Auditorium of Bondy & Radio France Choral Singing Conservatory

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1 Auditorium of Bondy & Radio France Choral Singing Conservatory Press File December 2013

2 BOARD I. * Nomination for the First Building Award (2014) * General Public Award Archicontemporaine (2014) Project Auditorium of Bondy and Radio France choral singing conservatory Program 220 seats auditorium, natural acoustics, choral singing and music classrooms, exhibition space (110 m 2 ) Client Ville de Bondy - Est Ensemble - Séquano Aménagement Architect PARC Architectes Team PEUTZ & Associés (acoustics) - Frédéric Casanova (scenography) - CET Ingénierie (engineering) Construction companies Bentin (electricity) - Saint-Denis Construction Photos 11h45 Address 75 avenue Henri Barbusse, Bondy Environmental certification BBC (50 kwh/m²/year) Size m 2 SHON Cost (HT) Calendar September December 2013

3 BOARD II. Suburban context Along the avenue Henri Barbusse in Bondy The building at dusk Behind the perforated skin, the light reveals the rooms inside

4 BOARD III. Plan 01 Ground floor Plan 02 First floor General plan PRESENTATION This auditorium is a new symbol in the suburban city of Bondy. Suburbs have built an empire of shopping malls, individual houses and parking lots. Located on the outskirts of Paris, Bondy has a loose and low-density urban fabric. The architecture of the building plays with the aesthetics of the hangar : a very simple square plan and an undulated metal skin. Unlike a traditional hangar, it opens to its context through a series of arches, letting in natural light and views. Inside, every space has a specific acoustics related to its function and its ambiance. PROJECT S STRATEGY MULTIPLE ACTIVITIES The unitary aspect of the building houses three different programs : an auditorium, a conservatory and an exhibition space. On the ground floor, several arches lift the undulated metal skin. These arches reveal the auditorium s entrance, bar, hall and the exhibition space. The lower part of the building expresses the public function of the facility. Second and third floors are protected from the views since they house more private spaces. Located on the upper floors, the choral singing conservatory wraps around the volume of the auditorium. The conservatory is directly accessible to the choristers from the rear of the building. This building is designed as a simple and robust tool for the Radio France choristers. It is open to appropriation and malleable to use. The box geometry and the undulated metal skin are directly inspired from suburban architecture. These formal choices were made to concentrate financial efforts on the auditorium room and its technical and acoustic facilities. Plan 03 Second floor

5 BOARD IV. Auditorium room The stage can adapt to singing performances, concerts or theatre Auditorium room 220 seats Auditorium room Acoustic design of the ceiling, the walls and the balcony

6 BOARD V. Section on the Auditorium room VOICE AND FRAME This building provides Radio France a place of high quality dedicated to choral singing. The acoustics of the auditorium room was designed to provide natural sound clarity and intelligibility. Ceilings, walls and balcony deploy a pleated geometry to control the sound reverberation time. Depending on the configuration of the stage, the auditorium can accommodate acoustic or amplified concerts as well as live entertainment. LAYERS The building is composed of successive layers for acoustic and thermal performance : concrete walls, lagging, rain barrier, glass windows, wooden acoustic panels and perforated metal skin. AMBIANCES The interior spaces play in the contrast between raw materials and finishes left worked. In the auditorium room, birch plywood panels are attached to the walls. The balcony and the ceiling are covered with black acoustic panels. Black and wooden seats emerge from the soil bare concrete. In the choral singing conservatory, the walls are left bare concrete and the window frames are clad with wood. Biased walls are for the acoustic of the rooms. Perforated wood panels complement the rooms. The raw concrete ceiling is embellished with acoustic panels and spotlights. Acoustic detail Design of the ceiling in the Auditorium room Acoustic detail Design of the walls in the Auditorium room

7 BOARD VI. Amphitheatre of the choral singing conservatory Auditorium entrance hall and bar Classrooms of the choral singing conservatory Exhibition space

8 BOARD VII. Façade On the avenue Henri Barbusse Detail of the parapet Section On the amphitheatre of the choral singing conservatory Detail of the facade Layering design : concrete wall - lagging - rain barrier - perforated metal skin

9 BOARD VIII. Fig. 01 Fig. 02 Fig. 03 Fig. 04 Fig. 05 Fig. 06 Diagram of the acoustic ambiances Acoustic contrast between the auditorium room and the public spaces Fig. 07 Fig. 08 Fig. 09 Fig. 10 Fig. 11 Fig. 12 Successive models of the project Fig. 01 Choral singing conservatory positioned in L around the auditorium. Fig. 02 Choral singing conservatory laid on one floor, square plan. Fig. 03 Choral singing conservatory laid on one floor, opening to bring light in. Fig. 04 Clear separation between the choral singing conservatory and the auditorium room, shared access. Fig. 05 United form to gather the choral singing conservatory and the auditorium room. Fig. 06 Continuity between walls, floors and ceilings surfaces. Fig. 07 Final model for the sketch design phase. Fig. 08 Compartmentalize the building with sail-structure. Fig. 09 Unify the façade with cross beams design. Fig. 10 Accentuate a different façade design for each part of the program. Fig. 11 Wooden façade and exterior gallery. Fig. 12 Final model : Choral singing conservatory and its amphitheatre positioned in U around the auditorium room.

10 BOARD IX. Rendering - Sketch design phase Photography of the building SHAPE A project lasts several years and changes between the time of the study and its construction. PARC Architectes design robust and malleable shapes capable of absorbing transformations while maintaining the identity of the project. At one point of the project, the building has been flipped symmetrically to integrate the new exhibition space. Through the system of the arches in façade, the project seemed to stay the same, while every space has been redesigned inside. COST Completing a public cultural facility with high technical and acoustic performance in a context of economic crisis requires strategic choices at the outset. Revisiting the hangar s aesthetics and constructive technology was the best way to focus the budget on the auditorium room, while providing an iconic building for the city and its users. Rendering - Building permit phase

11 BOARD X. Rear of the building Façade on Henri Barbusse avenue

12 Laureate of the AJAP 2012 Palmares 40 under Blog Adresse 17 rue Ramponeau, Paris Tél. +33 (0) Mail Brice Chapon Architect - Urban planner Environmental design certification Teacher at Val de Seine School of Architecture Cellphone +33 (0) Mail Emeric Lambert Architect - Urban planner - Engineer PhD in Urban sciences Teacher at Versailles School of Architecture Cellphone +33 (0) Mail PARC Architectes was founded in Paris by Brice Chapon & Emeric Lambert in In 2012, the office was awarded the AJAP «Young Architecture» prize by the French Minister of Culture and Communication. PARC Architectes counts an average of 7 collaborators. The office works on various projects of urban planning, public buildings, dwellings as well as office buildings. PARC Architectes Brice Chapon Emeric Lambert Adélie Collard Flora Marchand Céline Morlon Olympe Rabaté Press relations Annabelle Hagmann Cellphone +33 (0) Mail

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