Technical Rider for. Maya Beiser ~ World To Come ~ 2008/2009

Transcription

1 Technical Rider for Maya Beiser ~ World To Come ~ 2008/2009 Presenter shall provide: FLOOR SURFACE: BLACK MARLEY (type) FLOOR, in good condition, that shall extend 10 into the wings on both sides of the stage and from the proscenium to the Cyclorama. CREW: Presenter shall supply a professional crew to hang, circuit, patch, color, and trouble shoot the artist s light plot prior to the day of the first concert. On the morning of the concert (if it is scheduled as an evening concert), the presenter shall supply a professional crew to focus the lighting, install all video elements, and install and balance complete audio rig under the direction of the Artist s lighting director and Audio Engineer (4 hours). NOTE: this can happen simultaneous to the setup work for sound and video. On the afternoon of concert, the artist will rehearse on stage with all technical elements including lighting, video and sound (4 hours). This is NOT a YELLOW CARD attraction. HOUSING: Presenter shall provide accommodations, in a first class hotel, in close proximity of the venue. Hotel must have Internet available and the presenter shall assume the cost of said Internet, for all company members, for the duration of the stay. HOSPITALITY: Presenter shall supply hospitality for Maya and her technical staff. 1 OF 5

2 All members of the company are VEGETARIAN, and will not eat meat. Maya eats fish and Eggs Stephen and Dave eat cheese and eggs. but Vegan is always the safest. Should any call begin before 9:00am, a hot breakfast must be provided. A warm lunch shall be provided between 11:30 and 12:30p the day of technical rehearsals. Please confirm time with Lighting/Video Director on the Day of the rehearsal. The presenter shall provide snacks, in the green room area, for production breaks and prior to the performance. Suggested items include: Green tea, herbal tea, (please make sure there is Peppermint tea in the herbal selection), earl grey tea, coffee (from whole bean), juice, bottled water, fresh fruit, fresh vegetables, nuts, rice crackers, whole grain crackers, hummus, dried fruit and nut mixes, cheeses (excluding: American, and Provolone), granola bars. HEADSET COMMUNICATIONS: The presenter shall provide a working headset communication system between the following people: Artist s sound engineer Artist s lighting director Local light board operator (if applicable) Local stage manager Stage Left in wing Stage Right in wing Local sound operator (if applicable) Note that hand held walkie talkie type systems are unacceptable for this application. 2 OF 5

3 LIGHTING: The light plot shall be hung, circuited, patched, trouble shot, colored and ready for focus upon companies arrival to venue degree Source watts 6 26degree Source watts 4 10degree Source watts 15 - Source Four Pars 750w 15 - Source Four Pars 750w 12-1kw 6 foot, 3 circuit MR16 Strip Lights 10-1kw 3 cell Cyc Lights 2 - DMX dual-gobo rotators or City Theatrical EFX Plus II 4 A Size Template holders for Source 4 Ellipsoidal kw Dimmers for above equipment 1 Computer Control Console for above equipment Artist prefers ETC Expression Line of Equipment for this tour Color (gel) for the lighting as specified on the artists light plot Artist will travel with lighting templates Cable, Jumpers, Control Cable to form a complete and working system according to the Artists Lighting Plan 5 OVERHEAD Hanging positions for the lighting (four over stage and one front of house 2 - Onstage Booms per side 1 or 2 Box Booms per side VIDEO: One projector, not less than 5,000 lumens, from FOH. Position to be determined by Lighting Supervisor upon consultation with Technical Director of venue. Lens aspect ration 4:3 One video amplification unit for each video send. - LCD or DLP technology (absolutely no tube projectors even if it is an excellent one) for a frontal projection starting at STAGE LEVEL (meaning that we should be able to redirect the projector if it is 3 OF 5

4 usually set for "eye level". - Projection width, at Cyc, shall be 40. Width may vary only in the event that the hall will not allow for a 40 wide projection. - No substitutions may be made without Lighting Designers express consent. SOUND: FOH A speaker system capable of delivering 100dB(A) of full-range audio to all seating areas without distortion. Flown or part flown systems are preferable and also help to avoid audience sightline problems. Preferred brands Meyer, JBL, VerTec, L-Acoustic, EAW. The system must be completely free of noise as the show utilizes a very broad dynamic range, which can easily be compromised by a noisy system. The console MUST NOT be in any enclosed booth. A minimum 24ch desk with 4 band fully parametric EQ. Phantom power to be available and switch-able on each input channel and at least 4 auxiliary sends individually switch-able pre & post fader. No Mackie, Behringer or other semi-professional consoles. 4 OF 5

5 Effects & Outboard processing 31 band graphic EQ inserted on all output busses, including 2-Mon/Aux sends. 1 Lexicon PCM91 or Yamaha SPX-990 or SPX channels compression (preferred: 2 channels-summit DCL200 inserted on Cello and Vocal and 4 channels-dbx inserted on DVD channels) Monitors Ms. Beiser will provide her own wireless in-ear monitor system. No on-stage wedges will be used. Please be prepared to patch 2 auxiliary sends from the FOH console into a Sennheiser evolution series wireless transmitter accepting 2 XLR inputs. Location of transmitter will be on stage near the main microphone input panel. Microphones and playback gear Ms. Beiser will supply a DPA 4021 for the cello. The venue will supply one wireless handheld mic 1 st half of show. Ms. Beiser will supply one Countryman E6 headset mic with Sennheiser wireless system for 2 nd half of show. Ms. Beiser will supply a DVD deck with discrete audio outputs including appropriate output cables terminating to 1/4 phone plugs to be connected to FOH console. We will also be projecting video from the same DVD deck (please see video/lighting rider). The DVD deck will be located at the FOH mix position. Please provide appropriate video lines for feed to projector. World To Come Stage plot Ms. Beiser will be located downstage center (final position to be determined by crew/artist during setup on day of show). The venue will provide a padded piano bench. All mic cables will be routed behind piano bench to upstage wall then to main mic panel to minimize visibility from audience. Running Times There will be two sets running approximately 45 minutes each with a 20 minute intermission. Audio Input List Ch. Source Transducer Insert 1 Cello DPA-4021 Comp 1 2 Vocal Countryman E6 Comp 2 3 Vocal Wireless Handheld 4 XXXX 5 DVD-1 Line in or DI Comp 3 6 DVD-2 Line in or DI Comp 4 7 DVD-3 Line in or DI Comp 5 8 DVD-4 Line in or DI Comp 6 9 Reverb L 10 Reverb R 5 OF 5