Modes for Autumn Leaves scales & modes are a group of notes, a pool if you like from which you can draw your ideas
|
|
- Richard Snow
- 7 years ago
- Views:
Transcription
1 6 A1 c 1 a locrian #2 A C Autumn Leaves 32 bar aabc form mark@azzpiano.co.nz please note that the melody is ritten in a simplified form, and is a guide only, embellishments & syncopation are expected comping rhythm for A sections only medium maor ii v i in b flat maor ii v i in b flat Œ c dorian D7 ( # 5 # 9 ) n d superlocrian # D7 ( # 5 # 9 ). maor ii v i in b flat. this indicates that the feel is sung not straight 8ths J f mixolydian Gm(ma7) g azz minor! ma7 Gm(ma7) Gm(ma7)! ma7 maor ii v in F Gm7 g dorian e.g. Gm(ma7) C7! ma7 b flat maor E! ma7 e flat lydian Œ E! ma7 Ó # E! ma7 f dorian e.g. # maor ii v in e flat Fm7! 7 ( )
2 Modes for Autumn Leaves scales & modes are a group of notes, a pool if you like from hich you can dra your ideas 34 36! ma E! 42 n b Gm(ma7) c dorian mode (2nd mode of flat maor scale, or c maor scale ith loered 3rd and 7th) f mixolydian mode (5th mode of flat maor scale, or f maor scale ith loered 7th) b flat maor scale Gm7 n Fm7 b e flat lydian mode (4th mode of flat maor scale, or E flat maor scale ith raised 4th) a locrian #2 mode (6th mode of c azz minor scale, or natural minor scale ith loered 5th) b d superlocrian mode (7th mode of E flat azz minor, also called altered and half hole scale) g azz minor scale (melodic minor ascending) g dorian mode, or c mixolydian mode (same notes) f dorian mode, or b flat mixolydian mode (same notes) n # C7 n! 7 mark@azzpiano.co.nz b
3 Jazz Sing Quavers play this scale and articulation no play this in 12/8 time J. c No add an accent to the off-beat note c 58 No play the slurred notes at full value (don't shorten) but ith less emphasis 61 } k k } k } k } k } k } k } This is an exaggerated rough guide to azz sing feel and phrasing note length, eight of accent etc are all open to personal interpretation the shape of the melody and use of different rhythms ill also determine the articulation used The only real ay to get an idea of azz sing is by listening to recordings made by great players
4 Voicings For Autumn Leaves 64 66! ma7 E! ma7 68 n Gm7 71 n # n C7 n Gm(ma7) # note: you may ant to play this chord using f natural instead of f sharp, try it out! b 72 Fm7! 7 Chords can be divided into 3 groups, maor, minor, and dominant Learn to recognise a maor ii v i progression & the qualities of the chords involved (m7, 7, Ma7) Learn to recognise a minor ii v i progression & the qualities of the chords involved (m7b5, 7(alt), Min7 Your chord must contain at least the 3rd and 7th (guide tones) uild your chord from either the 3rd or the 7th upards (there are usually 2 voicings per chord) Avoid playing the root in your voicings Keep movement beteen chords to a minimum (ust like J.S. ach!!) Extend the m7 and ma7 chord to the 9th ith the 5th Extend the dominant chord to the 13th using the 9th (omit 5th) Use alterations on the dominant chord especially in a minor ii v i
5 Nomenclature of azz chords There are 3 types of chord group, maor, minor, and dominant. When you are reading chord charts you ill need to be able to recognise hich symbol belongs to hich group. Often beginning improvisers get confused beteen a dominant chord and a maor chord, hilst only a semitone different, the function of the chord is ENTIRELY different. Here are common ays maor chords are ritten !! ma7! J! M7 Here are common ays minor chords are ritten C- Cmin7 C-7 Here are common ays dominant 7 chords are ritten F9 F13 Here are the 2 ays a half diminished chord is ritten Aº Please note that azz use extensions such as 9th, and 13th rather than 2nd and 6th to imply that the interval is ADDED to the existing chord and doesnt replace a note. e.g. C9 means a C7 plus a 2nd, Csus2 ould imply that the 3rd is replaced by the 2. A C6 chord is ust a c triad ith the 6 added, hoever a C13 is a dominant chord. Jazz musicians ill usually play a C7 ith either a 9th or 13th anyay, so C7, C9, & C13 are the same practically. lues scales for Autumn Leaves G blues - This is a good blanket scale to use hen your brain aches from thinking too much! 86 # flat blues - you may ish to try this scale over autumn leaves, see hat you think! 88 b n b
6 Change running exercises 90 etc. 94! ma7 98 Digital pattern exercises E! ma n Gm(ma7) etc.! ma7 b Cm ! ma7 112 etc. E! ma7
7 Jazz lines (ideas) 114 n 117 b 3 b n b b b! ma7! ma7 mark@azzpiano.co.nz Ó Ó What makes a solo interesting? Repetition, Sequence, Dynamics, Range (high, lo etc), Accents, Rest and Silence, Rhythmic Variation Variety (but not too much), lues scale, Tension and Release, Motifs Knoing here the guide tones are (3 and 7) Trills, Glissandos, Soops, Staccato etc Emphasise pretty sounding notes, 7ths, 9ths, #4ths Alays try to buiid your solo, tell a story and make it go somehere Above all of this, the main thing you need to do is LISTEN, it helps sing feel, improvisation, style and generally helps you build a solid azz vocabulary! What do I do no? Practise Sing rhythms over familiar scales Practice maor 251 in both hands through cycle of 4ths, best choice Practice maor 251 in left hands through cycle of 4ths, play 251 exercise in right hand practising sing rhythms Seperate Chords types and practise through cycle, chromatically and randomly until you kno the chords quickly Practise minor 251 in left hand, best choice Practise minor 251 in left hand, play 251 exercise using Locrian #2, Superlocrian, and Jazz Minor scales uy a real book and play chords from any tune making yourself fluent ith your ne azz voicings uy Jamey Aebersold backing tracks and play along either ith chords & tune or try soloing over the changes too! Just play, be creative, listen and have fun playing azz! There is a huge recourse of azz tutorial material available to buy and study, or book a series of private lessons from a tutor, study at one of the azz courses available in both Auckland based universities.
Guitar Rubric. Technical Exercises Guitar. Debut. Group A: Scales. Group B: Chords. Group C: Riff
Guitar Rubric Technical Exercises Guitar Debut In this section the examiner will ask you to play a selection of exercises drawn from each of the three groups shown below. Groups A and B contain examples
More informationThe Basic Jazz Guitar Chord Book
The Basic Jazz Guitar Chord Book By Dirk Laukens / January 25, 2005 Hello and welcome to the basic jazz guitar chord book, brought to you by www.jazzguitar.be. How are guitar chords built? What makes a
More informationTutorial 1J: Chords, Keys, and Progressions
Tutorial 1J: Chords, Keys, and Progressions Welcome! In this tutorial you ll learn how to: Other Level 1 Tutorials 1. Relate chords with keys 1A: Virtual Practice 2. Use basic blues progressions & blues
More informationJim Hall Chords and Comping Techniques
Jim Hall Chords and Comping Techniques Jazz guitar comping is an art form in its own right. The comping rhythms, melodies, and voicings of the greatest Jazz guitarists are delightful to listen to, with
More informationPREPARING TO STUDY JAZZ AT THE NEW ZEALAND SCHOOL OF MUSIC. The Jazz Theory Entrance Test 2010 STUDY GUIDE
PREPARING TO STUDY JAZZ AT THE NEW ZEALAND SCHOOL OF MUSIC The Jazz Theory Entrance Test 2010 STUDY GUIDE The Jazz Theory Entrance Test Study Guide Every concept that you will study in jazz theory, either
More informationHow to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 Revised 4 September 2012
How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 Revised 4 September 2012 There are different forms of jazz improvisation. For example, in free improvisation, the player is under
More informationMAKING YOUR LINES SOUND MORE LIKE JAZZ!
MAKING YOUR LINES SOUND MORE LIKE JAZZ! BY ALISDAIR MACRAE BIRCH One of the common questions asked by jazz guitar students is, How do I make my lines sound more like jazz? or Why do my improvised lines
More informationb 9 œ nœ j œ œ œ œ œ J œ j n œ Œ Œ & b b b b b c ÿ œ j œ œ œ Ó œ. & b b b b b œ bœ œ œ œ œ œbœ SANCTICITY
SANCTICITY ohn Scofield guitar solo from the live CD im Hall & Friends, Live at Town Hall, Volumes 1 & 2 azz Heritage CD 522980L Sancticity, a tune by Coleman Hawkins, is based on the same harmonic progression
More informationIntroduction to Chords For Jazz Band
Introduction to Chords For Jazz Band First, let s start with a major scale and review the scale degrees. We refer to the distance between two notes as an interval, and an interval has two aspects: the
More informationHow To Improvise a Solo A Workshop for Beginners
1 How To Improvise a Solo A Workshop for Beginners 10:00-10:30 am Arrival, Setup and Performance 10:30 to 12:00 pm Interactive Workshop 12:00 to 12:30 Lunch 12:30 to 2:00 pm Workshop 2:00 tp 3:30 pm Open
More informationInternet Guitar Lessons Video and Lesson Content
Internet Guitar Lessons Video and Lesson Content Backing Tracks Creating Backing Tracks Improvising over Chord Changes 6 - Backing Track Studio Session Gear Rundown Virtual Gig Part 1 Virtual Gig Part
More informationSample of Version 2.0 of Swing & Jump Blues Guitar
The Charlie Christian Approach Charlie Christian (1916 1942) was one of the first real swing guitar players that had a lasting influence on all other swing and jump guitar players after him. Even more
More informationThe Four Blues and More
The Four Blues and More by Mark White-Whitmark Music Publishing A little knowledge is a dangerous thing. Particularly in the case of music theory where azz is concerned! Too many students become "experts"
More informationHow to create bass lines
First rule: always memorize the melody of the song! Always. Always. Always. You should be able to sing and play it in the original key. If you really want to be totally extra, extra awesome, you will be
More informationParameters for Session Skills Improvising Initial Grade 8 for all instruments
Parameters for Session Skills Improvising Initial for all instruments If you choose Improvising, you will be asked to improvise in a specified style over a backing track that you have not seen or heard
More informationThe pianist has a few functions in a jazz combo. First, he comps for, and interacts with, other players as they solo.
Piano Chord Voicings for jazz combo The pianist has a few functions in a jazz combo. First, he comps for, and interacts with, other players as they solo. Secondly, he acts as a soloist himself. Therefore,
More informationFundamentals Keyboard Exam
Fundamentals Keyboard Exam General requirements: 1. Scales: be prepared to play: All major and minor scales (including melodic minor, natural minor, and harmonic minor) up to five sharps and flats, ith
More informationPERPETUAL MOTION BEBOP EXERCISES
PERPETUAL MOTION BEBOP EXERCISES Jason Lyon 2007 www.opus28.co.uk/jazzarticles.html Bebop is much more than just one particular style, it is pretty much the grammar of modern jazz, and bebop licks are
More informationSample Pages. This pdf contains sample pages from the ebook The Easy Guide to Jazz Guitar Arpeggios. To get the full ebook, Click Here
1 Sample Pages This pdf contains sample pages from the ebook The Easy Guide to Jazz Guitar Arpeggios. To get the full ebook, Click Here 2 Contents Introduction....6 What Are Arpeggios?....7 Chapter 1:
More informationevirtuoso-online Lessons
evirtuoso-online Lessons Chords Lesson 3 Chord Progressions www.evirtuoso.com Chord Progressions are very popular and a strong foundation for many instruments and songs. Any chords combined together in
More informationThe CAGED Guitar System
The CAGED Guitar System First of all, let s look at an example below on how to use the CAGED guitar system: 1 The example showed above demonstrates the general idea of how the CAGED system works in a certain
More informationWorkbook to Accompany Jazz Theory From Basic To Advanced Study
Workbook to Accompany Jazz Theory From Basic To Advanced Study Jazz Theory From Basic To Advanced Study WORKBOOK Dariusz Terefenko Eastman School of Music, University of Rochester 2014 by Routledge, an
More informationMusic Theory Unplugged By Dr. David Salisbury Functional Harmony Introduction
Functional Harmony Introduction One aspect of music theory is the ability to analyse what is taking place in the music in order to be able to more fully understand the music. This helps with performing
More informationJazz Theory and Practice Module 1, a, b, c: Tetrachords and Scales
Jazz Theory and Practice Module 1, a, b, c: Tetrachords and Scales A. The basic tetrachords, and other melodic patterns Modules 1 and 2 are about jazz basics: chords and scales. The chords could have come
More information2012 Saskatchewan Curriculum. Jazz Theory. To Accompany Instrumental Jazz 10, 20, 30
2012 Saskatchewan Curriculum To Accompany Instrumental Jazz 10, 20, 0 ISBN 98-1-10-06-2 1. Arts education (Secondary school) - Saskatchewan - Curricula. 2. Competency-based education - Saskatchewan. Saskatchewan.
More informationAn Introduction to Chords
1 An Introduction to Chords by David Gilson A chord is the musical sound produced by playing a number of notes at the same time. The sound of the chord is different depending on the key you are playing
More informationMU 3323 JAZZ HARMONY III. Chord Scales
JAZZ HARMONY III Chord Scales US Army Element, School of Music NAB Little Creek, Norfolk, VA 23521-5170 13 Credit Hours Edition Code 8 Edition Date: March 1988 SUBCOURSE INTRODUCTION This subcourse will
More informationMICHAEL GUNDLACH THE COCK TAIL PIANO METHOD VOLUME. www.migu-music.com DOWNLOAD PDF FILE
MIHAEL UNDLAH THE OK TAIL PIANO METHOD VOLUME 1 TE HN IQU ES OF ST Y LISH PIA NO EN TER TA I NM EN T migu-musiom DOWNLOAD PDF FILE Table of ontents 4 Explanation of ontents 6 S Wonderful48 Harmony Part
More informationYou Can Learn To Scat Sing. Dr. Scott Fredrickson. Techniques and concepts to enhance the learning of beginning vocal improvisation.
You Can Learn To Scat Sing by Dr. Scott Fredrickson Techniques and concepts to enhance the learning of beginning vocal improvisation Dr. Scott Fredrickson Page 2 Introduction You Can Learn To Scat Sing
More informationScales and Arpeggios. Absolute Beginners. By J.P. Dias
Scales and Arpeggios Absolute Beginners By J.P. Dias opyright 2004-2005 To Paula ontents Introduction...8 1. Basic of Reading Music...9 2. Major Modes...10 4. Minor Scales...24 3. Pentatonic Scales...30
More informationStandard Jazz Arrangement
996 Deborah Henson-Conantthis doc updated 004 Arrangement (Jazz) / diva/musiclab ud 0406 Deborah Henson-Conant Workshop Materials Standard Jazz Arrangement The Standard Jazz Arrangement Role Playing in
More informationStandard 1: Skills and Techniques 1
1 Standard 1: Skills and Techniques 1 CB.1.1 Instrument Knowledge Skills CB.1.1.1 Instrument in good playing condition- including proper assembly, reed care, and cleaning. CB.1.2 Playing Posture Skills
More informationViola Time Book 2. RGP (Release, Glide and Press) Shifting Method 2
Viola Time Book RGP (Release, Glide and Press) Shifting Method st Finger shifting without accidentals Exercise : st-rd Position shifting in C major Scale and arpeggio of C major Kayaking Down the Tarwin
More informationRehearsal Strategies A Night in Tunisia By Reginald Thomas, Professor of Jazz Piano Michigan State University, East Lansing, MI
Rehearsal Strategies A Night in Tunisia By Reginald Thomas, Professor of Jazz Piano Michigan State University, East Lansing, MI Do you remember the first time you heard this jazz classic, A Night In Tunisia?
More informationChristopher D. Azzara Eastman School of Music of the University of Rochester. Richard F. Grunow Eastman School of Music of the University of Rochester
Excerpts from... DEVELOPING MUSICIANSHIP THROUGH IMPROVISATION Christopher D. Azzara Eastman School of Music of the University of Rochester Richard. Gruno Eastman School of Music of the University of Rochester
More informationSwing & Jump Blues Guitar Matthieu Brandt
Swing & Jump Blues Guitar Matthieu Brandt Goto www.swingblues.com for more on Swing and Jump Blues Guitar. 1997-2016 No part of this material (book/cd/website) may be reproduced in any way without prior
More informationPENTATONICS BY CHORD TYPE
PENTATONICS BY CHORD TYPE Extract from Pentatonic & Hexatonic Scales in Jazz, Jason Lyon 2007 www.opus28.co.uk/jazzarticles.html 1. WHAT TO PLAY ON A MINOR 7TH CHORD AS OF now, we ll be thinking primarily
More informationLEFT HAND CHORD COMBINING ON THE ACCORDION
LEFT HAND CHORD COMBINING ON THE ACCORDION The standard Stradella bass system on the accordion only provides four chord types: Major, minor, 7-th and diminished. It's possible to play other chords by using
More informationFoundation Course. Study Kit No 1. Away In A Manger
Foundation Course Study Kit No 1 Away In A Manger Reharmonization Study Kit No. 1 Away In A Manger Author: Rosablanca Suen Web: www.learnpianowithrosa.com Email: Rosa@LearnPianoWithRosa.com Cover Design:
More informationUkulele Music Theory Part 2 Keys & Chord Families By Pete Farrugia BA (Hons), Dip Mus, Dip LCM
This lesson assumes that you are using a ukulele tuned to the notes G, C, E and A. Ukulele Notes In lesson 1, we introduced the sequence of 12 notes, which repeats up and down the full range of musical
More informationHARMONIC PROGRESSIONS DOMINANT TO TONIC MOTION. V I/i
HARMONIC PROGRESSIONS We already kno the nuts and bolts of harmony, the origins of diatonic triads and 7th chords in their possible inversions and ho these inversions are represented via roman numeral
More information22. Mozart Piano Sonata in B flat, K. 333: movement I
22. Mozart Piano Sonata in B flat, K. 333: movement I (for Unit 3: Developing Musical Understanding) Background Information and Performance Circumstances Biography Mozart was born in Austria on the 27
More informationCurriculum Mapping Electronic Music (L) 4202 1-Semester class (18 weeks)
Curriculum Mapping Electronic Music (L) 4202 1-Semester class (18 weeks) Week Standard Skills Resources Vocabulary Assessments Students sing using computer-assisted instruction and assessment software.
More informationJazz Lesson 10. Brenden s Key Point
Jazz Lesson 10 Technique 1. Playing7 th chords with different combinations. a. Playing seventh chords in different inversions is very important for developing your soloing ability and for creating unique
More informationGRADE THREE THEORY REVISION
GRADE THREE THEORY REVISION Note Pitches Use flashcards to make sure you know all your notes including leger lines. Whenever you name a note remember to check the clef, keysignature, and for accidentals
More informationDeveloping a cohesive walking bass line 2005 Eric Elias
Developing a cohesive walking bass line 00 Eric Elias Developing a walking bass lines is a subject that many of my students (guitarists and bassists alike) have been interested in. If you are a jazz player,
More informationChords and Voicings Made Simple By: Sungmin Shin January 2012
Chords and Voicings Made Simple By: Sungmin Shin January 2012 I. Intervals An interval is the space between two notes. intervals of a 2nd, 3rd, 6th, and 7th can be diminished, minor, major, or augmented
More informationDECIPHERING JAZZ CHORD SYMBOLS
DECIPHERING JAZZ CHORD SYMBOLS Jason Lyon 2007 www.opus28.co.uk/jazzarticles.html Jazz relies on a shorthand system of chord notation, which is not universal, not standard, and not terribly logical or
More informationPlease Read This Page First
Mandolin and Fiddle Improvisation Using the Chord Tone Scale Copyright 2008 by Pete Martin Please Read This Page First This book is distributed using the shareware system. Try it out, if you like it please
More informationHigher Music Concepts Performing: Grade 4 and above What you need to be able to recognise and describe when hearing a piece of music:
Higher Music Concepts Performing: Grade 4 and above What you need to be able to recognise and describe when hearing a piece of music: Melody/Harmony Rhythm/Tempo Texture/Structure/Form Timbre/Dynamics
More informationMICHIGAN TEST FOR TEACHER CERTIFICATION (MTTC) TEST OBJECTIVES FIELD 099: MUSIC EDUCATION
MICHIGAN TEST FOR TEACHER CERTIFICATION (MTTC) TEST OBJECTIVES Subarea Listening Skills Music Theory Music History Music Creation and Performance Music Education Approximate Percentage of Questions on
More informationMusic Literacy for All
Music Literacy for All Developing Musically Literate Individuals in Performance-Based Ensembles J. Steven Moore, DMA Research Data How Many Public Performances Does the Average H.S. Band Present Annually?
More informationUKULELE CHORD SHAPES. More Strumming, Less Memorizing BRAD BORDESSA
UKULELE CHORD SHAPES More Strumming, Less Memorizing BRAD BORDESSA TABLE OF CONTENTS GRATITUDES 2 9th 26 13th 26 INTRODUCTION 3 Altered 27 HOW TO USE THIS BOOK 4 Suspended 2 28 The Fingerboard 5 Suspended
More informationPut Your Song to the Tests
Put Your Song to the Tests By Pat & Pete Luboff We ve been listening to songs in a professional capacity for over 20 years, as songwriting consultants, workshop leaders, contest judges and Taxi screeners.
More informationModulation to Any Key
Modulation to Any Key by James M. Stevens In this exercise, I am demonstrating how to modulate from the key of C to any key. Most pianists are comfortable changing keys that move up a half step, whole
More informationBEBOP EXERCISES. Jason Lyon 2008. www.opus28.co.uk/jazzarticles.html INTRODUCTION
BEBOP EXERCISES www.opus28.co.uk/jazzarticles.html INTRODUCTION Bebop is all about being able to play any chromatic tone on any chord. Obviously, if we just play chromatically with free abandon, the harmony
More informationStudy Kit No 9. Aura Lee (Love Me Tender)
Study Kit No 9 Aura Lee (Love Me Tender) Reharmonization Study Kit No. 9 Aura Lee Author: Rosablanca Suen Web: www.learnpianowithrosa.com Email: Rosa@LearnPianoWithRosa.com Cover Design: Raymond Suen Copyright
More information2012 Music Standards GRADES K-1-2
Students will: Personal Choice and Vision: Students construct and solve problems of personal relevance and interest when expressing themselves through A. Demonstrate how musical elements communicate meaning
More informationI II III IV V VI VII I I II III IV V VI VII I
How to use Solfa in the choir with David Vinden Relative Solfa (Curwen s Tonic Solfa) enables the development of the Inner Hearing. It takes time to teach it according to Kodály s principles. Most choir
More informationÜ F F F F F F : F F ÜF H H H H H ÜH H H H HÜH. : H r H H HH H H. H H H H r Ü H CHORDS FROM SCALES
CHORDS ROM SCALES This tutorial is all about making chords out of scales. irst step is to catch a fish - not any old fish but a musical one. A bass, for instance. Not really. Read on. CHORDS ROM SCALES
More informationA MUSICAL APPROACH TO LEARNING THE BANJO NECK
A MUSICAL APPROACH TO LEARNING THE BANJO NECK Introduction One of the things that has become clear to me, after a number of years of playing banjo, is that if I have any hope of improvising creatively
More information2017 NAfME All-Northwest Jazz Audition Materials Saxophones and Brass
2017 NAfME All-Northwest Jazz Audition Materials Saxophones and Brass Track 1 Track 2 Track 3 Basic Audition The following three tracks are required of all wind applicants ALTO SAXOPHONE (pages 5-6) TENOR
More informationPlaying By Ear Who Can Play By Ear?... 2 How To Play By Ear... 3 Happy Birthday To You (By Ear)... 4 Match Tones... 5 Add Chords...
Playing By Ear Who Can Play By Ear?... 2 How To Play By Ear... 3 Happy Birthday To You (By Ear)... 4 Match Tones... 5 Add Chords... 6 Allcanplay TM Piano * MaxLearning.Net 2009 * Playing By Ear * 4/6/2009
More informationHandale Primary School Music Curriculum Year EYFS ( 4-5 year olds)
Handale Primary School Music Curriculum Year EYFS ( 4-5 year olds) Music at EYFS stage reflects the different ways in which children learn and engage with other people. Many examples of stories, songs
More informationPlaying "Outside" CHAPTER EIGHT
Playing "Outside" Sequences Playing a Half Step Away Playing a Trione Away Playing Scales to Get Outside Some Piano Stuff The Chromatic Scale Be Brave, Go Abead Abead And Play Outside 0ne reason that musicians
More informationMUSIC OFFICE - SONGWRITING SESSIONS SESSION 1 HARMONY
MUSIC OFFICE - SONGWRITING SESSIONS SESSION 1 HARMONY Introduction All songwriters will use harmony in some form or another. It is what makes up the harmonic footprint of a song. Chord sequences and melodies
More information7th Chord Scales (Scales that work for the 7th chords)
7th Chord Scales (Scales that work for the 7th chords) Ted Greene 1975, July 15 1) MIXOLYDIAN SCALE: This scale is a major scale with a b7th tone. Try making this alteration to your fingerings of the major
More informationGeneral Music K-2 Primary Elementary Grades
The following General K-8 alignment with Iowa Core was developed to provide guidance with the 21 st Century Universal Constructs: Critical Thinking, Effective Communication, Creativity, Collaboration,
More informationNational Standards for Music Education
National Standards for Music Education 1. Singing, alone and with others, a varied repertoire of music. 2. Performing on instruments, alone and with others, a varied repertoire of music. 3. Improvising
More informationMusic, Grade 11, University/College Preparation (AMU3M)
Music, Grade 11, University/College Preparation (AMU3M) This course emphasizes the appreciation, analysis, and performance of various kinds of music, including baroque and classical music, popular music,
More informationMUSICAL ANALYSIS WRITING GUIDE
THE CRITERIA MUSICAL ANALYSIS WRITING GUIDE In writing your essay, the only thing you really need to do is fulfill the marking criteria. Let s look closely at what the criteria says. The student evaluates
More informationFunctional Harmony for the Jazz Guitarist
Functional Harmony for the Jazz Guitarist Functional harmony is an approach to understanding and improvising over complex chords and complex chord progressions. The most basic functions of chords revolve
More informationDefinitive Piano Improvisation Course
Definitive Piano Improvisation Course By Yoke Wong 2007 Harmony and Melody Studio Inc Contents Pages Introduction Pentatonic Scale Improvisation 1 Country Western Style Made Easy 4 Left Hand Harmonizing
More informationAt the piano; learning a natural hand position; the steady beat; pre-reading: two black keys Learning finger numbers, posture, and arm weight;
PREPARATORY 0 1 At the piano; learning a natural hand position; the steady beat; pre-reading: two black keys Learning finger numbers, posture, and arm weight; pre-reading: three black keys; double bar
More informationJazz Guitar Chord Construction Thelonious Monk Institute of Jazz Online Jazz Handbook
Jazz Guitar Chord Construction Thelonious Monk Institute of Jazz Online Jazz Handbook welcome to the guitar chapter of the Thelonious Monk Institute of Jazz s Online Jazz Handbook! A guitarist in a jazz
More informationThe Tuning CD Using Drones to Improve Intonation By Tom Ball
The Tuning CD Using Drones to Improve Intonation By Tom Ball A drone is a sustained tone on a fixed pitch. Practicing while a drone is sounding can help musicians improve intonation through pitch matching,
More informationOpen Tunings: Contents
Open Tunings: Contents adgad Chords: 163 adf#ad Chords: 182 adfad Chords: 199 adgbd Chords: 216 gdgbd (Eaeac#e) Chords: 233 Comments I love open tunings. They add moods to music that just don t show up
More informationMUSIC GLOSSARY. Accompaniment: A vocal or instrumental part that supports or is background for a principal part or parts.
MUSIC GLOSSARY A cappella: Unaccompanied vocal music. Accompaniment: A vocal or instrumental part that supports or is background for a principal part or parts. Alla breve: A tempo marking indicating a
More informationwww.migu-music.com Michael Gundlach DOWNLOAD PDF FILE WALKING BASS for Piano An easy method for creating Walking Bass Lines on Piano
www.migu-music.com Michael Gundlach DOWNLOAD PDF FILE WALKING BASS for Piano An easy method for creating Walking Bass Lines on Piano Table of Contents 3 Explanation of the Contents 5 Introduction to the
More informationMusic. Victorian Certificate of Education Study Design. Victorian Curriculum and Assessment Authority 2010
Music Victorian Certificate of Education Study Design Victorian Curriculum and Assessment Authority 2010 VICTORIAN CURRICULUM AND ASSESSMENT AUTHORITY COVER ARTWORK WAS SELECTED FROM THE TOP ARTS EXHIBITION.
More informationMusic Theory: Explanation and Basic Principles
Music Theory: Explanation and Basic Principles Musical Scales Musical scales have developed in all cultures throughout the world to provide a basis for music to be played on instruments or sung by the
More informationContents. Introduction. Musical Patterns. 1) The Secrets of Scales. 2) Play With the Patterns. 3) The Secrets of Chords. 4) Play With the Shapes
Contents Introduction Musical Patterns 1) The Secrets of Scales 2) Play With the Patterns 3) The Secrets of Chords 4) Play With the Shapes 5) Every Semitone Has a Name 6) Build Your 2-Note Chords 7) The
More informationMMTA Written Theory Exam Requirements Level 3 and Below. b. Notes on grand staff from Low F to High G, including inner ledger lines (D,C,B).
MMTA Exam Requirements Level 3 and Below b. Notes on grand staff from Low F to High G, including inner ledger lines (D,C,B). c. Staff and grand staff stem placement. d. Accidentals: e. Intervals: 2 nd
More informationChords and More Chords for DGdg Tenor Banjo By Mirek Patek
Chords and More Chords for DGdg Tenor Banjo By Mirek Patek This tenth article about the fingerstyle tenor banjo in DGdg tuning will be focused on banjo accompaniment, i.e. on playing chords. The goal is
More informationHow to Play Chords on your Mountain Dulcimer tuned DAd
How to Play Chords on your Mountain Dulcimer tuned DAd (or Surviving in a Multi-Instrument Jam) by Missy Strothers If you are like me, sooner or later you ll get into a festival situation where you ll
More informationMusical Literacy. Clarifying Objectives. Musical Response
North Carolina s Kindergarten Music Note on Numbering/Strands: ML Musical Literacy, MR Musical Response, CR Contextual Relevancy Musical Literacy K.ML.1 Apply the elements of music and musical techniques
More informationA BRIEF GUIDE TO PIANO FOURTH VOICINGS
A BRIEF GUIDE TO PIANO FOURTH VOICINGS INTRODUCTION This article is intended to give you a basic command of the most useful piano chords voiced in fourths (also known as quartal voicings ). This sound
More informationAdvanced Techniques for the Walkingbass
Advanced Techniques for the Walkingbass I have seen guys with 5 string basses who can t get half the sounds that you are getting out of just three. -Buddy Fo of the Invitations If you have read the Beginners
More informationApproaches to Arranging: Developing Harmony by Artemus
Approaches to Arranging: Developing Harmony by Artemus The starting point of any adventure in producing an arrangement would be to have a good idea on what you wish to achieve. What is the purpose of your
More informationLarry's Guitar Chord Key Chart
C Larry's Guitar Chord Key Chart C# G# G D D# A A# E B C# # The middle triangle in any circle is the name of that key. Every circle is a key. This does not show the minors but they follow the same pattern.
More informationMusic Fundamentals 5: Triads, Chords, Introduction to Roman Numerals. Collection Editor: Terry B. Ewell
Music Fundamentals 5: Triads, Chords, Introduction to Roman Numerals Collection Editor: Terry B. Ewell Music Fundamentals 5: Triads, Chords, Introduction to Roman Numerals Collection Editor: Terry B.
More informationSuitable for: Beginners with absolutely no previous experience. Beginners who appear particularly shy or nervous.
Lesson plan 1: CHORD STRUMMING FOR THE BEGINNER Suitable for: Beginners with absolutely no previous experience. Beginners who appear particularly shy or nervous. Prerequisites: None General Objective:
More informationAUTOMATIC FITNESS IN GENERATIVE JAZZ SOLO IMPROVISATION
AUTOMATIC FITNESS IN GENERATIVE JAZZ SOLO IMPROVISATION ABSTRACT Kjell Bäckman Informatics Department University West Trollhättan, Sweden Recent work by the author has revealed the need for an automatic
More informationContents. 3) The Pentatonic Scale Patterns for Every Major Scale. 6) The Pentatonic Scale Patterns for Every Minor Scale
ontents Introduction Part 1: Musical Patterns 1) The Secrets of Scales 2) Scales to Play lues 3) The Secrets of hords 4) uild Your Own hords 5) The Secrets of Keys 6) Major and Minor Key hart Part 2: Patterns
More informationGUITAR THEORY REVOLUTION
GUITAR THEORY REVOLUTION The Major and Minor Pentatonic Scales Copyright Guitar Theory Revolution 2011 1 Contents Introduction 3 What are the Major and Minor Pentatonic Scales 3 Diagrams for all the Pentatonic
More informationADAM HALL AND THE VPs
Western Australian K-10 Syllabus The Arts ADAM HALL AND THE VPs The following curriculum links to the Western Australian K-10 Syllabus The Arts have been created from: K-10 Overview: The Arts/ http://www.curriculum.wa.edu.au/internet/years_k10/curriculum_resources
More informationMUSC1 Set work study notes Haydn Symphony No 104 in D major
MUSC1 Set work study notes Haydn Symphony No 104 in D major These study notes are intended to help teachers and students prepare for the new set work. It is not an examination board definitive, nor exhaustive,
More informationEveryone cringes at the words "Music Theory", but this is mainly banjo related and very important to learning how to play.
BLUEGRASS MUSIC THEORY 101 By Sherry Chapman Texasbanjo The Banjo Hangout Introduction Everyone cringes at the words "Music Theory", but this is mainly banjo related and very important to learning how
More informationMTRS Publishing 2004 Copying allowed only for use in subscribing institution www.mtrs.co.uk
20th Century Dance Music The Tango The Tango is a dance from Argentina. It developed in the city of Buenos Aires around the red light areas of the city, around the docks. For a time, it was discouraged
More information8 th grade concert choir scope and sequence. 1 st quarter
8 th grade concert choir scope and sequence 1 st quarter MU STH- SCALES #18 Students will understand the concept of scale degree. HARMONY # 25. Students will sing melodies in parallel harmony. HARMONY
More information