HOW TO WRITE A GHOST STORY by Lisa Brown and Adele Griffin

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1 41 HOW TO WRITE A GHOST STORY by Lisa Brown and Adele Griffin 1 session, 90 minutes Ghost stories make great writing exercises, because they re even better when they re short. Their creepy otherworldliness counteracts the boredom of everyday life. That s why people want to believe in ghosts. It makes life more exciting. It s also incredibly freeing. If you ve decided to believe in a ghost, you ve decided to that the world is full of things you can t easily explain. Another great thing about ghost stories is you don t have to worry too much about a seamless plot. Ghost stories can be successful if they just concentrate on setting and atmosphere. And you don t have to worry too much about the ending, either. It s better if you don t. The best ghost stories don t have a cut-and-dried denouement or explanation; they re unresolved. A ghost story is not necessarily a horror story. In a horror story there s a lot more physical violence and there s usually a resolution. In good ghost stories there s more ambiguity, and the drama can be more psychological than physical. In other words: inner thoughts, not innards. Ghost stories are certainly about fear, but they re also about hope. A ghost story, after all, is a life-after-death story. With all our technology, we ve had no breakthroughs on death. Death is still as terrifying now as it was thousands of years ago. Ghost stories are an author s attempt to come to terms with that. In this lesson plan students will practice writing their own terrifying ghost stories. First, they ll need a few things, detailed on the following handout. Then they ll do the exercises below. Now, turn the page... if you dare. An Exercise Ask your students to share a real-life ghost story. Not something they heard around the fire at summer camp involving a serial killer, but something that actually happened, to them, a friend, or a family member, something that no one can quite explain. What makes it scary? What could you change to make it scarier? 120

2 Another Exercise Invite the students to imagine that they are ghosts. Ask them: What would you do if you needed to get a message to somebody? What would be important enough that you would need to make contact with the living? Now That Everyone Is Properly Spooked it s time to write your ghost stories. Distribute the student handout on the following page to get them started. Turn them loose, then come back and share frights. How to Write a Ghost Story 121

3 WHAT EVERY GHOST STORY NEEDS 1. a setting When and where does your story take place? It s fine to start with an ooky-spooky house. You can begin with those old clichés. It s a great opportunity to bring in creepy and fun historical elements, too. Remember, in many cases you might need two separate settings, one for the ghost, and one for his hapless, haunted victim. There s even nice time-travel-y feeling when you juxtapose an old ghost with a modern locale; an old tragedy existing at the same time as a contemporary setting. 2. the ghost Who is he or she? How did he or she die? Why would he or she need to come back and haunt someone? (Or, to put it another way, What does this ghost want?) 3. the haunted Who is he or she? Why is he or she being haunted? Is it simply because he or she is in the wrong place at the wrong time, or is he or she being haunted for personal reasons? Did he or she do something to make the ghost angry, either in life or in death? 4. limitations Your story will be more focused if you set parameters for your ghost. A ghost is more interesting if he or she isn t all-powerful, but exists within a circle of specific abilities. Here are some creepy limitations: The ghost can be seen, but not heard. The ghost can be felt, but not seen. The ghost can be heard, but not felt or seen. The ghost only appears in photographs. The ghost only appears reflected in mirrors or glass. The ghost can move little things around. The ghost can move things around that are too heavy for humans to move. The ghost can leave messages on paper or chalkboards, or by tracing words into the dust on old furniture. The ghost can be heard, but only says the same thing over and over again. The ghost can be heard, but only makes noises like screaming or crying. The ghost can appear in dreams.

4 5. a plot Believe it or not, a good ghost story doesn t always need a beginning, middle, and end. It s more important that it has a creepy setup, a ghostly event, a nervous reaction, and a (partial) explanation. An example: A girl goes away for the summer to an old house in the country owned by a grumpy uncle. She begins to hear crying in the middle of the night, and finds messages scrawled in lipstick on the mirrors. Her uncle refuses to believe that anything out of the ordinary is going on. One of the lipstick messages tells the girl to look in the garden. When she does, she finds the skeleton of her uncle s old fiancée, presumed missing for thirty years. OK, that s very simple, but you get the picture. 6. some good scares Now, think about what kinds of things scare you. Some hints: Details are scary. Start with things that exist in real life, then twist them. Slightly. The closer your story feels to a real account, the scarier it will seem. Details build tension, and details have their foot firmly planted in the real world. Stephen King understands this he tends to create an almost hypernormal world so that when something is off, you re so immersed you barely notice it. The more normal the world is, the more upsetting it is when something out of the ordinary happens. Uncertainty is scary. Things are most definitely scarier when they are unexplained. If you have too good an explanation for all the ghostly goings-on, it becomes less frightening. It takes a certain amount of self-control to write a good ghost story. It s easier and more tempting to explain things, but it s usually better if you don t. Almost-but-not-quite is scary. Think about how scary it is to see something out of the corner of your eye, or to reach out and touch something that you can t see and can t identify. The natural world not working the way it s supposed to is scary. Cold when it shouldn t be cold, hot when it shouldn t be hot. Being able to look through something that should be solid, or seeing shadows without anything there to cast them. It s also good when things are just a tiny bit off (see Almost-but-not-quite, above). Not completely off you re not in a sci-fi or fantasy world. You re in the real world, but something is a little odd. Unexplained knowledge is scary. Someone knowing something that he or she could not possibly know unless the ghost has whispered in his or her ear is very unsettling. A narrator with bad judgment is scary. It makes the reader tense, which is a good thing. It s like shouting at the movie screen. Don t open that door! Don t go in that creepy house! A narrator in a ghost story is constantly doing ill-advised things. You are scary. Well, not really, or at least not all the time but when deciding to write about something spooky, you should take a trip through your own imagination and figure out your most vivid point of departure. What gets your heart beating? An enclosed

5 space? A choppy sea? A box of broken toys? Remember, a ghost story is just another way of handing off your worst nightmare to others. Kind of like the flu. Flipping expectations is scary. Or fun, at least. Lead your readers down a path, letting them believe in one thing, and then get the jump on them with an entirely different outcome. That s all you need to get started. Now go! What are you waiting for? You re not scared, are you? bonus fun Set part of your ghost story in the historical past. Write a letter to or from a ghost. Then answer it. For a group: Find an ordinary object and imagine that it has a mysterious past. Pass around the object, with each of your friends contributing to its lore. Write page 128 of a ghostly tale. List off ten things that make a perfect ghost recipe: a dining room table, a broken mirror, a love letter, a lost marble, an attic, a chandelier, a blind boy named Percival... whatever you like. Can you invent a story with all of these elements?

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