4. How do we judge the quality of artistic work and performance? Essential articulation (i.e. staccato, legato, tenuto and marcato), tension/release, historical context, form, elements of music, cultural context, dynamics, blend, intonation, musical genre Anchor Standard 1: Support the choice of music for a specific purpose or situation. HS Accomplished.1: Listen to a variety of music. select two pieces of music in contrasting styles to listen to or perform. understand and describe characteristics of musical works and vocal styles that make them appropriate for specific situations. identify, define, and demonstrate knowledge of all terms regarding tempo, style and dynamics as experienced in the selected literature. articulation tension/release historical context music has common components such as texture, form, style and genre. music is utilized for expression of emotions in society. music terminology can be used to discuss music and it s impacts. music can be broken down into common elements. make independent judgments of ensemble quality. explore the relationship of music and text in repertoire being studied, including understanding the text as literature and identifying musical devices that enhance its meaning. explore the genre, style, composer, and historical background of repertoire being studied.

18 Anchor Standard 2: Explain how your analysis of the structure and context of the work influence your response. HS Accomplished.2: Analyze the musical elements and compositional techniques of a variety of musical selections. music can be broken down articulation form into common elements. analyze the composer s/arranger s or performer s use of articulation, elements of music, form, tension/release, and historical, cultural, and stylistic contexts to express the intent. explore the genre, style, composer, and historical background of repertoire being studied. elements of music tension/release historical context cultural context form common elements can be utilized as scaffolding in a discussion for a response about music. the component parts in music can be determined visually and aurally. through investigating visual and aural means they can discuss the composers intentions in the music. identify, define, and demonstrate knowledge of all terms regarding tempo, style, and dynamics as experienced in the selected literature. demonstrate understanding of similarities and differences in music forms by listening and comparing selected musical recording or performance repertoire (i.e. AB, ABA, rondo, strophic, through-composed, etc). use appropriate musical terminology in analyzing the quality of choral performances. explore the genre, style, composer, and historical background of repertoire being studied. analyze and discuss basic compositional elements heard in choral works being studied.

19 Anchor Standard 3: Support an interpretation of a work that reflects the composers/performers expressive intent. HS Accomplished.3: Discuss the relationship between the musical elements and the interpretation : describe how the composer/arranger uses compositional and performance characteristics (i.e. articulation, tension/release, historical context) to convey expressive intent. explain their understanding of the cultural/historical context of the piece and how it impacted the interpretation. use appropriate musical terminology in establishing criteria and creating a rubric to be used in evaluating the quality of choral performances. compare the qualities of performances to exemplary recording and/or live performances. articulation tension/release historical context cultural context musical elements can be used to compare two recordings from the same or different composers. the text in a piece can be utilized to discuss the composers intentions. compare two recordings of a choral work and note similarities and differences. compare choral works with similar characteristics to enhance understanding and interpretation of the music. discuss the musical qualities in choral repertoire heard or studied that evoke various responses or emotions in listeners and performers. explore the relationship of music and text in repertoire being studied.

20 Anchor Standard 4: Support their personal evaluation of work(s) and/or performance(s) based on analysis, interpretation, and established criteria. HS Accomplished.4: Evaluate a musical performance. develop and apply a list of musical criteria (breathing, blend, balance, intonation, style, dynamics, etc) and extra-musical criteria (appearance, performance demeanor etc) for evaluating the accuracy and effectiveness of individual and group performances. discuss how the musical characteristics (i.e. tension/release, historical context) are used to create an expressive and effective performance. elements of music tension/release historical context dynamics blend intonation musical genre they can apply musical criteria to their own performances and the recordings of others. composers have a unique combination of musical characteristics that typify their work. evaluate the accuracy and effectiveness of individual and group performances. use appropriate musical terminology analyzing in evaluating the quality of choral performances. discuss the musical qualities in choral repertoire heard or studied that evoke various responses or emotions in listeners and performers. explore the relationship of music and text in repertoire being studied, including understanding the text as literature and identifying musical devices that enhance its meaning. explore the genre, composer, and historical background of repertoire being studied.

21 HS Accomplished Performing Essential Questions: 1. How do performers select repertoire? 2. How does understanding the structure and context of music influence performance? 3. How do performers interpret music? 4. How do performers improve the quality of their performance? 5. When is a work judged ready to perform? 6. How do context and performer presentation influence audience response? 7. How do individuals and ensembles present and demonstrate their musical skills? Essential major historical musical eras (e.g. Renaissance, Baroque etc)., basic musical terms (e.g. time signature, key signature, modulation, compound meter, simple meter), basic musical forms (e.g. ABA, AB etc.), Compound and simple meters, basic symbols and terms (e.g. time signature, key signature, treble clef, bass clef, rhythmic notation, basic dynamics), elements of music (i.e. form, dynamics, tempo, rhythm, melody and harmony), articulation (i.e. staccato, legato, tenuto, marcato), dynamics (e.g. pp, mp, mf, f, ff, crescendo, decrescendo, messa di voce), mood, basic vocal anatomy (i.e. vocal folds, larynx), consonants and vowels, tension/release (both harmonic, dynamic, and word stress), intonation, timbre, balance and blend, concert, recital, festival, publicservice Anchor Standard 1: Select work(s) to present based on interest, knowledge, ability, and context. HS Accomplished.1: Discuss a selection from the current performing repertoire. study and sing selections representing various historical periods, styles, and cultures. compare and contrast the functions of vocal/choral music in various cultures sing at least one foreign language piece throughout the year. Select repertoire based on student interest, knowledge, ability and context. performers interest in major historical musical eras and/or knowledge of a (e.g. Renaissance, Baroque etc). work, understanding of their basic musical terms (e.g. time own abilities, and the signature, key signature, context for their modulation, compound meter, performance influence the simple meter) selection of repertoire. study and sing selections representing various historical periods, styles, and cultures. describe basic distinguishing characteristics of the current repertoire as a representative of vocal/choral music from a variety of historical periods and cultures. sing at least two foreign language pieces throughout the year.

22 Anchor Standard 2: Analyze the structure and context of work(s) and their implications for performance. HS Accomplished.2 Analyze a selection from the current performing repertoire. Analyzing the structure and historical/ cultural context of music influences performance read and write music notation, including basic symbols, and terms. read and write rhythmic patterns in simple meters and various tempos. recognize and perform music in various forms, including AB, ABA, and strophic. basic musical forms (e.g. ABA, AB etc.) compound and simple meters basic symbols and terms (e.g. time signature, key signature, treble clef, bass clef, rhythmic notation, basic dynamics) composers/arrangers manipulate elements within the historical/cultural context to provide insight into their intent and how this influences performance. Anchor Standard 3: Create personal interpretation that considers creator s intent. HS Accomplished.3: Listen to and/or observe two versions of the same song, preferably from current choral repertoire. Performers make interpretive decisions based on personal understanding of the work and the creator s intent conceptualize their own personal experiences and relate them to their current repertoire. interpret mood and dynamics in performance. sing with basic expressive phrasing based on personal interpretation of the piece. elements of music (i.e. form, dynamics, tempo, rhythm, melody and harmony) articulation (i.e. staccato, legato, tenuto, marcato) dynamics (e.g. pp, mp, mf, f, ff, crescendo, decrescendo, messa di voce) mood performers make interpretative decisions based on personal understanding of the work and the composer s/arranger s intent. read and write rhythmic patterns in simple and compound meters and various tempos. recognize and perform music in various forms, including AB, ABA, and strophic. conceptualize their own personal experiences and relate them to their current repertoire. interpret mood, tempo, and dynamics in performance. sing with developing expressive phrasing based on personal and group interpretation of the piece.

23 Anchor Standard 4: Develop, evaluate, and refine personal or ensemble performances individually or in collaboration with others. HS Accomplished.4: Demonstrate growth throughout the rehearsal-performance cycle. To express their musical ideas, performers analyze, evaluate and refine their work(s) over time through planned practice, feedback, reflection and collaboration demonstrate a consistent application of proper breath control. demonstrate a consistent application of proper singing posture. sing with a largely free and clear tone. produce pure vowelsah,eh,ee,oh, and oo-across the vocal range identify and articulate consonants. demonstrate basic control throughout the vocal range sing in small ensembles with three-four voices on a part. formulate basic questions related to criteria for selfevaluation of vocal/choral performances. elements of music (i.e. form, dynamics, tempo, rhythm, melody and harmony) articulation (i.e. staccato, legato, tenuto, marcato) tension/release (both harmonic and dynamic) intonation timbre balance and blend basic vocal anatomy (i.e. vocal folds, larynx) consonants and vowels in order to express their musical ideas, performers analyze, evaluate and refine their work(s) over time through planned practice, feedback, reflection, and collaboration. demonstrate a consistent application of proper breath control. demonstrate a consistent application of proper singing posture demonstrate basic knowledge of vocal anatomy through vocal production. sing with a free and clear tone, using consistently accurate intonation. produce pure vowels across the vocal range. consistently identify and articulate consonants. demonstrate developing control throughout the vocal range. sing in small ensembles with two-three voices on a part. formulate questions related to criteria for self-evaluation of vocal/choral performances.

24 Anchor Standard 5: Perform expressively, with appropriate interpretation and technical accuracy, and in a manner appropriate to the audience and context. HS Accomplished.5: Demonstrate choral singing using expressive qualities in a manner appropriate to the context. Effective performance is impacted by venue, audience and performer etiquette Student will be able to use basic dynamics, tempo, blend, and balance in a group performance. apply dynamic markings, including pp, p, mp, mf, f, ff, crescendo, decrescendo. respond to conducting prompts regarding blend and balance. respond to music through movement in the rehearsal process. elements of music (i.e. form, dynamics, tempo, rhythm, melody and harmony) articulation (i.e. staccato, legato, tenuto, marcato) tension/release (both harmonic, dynamic, and word stress) intonation balance and blend a performance is judged based on quality standards that vary across time, place, and cultures. the context and how a work is presented influences the audience response. use dynamics, tempo, blend, and balance in a group performance. apply dynamic markings, including pp, p, mp, mf, f, ff, crescendo, decrescendo. respond to conducting prompts regarding blend and balance. respond to music through movement as appropriate for diverse styles of music sing in a manner reflecting the expressive qualities of music in performance. Anchor Standard 6: Perform, individually and in groups, appropriate literature that matches the ability level of the performer and the performance ensemble. HS Accomplished.6: Perform, individually and in groups, in accordance to the grade and ability level of the HS accomplished choir class. Performing to a high standard of skills produces a worthy performance. Student will be able to demonstrate HS proficient grade level skills to successfully perform in front of an audience. concert recital festival public-service concerts, recitals, festivals, public-service performances are opportunities for student musicians to perform and demonstrate their musical skills. demonstrate HS accomplished grade level skills to successfully perform in front of an audience.

25 HS Advanced Creating Essential Questions: 1. How do artists generate and select creative ideas? 2. How do artists make creative decisions? 3. How do artists improve the quality of their creative work? 4. When is a creative work ready to share? Essential genre, style, mood, melody, arrangement, timbre, musical eras, progression, improvisation, style, meter, tonality, key signature, articulation, harmony, musical eras, harmonic progression, elements of music (i.e. form, dynamics, tempo, rhythm, melody and harmony), articulation (i.e. staccato, legato, tenuto, marcato), timbre, technology programs, modality Anchor Standard 1: Generate and select among multiple musical ideas relevant to a personal experience, interest, or specific purpose HS Advanced.1: Generate ideas for an original improvisation and/or composition. The creative ideas, concepts, and feelings that influence artists work emerge from a variety of sources. Students will be able to. compare an arrangement to an original work and discuss the differences. improvise a harmony part to a well-known song based on a I-IV-V chord progression. genre style mood melody arrangement timbre musical eras progression improvise style meter tonality music supplies a medium for self-expression. being able to describe and analyze music gives one a more in-depth understanding of music as a whole. musicians have an infinite number of choices with regard to combinations of musical elements that have an effect on the musical composition. compositional limits (e.g. key signature, meter, instrumentation) provide freedom for self-expression. compare an arrangement to the original work and analyze the differences. create music to integrate with other media. improvise original melodies over a given chord progression. discuss elements of music that makes a composition unique, and incorporate some of these elements in an original composition.

26 Anchor Standard 2: Develop a plan for using/presenting selected musical ideas. HS Advanced.2: Using technology, develop a plan to present musical ideas and talk about their selections. Artists creative choices are influenced by their experience, context, and expressive intent. Students will be able to. compare and contrast the differing choral styles of literature performed in class. genre style mood artists creative choices are influenced by their experience, context, and expressive intent. everyone can perform and respond to music in meaningful ways such as speeches, electronic presentations, and live presentations. collaboration enhances perception and requires persistence in selfmonitoring and decision making to work for the benefit of a common goal.. defend a personal choice of which piece you like better, using musical terminology. compare and contrast the differing choral styles of literature performed in class.

27 Anchor Standard 3: Develop and modify musical ideas to create a work that meets appropriate criteria. HS Advanced.3: Using technology, create and edit a project. Artists evaluate and refine work through feedback, flexibility, and persistence. improvise a melody or harmony to fit current repertoire. describe how improvisation provides for a wide variety of musical possibility, making each experience unique and relevant to the user. genre style mood key signature articulation melody harmony musical eras harmonic progression improvisation musicians have an infinite number of choices with regard to combinations of musical elements that have an effect on the musical composition. improvisation provides a means of musical expression and experimentation that is not dependent upon a requisite level of technical skills. using accurate musical vocabulary allows people to communicate using the language of music. collaborate with a small group to improvise a melody or harmony to fit current repertoire. describe how improvisation provides for a wide variety of musical possibility, making each experience unique and relevant to the user.

28 Anchor Standard 4: Share creative work that realizes the creator s intent and demonstrates craftsmanship and originality. HS Advanced.4: Present their project for peers/informal audience. Artists share their work through performance. present an original composition/ improvisation/ arrangement through craftsmanship. give feedback to their peers about their composition/ improvisation/ arrangement. improvise short rhythmic and melodic phrases in front of the class. elements of music (i.e. form, dynamics, tempo, rhythm, melody and harmony) articulation (i.e. staccato, legato, tenuto, marcato) genre style mood timbre technology programs modality musicians have an infinite number of choices with regard to combinations of musical elements. different cultures use different combinations of sounds to create different feelings. technology allows performers of all musical skill levels to improvise using voice or instrumental modalities to create original works as a means of personal or group expression. present an original composition/ improvisation/ arrangement through craftsmanship. give feedback to their peers about their composition/ improvisation/ arrangement. improvise increasingly complex rhythmic and melodic phrases in front of the class.

29 HS Choir Advanced Responding Essential Questions: 1. How do individuals choose music to experience? 2. How does understanding the structure and context of the work influence our response? 3. How do we discern the composer s/arranger s and/or performer s expressive intent? 4. How do we judge the quality of artistic work and performance? Essential articulation (i.e. staccato, legato, tenuto and marcato), tension/release, historical context, genre, voicing, song structure/form, musical eras, form, cultural context, elements of music (i.e. form, dynamics, tempo, rhythm, melody and harmony), ensemble clarity, intonation, blend, phrasing, tempo

30 Anchor Standard 1: Support the choice of music for a specific purpose or situation. HS Advanced.1: Listen to a variety of music. identify and describe how music is used in a society/culture for entertainment, education, recreation, furthering traditions, political, commercialism, intellectual expression etc. understand and describe characteristics of musical works and vocal styles that make them appropriate for specific situations. make independent judgments of quality regarding ensemble clarity, tone, intonation, balance, blend, technical skill and facility, musicality and structure. explore the relationship of music and text in repertoire being studied, including understanding the text as literature and identifying musical devices that enhance its meaning. explore the genre, style, composer, and historical background of repertoire being studied. articulation tension/release historical context genre voicing song structure/form musical eras music has common components such as texture, form, style and genre. music is utilized for expression of emotions in society. music terminology can be used to discuss music. all music has common elements. discuss the musical qualities in choral repertoire heard or studied that evoke various.responses or emotions in listeners and performers listen to recordings of a variety of ensembles and repertoire. Identify and describe voicing, language, accompaniment, texture, form, compositional devices, and genre. make independent judgments of quality regarding ensemble clarity, tone, intonation, balance, blend, technical skill and facility, musicality and structure. identify, define, and demonstrate knowledge of all terms regarding tempo, style and dynamics as experienced in the selected literature. listen to and independently classify and categorize music by genre, basic style (method of performance/expression) and basic historical periods (renaissance, baroque, classical, romantic, modern). explore the relationship of music and text in repertoire being studied, including understanding the text as literature and identifying musical devices that enhance its meaning.

31 Anchor Standard 2: Explain how your analysis of the structure and context of the work influence your response. HS Advanced.2: Analyze the musical elements and compositional techniques of a variety of musical selections. identify, define, and demonstrate knowledge of all terms regarding tempo, style, and dynamics as experienced in the selected literature. demonstrate understanding of similarities and differences in music forms by listening and comparing selected musical recording or performance repertoire (i.e. AB, ABA, rondo, strophic, through-composed, etc). listen to, analyze, and discuss the relationship of movements or sections of larger musical works being sung such as the mass or oratorio. use appropriate musical terminology in establishing criteria and creating a rubric to be used in evaluating the quality of choral performances. explore the genre, style, composer, and historical background of repertoire being studied. analyze and discuss basic compositional elements heard in choral works being studied such as form, meter, cadences, harmonic progressions, phrasing, and modulation, and their effect on performance. articulation form elements of music tension/release historical context cultural context form Students will understand that music has common elements. common elements can be utilized as scaffolding in a discussion for a response about music. the component parts in music can be determined visually and aurally. identify, define, and demonstrate knowledge of all terms regarding tempo, style, and dynamics as experienced in the selected literature. demonstrate understanding of similarities and differences in music forms by listening and comparing selected musical recording or performance repertoire. listen to, analyze, and discuss the relationship of movements or sections of larger musical works being sung such as the mass or oratorio. use appropriate musical terminology in evaluating the quality of choral performances. explore the genre, composer, and historical background of repertoire being studied. analyze and discuss compositional elements heard in choral works and their effect on performances. explore the relationship of music and text in repertoire being studied.

32 Anchor Standard 3: Support an interpretation of a work that reflects the composers/performers expressive intent. HS Advanced.3: Discuss the relationship between the musical elements and the interpretation. compare two recordings of a choral work and note similarities and differences in phrasing, tempo, dynamic levels, tone quality, and use of articulations. compare choral works and other art forms with similar characteristics and effects to enhance understanding and interpretation of the music. discuss the musical qualities in choral repertoire heard or studied that evoke various responses or emotions in listeners and performers. explore the relationship of music and text in repertoire being studied, including understanding the text as literature and identifying musical devices that enhance its meaning. articulation tension/release historical context cultural context musical elements can be used to compare two recordings from the same or different composers. the text in a piece can be utilized to discuss the composers intentions. compare two recordings of a choral work and note similarities and differences in phrasing, tempo, dynamic levels, tone quality, and use of articulations. compare choral works with similar characteristics to enhance understanding and interpretation of the music. use appropriate musical terminology in evaluating the quality of choral performances. discuss the musical qualities in choral repertoire heard or studied that evoke various responses or emotions in listeners and performers. explore the relationship of music and text in repertoire being studied.

33 Anchor Standard 4: Support their personal evaluation of work(s) and/or performance(s) based on analysis, interpretation, and established criteria. HS Advanced.4: Evaluate a musical performance. develop and apply a list of musical criteria (breathing, blend, balance, intonation, style, dynamics, etc) and extra-musical criteria (appearance, performance demeanor etc) for evaluating the accuracy and effectiveness of individual and group performances. make independent judgments of quality regarding: ensemble clarity, tone, intonation, balance, blend, technical skill and facility, musicality and structure. use appropriate musical terminology in establishing criteria and creating a rubric to be used in evaluating the quality of choral performances. discuss the musical qualities in choral repertoire heard or studied that evoke various responses or emotions in listeners and performers. explore the relationship of music and text in repertoire being studied, including understanding the text as literature and identifying musical devices that enhance its meaning. explore the genre, style, composer, and historical background of repertoire being studied. elements of music tension/release historical context ensemble clarity intonation blend phrasing tempo articulations they can apply musical criteria to their own performances and the recordings of others. composers have a unique combination of musical characteristics that typify their work. evaluate the accuracy and effectiveness of individual and group performances. make independent judgments of quality regarding: ensemble clarity, tone, intonation, balance, blend, technical skill and facility, musicality and structure. use appropriate musical terminology in evaluating the quality of choral performances. compare two recordings of a choral work and note similarities and differences in phrasing, tempo, dynamic levels, tone quality, and use of articulations. compare choral works with similar characteristics to enhance understanding and interpretation of the music. discuss the musical qualities in choral repertoire heard or studied that evoke various responses or emotions in listeners and performers. explore the relationship of music and text in repertoire being studied, including understanding the text as literature and identifying musical devices that enhance its meaning. explore the genre, style, composer, and historical background of repertoire being studied.

34 HS Advanced Performing Essential Questions: 1) How do performers select repertoire? 2) How does understanding the structure and context of music influence performance? 3) How do performers interpret music? 4) How do performers improve the quality of their performance? 5) When is a work judged ready to perform? 6) How do context and performer presentation influence audience response? 7) How do individuals and ensembles present and demonstrate their musical skills? Essential major historical musical eras (e.g. Renaissance, Baroque etc)., modulation, major composers as they are introduced through repertoire, basic musical forms (e.g. ABA, AB, strophic), word painting, elements of music (e.g. form, dynamics, tempo, rhythm, melody and harmony), timbre, articulation (e.g. staccato, legato, tenuto, marcato), dynamics (e.g. pp, mp, mf, f, dd, crescendo, decrescendo, sfz, messa di voce etc), mood, tension/release (both harmonic and dynamic), intonation, balance and blend, basic vocal anatomy and physiology (e.g. larynx, vocal folds, adduction, abduction, trachea), musculature, IPA symbols and what sounds they represent, voiced and unvoiced consonants, dipthongs, concert, recital, festival, public-service

2012 Music Standards GRADES K-1-2

2012 Music Standards GRADES K-1-2 Students will: Personal Choice and Vision: Students construct and solve problems of personal relevance and interest when expressing themselves through A. Demonstrate how musical elements communicate meaning

More information

Musical Literacy. Clarifying Objectives. Musical Response

Musical Literacy. Clarifying Objectives. Musical Response North Carolina s Kindergarten Music Note on Numbering/Strands: ML Musical Literacy, MR Musical Response, CR Contextual Relevancy Musical Literacy K.ML.1 Apply the elements of music and musical techniques

More information

CREATING. Imagine Generate musical ideas for various purposes and contexts. Pre K K 1 2 3 4 5 6 7 8. MU:Cr1.1.4b Generate musical

CREATING. Imagine Generate musical ideas for various purposes and contexts. Pre K K 1 2 3 4 5 6 7 8. MU:Cr1.1.4b Generate musical CREATING Imagine Generate musical ideas for various purposes and contexts. Common Anchor #1 Enduring Understanding: The creative ideas, concepts, and feelings that influence musicians work emerge from

More information

Arlington Public Schools Secondary Vocal/Choral Music Curriculum INTRODUCTION

Arlington Public Schools Secondary Vocal/Choral Music Curriculum INTRODUCTION Arlington Public Schools Secondary Vocal/Choral Music Curriculum INTRODUCTION The Secondary Vocal/Choral Curriculum is designed for the vocal development of the choral musician and sets sequential standards

More information

National Standards for Music Education

National Standards for Music Education National Standards for Music Education 1. Singing, alone and with others, a varied repertoire of music. 2. Performing on instruments, alone and with others, a varied repertoire of music. 3. Improvising

More information

Choir 6. Content Skills Learning Targets Assessment Resources & Technology A: Rehearsal Skills

Choir 6. Content Skills Learning Targets Assessment Resources & Technology A: Rehearsal Skills St. Michael-Albertville Middle School East Teacher: Tina Lajko Choir 6 September 2014 A: Rehearsal Skills A: Rehearsal Skills CEQ: WHAT ARE THE ESSENTIAL COMPONENTS OF CHORAL MUSIC THAT SHOULD CONSISTENTLY

More information

Standard 1: Skills and Techniques 1

Standard 1: Skills and Techniques 1 1 Standard 1: Skills and Techniques 1 CB.1.1 Instrument Knowledge Skills CB.1.1.1 Instrument in good playing condition- including proper assembly, reed care, and cleaning. CB.1.2 Playing Posture Skills

More information

Choir 5. September 2014

Choir 5. September 2014 St. Michael-Albertville Middle School East Teacher: Tina Lajko Choir 5 September 2014 Content Skills Learning Targets Assessment Resources & Technology CEQ: WHAT ARE THE ESSENTIAL COMPONENTS OF CHORAL

More information

Demonstrate technical proficiency on instrument or voice at a level appropriate for the corequisite

Demonstrate technical proficiency on instrument or voice at a level appropriate for the corequisite MUS 101 MUS 111 MUS 121 MUS 122 MUS 135 MUS 137 MUS 152-1 MUS 152-2 MUS 161 MUS 180-1 MUS 180-2 Music History and Literature Identify and write basic music notation for pitch and Identify and write key

More information

Music Standards FINAL. Approved on May 5, 2000. Copyright 2003 Texas State Board for Educator Certification

Music Standards FINAL. Approved on May 5, 2000. Copyright 2003 Texas State Board for Educator Certification Music Standards FINAL Approved on May 5, 2000 Copyright 2003 Texas State Board for Educator Certification MUSIC STANDARDS Standard I. Standard II. Standard III. Standard IV. Standard V. Standard VI. Standard

More information

High School Concert Band

High School Concert Band Summit Public Schools Summit, New Jersey High School Concert Band Revised by Steven Rapp 2012 Summit High School Concert Band: Grade Level 9 th -12 th Content Area: Performing Arts Length of Course: Full

More information

Chapter 117. Texas Essential Knowledge and Skills for Fine Arts. Subchapter E. Middle School, Adopted 2013

Chapter 117. Texas Essential Knowledge and Skills for Fine Arts. Subchapter E. Middle School, Adopted 2013 Middle School, Adopted 2013 117.E. Chapter 117. Texas Essential Knowledge and Skills for Fine Arts Subchapter E. Middle School, Adopted 2013 Statutory Authority: The provisions of this Subchapter E issued

More information

Curriculum Mapping Electronic Music (L) 4202 1-Semester class (18 weeks)

Curriculum Mapping Electronic Music (L) 4202 1-Semester class (18 weeks) Curriculum Mapping Electronic Music (L) 4202 1-Semester class (18 weeks) Week Standard Skills Resources Vocabulary Assessments Students sing using computer-assisted instruction and assessment software.

More information

Arizona Music Standards

Arizona Music Standards Introduction Music is a subject with its own unique skills and knowledge, a respected repertoire of quality literature, an advanced system of notation and literacy, and a challenging form of cognition.

More information

HOWARD COUNTY PUBLIC SCHOOLS MUSIC TECHNOLOGY

HOWARD COUNTY PUBLIC SCHOOLS MUSIC TECHNOLOGY HOWARD COUNTY PUBLIC SCHOOLS MUSIC TECHNOLOGY GOALS AND OBJECTIVES GOAL I: PERCEIVING, PERFORMING, AND RESPONDING: AESTHETICS The student will demonstrate the ability to perceive, perform, and respond

More information

NATIONAL STANDARDS for MUSIC EDUCATION

NATIONAL STANDARDS for MUSIC EDUCATION NATIONAL STANDARDS for MUSIC EDUCATION 1. Singing, alone and with others, a varied repertoire of music. 2. Performing on instruments, alone and with others, a varied repertoire of music. 3. Improvising

More information

Greenwich Public Schools Chorus Curriculum 4-12

Greenwich Public Schools Chorus Curriculum 4-12 Greenwich Public Schools Chorus Curriculum 4-12 Overview Chorus is an elective music course that is offered to Greenwich Public School students beginning in grade 4 and continuing through grade 12. The

More information

Unit Overview Template. Learning Targets

Unit Overview Template. Learning Targets ENGAGING STUDENTS FOSTERING ACHIEVEMENT CULTIVATING 21 ST CENTURY GLOBAL SKILLS Content Area: Orchestra Unit Title: Music Literacy / History Comprehension Target Course/Grade Level: 3 & 4 Unit Overview

More information

Music Music: Grade 4 Product Performance GLE 1: Develop and apply singing skills to perform and communicate through the arts

Music Music: Grade 4 Product Performance GLE 1: Develop and apply singing skills to perform and communicate through the arts Expressive Singing Independent Singing : Grade 4 Product Performance GLE 1: Develop and apply singing skills to perform and communicate through the arts : knowledge of process and techniques for the production,

More information

LINCOLN PUBLIC SCHOOLS Music Learning Expectations: Grade 4

LINCOLN PUBLIC SCHOOLS Music Learning Expectations: Grade 4 Singing Singing is a fundamental and universal form of expression that requires active listening skills. sing, alone and with others, a varied repertoire of music. demonstrate an understanding that singing

More information

Music. Madison Public Schools Madison, Connecticut

Music. Madison Public Schools Madison, Connecticut Music Madison Public Schools Madison, Connecticut Dear Interested Reader: The following document is the Madison Public Schools Music Curriculum Guide. If you plan to use the whole or any parts of this

More information

Greenwich Public Schools Electronic Music Curriculum 9-12

Greenwich Public Schools Electronic Music Curriculum 9-12 Greenwich Public Schools Electronic Music Curriculum 9-12 Overview Electronic Music courses at the high school are elective music courses. The Electronic Music Units of Instruction include four strands

More information

MUSIC GLOSSARY. Accompaniment: A vocal or instrumental part that supports or is background for a principal part or parts.

MUSIC GLOSSARY. Accompaniment: A vocal or instrumental part that supports or is background for a principal part or parts. MUSIC GLOSSARY A cappella: Unaccompanied vocal music. Accompaniment: A vocal or instrumental part that supports or is background for a principal part or parts. Alla breve: A tempo marking indicating a

More information

How To Learn Music

How To Learn Music Proposed Revisions Texas Essential Knowledge and Skills (TEKS) Fine Arts, High School Music Prepared by the State Board of Education (SBOE) TEKS Review Committees First Draft, These draft proposed revisions

More information

Music Standards of Learning

Music Standards of Learning Music Standards of Learning for Virginia Public Schools Board of Education Commonwealth of Virginia April 2006 Music Standards of Learning for Virginia Public Schools Adopted in April 2006 by the Board

More information

K-12 Music Unpacked Content

K-12 Music Unpacked Content This document is designed to help North Carolina educators teach the Essential Standards (Standard Course of Study). NCDPI staff are continually updating and improving these tools to better serve teachers.

More information

Silver Burdett Making Music

Silver Burdett Making Music A Correlation of Silver Burdett Making Music Model Content Standards for Music INTRODUCTION This document shows how meets the Model Content Standards for Music. Page references are Teacher s Edition. Lessons

More information

Music Literacy for All

Music Literacy for All Music Literacy for All Developing Musically Literate Individuals in Performance-Based Ensembles J. Steven Moore, DMA Research Data How Many Public Performances Does the Average H.S. Band Present Annually?

More information

8 th grade concert choir scope and sequence. 1 st quarter

8 th grade concert choir scope and sequence. 1 st quarter 8 th grade concert choir scope and sequence 1 st quarter MU STH- SCALES #18 Students will understand the concept of scale degree. HARMONY # 25. Students will sing melodies in parallel harmony. HARMONY

More information

Wallingford Public Schools - HIGH SCHOOL COURSE OUTLINE

Wallingford Public Schools - HIGH SCHOOL COURSE OUTLINE Wallingford Public Schools - HIGH SCHOOL COURSE OUTLINE Course Title: Soprano/Soprano/Alto Chorus (SSA) Course Number: A5693 Department: Music Grade(s): 9-12 Level(s): Academic Credit:.5 Course Description:

More information

SVL AP Music Theory Syllabus/Online Course Plan

SVL AP Music Theory Syllabus/Online Course Plan SVL AP Music Theory Syllabus/Online Course Plan Certificated Teacher: Norilee Kimball Date: April, 2010 Stage One Desired Results Course Title/Grade Level: AP Music Theory/Grades 9-12 Credit: one semester

More information

Indiana Academic Standards for Music August, 2010

Indiana Academic Standards for Music August, 2010 Indiana Academic Standards for Music August, 2010 Courtney Cabrera Fine Arts Specialist Curriculum and Instruction Indiana Department of Education 151 West Ohio Street Indianapolis, IN 46204 Phone (317)

More information

General Music K-2 Primary Elementary Grades

General Music K-2 Primary Elementary Grades The following General K-8 alignment with Iowa Core was developed to provide guidance with the 21 st Century Universal Constructs: Critical Thinking, Effective Communication, Creativity, Collaboration,

More information

DRAFT Proposed Revisions Texas Essential Knowledge and Skills (TEKS) Fine Arts, High School Music

DRAFT Proposed Revisions Texas Essential Knowledge and Skills (TEKS) Fine Arts, High School Music Proposed Revisions Texas Essential Knowledge and Skills (TEKS) Fine Arts, High School Music Prepared by the State Board of Education (SBOE) TEKS Review Committees Final Recommendations, These draft proposed

More information

Chapter 117. Texas Essential Knowledge and Skills for Fine Arts. Subchapter D. Elementary, Adopted 2013

Chapter 117. Texas Essential Knowledge and Skills for Fine Arts. Subchapter D. Elementary, Adopted 2013 Elementary, Adopted 2013 117.D. Chapter 117. Texas Essential Knowledge and Skills for Fine Arts Subchapter D. Elementary, Adopted 2013 Statutory Authority: The provisions of this Subchapter D issued under

More information

MU:Cr2.1.E.IIb Preserve draft compositions and improvisations through standard notation, audio, or video recording.

MU:Cr2.1.E.IIb Preserve draft compositions and improvisations through standard notation, audio, or video recording. Present Present Evaluate and Refine Evaluate and Refine CREATING Plan and Make CREATING Imagine CREATING Plan and Make Imagine Anchor Standard 1: Generate and conceptualize artistic ideas and work. Enduring

More information

MUSIC A. PROGRAM RATIONALE AND PHILOSOPHY

MUSIC A. PROGRAM RATIONALE AND PHILOSOPHY MUSIC A. PROGRAM RATIONALE AND PHILOSOPHY The systematic development of musical skills, knowledge and perception is fundamental to the total development of the individual. Music education should begin

More information

Minnesota Academic Standards

Minnesota Academic Standards Minnesota Academic Standards Arts K-12 2008 The proposed revised standards in this document were drafted during the 2007-2008 school year. These standards are currently proceeding through the administrative

More information

WisconsinÕs Model Academic Standards for Music

WisconsinÕs Model Academic Standards for Music WisconsinÕs Model Academic Standards for Music Pauli Nikolay Assistant State Superintendent Division for Learning Support: Instructional Services Susan Grady Director School Improvement Team Thomas Stefonek

More information

New Jersey Core Curriculum Content Standards for Visual and Performing Arts INTRODUCTION

New Jersey Core Curriculum Content Standards for Visual and Performing Arts INTRODUCTION Content Area Standard Strand By the end of grade P 2 New Jersey Core Curriculum Content Standards for Visual and Performing Arts INTRODUCTION Visual and Performing Arts 1.4 Aesthetic Responses & Critique

More information

MUSIC. MU 100 Fundamentals of Music Theory (4) MU 101 Listen to the Music (4) MU 102 Music Appreciation (4) MU 109 Class Voice (2)

MUSIC. MU 100 Fundamentals of Music Theory (4) MU 101 Listen to the Music (4) MU 102 Music Appreciation (4) MU 109 Class Voice (2) MUSIC MU 100 Fundamentals of Music Theory (4) An introduction to notation, including a study of intervals, scales, modes, meters, basic triads and seventh chords. Intended for non-majors or students with

More information

Newport Public Schools Curriculum Framework

Newport Public Schools Curriculum Framework Subject: History of American Pop Music Grade Level 10-12 #6 Listen, analyze and describe music analyze aural examples of varied repertoire of American popular music styles including: minstrelsy, ragtime,

More information

FINE ARTS EDUCATION GEORGIA PERFORMANCE STANDARDS Music Appreciation (Grades 6-12)

FINE ARTS EDUCATION GEORGIA PERFORMANCE STANDARDS Music Appreciation (Grades 6-12) FINE ARTS EDUCATION GEORGIA PERFORMANCE STANDARDS Music Appreciation (Grades 6-12) September 16, 2010 Page 1 of 7 Music Appreciation (grades 9-12) Georgia Performance Standards Section Page I. Acknowledgements

More information

Music Standards of Learning

Music Standards of Learning Music Standards of Learning for Virginia Public Schools Board of Education Commonwealth of Virginia April 2006 Music Standards of Learning for Virginia Public Schools Adopted in April 2006 by the Board

More information

Music, Grade 11, University/College Preparation (AMU3M)

Music, Grade 11, University/College Preparation (AMU3M) Music, Grade 11, University/College Preparation (AMU3M) This course emphasizes the appreciation, analysis, and performance of various kinds of music, including baroque and classical music, popular music,

More information

The Planets? Suite! The Cleveland Institute of Music Class Materials. Table of Contents

The Planets? Suite! The Cleveland Institute of Music Class Materials. Table of Contents 1 Dear Educator, Thank you for choosing the Cleveland Institute of Music. Inside this packet, you will find all of the materials your class will need for your upcoming The Planets? Suite! videoconference.

More information

MONROE TOWNSHIP PUBLIC SCHOOLS CURRICULUM MAP

MONROE TOWNSHIP PUBLIC SCHOOLS CURRICULUM MAP MONROE TOWNSHIP PUBLIC SCHOOLS CURRICULUM MAP Grade 5 Music 2010-2011 School Year New Jersey Core Curriculum Content Standards for Arts Education in the 21 st Century INTRODUCTION Creativity is a driving

More information

Higher Music Concepts Performing: Grade 4 and above What you need to be able to recognise and describe when hearing a piece of music:

Higher Music Concepts Performing: Grade 4 and above What you need to be able to recognise and describe when hearing a piece of music: Higher Music Concepts Performing: Grade 4 and above What you need to be able to recognise and describe when hearing a piece of music: Melody/Harmony Rhythm/Tempo Texture/Structure/Form Timbre/Dynamics

More information

CHESHIRE PUBLIC SCHOOLS SUBJECT AREA SUMMARY SHEETS MUSIC

CHESHIRE PUBLIC SCHOOLS SUBJECT AREA SUMMARY SHEETS MUSIC CHESHIRE PUBLIC SCHOOLS SUBJECT AREA SUMMARY SHEETS MUSIC Curriculum Review Cycle Schedule 14-15 Analyze/Plan-Presentation to CCC 15-16 Implement I 16-17 Implement II 17-18 Implement III 18-19 Evaluation

More information

MICHIGAN TEST FOR TEACHER CERTIFICATION (MTTC) TEST OBJECTIVES FIELD 099: MUSIC EDUCATION

MICHIGAN TEST FOR TEACHER CERTIFICATION (MTTC) TEST OBJECTIVES FIELD 099: MUSIC EDUCATION MICHIGAN TEST FOR TEACHER CERTIFICATION (MTTC) TEST OBJECTIVES Subarea Listening Skills Music Theory Music History Music Creation and Performance Music Education Approximate Percentage of Questions on

More information

SLO REQUIRED PRIOR TO ADMISSION TO ALL DEGREE PROGRAMS IN MUSIC

SLO REQUIRED PRIOR TO ADMISSION TO ALL DEGREE PROGRAMS IN MUSIC SLO REQUIRED PRIOR TO ADMISSION TO ALL DEGREE PROGRAMS IN MUSIC GENERAL SLO (Knowledge and Skill) The prospective music major will demonstrate the ability to relate musical sound to notation and terminology

More information

Mount Laurel Township Schools Visual & Performing Arts Curriculum Grades Pre-K-8. Adopted by the Mount Laurel Board of Education on August 25, 2009

Mount Laurel Township Schools Visual & Performing Arts Curriculum Grades Pre-K-8. Adopted by the Mount Laurel Board of Education on August 25, 2009 Mount Laurel Township Schools Visual & Performing Arts Curriculum Grades Pre-K-8 Adopted by the Mount Laurel Board of Education on August 25, 2009 Contents in this Curriculum (Art) Pre-K Curriculum Kindergarten

More information

2012 VISUAL ART STANDARDS GRADES K-1-2

2012 VISUAL ART STANDARDS GRADES K-1-2 COGNITIVE & K Critical and Creative Thinking: Students combine and apply artistic and reasoning skills to imagine, create, realize and refine artworks in conventional and innovative ways. The student will

More information

Paxton-Buckley-Loda Instructional Curriculum Articulation and Alignment

Paxton-Buckley-Loda Instructional Curriculum Articulation and Alignment Paxton-Buckley-Loda Instructional Curriculum Articulation and Alignment Early Elementary Kindergarten through Second Grade Fine Arts State Goal 25: The students will be able to know the language of the

More information

Music 2 and Music Extension. Stage 6 Syllabuses

Music 2 and Music Extension. Stage 6 Syllabuses Music 2 and Music Extension Stage 6 Syllabuses Original published version updated: April 2000 Board Bulletin/Official Notices Vol 9 No 2 (BOS 13/00) October 2009 Assessment and Reporting information updated

More information

1. interpret notational symbols for rhythm (26.A.1d) 2. recognize and respond to steady beat with movements, games and by chanting (25.A.

1. interpret notational symbols for rhythm (26.A.1d) 2. recognize and respond to steady beat with movements, games and by chanting (25.A. FIRST GRADE CURRICULUM OBJECTIVES MUSIC I. Rhythm 1. interpret notational symbols for rhythm (26.A.1d) 2. recognize and respond to steady beat with movements, games and by chanting (25.A.1c) 3. respond

More information

by Learning Area Achievement Objectives The New Zealand Curriculum Set of 8 charts

by Learning Area Achievement Objectives The New Zealand Curriculum Set of 8 charts The New Zealand Curriculum Achievement Objectives by Learning Area Set of 8 charts Published for the Ministry of Education by Learning Media Limited, Box 3293, Wellington, New Zealand. www.learningmedia.co.nz

More information

GCSE Music Unit 4 (42704) Guidance

GCSE Music Unit 4 (42704) Guidance GCSE Music Unit 4 (42704) Guidance (There are recordings to accompany this document.) The Task Students will be required to compose one piece of music which explores two or more of the five areas of study.

More information

CHESHIRE PUBLIC SCHOOLS SUBJECT AREA SUMMARY SHEETS MUSIC

CHESHIRE PUBLIC SCHOOLS SUBJECT AREA SUMMARY SHEETS MUSIC CHESHIRE PUBLIC SCHOOLS SUBJECT AREA SUMMARY SHEETS MUSIC Curriculum Review Cycle Schedule 15-16 Implement I 16-17 Implement II 17-18 Implement III 18-19 Evaluation Subcommittee is Formed 19-20 Analyze/Plan-Presentation

More information

* - Mastery Skill Categories of skills SCPS MUSIC ESSENTIAL SKILLS CHECKLIST. Grade level: Kindergarten. Listen, Analyze, & Evaluate/ Mu.A.

* - Mastery Skill Categories of skills SCPS MUSIC ESSENTIAL SKILLS CHECKLIST. Grade level: Kindergarten. Listen, Analyze, & Evaluate/ Mu.A. SCPS USIC ESSENTIAL SKILLS CHECKLIST evised June 16, 2008 Grade level: Kindergarten u.a.1 u.a.2 ead & Notate/ u.a.3 u.a.4 u.a.5 u.a.6 ovement/ *Steady beat Long/Short *Speak *High/Low *Same/Different *Loud/Quiet

More information

Mercer County. Intermediate School

Mercer County. Intermediate School Mercer County Intermediate School Course Description Book 2014-2015 Mercer County Intermediate School 2014-2015 Course Descriptions Literature Grades 5 Mrs. Aldinger/Mr. Leng This course is designed to

More information

K-8. Fine Arts Curriculum Framework. Revised 2008

K-8. Fine Arts Curriculum Framework. Revised 2008 K-8 Fine Arts Curriculum Framework Revised 2008 K-8 Fine Arts Curriculum Framework Strand Music Content Standard 1. Skills and Techniques Students shall demonstrate and apply the essential skills and techniques

More information

MUSICAL ANALYSIS WRITING GUIDE

MUSICAL ANALYSIS WRITING GUIDE THE CRITERIA MUSICAL ANALYSIS WRITING GUIDE In writing your essay, the only thing you really need to do is fulfill the marking criteria. Let s look closely at what the criteria says. The student evaluates

More information

Catholic Connections to Music

Catholic Connections to Music to Music in the National Standards for Arts Education Music Education Division National Association of Pastoral Musicians NPM Publications 2006 Washington, DC National Standards for Arts Education copyright

More information

RESEARCH IN MUSIC EDUCATION AND SOUND ARTS (Completed in, and/or about New Zealand)

RESEARCH IN MUSIC EDUCATION AND SOUND ARTS (Completed in, and/or about New Zealand) Te Puna Puoru National Centre for Research in Music Education and Sound Arts (MERC) invites you to contribute to the national database of research in music education and sound arts. Fill in the template

More information

Admission Requirements to the Music Program

Admission Requirements to the Music Program Department of Humanities and Fine Arts / 111 THE BACHELOR OF ARTS DEGREE IN MUSIC (MUSI, MUAP, MUEN) The Music Program plays a vital role in the life of the University and the community. The training environment

More information

TExES I Texas Examinations of Educator Standards. Preparation Manual. 177 Music EC 12

TExES I Texas Examinations of Educator Standards. Preparation Manual. 177 Music EC 12 TExES I Texas Examinations of Educator Standards Preparation Manual 177 Music EC 12 Copyright 2006 by the Texas Education Agency (TEA). All rights reserved. The Texas Education Agency logo and TEA are

More information

Progression of Learning in Secondary School Music

Progression of Learning in Secondary School Music 1 Progression of Learning in Secondary School Music August 20, 2010 2 Table of Contents Progression of Learning in Secondary School 3 Introduction 5 Knowledge 6 Applications of Knowledge 11 Competency

More information

STUDY GUIDE. Illinois Licensure Testing System. Music (143) This test is now delivered as a computer-based test.

STUDY GUIDE. Illinois Licensure Testing System. Music (143) This test is now delivered as a computer-based test. Illinois Licensure Testing System STUDY GUIDE Music (143) This test is now delivered as a computer-based test. See www.il.nesinc.com for current program information. Illinois State Board of Education IL-SG-FLD143-05

More information

Music Learning Activity Types 1, 2

Music Learning Activity Types 1, 2 Music Learning Activity Types 1, 2 Technology has greatly influenced today s world of music, including the means by which people produce, consume, and share it. Teachers have many options for utilizing

More information

Medical Laboratory Technology Music

Medical Laboratory Technology Music Medical Laboratory Technology Music MLT-2990 Advanced MLT Applications 06 Semester Credits Manual laboratory skills related to clinical chemistry, hematology, coagulation, body fluids, microbiology, parasitology,

More information

THEORY AND COMPOSITION (MTC)

THEORY AND COMPOSITION (MTC) University of Miami Academic Bulletin 1 THEORY AND COMPOSITION (MTC) MTC 101. Composition I. 2 Credit Course covers elementary principles of composition; class performance of composition projects is also

More information

2015 2016 VCE Music Performance

2015 2016 VCE Music Performance 2015 2016 VCE Music Performance Performance examination End of year Examination specifications Overall conditions The student will give a live performance in only one of the following contexts: as a member

More information

126CSR44J TITLE 126 LEGISLATIVE RULE BOARD OF EDUCATION

126CSR44J TITLE 126 LEGISLATIVE RULE BOARD OF EDUCATION 126CSR44J TITLE 126 LEGISLATIVE RULE BOARD OF EDUCATION SERIES 44J 21 ST CENTURY MUSIC EDUCATION CONTENT STANDARDS AND OBJECTIVES FOR WEST VIRGINIA SCHOOLS (2520.10) 126-44J-1. General. 1.1. Scope. --

More information

Sequential Guide for Music Instruction... Classroom / General Music NYSSMA 2012

Sequential Guide for Music Instruction... Classroom / General Music NYSSMA 2012 Sequential Guide for Music Instruction... Classroom / General Music NYSSMA 2012 Sequential Guide for Music Instruction... Classroom / General Music New York State School Music Association 2012 This is

More information

BACHELOR OF ARTS IN MUSIC

BACHELOR OF ARTS IN MUSIC UNIVERSITY OF EDUCATION, WINNEBA SCHOOL OF CREATIVE ARTS DEP. OF MUSIC EDUCATION BACHELOR OF ARTS IN MUSIC PROGRAMME TITLE Bachelor of Arts in Music Type of accreditation required Accreditation Brief historical

More information

Music in schools: promoting good practice

Music in schools: promoting good practice Guidance from HMI for teachers, headteachers, and music hub leaders when observing musical teaching and learning Schools, all other funded providers of music education, and providers of Continuing Professional

More information

MUSIC. Syllabus for Primary Schools. Curriculum Department, Floriana Year 3 19

MUSIC. Syllabus for Primary Schools. Curriculum Department, Floriana Year 3 19 MUSIC Syllabus for Primary Schools Curriculum Department, Floriana Year 3 19 YEAR 3 Curriculum Department, Floriana Year 3 20 LEARNING OUTCOMES for YEAR 3 Curriculum Department, Floriana Year 3 21 3.1

More information

Music Years 7 10. Syllabus

Music Years 7 10. Syllabus Music Years 7 10 Syllabus June 2003 2003 Copyright Board of Studies NSW for and on behalf of the Crown in right of the State of New South Wales. This document contains Material prepared by the Board of

More information

JEFFERSON TOWNSHIP PUBLIC SCHOOLS COURSE OF STUDY HIGH TECH MUSIC II JULY 2011

JEFFERSON TOWNSHIP PUBLIC SCHOOLS COURSE OF STUDY HIGH TECH MUSIC II JULY 2011 JEFFERSON TOWNSHIP PUBLIC SCHOOLS COURSE OF STUDY HIGH TECH MUSIC II JULY 2011 TABLE OF CONTENTS Music Department Philosophy and Goals 3 New Jersey Core Curriculum Content Standards 5 High Tech Music II

More information

Assessment Plan: Undergraduate Degrees Department of Music Miami University. APPROVED BY MUSIC FACULTY 18 April 2012

Assessment Plan: Undergraduate Degrees Department of Music Miami University. APPROVED BY MUSIC FACULTY 18 April 2012 Assessment Plan: Undergraduate Degrees Department of Music Miami University APPROVED BY MUSIC FACULTY 18 April 2012 CONTENTS Bachelor of Music in Music Education Bachelor of Music in Music Performance

More information

Course Description for the Degree of Bachelor of Fine Arts/Department of Music

Course Description for the Degree of Bachelor of Fine Arts/Department of Music Course Description for the Degree of Bachelor of Fine Arts/Department of Music (20033111) Major Instrument - 1 1 credit (2003412) Major Instrument - 2 P.R:(2003111) 1 credit (2003211) Major Instrument

More information

Handale Primary School Music Curriculum Year EYFS ( 4-5 year olds)

Handale Primary School Music Curriculum Year EYFS ( 4-5 year olds) Handale Primary School Music Curriculum Year EYFS ( 4-5 year olds) Music at EYFS stage reflects the different ways in which children learn and engage with other people. Many examples of stories, songs

More information

ARTS, INFORMATION AND COMMUNICATIONS CAREER LEARNING AREA

ARTS, INFORMATION AND COMMUNICATIONS CAREER LEARNING AREA ARTS, INFORMATION AND COMMUNICATIONS CAREER LEARNING AREA Overview The Performing Arts cluster skill sets are designed to prepare our students for entrance into performance or music education degrees.

More information

New Jersey Core Curriculum Content Standards for Visual and Performing Arts INTRODUCTION

New Jersey Core Curriculum Content Standards for Visual and Performing Arts INTRODUCTION New Jersey Core Curriculum Content Standards for Visual and Performing Arts INTRODUCTION Arts Education in the 21st Century Creativity is a driving force in the 21st century global economy, with the fastest

More information

FINE ARTS EDUCATION GEORGIA PERFORMANCE STANDARDS Music Technology (Grades 6-8)

FINE ARTS EDUCATION GEORGIA PERFORMANCE STANDARDS Music Technology (Grades 6-8) FINE ARTS EDUCATION GEORGIA PERFORMANCE STANDARDS Music Technology (Grades 6-8) September 16, 2010 Page 1 of 5 Music Technology (grades 6-8) Georgia Performance Standards Section Page I. Acknowledgements

More information

Rhode Island Arts Grade Span Expectations K-12 Visual Arts & Design

Rhode Island Arts Grade Span Expectations K-12 Visual Arts & Design About the Rhode Island K-12 Grade Span Expectations in the Arts Rhode Island Arts Grade Span Expectations K-12 The document, the Rhode Island K-12 Grade Span Expectations in the Arts, has been developed

More information

Music - Commercial. Career Options Vocalist Instrumentalist Producer Artist agent Sound engineer Public and private teaching

Music - Commercial. Career Options Vocalist Instrumentalist Producer Artist agent Sound engineer Public and private teaching 289 Definition The Commercial Music program is designed to prepare students to perform, to write and record music, to develop an appreciation of various contemporary music styles, and to understand the

More information

ORANGE COUNTY PUBLIC SCHOOLS

ORANGE COUNTY PUBLIC SCHOOLS ORANGE COUNTY PUBLIC SCHOOLS Secondary Choral Curriculum Project 2005-2006 Writing Team-Summer 2005: Sue Brown Hunters Creek Middle School Sandy Hinkley Glenridge Middle School Andrew Minear - Winter Park

More information

High School Music Guidelines

High School Music Guidelines 840350 High School Music Guidelines Grades 9/10 Program and Grades 11/12 Electives Educational Programs and Services Department of Education P. O. Box 6000 Fredericton, New Brunswick E3B 5H1 May 2002 Acknowledgements

More information

General Music Programme Syllabus (Primary/Secondary)

General Music Programme Syllabus (Primary/Secondary) GENERAL MUSIC PROGRAMME SYLLABUS General Music Programme Syllabus (Primary/Secondary) Curriculum Planning & Development Division Ministry of Education Singapore All Rights Reserved Year of Implementation:

More information

SAMPLE MIDAS PROFILE MULTIPLE INTELLIGENCES DEVELOPMENTAL ASSESSMENT SCALES MIDAS Version 2.0 Processed 09-23-1999 for Tara Student

SAMPLE MIDAS PROFILE MULTIPLE INTELLIGENCES DEVELOPMENTAL ASSESSMENT SCALES MIDAS Version 2.0 Processed 09-23-1999 for Tara Student SAMPLE MIDAS PROFILE MULTIPLE INTELLIGENCES DEVELOPMENTAL ASSESSMENT SCALES MIDAS Version 2.0 Processed 09-23-1999 for Tara Student Sex: F Grade: 9 ID number: 407 Code: 1 Birth Date: 1984 The following

More information

Time allowed: 1 hour 30 minutes

Time allowed: 1 hour 30 minutes SPECIMEN MATERIAL GCSE MUSIC 8271 Specimen 2018 Time allowed: 1 hour 30 minutes General Certificate of Secondary Education Instructions Use black ink or black ball-point pen. You may use pencil for music

More information

Grades 6-8 UPPER SCHOOL COURSE CATALOG

Grades 6-8 UPPER SCHOOL COURSE CATALOG Grades 6-8 UPPER SCHOOL COURSE CATALOG Of Nevada 2016-2017 1 Page DORAL ACADEMY of NEVADA MISSION STATEMENT Doral Academy of Nevada is dedicated to providing an enhanced educational experience. We will

More information

PROVIDENCE UNIVERSITY COLLEGE

PROVIDENCE UNIVERSITY COLLEGE 4.6.16 Music Academic Staff Bill Derksen, Ph.D., University of Minnesota, Emeritus Karen Sunabacka, Ph.D., University of California at Davis, Program Coordinator Darryl Friesen, D.M.A., University of Illinois

More information

At the piano; learning a natural hand position; the steady beat; pre-reading: two black keys Learning finger numbers, posture, and arm weight;

At the piano; learning a natural hand position; the steady beat; pre-reading: two black keys Learning finger numbers, posture, and arm weight; PREPARATORY 0 1 At the piano; learning a natural hand position; the steady beat; pre-reading: two black keys Learning finger numbers, posture, and arm weight; pre-reading: three black keys; double bar

More information

The New Hampshire Arts System

The New Hampshire Arts System K-12 CURRICULUM FRAMEWORK FOR THE ARTS Sketching my Friend By Jennah Age 7 In accordance with RSA 193-C relative to the New Hampshire Educational Improvement and Assessment Program (NHEIAP), the purpose

More information

Music Instructional Units

Music Instructional Units Music Instructional Units MUSIC INSTRUCTIONAL UNITS TASK FORCE MEMBERS DAVID DUNLAP JOHN LEVAI JENNIFER CAMILLO SABINA MULLER, CURRICULUM AND INSTRUCTION SUPERVISOR SEPTEMBER 2013 Unit 1 Multi Cultural

More information

K to 12 BASIC EDUCATION CURRICULUM SENIOR HIGH SCHOOL ARTS AND DESIGN TRACK

K to 12 BASIC EDUCATION CURRICULUM SENIOR HIGH SCHOOL ARTS AND DESIGN TRACK Grade: 11 Track Subject Title: Creative Industries II: Performing Arts Semester: 2nd Semester No. of Hours/ Semester: 80 hours Pre-requisite: none Track Subject Description: The course introduces the students

More information

Oakland Homeschool Music, Inc. P.O. Box 300652, Waterford, MI 48330 Phone: (248) 760-7864 Email: info@ohmimusic.com Website: www.ohmimusic.

Oakland Homeschool Music, Inc. P.O. Box 300652, Waterford, MI 48330 Phone: (248) 760-7864 Email: info@ohmimusic.com Website: www.ohmimusic. Syllabus for Middle School Chorus Week 1 - Class introductions, class expectations, pass out folders and music.music theory evaluation test. Demonstrate good singing posture, sing major scale based warm-ups.

More information