CV FLORIAN GROND. Sept Dec 2006

Transcription

1 CV FLORIAN GROND Address: 5041 St-André, Montréal (QC) H2J 3A5 Canada Phone: Website: Language Skills: English (proficient), French (oral and written), German (native) Education Doctoral studies at CITEC (Cognitive Interaction Technology Centre of Excellence) Bielefeld University, Germany. Thesis title: Listening-Mode Centered Sonification Design for Data Exploration Mar-Oct Guest student at the Institute for Theoretical Chemistry, Eberhard-Karls-University Tübingen, Germany Erasmus exchange program, DeMontfort-University Leicester, UK Studies of Chemistry / MSc, Karl-Franzens-University Graz, Austria. Work Experience 2014 July- Postdoctoral fellow at Concordia University, Department of Psychology, Montreal supervised by Prof. Aaron Johnson Nov- Collaborator at CIRMMT (Centre for Interdisciplinary Research in Music Media and Technology), Montreal (Nov 2011 March 2012: research assistant) July - Research trainee at SRE (Shared Reality Lab) Centre for Intelligent Machines in the Department of Oct Electrical and Computer Engineering McGill University Montreal Sept - Guest researcher at IDMIL (Input Devices and Music Interaction Laboratory), Schulich School of Music, Dec Sept Dec 2006 McGill University Montreal. Research Assistant at the ZKM (Center for Art and Media) / Institute for Basic Research, Karlsruhe, Germany. Interdisciplinary Awards and Distinctions 2014 April Post-doc award B5 research creation by FRQSC (Fonds de recherche sur la société et la culture Québec). Scientific Awards and Distinctions 2014 Oct Post-doct award by CRIR (Center fro Interdisciplinary Research in Rehabilitation of Greater Montreal) Jun Best paper award the International Conference on Auditory Display (ICAD) Budapest, Hungary Jan Scholarship from the doctoral studies at Cognitive Interaction Technology Centre of Excellence (CITEC) Bielefeld University, Germany (Jan Feb. 2012) Mar European SID action grant for a short term scientific mission at the Input Devices and Music Interaction Laboratory (IDMIL), Schulich School of Music, McGill University Montreal Mar Travel grant to study as guest student at Eberhard-Karls-University in Tübingen Germany Sept Erasmus grant to study at DeMontfort-University. Leicester, UK. Artistic Awards and Distinctions (selection) 2013 Oct. Travel grant from Conseil des Arts et des Lettre du Québec for the presentation of the Audible Sculptures project at the TransCultural Exchange conference in Boston June Grant from Canada Arts Council for the production of the Audible Sculptures project Apr Grant from Conseil des Arts et des Lettre du Québec for the production of the Audible Sculptures project Nov Artist Residence at the art centre OBORO Montreal, Canada Aug Travel grant from the Austrian Cultural Forum to exhibit at the art gallery of SIGGRAPH San Diego, US Aug Guest artist at the HKB (academy of art), Institut Y für Transdisziplinarität Bern, Switzerland 2006 Feb Travel grant from the Austrian Cultural Forum to exhibit at the FUN University in Hakodate and the Tokio Design Centre Tokyo, Japan Guest artist and guest researcher at the ZKM (Center for art and media) 2001 Sept Stipend at the ZKM (Center for Art and Media) Karlsruhe, Germany. 1

2 Dr. Florian Grond page 2 of 5 Service to the Community Peer review for the ICAD conference (2010, 2014), for the Sonification Handbook (2011), for the International Symposium on Computational Aesthetics (2011), for the Belgian Science Policy Office (Pioneer projects of the Belgian Research Action Through Interdisciplinary Network) (2013), for the Computer Music Journal (2014) and IEEE MultiMedia (2014). JOURNAL ARTICLES (selection) F. Grond and T. Hermann. Interactive Sonification for Data Exploration, How Listening Modes and Display Purposes Define Design Guidelines. Organised Sound, Cambridge University Press, pages 41 51, 26 February 2014 F. Grond, A. Olmos, and J. Cooperstock. Making Sculptures Audible through Participatory Sound Design (artist statement). LEONARDO MUSIC JOURNAL, 23:12 13, 2013 F. Grond. The earth is a disk, was Jens Brand uns zu hören gibt. positionen, Texte zur aktuellen Musik, Stadt Kartographie Klang, 1(94):38 40, Feb F. Grond, O. Kramer, and T. Hermann. Balancing Salience and Unobtrusiveness in Auditory Monitoring of Evolutionary Optimization. Journal of the Audio Engineering Society, 60(7/8): , 2012 T Droßard, F. Grond, and T. Hermann. Interaktive Sonifikation mathematischer Funktionen als Unterichtsmethode für blinde und sehbehinderte Schülerinnen und Schüler. blind sehbehindert, 132(1):42 52, Jan F. Grond and T. Hermann. Singing Function, Exploring Auditory Graphs with a Vowel Based Sonification. Journal on Multimodal User Interfaces, 5(3):87 95, 2012 D. El-Shimy, F. Grond, A. Olmos, and J. Cooperstock. Eyes-Free Environmental Awareness for Navigation. Journal on Multimodal User Interfaces, 5(3-4): , 2012 F. Grond and T. Hermann. Aesthetic Strategies in Sonification. Artificial Intelligence and Society AI&S, 27(2): , 2012 F. Grond, T. Hermann, V. Verfaille, and M. M. Wanderley. Methods for Effective Sonification of Clarinetists Ancillary Gestures. In S. Kopp and I. Wachsmuth, editors, Proc. 8th Int. Gesture Workshop, Lecture Notes in Computer Science, pages , Berlin, Heidelberg, Springer Verlag W. G. Hoover, C. G. Hoover, and F. Grond. Phase Space Growth Rates, Local Lyapunov Spectra, and Symmetry Breaking for Time Reversible Dissipative Oscillators. Communications in Nonlinear Science and Numerical Simulation, 13(6): , 2008 F. Grond and H. H. Diebner. Local Lyapunov exponents for dissipative continuous systems. Chaos, Solitons & Fractals, 23: , 2005 F. Grond, H. H. Diebner, S. Sahle, A. Mathias, S. Fischer, and O. E. Rössler. A Robust, Locally Interpretable Algorithm for Lyapunov Exponents. Chaos, Solitons & Fractals Chaos, 16: , 2003 BOOK CHAPTERS F. Grond and T. Hermann. Zeitgenössische Perspektiven auf ästhetische Strategien der Sonifikation. In A. Volmar and A. Schoon, editors, Sound Studies: Kulturgeschichte der Sonifikation, pages Transcript Verlag, 2012 F. Grond and J. Berger. Parameter Mapping Sonification. In T. Hermann, A. Hunt, and J.G. Neuhoff, editors, The Sonification Handbook, chapter 15, pages Logos Publishing House, Berlin, Germany, 2011 F. Grond and T. Schubert-Minski. Sonification, Scientific Method and Artistic Practice. In D. Daniels and S. Naumann, editors, Audiovisuology Compendium, volume 1, pages Verlag der Buchhandlung Walter König, Köln, 2009 CONFERENCE PAPERS (selection) F. Grond, T. Bovermann, and T. Hermann. A SuperCollider Class for Vowel Synthesis and its Use for Sonification. In D. Worall, editor, Proceedings of the 17th International Conference on Auditory Display (ICAD-2011), Budapest, Hungary, June OPAKFI F. Grond, O. Kramer, and T. Hermann. Interactive Sonification Monitoring in Evolutionary Optimization. In D. Worrall, editor, Proceedings of the 17th International Conference on Auditory Display (ICAD-2011), Budapest, Hungary, June OPAKFI 2

3 Dr. Florian Grond page 3 of 5 F. Grond, T Droßard, and T. Hermann. SonicFunction, Experiments with a functionbrowser for the blind. In Proceedings of the 16th International Conference on Auditory Display, pages 15 21, Washington D.C., ICAD F. Grond. Organized Data for Organized Sound Space Filling Curves in Sonification. In Gary P. Scavone, editor, Proceedings of the 13th International Conference on Auditory Display, pages , Montreal, Canada, Schulich School of Music, McGill University, ICAD ART / SCIENCE PUBLICATIONS (selection) F. Grond. TINA B 2011, chapter The German S(el)ection, pages Vernon Gallery, Oct 2011 F. Grond. Safety Certificate: an audification performance of high-speed trains. Artificial Intelligence and Society AI&S, 27(2): , 2012 F. Grond and T. Hermann. Aesthetic Strategies in Sonification. Artificial Intelligence and Society AI&S, 27(2): , 2012 F. Grond. Inspired by Pawel Florenski, Space Filling Curves in New Media Works. In E. Michele, editor, Matematica e Cultura 2009, pages 43 54, Milan, Springer-Verlag Italia F. Grond. _zur form. In E. Michele, editor, Matematica e Cultura 2009, pages , Milan, Springer-Verlag Italia F. Grond. From Reality to a Line and Back - a Little Theory of Everything. In Proceedings of the Mutamorphosis Conference, Challenging Arts and Science, Prag, Nov F. Grond. Sistemas Dinámicos - Hear and Now, Intermittent, _zur form: generative architecture. Aminima::new media - art now, (21):50 63, ISSN F. Grond. Intermittent. In H. H. Diebner, editor, Performative Science and Beyond, Involving the Process in Research, pages Springer-Verlag, ISBN SOLO and DUO EXHIBITIONS (selection) DELAY, collaborative installation by Mary Sherman and Florian gallery of the Trondheim Academy of Fine Art (KiT), Norwegian University of Science and Technology (NTNU) curated by Regina Maria Moeller, Oct 24th - Nov. 2nd 2014 along the line exhibition within the BIAN (International Digital Arts Biennial, organized by the Elektra OBORO, Montreal, April 28th-June 6th 2012 the fine line duo exhibition by Florian Grond and Federico Solmi@ Czech Center Prague curated by Gallery Vernon Prague, July 22th - Aug 28th 2010 Intermittent audio visual installation by Claudia Robles and Florian curated by Hanjo Scharfenberg, Gallery Rachel Haferkamp, Cologne, Mar 10th - 31st 2006 curated by Hiroshi Numata, Tokyo Design Centre, Japan, Feb 11th - 20th 2006 curated by Inge Merete Kjeldgaard, Esbjerg Kunstmuseum, Esbjerg Denmark, Mar - May 2005 GROUP hilbert02 video animation by Florian GRO gallerie Campus Allegro, Jacobstadt, Finnland. curated by: BridA / Tom Kerševan, Sendi Mango, Jurij Pavlica, Mar. 14th - Apr. 13th 2014 hilbert02 video animation by Florian PIXXELPOINT festival of intermedia art, Nova Gorica, Slovenija. curated by: BridA / Tom Kerševan, Sendi Mango, Jurij Pavlica, 29.Nov - 6.Dec 2013 sketches of moving equations by Florian Grond and _zur form objects, and photographs by Florian Grond, Thomas Kienzl and Gabriele My Brain Is in My Inkstand: Drawing as Thinking and Process curated by Nina Samuel, The Islands of Benoît Mandelbrot Fractals, Chaos, and the Materiality of Thinking curated by Nina Samuel, Cranbrook Art Museum, November 16, March 30, sketches of moving equations by Florian Grond and _zur form objects, and photographs by Florian Grond, Thomas Kienzl and Gabriele The Islands of Benoît Mandelbrot Fractals, Chaos, and the Materiality of Thinking curated by Nina Samuel, BARD Graduate Center, New York, September 21 - January

4 Dr. Florian Grond page 4 of 5 das Ohr and material probes in the performance evening subaqueous Bain Saint Michel, Montreal, curated by Laura Emelianoff, April 22nd 2011 safety certifcate featured in TAI Studio, Helsinki, curated by Till Bovermann, April 26th 2011 various works in Neue Medien machen Hessisches Ministerium für Wissenschaft und Kunst, Wiesbaden, curated by Michael Klein and Hans Diebner, March 9th - April 16th 2011 Zeit im Bild video installation by Florian exhibition Platonic Lives curated by Aleksandra Grzonkowska TINA B contemporary art festival Prague, Sept 2010 Hear and Now audio visual installation by Florian Chaos exhibition curated by Elisa Ahsenbaum and Thomas Stuck, Gallery G.A.S. Station Berlin, Oct - Jan heureka an algorithmic object by Florian Grond, Christophe Vaillant and Ruth exhibition No Reply Necessary! Gallery Vernon City, Prague, May 27th - June 30th Convegno Matematica e Cultura curated by Michele Emmer, Venice, Mar 27th - 29th exhibition Areas of Conflu(x)ence curated by Tincuta Heinzel Parv, Kibela Space for Art, Maribor, Slovenia, Apr 11th - Mai 1st 2008 Hear and Now audio visual installation by Florian exhibition Data Collision curated by BridA art collective, City Gallery of Contemporary Art Nova Gorica Slovenia, Apr. 11th - 30th 2008 Intermittent audio visual installation by Claudia Robles and Florian exhibition Unsafe Distance curated by Pavel Sedlak, the Enter3 Festival Prag, Nov 8th 11th 2007 Hear and Now audio visual installation by Florian exhibition Areas of Conflu(x)ence curated by Quentin Drouet and Tincuta Heinzel Parv, Konschthaus beim Engel Luxemburg, Oct 6th - Nov 5th 2007 Hear and Now audio visual installation by Florian exhibition L Œuvre ouverte PureData* Convention 07 curated by Marc Fournel, Societé des Arts Technologiques, Montreal, Aug 22nd - 26th exhibition Art Gallery Global Eyes curated by Vibeke Sorensen and Lina Yamaguchi, SIGGRAPH San Diego, Aug 4th -10th 2007 Hear and Now audio visual installation by Florian exhibition the flying circus festival ZKM_Mediatheater, Karlsruhe, Germany, Jan 28th - Feb. 5th 2007 curated by Hiroshi Numata, FUN Future University, Hakodate, Japan, Feb 5th - 9th 2006 Acqua, Aria, Terra, Fuoco I quattro elementi: l energia della natura tra arte e scienza curated by Maria Perosino, Silvia Sermissoni and Sandra Solimano Festival della Scienza, Genua, Oct 27th -Nov 8th 2005 SOL audio visual installation by Florian Grond, Frank Halbig, Jesper Munk Jensen and Thorbjorn Algorithmischen Revolution ZKM Karlsruhe Mediatheatre, Nov 6th and 7th 2004 SOL audio visual installation by Florian Grond, Frank Halbig, Jesper Munk Jensen and Thorbjorn Steirischer Herbst Musikprotokoll Kunsthaus Graz organized by Medienturm Graz, Oct 2004 CURATORIAL GERMAN SECTION at TINA B. the Prague Contemporary Art Fallout Shelter beneath Hotel Jalta, Wenceslas Square 45 Prague, curated by Florian Grond and Monika Burian Jourdan, Oct PANEL DISCUSSIONS at CONFERENCES Panellist at Colloque: «Art et santé. Expériences et pratiques artistiques comme catalyseurs de changement», Montreal October 6-7, 2014, organized by Louise Poissant, Guy Berthiaume, Josyane Franc and Christian Paire. Panellist at TransCultural Exchange s 2013 Conference on International Opportunities in the Arts: Engaging Minds, Boston October 10-13, 2013, organized by Mary Sherman. Pannelist at Colloque Pionniers-innovation-création-média 16 Mai, 2012 Hexagram UQUAM Montreal, organized by Simon-Pierre Gourd. 4

5 Dr. Florian Grond page 5 of 5 Pannelist at Journée d étude Effet de présence du SON 25 Mai, 2012 Hexagram UQUAM Montreal, organized by Lorella Abenavoli, Marie-Christine Lesage and Louise Poissant. Panelist at Supersonix conference the art and science of sound an Exhibition Road project, London. June , organized by Bergit Arends and Paul Cutts. Panelist at Sonification (what, where, how, why) March , École Supérieure d Art d Aix en Provence organized by Peter Sinclair, Jérôme Joy and Anne Roquigny. TEACHING (selection of workshops, seminars, lectures) DELAY workshop together with Mary Sherman at the Academy of fine arts NTNU Norwegian University of Science and Technology, Trondheim, invited by Prof Regina Maria Moeller Oct Sonification and Auditory Display, Exploration and Well-defined Tasks, an Interdisciplinary Approach between Arts and Science guest lecture at Concordia University, Music Department invited by Prof Ricardo Dal Farra, 2014 April 3rd. guest lecture for Art et Interdisciplinarité at NAD, École des arts numériques, de l animation et du design, Montreal, invited by Marc Fournel. March 26th Translating Shapes and Forms into Sound Objects for Auditory Display. guest lecture at the School of Physical and Occupational Therapy McGill University invited by Prof. Eva Kehayia, 2014 March 25th. Listening in Multimodal and Interactive Displays guest lecture at Shared Reality Lab McGill University invited by Prof Jeremy Cooperstock, Feb 25th Sonification SuperCollider Sound Synthese am Beispiel von Vokalen MK-Sound seminar at HfG (academy for art and design) Karlsruhe. Germany Mai 17-18, Sonification Seminar for the Q Studies program at Hamburg City University (HCU) together with Till Bovermann, Mar-Jun Between Chance and Repetition Algorithmic Composition Workshop together with Stephane Claude and Daniel Courville at OBORO Montreal, Dec Nonlinear dynamical systems as my point of departure for bridging arts and science. Lecture at the Visual Arts Department Ottawa University, invited by Prof. Alexandre Castonguay Sep 17, 2007 Expert-meeting Denkgeräusche 2 HKB (academy of the arts) Bern, Switzerland. May 11-12, Vizualization of chaotic topologies guest lecture at Städelschule architecture class invited by Prof. Johan Bettum, Frankfurt am Main, Germany. June 24, Visualisation of Chaos and Dynamical Systems guest lecture at seminar Performative Science HfG Karlsruhe invited by Dr. Hans Diebner, HfG (academy for art and design) Karlsruhe. Germany. Jun 21, Sonifikation chaotischer Systeme guest lecture at the sonification seminar HfG Karlsruhe invited by Dr. Hans Diebner and Paul Modler, HfG (academy for art and design) Karlsruhe Germany. Nov 19, ENTRIES in CATALOGUES (selection) F. Grond. Zeit im Bild. In A. Grzonkowska, editor, TINA B catalogue, page 123, Prague, Vernon Fine Art International F. Grond. Hear and Now. KUNST Magazin Berlin, page 51, Dez-Jan F. Grond. Hear and Now. In T. Marek and E. Pivodova, editors, TINA B catalogue, page 62, Prague, Vernon Fine Art International F. Grond, F. Halbig, J. M. Jensen, and T. Lausten. SOL. In S. Droschl, editor, CROSS MEDIA Kunstverein Medienturm , page 85, Wien, Bozen, Folio Verlag F. Grond, F. Halbig, J. M. Jensen, and T. Lausten. Acqua, Aria, Terra, Fuoco; I quattro elementi: l energia della natura arte e scienza. SKIRA Editore Milano, Italy, 2005 F. Grond, F. Halbig, J. M. Jensen, and T. Lausten. SOL Expo Nr.16. ISSN Esbjerg Kunstmuseum, Esbjerg, Denmark,