Performing the Border, next Cyberfeminist International, old boys network, September.

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1 BIBLIOGRAPHY URSULA BIEMANN 1999 Performing the Border, video cult/ures, multimediale Installationen der 90er Jahre, Museum for Art and Media Technology ZKM, Karlsruhe und Dumont Cologn, Performing the Border, ANYP Nr. 9, Berlin und München. Performing the Border, next Cyberfeminist International, old boys network, September. Performing the Border die Grenze als Metapher für Differenz und Gewalt, iz3w 241 Performing the Border, Foto-Text Insert, Migration findet statt, cfd-dossier, Performing the Border: Gender, bodies and technology, ZED magazine, Center for Design Studies, London. Entretien avec Ursula Biemann, Expériences du divers, Presses Université de Rennes Performing the Border: on gender, transnational bodies, and technology, Globalization on the Line: Gender, Nation, and Capital at U.S. Borders, hsg. Claudia Sadowsky, New York: Palgrave, Performing the Border: On gender, transnational bodies and technology, Dialoge & Debatten, Verlag für moderne Kunst Nürnberg. The City of Chips, Superumbau- Zeitung für den leidenschaftlichen Urbanisten, Hamburg. Writing Desire, Feminist Media Studies, Volume 1, 2. July, Female Geobodies Resignifying the economic within sexual difference, n.paradoxa, July. Remotely Sensed. A topography of the global sex trade, Feminist Review 80, Been there and back to nowhere, Female Sequences, June, und FRAZ, August. Performing the Border, Rethinking Marxism, Journal of Economics, Culture, Society, Fall, Remote Sensing, interview Imre Szeman, Review of Education/Pedagogy/Cultural Studies, 24, 1/2.

2 Geographic Bodies, Remote Sensing Laboratories of Art and Science, vice versa, Berlin Das Begehren nach Eroberung, Im Handgepäck Rassismus Beiträge zu Tourismus und Kultur, iz3w. Digitaler Versuch, das Reale zu berühren, Ursula Biemann und Sören Grammel, WOZ, May 30. Writing Desire, Schweizer Kunst/Art Suisse kuratiert von Annette Schindler, Art Globale Geographien des Geschlechts, Interview mit Vina Yum, Malmoe, 02/01 Wien Geografien des Überlebens, Festivalkatalog Kurzfilmtage Oberhausen Geography and the Politics of Mobility in Geographie und die Politik der Mobilität 2003 The Geographic Act of Performing Borders, Festival catalogue Femme Totale, Dortmund. Remote Sensing: routing female bodies in the age of geographic information systems, Total, NL. Performing Border: The Transnational Video, Stuff it, vide essay in the digital age, ed. Biemann Visuelle Geografien des Geschlechts, Dispersion - Kunstpraxis und ihre Vernetzung, Olympe feministische Arbeitshefte Nr. 19. (siehe Bücher der Künstlerin) 2004 Videogeographien, Globalisierung Hierarchisierung. Kulturelle Dominanzen in Kunst und Kunstgeschichte, Deutscher Kunsthistorikerverband, Leipzig, Performing the border - sur le genre, les corps transantionaux et la technologie, Multitude 15, Remote Sensing - Visual Geographies of Gender, Tourisms, Fundación Tapies, Barcelona, Ecrire une contre-géographie, Appel à témoins, Le Quartier, Quimper, The Clash of Sexuality and Technology on the Border Speculation as artistic method, Olympe Feministische Arbeitshefte 20. Caspian Crude, Tracer exhibition catalogue, Tent/Witte de With, Rotterdam. Zeitzonen wie tägliche Migration einen Grenzraum verändert, iz3w. On Smugglers, Pirates and Aroma Makers, Bare Acts - Sarai Reader 05, Sarai Media Lab

3 2005 Fields of High Productivity, Insert, Lettres Copenhagen, April. Logging the Spanish-Moroccan borderlands, Re-Act exhibition catalogue, Kunsthalle Nikolaj, Copenhagen. Europlex, The Need To Document, exhibition catalogue, Kunsthaus Baselland Videogeographien, Grenzbespielungen visuelle Politik in der Übergangszone, ed. Beatrice von Bismarck, Walther König, Remotely Sensed: A Topography of the Global Sex Trade, Feminist Review, Nr. 80. Black Sea Files, B-Zone, Becoming Europe and Beyond, ed. Anselm Franke, Actar Publ, Sahara Panels, After the Fact, Berlin Photography Festival Black Sea Files, CIMAM publication. Grenzen videografieren, Moving Landscape/Lanschaft im Film, eds. Barbara Pichler, Andrea Pollach, Synema, Agadez Chronicle, The Maghreb Connection, Actar 2006, Agadez Chronicle, International Biennial on Art, Architecture and Landscape, Canary Islands Forced Transit, A Dialogue with Imre Szeman on Black Sea Files and Contained Mobility, Political Typographies, Tapies Foundation, Black Sea Files, video stills, Multitude 28, spring. The Maghreb Connection, Liberazione, Tek Festival Issue, May 3. Sahara Chronicle Dispersing the viewpoint, Port City on Mobility and Exchange, exhibition catalogue, Arnolfini, Bristol, Videographies of Navigating Geobodies, Transnational Feminism in Film and Media, eds. Katarzyna Marciniak u.a., Palgrave, chapter 7. Remanier et dilater l espace du feminine, 2 ou 3 choses que j ignore d elles, FRAC Metz. On Smugglers, Pirates and Aroma Makers, Economic Representations: Academic and Everyday, eds. David F. Ruccio, Routledge Publishers.

4 Gender in Motion, Bildstrecke, Die Konstruktion von Geschlecht in Raum und Erzählung, Campus Verlag. Ästhetik des Realen Das erweiterte Handlungsfeld künstlerischer Praxis im globalisierten Kontext und Exotik des Realen Vom ambivalenten Bezug zur Wirklichkeit, Bekanntmachungen 20 Jahre Studiengang Bildende Kunst SBK, Zürich, 62-66; Ursula Biemann, Interview, Networked Cultures, hrs. Peter Mörtenböck und Helge Mooshammer, NAi Publishers, Rotterdam. Performing the Border: genere, corpi transnazionali e tecnologia, Culture della differenza. Femminismo, visualità e studi postcoloniali, hsg. Federica Timeto, Utet Università, Torino. Interview with Ursula Biemann, Anna Nufrio, Inside, Contemporary Culture Magazine, Nr. 19, Writing Video - Writing the World: Videogeographies as Cognitive Medium, Transit, UC Berkeley. Sahara Chronicle, Le Porte del Mediterraneo, Regione Piemonte, Skira. Contained Mobility, Lineas de mira, Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria CAAM/ES. Mission Report, exhibition catalogue, Manifesta7. X-Mission, exhibition catalogue, Gwangju Biennale. Sahara Chronicle, Translocalmotion, exhibition catalogue, Shanghai Biennale, Shanghai Art Museum Counter-Geographies in the Sahara, Art & Research: Volume 3 No 1, Winter. Geography and the Politics of Mobility reprinted in Situation, ed Claire Doherty, Documents of Contemporary Art series, co-published by Whitechapel and The MIT Press 2010 Imaging Global Mobility, Interview von Angela Dimitrakaki, 2009 Meret Oppenheim Preis, Sonderausgabe des Kunstbulletin. Counter-Geographies in the Sahara, Mobilität und Herrschaft, Universität München.

5 Interview with Ursula Biemann by Juan Vincente Aliage, Geopolitics and artistic discourses in/on North Africa, the Middle East and the Islamic World, Cendeac, Art Documentation Centre of Murcia. Videogeographies, Flows of Capital. The video essay in contemporary art, eds. Amy Charlesworth und Judith Bodor, East Street Arts, Leeds. X-Mission, Video/Text Project commissioned by Tate Intermedia Art, Extra-Territoriality in the Middle East - Open Anthology, Redaktion der ArteEast special edition, incl. X-Mission und A Post-Territorial Museum, interview with Beshara Doumani. Dispersing the Viewpoint: Sahara Chronicle, Transient Spaces The Tourist Syndrome, publ. Marina Sorbello, Antje Weitzel, Berlin: argobooks Fronteiras Transnacionais, Piseagrama, 01 Acesso, publ. Renata Marquez, 2011 Counter-Geographies in the Sahara, Geohumanities. Art, history, text at the edge of place, Association of American Geographers, Routlegde. The Maghreb Connection Circuitos globales. Circuits globals. Global Circuits. La geografía del arte y las nuevas configuraciones del pensamiento crítico, ACCA Catalan Association of Art Critics, Barcelona. X-Mission, Media, Labor, Mobility, University of California, Santa Barbara. Videographies of Navigating Geobodies/Videografías de geocuerpos en tránsito The Personal is Political: Feminism and Documentary, Punto de Vista Festivalkatalog INAAC, Instituto Navarro de las Artes Audiovisuales y la Cinematografía, Navarra, Spanien. ArtTerritories Online publishing in the Eastern Mediterranean von Ursula Biemann und Shuruq Harb, The Sea-Image. Visual Manifestations of Port Cities and Global Waters, hsg. xurban_collective und Newgray New York. Looking Back at Today introduction to photo-text insert by ArtTerritories; A Post-Territorial Museum, Interview mit Beshara Doumani, APrior Magazine, Brussels, Winter Counter-Geography as political aesthetic practice, Interventionen. Grenzüberschreitungen in Ästhetik, Politik und Ökonomie, publ. Inga Lemke, Jessica Nitsche, Doreen Hartmann, Wilhelm Fink Verlag. Black Sea Files, Oil and Water: Representations of Alberta's Tar Sands and the Global Oil Industry, special edition Imaginations: Journal of Cross-Cultural Image Studies, ed Sheena Wilson.

6 This is not a pipeline: Thoughts on the politico-aesthetics of oil, Interview with Ursula Biemann by Andrew Pendakis, in: Imaginations, Journal of cross-cultural image studies, Sept 6. Black Sea Files, Anywhere but now Landscapes of Belonging in the Eastern Mediterranean, publ. Heinrich Böll Foundation Middle East. Writing Video Writing the World Videogeographies as cognitive medium, in: Border Grossing, Exhibition catalogue, Kunsthallen Brandts, Odense, DK. Interview with Ursula Biemann by Juan Vicente Aliaga Geopolitics and artistic discourses in/on North Africa, the Middle East and the Islamic World, Cendeac (Art Documentation Centre of Murcia) Black Sea Files, Documents of Contemporary Art, Whitechapel Gallery London and MIT Press Cambridge Massachussets, eds. Julian Stallabrass. Egyptian Chemistry, Contemporary Art and the Politics of Ecology, ed. TJ Demos, Third Text no. 120 January. Egyptian Chemistry - from post-colonial to post-humanist matters The Postcolonial Museum. The Pressures of Memory and the Bodies of History. Ashgate (Farnham, England). Egyptian Chemistry in Provicôes, World of Matter publication, ed. Mabe Bethônico, Belo Horizonte, Brazil Counter-Geographies in the Sahara and X-Mission in: New Mobilities Regimes: Mobility and Power in the Social Sciences and the Arts, Susanne Witzgall Videogeographies, Blackwell Companion on Documentary Cinema, publ. Alex Juhasz, Aniko Imre, Blackwell Publishers. A World of Matter and Mobility, Social Ecologies of Borders, ed. Anna Grichting, Ashgate Publishers.

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