Building Technology and Architectural Design. Program 4th lecture Case studies Room Acoustics Case studies Room Acoustics
|
|
- Elmer Henry
- 8 years ago
- Views:
Transcription
1 Building Technology and Architectural Design Program 4th lecture Case studies Room Acoustics Break Case studies Room Acoustics Lecturer Poul Henning Kirkegaard :32 P.H. Kirkegaard - Department of Civil Engineering Slide 1/56 Troldtekt acoustics woodcrete panels :32 P.H. Kirkegaard - Department of Civil Engineering Slide 2/56
2 :32 P.H. Kirkegaard - Department of Civil Engineering Slide 3/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 4/56
3 :32 P.H. Kirkegaard - Department of Civil Engineering Slide 5/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 6/56
4 :32 P.H. Kirkegaard - Department of Civil Engineering Slide 7/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 8/56
5 :32 P.H. Kirkegaard - Department of Civil Engineering Slide 9/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 10/56
6 Prints on acoustics panels :32 P.H. Kirkegaard - Department of Civil Engineering Slide 11/56 Rockfon acoustics panels :32 P.H. Kirkegaard - Department of Civil Engineering Slide 12/56
7 :32 P.H. Kirkegaard - Department of Civil Engineering Slide 13/56 Gyproc acoustics panels :32 P.H. Kirkegaard - Department of Civil Engineering Slide 14/56
8 :32 P.H. Kirkegaard - Department of Civil Engineering Slide 15/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 16/56
9 :32 P.H. Kirkegaard - Department of Civil Engineering Slide 17/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 18/56
10 Concert Hall Acoustics - an Overview Therearethreebasictypes ofconcerthall architectures: theshoebox, thevineyardand thefan form. The classical halls of the nineteenth century were narrow, high, rectangular shoeboxes. These are halls like the Amsterdam Concertgebouw (1888), the Vienna Musikvereinssaal (1870) and the Boston Symphony Hall (1900). The second form, the vineyard, is often made of layered terraces or arenas with prominent diffusing upperreflector surfaces. The audience is devided into smaller sub-seating-areas. These are often asymmetrical and create useful early reflections into all sections of the audience. A typical vineyard hall is the Berlin Philharmonie (1963). The third form, the fan type, proved unsuccessful nearly everywhere. This form was somehow common in the mid-20th century :32 P.H. Kirkegaard - Department of Civil Engineering Slide 19/56 The shoe box - Royal Festival Hall :32 P.H. Kirkegaard - Department of Civil Engineering Slide 20/56
11 The vineyard - Berlin Philharmonie :32 P.H. Kirkegaard - Department of Civil Engineering Slide 21/56 The fan-shaped - Barbican Hall, London :32 P.H. Kirkegaard - Department of Civil Engineering Slide 22/56
12 Clarity C80, C50 (db) The measurement of Clarity is the ratio of the energy in the early sound compared to that in the reverberant sound, expressed in db. Early sound is what is heard in the first 80 msec (C50-50 msec) after the arrival of the direct sound. It is a measure of the degree to which the individual sounds stand apart from one another. If the clarity is too low, the fast parts of the music are not "readable" anymore. C80 is a function of both the architectural and the stage set design. If there is no reverberation in a dead room, the music will be very clear and C80 will have a large positive value. If the reverberation is large, the music will be unclear and C80 will have a relatively high negative value. C80 becomes 0 db, if the early and the reverberant sound is equal. Often the values for 500Hz, 1000Hz and 2000Hz are averaged. This will be expressed by the symbol C80(3). For orchestral music a C80 of 0dB to -4dB is often preferred, but for rehearsals often conductors express satisfaction about a C80 of 1dB to 5dB, because every detail can be heard. For singers, all values of clarity between +1 and +5 seem acceptable. C80 should be generally in the range of -4dB and +4dB. For speech, in comparison to music, the Clarity will be measured as the ratio of the first 50 msec (C50) instead of 80 msec (C80) for music :32 P.H. Kirkegaard - Department of Civil Engineering Slide 23/56 'Deutlichkeit' (Clarity) D-50 Deutlichkeit is the ratio of early sound energy to the total sound energy. In concert hall acoustics it refers to the degree to which individual strands in a musical presentation can be differentiated from each other :32 P.H. Kirkegaard - Department of Civil Engineering Slide 24/56
13 Initial Time Delay Gap ITDG (msec) The time difference between the arrival of the direct sound and the first significant reflection (at a listener's seat in the hall). It corresponds to the subjective impression of 'intimacy'. Preferred values don t exceed 20 msec :32 P.H. Kirkegaard - Department of Civil Engineering Slide 25/56 Intimacy LTDG msec The initial time delay gap measured near the center of the main floor. It is generally determined by the first sound reflection of a side wall or a balcony front after arrival of the direct sound. The music should sound as if heard in a small hall - the listeners should feel an intimate contact with the performers. Texture Texture is the subjective impression the listeners derive from the patterns in which the sequence of early sound reflections arrive at their ears. Good texture requires a large number of early reflections, uniformly but not precisely spaced apart, and with no single reflection dominating the others. Spaciousness Is supported by early reflections that arrive from near lateral directions :32 P.H. Kirkegaard - Department of Civil Engineering Slide 26/56
14 Diffusion Every successful hall for music has irregularities, both large and small, on walls, balcony faces and ceilings which create a rich and dense sound structure. Such irregular surfaces diffuse the high frequency portions of the early reflected sound waves, adding patina to the overall sound. Stage Support is a measureofstrengthoforchestralsound returned by nearby reflecting surfaces to the ears of each player in the orchestra, the acoustical support, that a hall gives a player on stage. Measured as the ratio of the arriving sound energy at the first 10 msec and the arriving sound energy between 20 and 100 msec. Measurement source is an omnidirectional sound source in a distance of 1 meter. The sound arriving in the later interval has been reflected in the hall and the stage environment already. The measurements are made at several positions and the data are averaged. Strength G (db) The strength G is defined as the difference between the sound level in db at listeners position in the hall and the level of the same source in free field in the reference distance 10 m from the centre of the source. The strength of the sound, which is related to loudness, is a quantity that must be as uniform as possible throughout the hall. Interaural Cross Correlation Coefficient IACC The measure of the difference in the sounds arriving at two ears of listener facing the performing entity in a hall. IACC is usually measured with a dummy head. IACC3 is the average of IACC's for the three octave frequency bands with center frequencies of 500, 1000 and 2000 Hz :32 P.H. Kirkegaard - Department of Civil Engineering Slide 27/56 Bass Ratio, Bass Strength BR BR is a measure of the support which the reverberation in the hall gives to the low notes of the music. The Bass Ratio is objective counterpart of the subjective criterion "Warmth". It is the ratio of RT between low frequencies (octaves 125 and 250 Hz) and medium frequencies (octaves 500 and 1000 Hz). The preferred values of the BR are between 1.1 to 1.25 for halls with high RT's, and 1.1 to 1.45 for halls with RT's of 1.8 sec or less. Envelopment Envelopment is quantified by the amount of sound that comes not directly from the source. But the total amount of sound that comes on the horizontal plane on a listener's position. Can be displayed in a soundrose, a circular representation of the directions from which a listener receives sound impulses. A hall with good lateral (side wall) reflections usually has a better feeling of intimacy. Halls are designed with the goal to let the hall sounding as small as possible. That way the audience feels up close and personal with the orchestra. %ALCONS (%) The measured percentage of Articulation Loss of Consonants by a listener. %ALCONS is derived from the direct to total arriving sound energy ratio. %ALCONS of 0% to 3% indicates perfect clarity and intelligibility with no loss of sentence understanding, while 10% and beyond is growing toward poor intelligibility, and 15% typically representing the maximum loss acceptable. Echoes The room and stage must be free from audible echoes :32 P.H. Kirkegaard - Department of Civil Engineering Slide 28/56
15 :32 P.H. Kirkegaard - Department of Civil Engineering Slide 29/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 30/56
16 Diffusers :32 P.H. Kirkegaard - Department of Civil Engineering Slide 31/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 32/56
17 Strategies to Mitigate Sound Focusing 1) Stepped gradations for the auditorium ceiling; (2) Suspended convex reflection panel at center of ceiling; (3) Retractable soundabsorbing curtains and curtains for the front portions of the glass sections of the auditorium walls :32 P.H. Kirkegaard - Department of Civil Engineering Slide 33/56 Challenges in Modeling this Auditorium Large number of faces Curved surfaces approximated with planar surfaces Sensitive to absorption & scattering coefficients Large surfaces If in doubt, try with both high and low values [for scattering coefficients] and see if the results are sensitive or not (it depends on the hall shape and the absorption distribution and is very difficult to know in advance). - Bengt-Inge Dalenbäck (CATT user s web page) Coupled room Transmission coefficients for some surfaces :32 P.H. Kirkegaard - Department of Civil Engineering Slide 34/56
18 Music Center at Strathmore The Music Center at Strathmore in Montgomery County Maryland has a particularly complex and grand array of variable acoustic devices that required a control system that could organize, display, and execute the movement and position status of 110 electro mechanical elements :32 P.H. Kirkegaard - Department of Civil Engineering Slide 35/56 Acoustic adjustment of rooms The system modifies the hall s acoustic in a natural way by filling in the missing reflections from each surface and can even, electronically, move those surfaces to acoustically more desirable positions. Microphones to capture the sound on stage and in the auditorium Loudspeakers discretely positioned around the auditorium to reproduce the missing reflections and reverberation Central equipment comprising an advanced digital processor, amplifiers, and a control panel for selection of the acoustic settings and other functions such as line input and line output :32 P.H. Kirkegaard - Department of Civil Engineering Slide 36/56
19 :32 P.H. Kirkegaard - Department of Civil Engineering Slide 37/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 38/56
20 :32 P.H. Kirkegaard - Department of Civil Engineering Slide 39/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 40/56
21 :32 P.H. Kirkegaard - Department of Civil Engineering Slide 41/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 42/56
22 10/10/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 43/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 44/56 22
23 :32 P.H. Kirkegaard - Department of Civil Engineering Slide 45/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 46/56
24 10/10/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 47/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 48/56 24
25 10/10/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 49/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 50/56 25
26 :32 P.H. Kirkegaard - Department of Civil Engineering Slide 51/56 Concert Hall Danish Broadcasting Corporation :32 P.H. Kirkegaard - Department of Civil Engineering Slide 52/56
27 :32 P.H. Kirkegaard - Department of Civil Engineering Slide 53/ :32 P.H. Kirkegaard - Department of Civil Engineering Slide 54/56
28 :32 P.H. Kirkegaard - Department of Civil Engineering Slide 55/56 Thank You for Your Attention :32 P.H. Kirkegaard - Department of Civil Engineering Slide 56/56
Acoustical Design for Concert Hall in the Science and Art Centre of Xiamen University
Acoustical Design for Concert Hall in the Science and Art Centre of Xiamen University Yuezhe Zhao, Shuoxian Wu State Key Laboratory of Subtropical Building Sciences, South China University of Technology,
More informationI n spite of many attempts to surpass
WHAT IS SO SPECIAL ABOUT SHOEBOX HALLS? ENVELOPMENT, ENVELOPMENT, ENVELOPMENT Marshall Long Marshall Long Acoustics 13636 Riverside Drive Sherman Oaks, California 91423 I n spite of many attempts to surpass
More informationTHE ACOUSTICS OF THE "NUOVO TEATRO COMUNALE" IN CAGLIARI
Roberto Pompoli(1), Angelo Farina(2), Patrizio Fausti(1) (1) Istituto di Ingegneria, University of Ferrara, Italy (2) Dipartimento di Ingegneria Industriale, University of Parma, Italy 1. ABSTRACT In 1967,
More information8 Room and Auditorium Acoustics
8 Room and Auditorium Acoustics Acoustical properties of rooms and concert halls are mainly determined by the echo that depends on the reflection and absorption of sound by the walls. Diffraction of sound
More informationAcoustical Design of a Multi-Purpose Hall for Natural and Amplified Sound
Acoustical Design of a Multi-Purpose Hall for Natural and Amplified Sound Dirun Ergin Talayman Acoustics Ltd, Istanbul, Turkey. Zerhan Yüksel Can Yıldız Technical University, Istanbul, Turkey. Summary
More informationCARMEN R in the Norwich Theatre Royal, UK
CARMEN R in the Norwich Theatre Royal, UK C. Rougier a, I. Schmich a, P. Chervin a and P. Gillieron b a CSTB, 24, Rue Joseph Fourier, 38400 Saint Martin D Hères, France b Paul Gillieron Acoustic Design,
More informationTHE ACOUSTIC DESIGN OF THE NEW DRAMA HOUSE FOR THE ROYAL THEATRE IN COPENHAGEN
THE ACOUSTIC DESIGN OF THE NEW DRAMA HOUSE FOR THE ROYAL THEATRE IN COPENHAGEN A C Gade B Mortensen Gade & Mortensen Akustik A/S, Charlottenlund, Denmark,acg@gade-mortensen.dk Gade & Mortensen Akustik
More informationDESIGN CRITERIA FOR ACOUSTIC ENHANCEMENT SYSTEMS Ben Kok, Wim Prinssen Systems for Improved Acoustic Performance Uden, The Netherlands
DESIGN CRITERIA FOR ACOUSTIC ENHANCEMENT SYSTEMS Ben Kok, Wim Prinssen Systems for Improved Acoustic Performance Uden, The Netherlands ABSTRACT Acoustic Enhancement Systems have evolved significantly -
More informationAcoustic design according to room type
according to room type The purpose of the room is decisive for the acoustic environment to be created. In rooms for speech, such as classrooms and auditoriums, it is important to ensure a good level of
More informationa), b) Martin Vondrasek Plzenska 66, 151 24 Praha 5, Czech Republic martin.vondrasek@soning.cz www.soning.cz
THE DESIGN AND IMPLEMENTATION OF ROOM ACOUSTICS THE HALL FILHARMONIE HRADEC KRÁLOVÉ, FHK Martin Vondrasek a), b) a) Musical Acoustics Research Centre (MARC) Prague b) SONING Praha Inc. Acoustic Services
More informationDirect and Reflected: Understanding the Truth with Y-S 3
Direct and Reflected: Understanding the Truth with Y-S 3 -Speaker System Design Guide- December 2008 2008 Yamaha Corporation 1 Introduction Y-S 3 is a speaker system design software application. It is
More informationLab #6 Room Acoustics
EQUIPMENT Physics of Music PHY103 Lab Manual Lab #6 Room Acoustics Tape measures Noise making devices (pieces of wood for clappers). Microphones, stands, preamps connected to computers. Extra XLR microphone
More information2011-06-13. Acoustic design with wall acoustic solutions
2011-06-13 Acoustic design with wall acoustic solutions Introduction A suspended ceiling is by far the most common acoustical treatment in a room. In most cases this is also a sufficient solution to create
More informationAcoustic analysis by computer simulation for building restoration
Acoustic analysis by computer simulation for building restoration Enrico Dassori & Tiziana Ottonello Istituto di Architettura e tecnica Urbanistica (IATU), Università di Genova Architecture and town planing
More informationACOUSTICS OF TEATRO DEGLI ARCIMBOLDI IN MILANO DESIGN, COMPUTER AND SCALE MODELS, DETAILS, RESULTS
ACOUSTICS OF TEATRO DEGLI ARCIMBOLDI IN MILANO DESIGN, COMPUTER AND SCALE MODELS, DETAILS, RESULTS D Commins R Pompoli A Farina P Fausti N Prodi commins acoustics workshop, Paris, France, d.commins@comminsacoustics.com.
More informationAcoustics of the Teatro Arcimboldi in Milano. Part 2: Scale model studies, final results
AUDITORIUM ACOUSTICS 2 Imperial College (London), 19-21 July 22 Acoustics of the Teatro Arcimboldi in Milano. Part 2: Scale model studies, final results D. Commins (1), R. Pompoli (2), A. Farina (3), P.
More informationSPEECH INTELLIGIBILITY and Fire Alarm Voice Communication Systems
SPEECH INTELLIGIBILITY and Fire Alarm Voice Communication Systems WILLIAM KUFFNER, M.A. Sc., P.Eng, PMP Senior Fire Protection Engineer Director Fire Protection Engineering October 30, 2013 Code Reference
More informationELECTRONIC SOUND ENHANCEMENT SYSTEM IN THE MULTIFUNCTIONAL HALL TÓNBERG IN AKRANES, ICELAND
ELECTRONIC SOUND ENHANCEMENT SYSTEM IN THE MULTIFUNCTIONAL HALL TÓNBERG IN AKRANES, ICELAND Stefán Guðjohnsen Mannvit hf. Acoustical department Grensásvegi 11, 108 Reykjavík, Iceland stg@mannvit.is Gunnar
More informationOn a new, on/off broadband absorber system for music schools and other multipurpose facilities
On a new, on/off broadband absorber system for music schools and other multipurpose facilities Niels W. Adelman-Larsen Flex Acoustics, Diplomvej 377, 2800 Kgs. Lyngby, Denmark, nwl@flexac.com Jens Jørgen
More informationAuditorium Acoustics and Architectural Design
Auditorium Acoustics and Architectural Design Second Edition Michael Barron. J ^A Spon Press an imprint of Taylor & Francis LONDON AND NEWYORK Contents Preface Preface to the first edition Foreword ix
More informationACOUSTIC DESIGN - ROOMS FOR SPEECH
Auckland Christchurch Kuala Lumpur Melbourne Sydney Wellington www.marshallday.com ACOUSTIC DESIGN - ROOMS FOR SPEECH EVER BEEN AT A LECTURE OR CONFERENCE AND FOUND IT DIFFICULT TO UNDERSTAND WHAT IS BEING
More informationAcoustic design according to room shape
Acoustic design according to room shape The shape of the room defines the movement of the sound waves within the room. Placement of acoustic materials should be determined by the way the sound moves in
More informationROOM ACOUSTICS DESIGN. Room Acoustics Design Intent: Appropriate Articulation
ROOM ACOUSTICS DESIGN http://mikebm.files.wordpress.com/2008/06/walt-disney-hall-1.jpg Ball State Architecture ENVIRONMENTAL SYSTEMS 1 Grondzik 1 Room Acoustics Design Intent: Appropriate Articulation
More informationJdB Sound Acoustics Presents
JdB Sound Acoustics Presents KINGSTON ROAD UNITED CHURCH S A N C T U A RY A C O U S T I C S A N D S O U N D S Y S T E M B Y J O S E P H D E B U G L I O 2 0 0 8 Copyright by Joseph De Buglio 2008 The Beginning
More informationCasa da Musica, a new concert hall for Porto, Portugal
Audio Engineering Society Conference Paper Presented at the 21st Conference 22 June 1 3 St. Petersburg, Russia Casa da Musica, a new concert hall for Porto, Portugal Van Luxemburg, L.C.J 1,2, Hak, C.C.J.M
More informationAcoustics and Sound Systems in Architectural Design
Acoustics and Sound Systems in Architectural Design By RICK KAMLET The need for intelligible speech or pleasant, undistorted music is fundamental to the design of auditoriums, performing arts centers,
More informationCASE STUDY. Sarakasi Theatre Nairobi, Kenya Room Acoustical Measurements and Modelling. Africa Room Acoustics DIRAC and ODEON
CASE STUDY Sarakasi Theatre Nairobi, Kenya Room Acoustical Measurements and Modelling Africa Room Acoustics DIRAC and ODEON In November 2008, room acoustical measurements were performed inside the Sarakasi
More informationCAN SPACIOUSNESS BE MEASURED DURING A CONCERT?
Slides Show mode recommended (bottom right) Audio available Magne Skålevik Brekke & Strand, Oslo www.akutek.info Link to online paper CAN SPACIOUSNESS BE MEASURED DURING A CONCERT? IOA Auditorium Acoustics,
More informationVIRTUAL SPACE 4D PROJECT: THE ROOM ACOUSTICAL TOOL. J. Keränen, P. Larm, V. Hongisto
VIRTUAL SPACE 4D PROJECT: THE ROOM ACOUSTICAL TOOL David Oliva University of Turku Department of Physics FIN-20014 Turku, Finland. david.elorza@ttl.fi J. Keränen, P. Larm, V. Hongisto Finnish Institute
More informationAURA - Analysis Utility for Room Acoustics Merging EASE for sound reinforcement systems and CAESAR for room acoustics
AURA - Analysis Utility for Room Acoustics Merging EASE for sound reinforcement systems and CAESAR for room acoustics Wolfgang Ahnert, S. Feistel, Bruce C. Olson (ADA), Oliver Schmitz, and Michael Vorländer
More information>1@$UFKLWHFWXUHDFRXVWLFVPHDVXUHPHQWVDQGGHVLJQDFKXUFK DQGDQDXGLWRULXP
7KHQG,QWHUQDWLRQDO&RQJUHVVDQG([SRVLWLRQRQ1RLVH&RQWURO(QJLQHHULQJ -HMX,QWHUQDWLRQDO&RQYHQWLRQ&HQWHU6HRJZLSR.RUHD $XJXVW >1@$UFKLWHFWXUHDFRXVWLFVPHDVXUHPHQWVDQGGHVLJQDFKXUFK DQGDQDXGLWRULXP First Author:
More informationGeometric and statistical room acoustics
Geometric and statistical room acoustics Psychology? Lähde Puhe Musiikki Huone Korva Aivot Puheenymmärrettävyys Musiikki vaikutelma Fyysinen vaikutus?? Huoneakustiset parametrit? Subjektivinen kuulovaikutelma
More informationWorkshop Listening Test: Results
Workshop Listening Test: Results Muziekcentrum Eindhoven Row 4, seat 14 90 90 EK 13 April 2010 - Vioolconcert nr 4 Master Class Room Acoustics for the Performing Arts 12-14 april 2010 Eckhard Kahle Introduction
More informationAirborne Sound Insulation
Airborne Sound Insulation with XL2-TA Sound Level Meter This application note describes the verification of the airborne sound insulation in buildings with the XL2-TA Sound Level Meter. All measurements
More informationThe world s first Acoustic Power Equalization Technology Perfect Acoustic Power Equalization. Perfect Time/Phase Alignment.
Consumer Electronics Applications The world s first Acoustic Power Equalization Technology Perfect Acoustic Power Equalization. Perfect Time/Phase Alignment. Acoustic Power Equalization Technology For
More informationACOUSTIC DESIGN CHALLENGE IN TOTALLY FLEXIBLE CONFIGURATION OF THEATRE HALL CASE STUDY
th Congress of Alps-Adria Acoustics Assosiation.-7. October Graz, Austria ISBN: 978---9- ACOUSTIC DESIGN CHALLENGE IN TOTALLY FLEXIBLE CONFIGURATION OF THEATRE HALL CASE STUDY Miomir Mijić, Dragana Šumarac
More informationCOMPUTER ASSISTED METHODS AND ACOUSTIC QUALITY: RECENT RESTORATION CASE HISTORIES
MCHA95 COCCHI 1 COMPUTER ASSISTED METHODS AND ACOUSTIC QUALITY: RECENT RESTORATION CASE HISTORIES Alessandro Cocchi *, Angelo Farina**, Lamberto Tronchin* * Technical Physics Institute, University of Bologna,
More informationThe Simulation of Acoustics by ODEON in the Acoustic Design. of Assembly Hall
The Simulation of Acoustics by ODEON in the Acoustic Design of Assembly Hall Yi Xu 1, Gang Liu 1 1 School of architecture, Tianjin University, Tianjin, Tianjin, 300072, China ABSTRACT Because of keeping
More informationTHE MARIA REGINA DELLA PACE CHURCH IN PERUGIA: ACOUSTIC MEASUREMENTS AND CORRECTION DESIGN
THE MARIA REGINA DELLA PACE CHURCH IN PERUGIA: ACOUSTIC MEASUREMENTS AND CORRECTION DESIGN Cinzia Buratti*, Rita Mariani, Irene Costarelli Department of Industrial Engineering, Perugia University, Via
More informationWhat Audio Engineers Should Know About Human Sound Perception. Part 2. Binaural Effects and Spatial Hearing
What Audio Engineers Should Know About Human Sound Perception Part 2. Binaural Effects and Spatial Hearing AES 112 th Convention, Munich AES 113 th Convention, Los Angeles Durand R. Begault Human Factors
More informationAcoustics of indoor sports halls and gymnasia
Acoustics of indoor sports halls and gymnasia Robert Conetta 1, Bridget Shield 1, Trevor Cox 2, Charlie Mydlarz 2, Julie Dockrell 3, Daniel Connolly 3 1 London South Bank University 2 University of Salford
More informationTHE ALGORITHMIC AUDITORIUM. A computational model for auditorium design. 1. Introduction
THE ALGORITHMIC AUDITORIUM A computational model for auditorium design GANAPATHY MAHALINGAM Department of Architecture and Landscape Architecture North Dakota State University Fargo, North Dakota USA Abstract.
More informationAcoustical requirements of Dewan Filharmonik Petronas, Malaysia
Acoustical requirements of Dewan Filharmonik Petronas, Malaysia Husrul Nizam Husin, Syed Abdul Haris bin Syed Mustapa and Kamarul Syahril Kamal Universiti Teknologi MARA, Cawangan Perak, Malaysia ABSTRACT
More informationFundamentals of Acoustics & Practical HVAC Design Considerations. Demir Doken Acoustic Engineer
Fundamentals of Acoustics & Practical HVAC Design Considerations Demir Doken Acoustic Engineer What is sound? Sound is a mechanical wave that is an oscillation of pressure transmitted through some medium
More informationHow does Architecture Affect the Acoustics of a Space
How does Architecture Affect the Acoustics of a Space Grade Level This lesson plan was developed for a 9 th grade Physical Science Class. Objectives To develop aural senses of spatial awareness To understand
More informationRECENT INNOVATIONS IN ACOUSTICAL DESIGN AND RESEARCH
6 RECENT INNOVATIONS IN ACOUSTICAL DESIGN AND RESEARCH Gary W. Siebein Bertram Y. Kinzey, Jr. 6.1: INTRODUCTION The purpose of much of the current research in the field of architectural acoustics is to
More informationSound Power Measurement
Sound Power Measurement A sound source will radiate different sound powers in different environments, especially at low frequencies when the wavelength is comparable to the size of the room 1. Fortunately
More informationConvention Paper Presented at the 112th Convention 2002 May 10 13 Munich, Germany
Audio Engineering Society Convention Paper Presented at the 112th Convention 2002 May 10 13 Munich, Germany This convention paper has been reproduced from the author's advance manuscript, without editing,
More informationAffordable Sports Halls
Creating a sporting habit for life Appendix 5 Acoustics (To be read in conjunction with the main document) Speech Intelligibility with 40dBA Ambient Noise (BB93 Compliant) Affordable Sports Halls August
More informationImproving the Acoustics in a Historic Building Using Axiomatic Design and TRIZ
Improving the Acoustics in a Historic Building Using Axiomatic Design and TRIZ Andrew Kankey atk127@psu.edu Department of Acoustics Pennsylvania State University University Park, PA 16801 Abstract Madara
More informationSoftware Audio Processor. Users Guide
Waves R360 Surround Reverb Software Audio Processor Users Guide Waves R360 software guide page 1 of 8 Introduction Introducing the Waves 360 Surround Reverb. This Software audio processor is dedicated
More informationHistory of acoustic design before 1900
History of acoustic design before 1900 2 History of acoustic design before 1900 Afstudeercommissie: prof. ir. L.C.J. van Luxemburg ir. C.C.J.M. Hak R.H.C. Wenmaekers MSc Bart Postma 28 juni 2011 3 4 History
More informationCharacterization of acoustics in open offices - four case studies
Characterization of acoustics in open offices - four case studies J. S Keränen, P. Virjonen and V. O Hongisto Finnish Institute of Occupational Health, Lemminkäisenkatu 14-18 B, 5 Turku, Finland jukka.keranen@ttl.fi
More informationThe Acoustics of Indoor Aquatic Facilities: How Improving Sound Levels Impacts Both our Physiological and Psychological Well Being Jeffrey Madison
The Acoustics of Indoor Aquatic Facilities: How Improving Sound Levels Impacts Both our Physiological and Psychological Well Being Jeffrey Madison A lifelong musician, Jeff began his career in 1992 when
More informationTHE ACOUSTICS OF ROOMS
Killam 1 THE ACOUSTICS OF ROOMS Josiah Killam PHYS 193: The Physics of Music Prof. Steven Errede University of Illinois at Urbana-Champaign Killam 2 For my project for The Physics of Music, I decided to
More informationAcoustical Design of Rooms for Speech
Construction Technology Update No. 51 Acoustical Design of Rooms for Speech by J.S. Bradley This Update explains the acoustical requirements conducive to relaxed and accurate speech communication in rooms
More informationDynamic sound source for simulating the Lombard effect in room acoustic modeling software
Dynamic sound source for simulating the Lombard effect in room acoustic modeling software Jens Holger Rindel a) Claus Lynge Christensen b) Odeon A/S, Scion-DTU, Diplomvej 381, DK-2800 Kgs. Lynby, Denmark
More informationDIAMOND ROOM MEASUREMENT REPORT
DIAMOND ROOM MEASUREMENT REPORT Frequency response Frequencies between 20 and 20.000 Hz are sent out with the same amplitude to be offered to the signalpath. In theory we should receive a straight line
More informationAcoustic Terms, Definitions and General Information
Acoustic Terms, Definitions and General Information Authored by: Daniel Ziobroski Acoustic Engineer Environmental and Acoustic Engineering GE Energy Charles Powers Program Manager Environmental and Acoustic
More informationDoppler Effect Plug-in in Music Production and Engineering
, pp.287-292 http://dx.doi.org/10.14257/ijmue.2014.9.8.26 Doppler Effect Plug-in in Music Production and Engineering Yoemun Yun Department of Applied Music, Chungwoon University San 29, Namjang-ri, Hongseong,
More informationOptiffuser. High-performance, high bandwidth lightweight 1D diffuser.
Optiffuser High-performance, high bandwidth lightweight 1D diffuser. General product information The Optiffuser comes in packs of four panels. Two positives and two negatives (see page 5) per package.
More informationBasic Concepts of Sound. Contents: Definitions db Conversion Sound Fields db ± db
Basic Concepts of Sound Contents: Definitions db Conversion Sound Fields db ± db BA 7666-11, 1 Abstract This lecture introduces sound and sound measurements by describing sound pressure, sound level and
More informationTHE ART & SCIENCE OF Room Acoustics
THE ART & SCIENCE OF Room Acoustics ABOUT THIS BROCHURE What you will find in these pages is a descriptive gallery of the most complete line of Room Acoustics products offered by a single source. All of
More informationWelcome Contents Back 1
Welcome Contents Back 1 Attractive room acoustic design for multi-purpose halls H. Drotleff, X. Zhou 1. Introduction Multi-purpose halls serve various uses, e.g., open plan offices, conferences, exhibitions,
More informationVari-directional Array The smart route to acoustical perfection
Vari-directional Array The smart route to acoustical perfection 2 Vari-directional Array by Bosch The ultimate sound performance for acoustically challenging environments Unmatched sound quality and speech
More informationAircraft cabin noise synthesis for noise subjective analysis
Aircraft cabin noise synthesis for noise subjective analysis Bruno Arantes Caldeira da Silva Instituto Tecnológico de Aeronáutica São José dos Campos - SP brunoacs@gmail.com Cristiane Aparecida Martins
More information8. ACOUSTICS OF ROOMS AND ENCLOSURES
NOISE CONTROL Room Acoustics 8.1 8. ACOUSTICS OF ROOMS AND ENCLOSURES 8.1 Introduction This section covers the acoustics of enclosed spaces. Upon completion, the reader should have a basic understanding
More informationThe Use of Computer Modeling in Room Acoustics
The Use of Computer Modeling in Room Acoustics J. H. Rindel Technical University of Denmark Abstract: After decades of development room acoustical computer models have matured. Hybrid methods combine the
More informationAcoustic Design of Theatres Applying Genetic Algorithms
Acoustic Design of Theatres Applying Genetic Algorithms Shin-ichi Sato a), Tatsuro Hayashi, Atsushi Takizawa, Akinori Tani, Hiroshi Kawamura, Yoichi Ando Graduate School of Science and Technology, Kobe
More informationNoise. CIH Review PDC March 2012
Noise CIH Review PDC March 2012 Learning Objectives Understand the concept of the decibel, decibel determination, decibel addition, and weighting Know the characteristics of frequency that are relevant
More informationARCHITECTURAL ACOUSTICS
ARCHITECTURAL ACOUSTICS BEFORE THE MUSIC BEGINS, THE PERFORMANCE STARTS WITH THE ELEMENTS OF THE ROOM KINETICS STANDS OUT ACOUSTIC PRODUCT EXPERTS SINCE 1958 DIVERSITY OF PRODUCT SOLUTIONS AND FINISHES
More informationClassroom Acoustics INTRODUCTION
Classroom Acoustics The intent of this publication is to create a supplemental resource for architects, educators, and school planners for use with new construction or renovation of learning environments.
More informationAcoustics of Modern and Old Museums
Denver, Colorado NOISE-CON 2013 2013 August 26-28 Acoustics of Modern and Old Museums António P.O. Carvalho Hélder J.S. Gonçalves Luísa M.M. Garcia Laboratory of Acoustics, College of Engineering, University
More informationAcoustic design of schools: performance standards. From 2003 to 2014: a brief guide to the changes in BB 93. by Jack Harvie-Clark, 9th January 2015
Acoustic design of schools: performance standards From 2003 to 2014: a brief guide to the changes in BB 93. by Jack Harvie-Clark, 9th January 2015 This document should be read in conjunction with the new
More informationManual Analysis Software AFD 1201
AFD 1200 - AcoustiTube Manual Analysis Software AFD 1201 Measurement of Transmission loss acc. to Song and Bolton 1 Table of Contents Introduction - Analysis Software AFD 1201... 3 AFD 1200 - AcoustiTube
More informationAudio Analysis & Creating Reverberation Plug-ins In Digital Audio Engineering
, pp.201-208 http:// dx.doi.org/10.14257/ijmue.2013.8.6.20 Audio Analysis & Creating Reverberation Plug-ins In Digital Audio Engineering Yoemun Yun Dept. of Applied Music, Chungwoon University Daehakgil-25,
More informationDAAD: A New Software for Architectural Acoustic Design
The 33 rd International Congress and Exposition on Noise Control Engineering DAAD: A New Software for Architectural Acoustic Design Enis Ozgur a, Feridun Ozis b, Adil Alpkocak a a Dokuz Eylul University,
More informationAcoustic Design Guide. NR and NC Curves CIBSE Noise Ratings Environmental Noise Control Maximum Air Velocities in Ducts Privacy in Cellular Offices
Acoustic Design Guide NR and NC Curves CIBSE Noise Ratings Environmental Noise Control Maximum Air Velocities in Ducts Privacy in Cellular Offices 14th February 2012 Contents Noise Curves NR Curves and
More informationPERCENTAGE ARTICULATION LOSS OF CONSONANTS IN THE ELEMENTARY SCHOOL CLASSROOMS
The 21 st International Congress on Sound and Vibration 13-17 July, 2014, Beijing/China PERCENTAGE ARTICULATION LOSS OF CONSONANTS IN THE ELEMENTARY SCHOOL CLASSROOMS Dan Wang, Nanjie Yan and Jianxin Peng*
More informationNEW SMALL HALLS IN FINLAND. Henrik Möller, Tapio Lahti and Anssi Ruusuvuori
NEW SMALL HALLS IN FINLAND Henrik Möller, Tapio Lahti and Anssi Ruusuvuori Akukon Oy Consulting Engineers Kornetintie 4 A, 00380 HELSINKI henrik.moller@akukon.fi ABSTRACT Two small multi-purpose halls
More informationA Game of Numbers (Understanding Directivity Specifications)
A Game of Numbers (Understanding Directivity Specifications) José (Joe) Brusi, Brusi Acoustical Consulting Loudspeaker directivity is expressed in many different ways on specification sheets and marketing
More informationROOM ACOUSTIC PREDICTION MODELLING
XXIII ENCONTRO DA SOCIEDADE BRASILEIRA DE ACÚSTICA SALVADOR-BA, 18 A 21 DE MAIO DE 2010 ROOM ACOUSTIC PREDICTION MODELLING RINDEL, Jens Holger Odeon A/S, Scion DTU, Diplomvej 381, DK-2800 Kgs. Lyngby,
More informationE SERIES ENTASYS 200 VERSATILE TWO-WAY COLUMN POINT SOURCE SYSTEMS. Application Guide. Part 2: Case Studies. 1 ENTASYS 200 Case Studies
E SERIES ENTASYS 200 VERSATILE TWO-WAY COLUMN POINT SOURCE SYSTEMS Application Guide Part 2: Case Studies 1 ENTASYS 200 Case Studies INTRODUCTION AND OVERVIEW INTRODUCTION AND FEATURES ENTASYS 200 column
More informationChapter X. Music Building Acoustics
Chapter X Music Building Acoustics Charles Bonner, Acoustician, President BAi, LLC Introduction Typically in music buildings, faculty and administrators (to say nothing of students) only experience a building
More informationIntroduction to acoustic imaging
Introduction to acoustic imaging Contents 1 Propagation of acoustic waves 3 1.1 Wave types.......................................... 3 1.2 Mathematical formulation.................................. 4 1.3
More informationThe Acoustics of Sound Systems For Baseball
ABSTRACT The Acoustics of Sound Systems For Baseball By Jim Brown Audio Systems Group, Inc. http://audiosystemsgroup.com Acoustic considerations impact the design of sound systems for baseball stadiums
More informationACOUSTICS: The Sounds of Sustainable Design
ACOUSTICS: The Sounds of Sustainable Design Allison McKenzie amckenzie@shp.com COURSE OUTLINE 1. Acoustical Impacts 2. The Acoustical ABCs 3. Design Best Practices 4. Sustainable Certifications Human comfort
More informationSoftware Newsletter April 2016
Contents ArrayCalc V8.8...3 R1 Remote control software V2.16...8 Amplifier firmware V2.04 (D80/D20/10D/30D)...11 ArrayCalc V8.8 d&b ArrayCalc simulation software accurately predicts the performance of
More informationLearning Modern Acoustical Design from Traditional Choir Venues
akutek www.akutek.info PRESENTS Learning Modern Acoustical Design from Traditional Choir Venues by John O Keefe ABSTRACT Since the birth of modern acoustical science at the beginning of the 20th century,
More informationLEED Pilot Credit Library
Applicable Rating Systems >> Requirements >> Submittals >> Additional Questions >> Background Information >> Changes >> Applicable Rating Systems This credit is available for pilot testing by the following
More informationsound where art and science meet. Ultra flat panels with high definition sound Sound with details you never heard before
sound where art and science meet. Ultra flat panels with high definition sound Sound with details you never heard before Speakers designed to fit your lifestyle Silver I Black 150-25kHZ 35 watt 50 watt
More informationSelecting the Right Conference Phone for Different Room Environments
Selecting the Right Conference Phone for Different Room Environments 1 Introduction When was the last time you used a conference phone? Today? Yesterday? It probably hasn t been more than a day or two.
More informationControl Room Conceptual Design: Optimizing Acoustics for Stereo Reproduction. Prepared for: K. McNally Music 406 University of Victoria
Control Room Conceptual Design: Optimizing Acoustics for Stereo Reproduction Prepared for: K. McNally Music 406 University of Victoria Prepared by: Tim I. Perry November-December, 2008 Contents 1.0 INTRODUCTION...
More informationCanalis. CANALIS Principles and Techniques of Speaker Placement
Canalis CANALIS Principles and Techniques of Speaker Placement After assembling a high-quality music system, the room becomes the limiting factor in sonic performance. There are many articles and theories
More informationQuick-Start Juli 2004 1
Quick-Start Juli 2004 1 Page 1. Introduction 3 2. Installing Ulysses 3 3. Start Ulysses Design Engine (ude2xxe.exe file) 3 4. Loading a Demo Project 4 5. Calculation and Simulation 5 6. Taking a closer
More informationThe Role of Acoustics in Curtain Wall Design:
The Role of Acoustics in Curtain Wall Design: Strategies to Achieve Desired Performance Criteria April 22, 2015 John LoVerde, Principal VENEKLASEN ASSOCIATES, INC. Goals Basics of Acoustics Ratings in
More informationOffice acoustics. How to effectively design the room acoustics of offices. AN INFORMATION BROCHURE OF
8. Office acoustics How to effectively design the room acoustics of offices. AN INFORMATION BROCHURE OF 8. Office acoustics T O P I C S Foreword 3 Room acoustics versus building acoustics 5 Fundamental
More informationCEPro. Advantage Series. Diagrammatic Guide to In-Ceiling Speaker Placement for Home Theater, Multiroom Audio
CEPro Advantage Series Diagrammatic Guide to In-Ceiling Speaker Placement for Home Theater, Multiroom Audio Diagrammic Guide to In-Ceiling Speaker Placement for Home Theater Multiroom Audio 2013 EH Publishing
More informationTECHNICAL LISTENING TRAINING: IMPROVEMENT OF SOUND SENSITIVITY FOR ACOUSTIC ENGINEERS AND SOUND DESIGNERS
TECHNICAL LISTENING TRAINING: IMPROVEMENT OF SOUND SENSITIVITY FOR ACOUSTIC ENGINEERS AND SOUND DESIGNERS PACS: 43.10.Sv Shin-ichiro Iwamiya, Yoshitaka Nakajima, Kazuo Ueda, Kazuhiko Kawahara and Masayuki
More informationRelationship between Sound Pressure and Sound Power Levels
Relationship between Sound Pressure and Sound Power Levels 4 W. T. W. CORY Chairman of the Eurovent WG 1 Fans If we wish to know the sound power transmitted through a fan and ducting system, it is preferable
More information