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1 FILM FORUM 2011 IX MAGIS International Film Studies Spring School IP Erasmus Intensive Programme Contemporary Audiovisual Geographies Università degli Studi di Udine Facoltà di Lettere e Filosofia Facoltà di Lingue e Letterature Straniere Associazione Culturale Maié, Udine Université Paris 3 Sorbonne Nouvelle, UFR Cinéma CineGraph, Hamburg CineFest, Hamburg GRAFICS, Groupe de recherche sur l avènement et la formation des institutions cinématographique et scénique, Université de Montréal Fachhochshule Potsdam Universität Potsdam Mediateca.GO Ugo Casiraghi Mediateca Provinciale di Gorizia Goriška Pokrajinska Mediateka PRIN I processi di rinnovamento dei quadri nel cinema italiano/the Professional Renewal in Italian Contemporary Cinema Dottorato Internazionale in Studi Audiovisivi: Cinema, Musica, Comunicazione Laurea Magistrale Internazionale in Discipline del Cinema/Film and Audiovisual Studies Dipartimento di Storia e Tutela dei Beni Culturali Centro Rapporti Internazionali Corso di Laurea DAMS, Gorizia Centro Polifunzionale di Gorizia Corso di Laurea in Relazioni Pubbliche, Gorizia IPPCVA (Ideation, Presentation, Preservation of Contemporary Visual Arts) Dipartimento di Musica e Spettacolo, Università degli Studi di Bologna Dipartimento di Scienze della Comunicazione e dello Spettacolo, Università Cattolica del Sacro Cuore, Milano Dipartimento di Storia delle Arti e Conservazione dei beni artistici G. Mazzariol, Università Ca Foscari, Venezia MACRO (Media Art Centre of Research and Observatory) Centro Studi di Ricerche sulla Sceneggiatura, Sergio Amidei, Gorizia CINEMANTICA, Laboratorio Cinema e Multimedia, Udine LA CAMERA OTTICA, Film and Video Restoration, Gorizia CREA, Centro Ricerca Elaborazione Audiovisivi, Gorizia Associazione Home Movies Archivio Nazionale del Film di Famiglia / Österreichisches Filmmuseum, Wien Cineteca del Comune di Bologna / Laboratorio L immagine ritrovata, Bologna / La Cineteca del Friuli, Gemona CEC, Centro Espressioni Cinematografiche, Udine / Transmedia, Gorizia / Premio Sergio Amidei, Gorizia Kinoatelje, Gorizia / Le Giornate del Cinema Muto, Pordenone / Cinemazero, Pordenone In collaborazione con le riviste: CINÉMA & Cie e Cinergie. Il cinema e le altre arti E con il sostegno al Premio Limina di: Primosic Media partner: Hollywood Party, Rai Radiotre Con il sostegno di: Direzione Generale per il Cinema Ministero per i Beni e le Attività Culturali Consorzio per lo Sviluppo del Polo Universitario di Gorizia Comune di Udine Provincia di Udine Comune di Gorizia Provincia di Gorizia

2 filmforum/2011 Udine/Gorizia 5 14 aprile/april 5-14

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4 IX MAGIS/international film studies spring school IP erasmus intensive programme contemporary audiovisual geographies Udine, 5-7 aprile 2011/April 5-7, 2011 Palazzo Antonini, via T. Petracco 8 Palazzo Caiselli, vicolo Florio 2 Palazzo Florio, via Palladio 8 Visionario, via Asquini 33 Gorizia, 8-14 aprile 2011/April 8-14, 2011 Palazzo del Cinema/Hiša Filma, piazza Vittoria 41 Fondazione Cassa di Risparmio di Gorizia, via Carducci 2

5 progetto/project Alice Autelitano, Pietro Bianchi, Enrico Biasin, Elena Biserna, Alessandro Bordina, Giulio Bursi, Mariapia Comand, Claudia D Alonzo, Federico Giordano, Stefania Giovenco, Andrea Lissoni, Sara Martin, Roy Menarini, Francesco Pitassio, Leonardo Quaresima, Cosetta Saba, Mirco Santi, Simone Venturini, Federico Zecca (Università di Udine) con/with Cinema and Contemporary Visual Arts: Philippe Dubois (Université Paris 3 Sorbonne Nouvelle) : Pierre Chemartin, André Gaudreault, Philippe Marion, Bernard Perron (GRAFICS, Université de Montréal) : Hans-Michael Bock (CineGraph, Hamburg), Jürgen Keiper (Deutsche Kinemathek Museum für Film und Fernsehen), Jan Distelmeyer (Fachhochschule Potsdam EMW, FH + Universität Potsdam) Cartography of Pornographic Audiovisual: Giovanna Maina (Università di Pisa) Premio Limina: Valentina Re (Università Ca Foscari, Venezia) organizzazione/organisation Franca Caufin, Lidia Calligaris, Centro Convegni e Accoglienza, Università degli Studi di Udine Maurizio Pisani, Cristina Melilla, Loris Nardin, Dipartimento di Storia e Tutela dei Beni Culturali Alice Autelitano, Anna Bertolli, Pietro Bianchi, Enrico Biasin, Elena Biserna, Alessandro Bordina, Alberto Brodesco, Giulio Bursi, Sonia Campanini, Mariapia Comand, Marco Comar, Cristina Cristofoli, Claudia D Alonzo, Aleš Doktoric, Francesca Esposito, Federico Giordano, Stefania Giovenco, Andrea Lissoni, Andrea Mariani, Sara Martin, Enrico Maso, Roy Menarini, Martina Panelli, Francesco Pitassio, Martina Pizzamiglio, Leonardo Quaresima, Valentina Re, Marcella Rosi, Cosetta Saba, Mirco Santi, Gianandrea Sasso, Simone Venturini, Federico Zecca ufficio stampa/press Volpe & Sain Comunicazione sito internet/website Marco Comar programma proiezioni/screenings programme Elena Biserna, Giulio Bursi, Claudia D Alonzo, Andrea Lissoni, Francesco Pitassio, Simone Venturini, in collaborazione con Sergio Fant direzione tecnica/technical direction Gianandrea Sasso, CREA, Centro Ricerca Elaborazione Audiovisivi/LA CAMERA OTTICA, Film and Video Restoration, Gorizia Marco Comar, CINEMANTICA, Udine CLAV, Udine Università degli Studi di Udine Transmedia Spa disegni e progetto grafico/graphics Stefano Ricci impaginazione/layout Marco De Anna Tuesday, April 5, Università degli Studi di Udine, Sala Convegni prof. Roberto Gusmani, Palazzo Antonini Interventi di saluto/greetings Cristiana Compagno, Magnifico Rettore dell Università degli Studi di Udine Furio Honsell, Sindaco del Comune di Udine Elio De Anna, Assessore regionale alla cultura, sport, relazioni internazionali e comunitarie Luigi Reitani, Assessore al Turismo e alla Cultura del Comune di Udine Andrea Tabarroni, Preside della Facoltà di Lettere e Filosofia Antonella Riem Natale, Preside della Facoltà di Lingue e Letteratura Straniere Neil Harris, Direttore del Dipartimento di Storia e Tutela dei Beni Culturali Leonardo Quaresima, Università degli Studi di Udine Presentazione/Introduction Amy Sargeant (University of Warwick) Dust, Detritus and Joseph Losey s Mothballs Sabine Lenk (Cinémathèque de la Ville de Luxembourg) Le Film, un artefact archival? Marc Vernet (Université Paris Diderot) How Archives in the Digital Age Challenge Film History: Chronology vs. Plot, Past vs. Memory. A New Convergence of History, Psychoanalysis, Art History and Film Studies Livio Belloï (Université de Liège) L Archive comme espace de (re)création Jan Holmberg (Ingmar Bergman Foundation, Stockholm) Archive Matters Presiede/Chair: Leonardo Quaresima Tuesday, April 5, Workshop A New Media Archive Sala Tiepolo, Palazzo Caiselli Jürgen Keiper (Deutsche Kinemathek Museum für Film und Fernsehen) Noah s Ark: An Archeology of the Digital Mal d Archive Chris Wahl (HFF Potsdam) Sortation: On a User-Based Approach to Digital Meta-Archives Enrico Terrone (Università di Torino/Università del Piemonte Orientale) Le Médium est l archive Agnieszka Piotrowska (Birkbeck College, London) The Best Job in the World and the Lacanian Mirror Stage Antonio Catolfi (Università per Stranieri di Perugia) Shooting Technologies in the History of Television Show. The Memory of Rai Temenuga Trifonova (York University, Toronto) Archiving Time in the Post-Medium Condition

6 Claudio Bisoni (Università di Bologna) The Gump/Nerd Memory Problem: Cinema, New Media and the Archive Fever Presiede/Chair: Jan Holmberg Tuesday, April 5, Workshop B Archive, Document, Documentary Sala Riunioni, Palazzo Caiselli Ron Makleff (Hebrew University of Jerusalem) What Is Our Historical a priori? The State as Common Sense and the Forgotten Municipal Archive Klaas de Zwaan (Universiteit van Utrecht) Pre-archival Practices in the Teens. The Case of the Dutch Navy League Michele Guerra (Università di Parma) Documentality of Film Carmelo Marabello (Università di Messina) Filming the Otherness: Ethnology as a Science of Archives in the Early Twentieth Century Malin Wahlberg (Stockholms Universitet) Images, Traces, and Narrative Imagination: Documentary Approaches to Archive Memory Giuliana Muscio (Università di Padova) The Archive and its Holes Gloria Lauri-Lucente, Ivan Callus (University of Malta) Archive Refusal/Retrieval: Film, Memory and Loss in Paul Auster, Don DeLillo and Theo Angelopoulos Presiede/Chair: Sabine Lenk Tuesday, April 5, Workshop C Archive, Memory, Subjects Sala Florio, Palazzo Florio Matthias Wittmann (IFM Institute, Basel) Inside the Memory: Re-Membering the Archive with Peirce vs. Bergson Viva Paci (UQAM, Montreal) L Archive en personne réfléxions autour de la perte, de la conservation et de la survie Abdelhamid Mahfoud (Université Paris 3 Sorbonne Nouvelle) Chronographie secrète. L archive inquiétée par le silence Irini Stathi (University of Aegean) The Film as Archive, the Archive as Film. Does Film Archive Functions as List of History Elements? Federica Villa (Università di Torino), Martina Panelli (Università di Udine) I Am Still Alive. Self Archive, Time-lapse Portrait, Images Souvenir Laura Busetta (Università di Roma La Sapienza) The Encylopaedic Subject: Recording Recollections in Self-portraits Marlène Monteiro (Birkbeck College, London) The Autobiographical Archive: Conjuring Death Presiede/Chair: Frank Kessler Wednesday, April 6, Workshop A Archival Technologies Sala Tiepolo, Palazzo Caiselli Pasi Väliaho (Goldsmiths, University of London) Capturing Imagination: Cinema s Future Anterior Trond Lundemo (Stockholms Universitet) Conversion, Convergence, Conflation; Archival Networks in the Digital Turn Rachel Moore (Goldsmiths, University of London) An artifact called The Universe : Hollis Frampton s Infinite Cinema Janet Harbord (Queen Mary, University of London) Surrounded: Godard s Histoire(s) du cinema Annie van den Oever (Rijksuniversiteit Groningen) From Technique to Medium. Media Archaeology and Its Reflections on the Archive as a Contribution to New Film History Benoît Turquety (Université de Lausanne) Pour une archéologie des techniques cinématographiques: l exemple du kinemacolor Christa Blümlinger (Université Paris 8) Archives pour l avant-garde Presiede/Chair: Malte Hagener Wednesday, April 6, Workshop B Godard and the Histoire(s) du cinéma Sala Riunioni, Palazzo Caiselli Frederik Lang (Ruhr-Universität Bochum) Godard s Family Photo Album Manuel Ramos (Goldsmiths, University of London) Still Here, Here Again Farocki, Godard and the Cinema s Centenary Susana Duarte (Universidade Nova de Lisboa) Only Cinema Can Tell History: Jean-Luc Godard, Archaeologist of Images André Dias (Universidade Nova de Lisboa) A Rhythmic Machination

7 Alessia Cervini (Università della Calabria), Luca Venzi (Università di Siena) Le Histoire(s) du cinéma, l archive e l écriture Bennet Schaber (State University New York) An Archive of Appearnig: Jean-Luc Godard, Bill Viola, Wang Qingsong Presiede/Chair: Raymond Bellour Wednesday, April 6, Workshop C Archival Footage: Time and Remediation Sala Florio, Palazzo Florio Sergio Toffetti (Archivio Nazionale del Cinema d Impresa, CSC) Le Cinémathèquaire: figures d une profession Eirik Frisvold Hanssen (Norwegian University of Science and Technology) Film Curatorship, DVDs and the Memory and Loss of Materiality Marco Bertozzi (Università IUAV di Venezia) Films d archive et temps revisité Daniele Dottorini (Università della Calabria) The Double Archive. Notes about a Film on a Discovered Nazi Footage Esin Paça (Royal Holloway, University of London ), Louise Spence (Kadir Has University, Istanbul) History, Memory, and the Experience of Historical Time in Su Friedrich s The Ties That Bind Marco Grosoli (Università di Bologna) Quelle vanité que l archive. Triple agent. Rohmer s Archaeology and the Archive Material Massimiliano Fierro (Università di Bergamo) Found Footage Film and the Lumpensammlers of Memory Presiede/Chair: Francesco Pitassio Wednesday, April 6, Workshop A Archive and Historical Memory Sala Tiepolo, Palazzo Caiselli Tony Kaes (University of California, Berkeley) The Promise of Cinema: German Film Theory in the Silent Era Philippe Gauthier (Université de Lausanne/Université de Montréal) Le Congrès de Brighton, un mythe fondateur de la Nouvelle histoire du cinéma? Pour une histoire des relations entre archivistes et historiens du cinéma Valentina Cucca (Università Cattolica del Sacro Cuore, Milano) Archive/Missing. No(bodies) Images? Reflections on Argentinian Dictatorship ( ) and on its Visual Recollection Marion Froger, Djemaa Maazouzi (Université de Montréal) La Fabrique du souvenir lors du retour en Algérie des pieds noirs. Web, cinéma (et littérature) Dunja Dogo (Università di Siena) The Construction of a Political Memory in The Palace and the Fortress: Outlining the Role of the Archive in Making a Film on Populism in Post-revolutionary Russia Nevena Daković (University of Belgrade) Film Narrative as Archive: Visual Memory and Testimony of the War in Bosnia Presiede/Chair: Christa Blümlinger Wednesday, April 6, Workshop B Beyond the Screen: Archive, Art and Urban Spaces Sala Riunioni, Palazzo Caiselli Frances Guerin (University of Kent) Obfuscations of the Visible: Creating Memory in the Archives of Christian Boltanski s Installations Barbara Grespi, Alessandra Violi (Università di Bergamo) Magicking the Archive. Collecting as Sleight of Hand Andrés Maximiliano Tello (Universidad de Valladolid) The Archive of Images in the Contemporary Art or The Disorganization of the Archontic Corpus in Nowadays Brigitta B. Wagner (Indiana University-Bloomington) Reactivating Indexicality in the Urban Archive José da Costa Ramos (Universidade de Lisboa) Geographies of Traces Ingrid Stigsdotter (Lunds Universitet/Göteborgs Universitet) The DVD Anthology The Malmö of my Heart as Popular Archive Presiede/Chair: Amy Sargeant Wednesday, April 6, Workshop C Archival Practices: Preservation and Valorization Sala Florio, Palazzo Florio Giusy Pisano (Université Paris-Est/Marne-La-Vallée-LISAA) Traces et indices de l histoire du décors au cinéma: des archives muettes Luigi Virgolin (Cineteca del Comune di Bologna) Comme interroger une collection des films des origines. L exemple de la section Cento anni fa au festival Il Cinema Ritrovato Marco Bellano (Università di Padova) Next to the Light. The Preservation of Music for Silent Films: a Proposal for a Contemporary Archive Anke Wilkening (Friedrich-Wilhelm-Murnau-Stiftung, Wiesbaden) Vintage Film Elements A Neglected Source for Film History Writing

8 Bregt Lameris (Universiteit van Amsterdam/Rijksuniversiteit Groningen) Tracing the Museum or How Archival Film Prints Show Us Fragments of Film Museum Histories Eva Hielscher (Netherlands Institute for Sound and Vision/Universiteit van Amsterdam) Amateur Film, Benjamin s Aura and the Archive; or: The Archive as Amateur Film s Age of Technological Reproducibility Paolo Simoni (Home Movies Archivio Nazionale del Film di Famiglia) Expanded Archives. The Exhibition of Amateur Film Collections Presiede/Chair: Hans-Michael Bock Thursday, April 7, Sala Convegni prof. Roberto Gusmani, Palazzo Antonini Raymond Bellour (Centre National de la Recherche Scientifique, Paris) Douleur de l archive Julia Noordegraaf (Universiteit van Amsterdam) Iterating Archival Footage and the Memory of War Gian Luca Farinelli (Cineteca del Comune di Bologna) L Archive hors de soi Frank Kessler (Universiteit van Utrecht) Concevoir une archive cinématographique autour de 1900 André Gaudreault (Université de Montréal), Philippe Marion (Université catholique de Louvain la Neuve) Les Images de film sont-elles des archives filmées? Marc-Emmanuel Mélon (Université de Liège) L Analyse visuelle des images d archives numérisées: une nouvelle heuristique Malte Hagener (Phillips-Universitaet Marburg) Inventing a Past, Imagining a Future. The Discovery and Institutionalisation of Film History in the 1930s Presiede/Chair: Marc Vernet Thursday, April 7, Sala Convegni prof. Roberto Gusmani, Palazzo Antonini

9 Friday, April 8, Interventi di saluto/greetings Cristiana Compagno, Magnifico Rettore dell Università degli Studi di Udine Franco Obizzi, Presidente Fondazione Cassa di Risparmio di Gorizia Antonio Devetag, Assessore al Parco Culturale, Comune di Gorizia Rappresentante Provincia di Gorizia Rodolfo Ziberna, Presidente Consorzio Universitario di Gorizia Mauro Pascolini, Direttore Centro Polifunzionale di Gorizia Roberto Calabretto, Presidente del Corso di Laurea Dams, Università degli Studi di Udine Leonardo Quaresima, Università degli Studi di Udine Presentazione/Introduction Alberto Abruzzese (IULM, Milano) Etics, Aesthetics, and Politics of YouPorn Cecile Dazord (Département recherche du Centre de recherche et de restauration des musées de France) Film Digitization: The Problematics of Conserving Visual Effects Presentation of the workshops Elena Biserna, Claudia D Alonzo, Andrea Lissoni (Università di Udine) Philippe Marion (Université catholique de Louvain la Neuve), Pierre Chemartin, Bernard Perron (Université de Montréal) Hans-Michael Bock (Cinegraph, Hamburg), Jürgen Keiper (Deutsche Kinemathek Museum für Film und Fernsehen), Jan Distelmeyer (FH Potsdam, EMW) Giovanna Maina (Università di Pisa), Enrico Biasin, Federico Zecca (Università di Udine) Presiede/Chair: Julia Noordegraaf Friday, April 8, Workshops Lorenzo Romito (Stalker Osservatorio Nomade) Primavera Romana, Walking for a U Turn : Common Design Practices for Social Change Comics and the Archive Coordinated by Pierre Chemartin, Philippe Marion Pierre Chemartin (Université de Montréal), Philippe Marion (Université catholique de Louvain la Neuve) Rééditions, anthologies et collections: la remédiation de la bande par la bande Thomas Martinelli (Università di Udine) Secret Files and Origins in DC Comics Super Hero Universe Magali Boudissa (Université catholique de Louvain la Neuve) La Bande dessinée entre la page et l écran: les modifications du système narratif de la bande dessinée à l ère des technologies numériques : Digital Archive Coordinated by Jürgen Keiper (Deutsche Kinemathek Museum für Film und Fernsehen), Jan Distelmeyer (FH Potsdam, EMW), Chris Wahl (HFF Potsdam) Queer Pornographies Coordinated by Marc Siegel Marc Siegel (Ruhr-Universität Bochum/Goethe Universität, Frankfurt am Main) Post-Porn Reluctance: The Case of Bruce LaBruce Florian Voros (Ecole des Hautes Etudes en Sciences Sociales, Paris) How to Cartography Men s* Porn Consumption From a Queer Perspective? Reflections From a French Sociological Fieldwork Brandon Arroyo (Concordia University, Montreal) Public Displays of fantasy: Porn Viewing in Public Spaces and the Formation of Gay Desire Friday, April 8, Mediateca.GO Ugo Casiraghi Mediateca Provinciale di Gorizia Goriška Pokrajinska Mediateka PRIN I processi di rinnovamento dei quadri nel cinema italiano The Professional Renewal in Italian Contemporary Cinema Incontri con il cinema italiano La critica cinematografica Saturday, April 9, Alain Boillat (Université de Lausanne) Enjeux méthodologiques et théoriques liés à l exploitation d un fonds d archives de magazines de bandes dessinées ( ) Matteo Stefanelli (Università Cattolica del Sacro Cuore, Milano) La Bande dessinée, expérience archivable. La mémoire en BD, entre dispositifs de lecture et stratégies culturelles Artist Talk Eve Heller, Peter Tscherkassky

10 Roger Odin (Université Paris 3 Sorbonne Nouvelle) Le Téléphone portable et la logique de l archive Journal launch Bianco & Nero, Il cinema nell epoca del videofonino, edited by Roger Odin, n. 568, 2011 Presiede/Chair: Philippe Marion Saturday, April 9, Workshops Coordinated by Julia Noordegraaf Julia Noordegraaf (Universiteit van Amsterdam) The Meaning of Found Footage: On Art, Archives and the Documentation of Reality Senta Siewert (Ruhr-Universität Bochum) The Music Video Effect in Art Exhibitions Videogames and the Archive Coordinated by Bernard Perron Pierre Chemartin, Dominique Noujeim (Université de Montréal) Who s Afraid of the Big Bad Wolf? : Evil and Laughter in Classical Animation Simon Dor, Bernard Perron (Université de Montréal) Archiver la stratégie: problématiques de l histoire des jeux de stratégie en temps réel Mikael Jakobsson (Malmö University) You Are What You Play: Understanding Xbox 360 Achievements in Gaming Practices : Digital Archive Coordinated by Jürgen Keiper (Deutsche Kinemathek Museum für Film und Fernsehen), Jan Distelmeyer (FH Potsdam, EMW), Chris Wahl (HFF Potsdam) National Pornographies/1 Coordinated by Peter Lehman Peter Lehman (Arizona State University) The Pornographic Penis and Its Relation to Cultural Discourse Patricia Sannie Lee (Heinrich-Heine-Universität, Düsseldorf) Pornography and the Sexual Revolution: A Comparative Study Between West Germany and the United States Mark Boswell (Red Sector Institute, New York) Bad Girl Goes to Hell: The Strange Case of Doris Wishman Saturday, April 9, Mediateca.GO Ugo Casiraghi Mediateca Provinciale di Gorizia Goriška Pokrajinska Mediateka PRIN I processi di rinnovamento dei quadri nel cinema italiano The Professional Renewal in Italian Contemporary Cinema Incontri con il cinema italiano Le scuole di cinema Sunday, April 10, Annelies Cordes (Netherlands Institute of Sound and Vision) A Sound Vision on Mass Digitisation: Quest for the Sweet Spot to Turn 17,500 Hours of Film into an Asset Curator Talk Emmanuel Lefrant (Light Cone) Le Catalogue de Light Cone la constitution d une collection de films appartenant à une cinématographie fragile: le cinema d avant-garde et expérimental Pia Bolognesi (Università di Pisa), Giulio Bursi (Università di Udine/La Camera Ottica, Gorizia) Aldo Tambellini Archive Project: An Introduction Yvonne Spielmann (University of the West of Scotland) Beyond Archives. Some Reflections On Our Hybrid Contemporaneity André Habib (Université de Montréal) Found Footage Films as Archive: A Trip Down Market Street (1906) and Ernie Gehr s Eureka (1974) Presiede/Chair: Erica Carter Sunday, April 10, Workshops Coordinated by Ruggero Eugeni (Università Cattolica del Sacro Cuore, Milano), Gabriele Jutz (Universität für angewandte Kunst, Wien) Alice Cati, Glenda Franchin (Università Cattolica del Sacro Cuore, Milano) Collecting Lived Experiences. The Diary Film As an Anthology of Daily Life Miriam De Rosa (Università Cattolica del Sacro Cuore, Milano) Lupercyclopedia. Moving Image and Living Archive Camilla Pietrabissa (Università Luigi Bocconi, Milano) Contemporary Archival Relations. Use of New Media in Tacita Dean and Seth Price Beatriz Rodovalho (Université Paris 3 Sorbonne Nouvelle) The Eye of the Storm Péter Forgács Recapture of Home Movies in The Maelstrom

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12 Animation and the Archive Coordinated by Working Group Animation of the German Society of Media Studies Franziska Bruckner (Institute for Theatre, Film and Media Studies, Wien) Alice in Hybridland: Hybrids of Animation and Live-Action in Film Adaptations of Alice in Wonderland Erwin Feyersinger (University of Innsbruck) Automatized Animation from the Database in Video Games Sebastian Kuhn (Ruhr-Universität Bochum) The Artificial Archive: Faked Outtakes in Pixar s CGI Animations Andreas Rauscher (Johannes Gutenberg University, Mainz) The Springfield Files. The Simpsons Between Subversion and Culture-Industrial Institution Maike Sarah Reinerth (Johannes Gutenberg University, Mainz) (Un)covering Reality: Documentation, Animation and Subjective Reality in THE GREEN WAVE Dominik Schrey (Karlsruhe Institute of Technology KIT) Technology and Magic: The Palimpsests of (Film) History in Ralph Bakshi s WIZARDS Presiede/Chair: Pierre Chemartin, Bernard Perron (Université de Montréal) : Festivals Coordinated by Hans-Michael Bock (CineGraph Hamburg) Special guests: Peter von Bagh (Il Cinema Ritrovato Bologna, Sodankylän elokuvajuhlat), Erika Wottrich (CineFest, Hamburg) National Pornographies/2 Coordinated by Peter Lehman (Arizona State University) Mariana Baltar, Luiz P. Gomes (Universidade Federal Fluminense, Rio de Janeiro) How Much Porn There Is In pornochanchada? Brazilian Popolar Cinema and the Consolidation of A Porn Industry Marco Benoît Carbone (Master in Editoria cartacea e multimediale, Bologna) Tentacle Rape. Pornography and Horrific Abuse from Japanese Hentai to Audiovisual Bizarre Laura Sangalli (Università di Udine) Sex and the City: Crush by Venus and the Japanese Version of the Crush Fetish Genre Sunday, April 10, Mediateca.GO Ugo Casiraghi Mediateca Provinciale di Gorizia Goriška Pokrajinska Mediateka PRIN I processi di rinnovamento dei quadri nel cinema italiano The Professional Renewal in Italian Contemporary Cinema Incontri con il cinema italiano Le Film Commission Monday, April 11, Tina Lorenz (Universität Wien) Why We Need to Stop Defining Pornography: a Case for Canonical Methodology Stefano Odorico (University College Cork) Web Documentaries, Databases and User s Experience Pascal-Anne Lavallée (Université de Montréal) L Inscription d Auschwitz sur les images d archives. Le montage comme révélation Mauro Buzzi (Università Cattolica del Sacro Cuore, Milano) Films in the Shape of Juke-box. Italian Beat Cinema as Songs Archive Giacomo Coggiola (Università Cattolica del Sacro Cuore, Milano) The Imaginary Archive: Godard's Histoire(s) du cinéma Between Encyclopedia, Atlas, and Self-portrait Artist Talk Eija-Liisa Ahtila Presiede/Chair: Jan Distelmeyer Monday, April 11, Workshops Yvonne Spielmann (University of the West of Scotland) Hybrid Fields of Media Cultures : Festivals Coordinated by Hans-Michael Bock (CineGraph Hamburg) Special guests: Peter von Bagh (Il Cinema Ritrovato Bologna, Sodankylän elokuvajuhlat), Erika Wottrich (CineFest, Hamburg) Claudy Op den Kamp (University of Plymouth) Copyright Law and the Re-Distribution of Archival Film Feona Attwood (Sheffield Hallam University), Susanna Paasonen (University of Jyväskylä), Clarissa Smith (University of Sunderland) Analyzing Pornography

13 Monday, April 11, Mediateca.GO Ugo Casiraghi Mediateca Provinciale di Gorizia Goriška Pokrajinska Mediateka PRIN I processi di rinnovamento dei quadri nel cinema italiano The Professional Renewal in Italian Contemporary Cinema Incontri con il cinema italiano La produzione cinematografica Tuesday, April 12, Sala della Torre, Fondazione della Cassa di Risparmio di Gorizia Gabriele Jutz (Universität für angewandte Kunst, Wien) Rudolf Schwarzkogler s Cinematic Work Curator Talk Alfredo Cramerotti (QUAD/Derby/Manifesta 8) Bruce Sterling (The European Graduate School, Saas-Fee, Svizzera) Media Transition and Media Mutation Presiede/Chair: Yvonne Spielmann Tuesday, April 12, Workshops Yvonne Spielmann (University of the West of Scotland) Hybrid Fields of Media Cultures : The Home Movie Archival Process Coordinated by Hans-Michael Bock (CineGraph, Hamburg), Simone Venturini (Università di Udine) Paolo Simoni (Home Movies National Film Archive/Università di Modena e Reggio Emilia), Karianne Fiorini (Home Movies National Film Archive), Francesca Morselli (Universiteit van Amsterdam) The Home Movie Archival Process Adelheid Heftberger, Paolo Caneppele (Österreichisches Filmmuseum, Wien) The Austrian Film Museum as Not-Only-Home Movie Archive Matteo Lepore (Österreichisches Filmmuseum, Wien) Digitizing Small Gauges Film. The Case Study of the Austrian Filmmuseum and La Camera Ottica Sara Fgaier (artist), Alessandro Cadoni (Università di Sassari), Domenico Spinosa (Accademia di Belle Arti di Sassari) Archives du film et perspective théorique et esthétique: La bocca del lupo de Pietro Marcello Amateur Pornography Coordinated by Feona Attwood (Sheffield Hallam University), Susanna Paasonen (University of Jyväskylä), Clarissa Smith (University of Sunderland) Claudia Attimonelli (Università di Bari) Pornoscapes: Fleshgraphic Imaginary between Fragmentation and Rituals Kristina Pia Hofer (Johannes Kepler Universität, Linz/Universität für angewandte Kunst, Wien) The POV Experience of Dating your Girlfriend : Media Genealogies and the Pornographic Real in Amateur Couple Netporn Gabriel Menotti (Goldsmiths College, London) More Than Lovers, Amateurs? The Status of the Sextape as a Form of Involuntary Movie Production Tueday, April 12, Mediateca.GO Ugo Casiraghi Mediateca Provinciale di Gorizia Goriška Pokrajinska Mediateka PRIN I processi di rinnovamento dei quadri nel cinema italiano The Professional Renewal in Italian Contemporary Cinema Incontri con il cinema italiano La sceneggiatura cinematografica Wednesday, April 13, Werner Sudendorf (Deutsche Kinemathek) Copyright of Non-Film Materials and Archive Artist Talk Massimo Bacigalupo How to Make an Underground Film Feona Attwood (Sheffield Hallam University), Susanna Paasonen (University of Jyväskylä), Clarissa Smith (University of Sunderland) On/scenity: Uses and Misuses Presiede/Chair: Hans-Michael Bock Wednesday, April 13, Workshops Donatella Valente (Birkbeck College, University of London) Physical Traces, Absent Memories: An Analytical Experience with the Art Object of Archival Film Footage in Italian Experimental Cinema of the 1960s

14 Oliver Mayer (Universität Karlsruhe) Chris Marker and the Audiovisual Archive Lúcia Ramos Monteiro (Université Paris 3 Sorbonne Nouvelle) Leningrad. Rétrospective , d Aleksandr Sokourov et Alexei Jankowski: une forme transitoire M. Benjamin Léon (Université Paris 3 Sorbonne Nouvelle) L Image comme archive dans le processus de création chez Derek Jarman: entre cinéma et peinture, une poétique de l effacement Memory, Collection, Connection: Video Game and Archive Coordinated by Roy Menarini (Università di Udine) and GAME Journal Dennis Mathei (Ruhr-Universität Bochum) Once Upon a Time in the Digital West: Sleuthing Traces of Popular Art in Red Dead Redemption Marco Benoît Carbone (Master editoria cartacea e multimediale, Bologna), Federico Giordano (Università di Udine) Almost the Same Game. Text and Gaming Experience Between Continuity of Forms and Changing Context Giovanni Caruso (Università di Udine) Gaming Experience: Toward a Database of Social Relationships? Riccardo Fassone (Università di Torino) Sometimes They Come Back (Some of Them). The Conversion of Video Game into a Serial Object Mauro Salvador (Università Cattolica del Sacro Cuore, Milano) Collecting Virtual Items: EA Sports Casual Products and Players : Minor Cinemas Coordinated by Hans-Michael Bock (CineGraph, Hamburg), Simone Venturini (Università di Udine) Miguel Fernandez Labayen (Universidad Carlos III de Madrid), John Sundholm (Karlstads Universitet), Lars Gustaf Andersson (Lunds Universitet), Dagmar Brunow (Universität Hamburg) Minor Cinemas Rossella Catanese (Università La Sapienza) An Avant-Garde Heritage. Futurist Cinema and Archival Memory Cartography of Pornographic Audiovisual Post-Feminist Pornography Coordinated by Feona Attwood (Sheffield Hallam University), Susanna Paasonen (University of Jyväskylä), Clarissa Smith (University of Sunderland) Muriel Andrin (Université Libre de Bruxelles) What Is Feminist Pornography to Pornography? Rethinking Porn Representation in X Femmes (2009) and Dirty Diaries (2010) Emiliana Galiani (Università di Bari) Le Langage pornographique entre fiction et réalité Verena Chiara Kuckenberger (Universität Graz) Alternative Desire and Emancipated Lust? Creation and Consumption of Female Porn Wednesday, April 13, Mediateca.GO Ugo Casiraghi Mediateca Provinciale di Gorizia Goriška Pokrajinska Mediateka PRIN I processi di rinnovamento dei quadri nel cinema italiano The Professional Renewal in Italian Contemporary Cinema La critica videoludica Intervengono: Alessandra Contin (La Stampa), Federico Ercole (il manifesto), Diego Malara (XL La Repubblica) Thursday, April 14, Manuel Garin, Alan Salvadò (Universidad Pompeu Fabra, Barcelona) Silent Film Gameplay: Keaton, Mario and the Misadventuresof Visual Freedom Raquel Schefer (Université Paris 3 Sorbonne Nouvelle) Birth of an Image. Mueda, Memória e Massacre (Mueda, Memory and Massacre) by Ruy Guerra (1979) Jorge Velasco (Université Paris 3 Sorbonne Nouvelle) Early Emigration Archives in Ecuador Artist Talk Michele Sambin Presiede/Chair: Leonardo Quaresima Thursday, April 14, Workshops Final discussion

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16 Proiezioni/Screenings Tuesday, April 5, Cinema Visionario, via Asquini 33, Udine La fabbricazione dei cappelli Borsalino (anonimo, 1912, 17, accompagnamento musicale dal vivo/live accompaniment) Buongiorno natura (Ermanno Olmi, 1955, 10 ) Il grande paese d acciaio (Ermanno Olmi, 1960, 10 ) Informazione Leitmotiv. L informazione è ciò che conta (Nato Frasca, 1969, 23 ) In collaborazione con/in collaboration with Archivio Nazionale del Cinema d Impresa, CSC, Ivrea Introduce il curatore/curated and presented by Sergio Toffetti Unità d Italia e archivio/italian Unification and the Archive Vanina Oder Die Galgenhochzeit (Arthur von Gerlach, 1922, 69 ) Accompagnamento con chitarra elettrica ed effetti di/electric guitar accompaniment and sound effects by Egle Sommacal, Stefano Pilia (Massimo Volume) La presa di Roma (Filoteo Alberini, 1905, 5, accompagnamento musicale dal vivo/live accompaniment) Il piccolo garibaldino (Mario Caserini, 1909, 14, accompagnamento musicale dal vivo/live accompaniment) La lunga calza verde (Roberto Gavioli, 1961, 20 ) In collaborazione con/in collaboration with Centro Sperimentale di Cinematografia Cineteca Nazionale, Istituto Luce Wednesday, April 6, Cinema Visionario, via Asquini 33, Udine Omaggio a Mario Monicelli/A Tribute to Mario Monicelli Il cuore rivelatore (Mario Monicelli, Arnoldo Mondadori, 1934, 20 ) Il testamento di Mario Monicelli (Daniele Ciprì, Franco Maresco, 2010, 8 ) In collaborazione con/in collaboration with Cineteca del Comune di Bologna, Franco Maresco Archivi d Italia/Archives of Italy La dolce vita (ritrovata) (Federico Fellini, 1960, 10, anteprima Il Cinema Ritrovato/Il Cinema Ritrovato Preview) Carta bianca a Gian Luca Farinelli/Free Rein to Gian Luca Farinelli (20 ) In collaborazione con/in collaboration with Cineteca del Comune di Bologna Introduce/Presented by Gian Luca Farinelli Lo sceicco bianco (Federico Fellini, 1952, 86, v.o., English subtitles) Lo sceicco ritrovato. Tagli, doppie versioni e sequenze inedite de Lo sceicco bianco (Fulvio Baglivi, Stefano Landini, Moraldo Rossi, 2008, 40 ) In collaborazione con/in collaboration with Centro Sperimentale di Cinematografia Cineteca Nazionale Thursday, April 7, Kinemax Gorizia, piazza Vittoria 41, Gorizia Incontri con il cinema italiano/meetings with the Italian Cinema PRIN I processi di rinnovamento dei quadri nel cinema italiano The Professional Renewal in Italian Contemporary Cinema Il primo incarico (Giorgia Cecere, 2010, 90, v.o., English subtitles) Anteprima/Preview Introduce/Presented by Giorgia Cecere Friday, April 8, Kinemax Gorizia, piazza Vittoria 41, Gorizia Last Lost (Eve Heller, 1996, 14 ) Her Glacial Speed (Eve Heller, 2001, 4 ) Astor Place (Eve Heller, 1997, 10 ) Ruby Skin (Eve Heller, 2005, 4 ) Introduce/Presented by Eve Heller Hand-Made Films: The Cinema of Peter Tscherkassky Happy End (Peter Tscherkassky, 1996, 12 ) Outer Space (Peter Tscherkassky, 1999, 10 ) Instructions for a Light and Sound Machine (Peter Tscherkassky, 2005, 17 ), Music by Dirk Schaefer Coming Attractions (Peter Tscherkassky, in collaboration with Eve Heller, 2010, 25 ) Introduce/Presented by Peter Tscherkassky Saturday, April 9, Kinemax Gorizia, piazza Vittoria 41, Gorizia Ceci n est pas un film (Pascal Delé, 2005, 3 ) La Perle (Marguerite Lantz, 2006, 4 ) Mon voile bleue (Christine Murillo, 2008, 9 ) Hamlet-Machine Mobile (Marc Gauthier, 14 ) Un premier amour (Nicolas Angel, collection Arte Camera Poche, production Yvonnick le Fustec, Hélène Vayssières, 6 ) La Gare fantôme (Roger Odin, 2010, 10 ) Selezione dal/selection from Festival Pocket Films, Forum des Images, Paris Introduce/Presented by Roger Odin Black Leader: The Films of Aldo Tambellini Black film series: Black IS (1965, 4 ) Black Trip1 (1965, 4 30 ) Black Trip 2 (1967, 3 ) Blackout (1965, 9 ) Black Plus X (1966, 4 ) Moonblack (1969, 13 ) Black TV (1968, 10 ) + 3 unedited films from the 1960s Anteprima mondiale/world preview A cura di/curated by Pia Bolognesi, Giulio Bursi Introduce/Presented by Emmanuel Lefrant (Light Cone), La Camera Ottica

17 Eureka (Ernie Gehr, 1974, 38 ) Introduce/Presented by André Habib (Université de Montreal) Sunday, April 10, Kinemax Gorizia, piazza Vittoria 41, Gorizia Eija-Liisa Ahtila: The Cinematic Works Where is Where? (2009, 56, Anteprima nazionale/national preview) Me/We; Okay; Gray (1993, 3x90 ) Love is a Treasure (2002, 55 ) Introduce/Presented by Eija-Liisa Ahtila Monday, April 11, Kinemax Gorizia, piazza Vittoria 41, Gorizia Amnesialand (Stefanos Tsivopoulos, 2010, 25 ) November (Hito Steyerl, 2004, 25 ) Introduce il curatore/curated and presented by Alfredo Cramerotti EXPANDED ARCHIVE (2010, 60 ) A cura di/curated by Home Movies Archivio Nazionale del Film di Famiglia, Relabtv Università di Modena e Reggio Emilia Live sound: Francesco Serra Tuesday, April 12, Kinemax Gorizia, piazza Vittoria 41, Gorizia Michele Sambin: Archival Excerpts ( ) Laguna (1971, 40, Anteprima Nazionale/national preview) Tob e Lia (1974, 7 ) Film a strisce (la petite mort) (1976, 2, suono dal vivo/live accompaniment: Michele Sambin, sax alto) Diogene (1977, 4 ) In collaborazione con/in collaboration with Centro Sperimentale di Cinematografia Cineteca Nazionale Introduce/Presented by Michele Sambin Focus: Massimo Bacigalupo 60 metri per il 31 marzo (1968, 15 ) Versus (1968, 14 ) Her (1968, 5 ) The last summer (1969, 30 ) Into the House (1975, 20 ) In collaborazione con/in collaboration with Centro Sperimentale di Cinematografia Cineteca Nazionale Introduce/Presented by Massimo Bacigalupo, La Camera Ottica Wednesday, April 13, Fondazione Cassa di Risparmio di Gorizia, via Carducci 2, Gorizia Videoludic Postcinema Machinima developed in collaboration with Dams Gorizia (Alberto Momo, Federico Ercole, 2011, 30 ) Anteprima nazionale/national Preview Introducono/Presented by Alberto Momo, Federico Ercole Filmini (Stefano Ricci, 2010, 35 ) Introduce/Presented by Stefano Ricci Evento speciale /Special Event Wednesday, April 6, Cinema Visionario, via Asquini 33, Udine Premio Limina/Limina Award Assegnazione del IX Premio Limina per libri di cinema italiani e internazionali pubblicati nel 2010 Awarding assignment of the IX Limina Award for Italian and International Film Studies books published in 2010 e inoltre/and also Anteprime di libri sul cinema /Film books launch Presentazione di/presentation of ARK-Award, in collaborazione con/in collaboration with CineGraph and CineFest, Hamburg Presentazione della collana internazionale Cinethesis della casa editrice Forum, Udine/Presentation of the book series Cinethesis by Forum publisher, Udine Presentazione del n. 21 della rivista Cinergie. Il cinema e le altre arti /Presentation of the issue no. 21 of the film journal Cinergie. Il cinema e le altre arti In collaborazione e in diretta radiofonica con/in collaboration and live radio with Hollywood Party, Rai Radiotre Con il sostegno al Premio Limina di/limina Award, with the support of: Primosic Video Archivio/Video Archive In consultazione/in consultation April 8-14 Mediateca.GO Ugo Casiraghi Mediateca Provinciale di Gorizia Goriška Pokrajinska Mediateka, piazza Vittoria 41, Gorizia Playtime by Maicol Casale, Federico Ercole, Alberto Momo (5 episodes, 30, 2010) John Woo s Stranglehold by Federico Ercole, Alberto Momo (2 episodes, 40, 2010) Michele Sambin: Archival Excerpts ( ) Massimo Bacigalupo: From the Home Movies to the Video Archive Mostra/Exhibition Palazzo Antonini, via Petracco 8, Udine 5-7 aprile/april 5-7 Mediateca.GO Ugo Casiraghi Mediateca Provinciale di Gorizia Goriška Pokrajinska Mediateka, Gorizia 8-14 aprile/april 8-14 Non ora, non qui Fotografie di/photos by Giusy Calia

18 MAGIS International Film Studies Spring School is promoted by Università degli Studi di Udine and Université Paris 3 Sorbonne Nouvelle, in collaboration with: Universiteit van Amsterdam, Universitat Pompeu Fabra, Barcelona, Ruhr-Universität Bochum, Université de Liège, University of Malta, Università Cattolica del Sacro Cuore, Milano, Università degli Studi di Pisa, Universitat de València. And with: Associazione Culturale Maiè, CineGraph, CineFest, Hamburg, GRAFICS, Université de Montréal. MAGIS is focused on the development of specific research themes, as well as being an occasion to develop trainings for Ph.D. candidates, MA students, and young researchers. MAGIS is part of the activity of the International Ph.D. Program in Audiovisual Studies: Cinema, Music and Communication (Dottorato Internazionale in Studi Audiovisivi: Cinema, Musica, Comunicazione), established by the Université Paris 3 Sorbonne Nouvelle in cooperation with Università degli Studi di Udine, Università Cattolica del Sacro Cuore, Milano, and Università degli Studi di Pisa, and the European Project IPPCVA (Ideation, Presentation, Preservation of Contemporary Visual Arts) in collaboration with MACRO (Media Art Centre of Research and Observatory). The IPPCVA Project has been funded with support of the European Lifelong Learning Programme. Artist and curator talks are promoted and organized by the European Project IPPCVA (Ideation, Presentation, Preservation of Contemporary Visual Arts) PRIN I processi di rinnovamento dei quadri nel cinema italiano The Professional Renewal in Italian Contemporary Cinema La manifestazione si avvale inoltre dell apporto di studiosi, esperti e dottorandi (in particolare del Dottorato Internazionale in Studi Audiovisivi: Cinema, Musica, Comunicazione) invitati a partecipare al lavoro delle giornate. Le retrospettive sono organizzate in collaborazione con/the retrospectives are organized in collaboration with Centro Sperimentale di Cinematografia Cineteca Nazionale Istituto Luce Centro Sperimentale di Cinematografia Archivio Nazionale del Cinema d Impresa Cineteca del Comune di Bologna ASAC, La Biennale Filmmuseum München Cinémathèque royale de belgique, Bruxelles Murnau Stiftung, Wiesbaden Österreichisches Filmmuseum, Wien Sixpack Light Cone, Paris Crystal Eye Kristallisilmä Oy, Helsinki The Finnish Film Foundation, Helsinki Manifesta 8 Region of Murcia QUAD, Derby Intellect Books Relabtv Associazione Home Movies Archivio Nazionale del Film di Famiglia Mami Verlag Benoît Labourdette, Festival Pocket Films La dolce vita di Federico Fellini è stato restaurato dalla Cineteca del Comune di Bologna presso il laboratorio L Immagine Ritrovata in associazione con The Film Foundation, Centro Sperimentale di Cinematografia-Cineteca Nazionale, Pathé, Fondation Jérôme Seydoux-Pathé, Mediaset e Medusa Film, Paramount Pictures e Cinecittà Luce. Il restauro del film è stato reso possibile grazie al sostegno di Gucci e di The Film Foundation. Federico Fellini s La dolce vita was restored by Cineteca del Comune di Bologna at the L Immagine Ritrovata laboratory in association with The Film Foundation, Centro Sperimentale di Cinematografia Cineteca Nazionale, Pathé, Fondation Jérôme Seydoux-Pathé, Mediaset and Medusa Film, Paramount Pictures and Cinecittà Luce. The restoration of the film was supported by Gucci and The Film Foundation.