ANNA BAUMGART EDUCATION SELECTED SOLO EXHIBITIONS SELECTED GROUP EXHIBITIONS

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1 ANNA BAUMGART Born in 1966 in Wrocław, lives and works in Warsaw. Video artist, author of performative actions, installations, sculptures and theatre set design. She analyses how the media shape visual memory and manipulate the image of history. Hence, her press photography-inspired cycle of figurative sculptures, and her lingiustic sculpture in the former Warsaw ghetto, reflecting exclusion from discourse, silence, omission. Her video Fresh Cherries lays bare the cultural structure of shame, tackling shame of the awareness of the status quo the price for which the community feels better. EDUCATION Academy of Fine Arts, Sculpture Department, Gdańsk, Poland SELECTED SOLO EXHIBITIONS 2012 Beware of these places, BWA, Olsztyn Conquerors of the Sun, Atlas Sztuki, Łódź Conquerors of the Sun, uqbar, Berlin Beware of these places, CCA Łaźnia, Gdańsk 2011 Fresh Cherries, Kalmar Konstmuseum, Kalmar 2010 Chinese Whispers, lokal_30, Warsaw Chinese Whispers, lokal_30_warsaw_london, London Falstad Art Project, Falstad, Norway 2009 ( ) (with Agnieszka Kurant), Chłodna Street, Warsaw 2008 The Hypotesis of the Stolen Image, Żak Branicka Galerie, Berlin 2007 B9 / Natascha Kampusch, lokal_30, Warsaw 2006 Weronika. AP / Common Terror, lokal_30 / Le Guern Gallery, Warsaw Real?, Polish Institute, Rome 2005 Sleepless in TR, Teatr Rozmaitości, Warsaw Projected Visions. Video Art in Poland, Goethe-Institut and Macedonian Museum of Contemporary Art, Thessaloniki Ecstatic, Hysterical and Other Saintly Ladies, Galeria Potocka, Cracow 2004 Collection of Shameful Gestures, Zacheta National Gallery of Art, Warsaw (with Birgit Brener) Ecstatic, Hysteric & Other Saintly Ladies, PGS, Sopot 2003 Videospriz, Studio Tommasco, Trieste Pretty Communications, Galéria Priestor for Contemporary Arts, Bratislava 2001 Real?, Zacheta National Gallery of Art, Warsaw SELECTED GROUP EXHIBITIONS Anna Baumgart / bio 2012 Beyond Time - international Video Art Today, KULTURHUSET, Stockholm 2011 Videonale 13, Kunstmuseum, Bonn EMAF, Osnabrück LOOP, Barcelona (prize for the video Fresh Cherries presented by lokal_30) Videobrasil, International Electronic Art Festival, Sao Paulo Grassomania 2011: Pragnienia, tęsknoty, Gdańska Galeria Güntera Grassa, Gdańsk 2010 Collection, European Parliament, Bruxelles Teennagers of Socialism, Waterside Project Space, London (curator Maxa Zoller), London Dress, Zamek Gallery, Poznań 2009 Dress, Elektrownia CCA, Radom Szczyt bohaterów, Bunkier Sztuki, Cracow We Would Like You To Know That We Are Not Them, Royal Scottish Academy, Edinburgh 008COLLECTION, nouvelle conection, FRAC, Poitou-Chetantes Street and other Interiors, lokal_30 presentation at ZOO Art Fair 09, London Viennafair 09, lokal_30 presentation, Wien Liste 09, lokal_30 presentation, Basel Water&Wine, Stadliche Galerie, Regensburg Love, City and Catastrophe, N&N Aman Gallery, Tel Aviv 2008 NADA 08, lokal_30 presentation, Miami USA Red-Eye Effect, CCA Ujazdowski Castle, Warsaw LISTE 08, lokal_30 presentation, Basel HEARTQUAKE, Museum on the Seam, Jerusalem Don t Worry Be Curious! 4th Ars Baltica Triennial of Photographic Art, Neue Gesellschaft Für Bildende Kunst (NGBK), Berlin; Casino Luxembourg - Forum d Art Contemporain, Luxembourg 2007 Videozoom BizArt, Shanghai Don t Worry Be Curious! 4th Ars Baltica Triennial of Photographic Art, Stadtgalerie Kiel; KUMU Art Museum of Estonia, Tallinn; Pori Art Museum, Pori Global Feminism, Brooklyn Museum, New York 2006 Lullaby for Anna, CCA Ujazdowski Castle, Warsaw Mise en Scène, MAMA Showroom for Media and Moving Art, Rotterdam You Can t Come Closer, lokal_30 at Cell Project Space, London

2 RomaEuropa Festival 2006, Rome 2005 Madonna, Kunsthaus Dresden, Städtische Galerie für Gegenwartskunst POLKA (The Polish Woman) - Medium, Shadow, Image, CCA Ujazdowski Castle, Warsaw Egocentric, Immoral, Outdated, Zachęta National Gallery of Art, Warsaw Absolwent, Wyspa Institute of Art, Gdańsk Mother s Day, Galeria XX1, Warsaw, 2004 Under the White and Red Flag. New Art from Poland, Estonian Art Museum, Tallin; Contemporary Art Centre (CAC), Vilnius; National Centre for Contemporary Arts (NCCA), Moscow Beyond the Red Horizon. New Art from Poland and Russia, CCA Ujazdowski Castle, Warsaw; National Centre for Contemporary Arts (NCCA), Moscow Beauty, or Effects of Painting, PGS, Bielsko-Biała Made in Poland, Strasbourg Terra Polska, Galerie am Kino, Berlin Videozoom Polish Video Artists, Sala 1, ROMA Videospriz/Studio, Tommasco, Triest Pretty communications, Gallery Presstor, Bratislava Coop-Festival, Bucarest Videozoom, Viterbo Terrapolska, Berlin Videoformes 2004, Clermont Ferrand Made in Poland, Stuttgart 2003 Coop Festival, National Museum of Contemporary Art (MNAC), Bucharest Videozoom Polish Video Artists, Palazzo San Carluccio, Viterbo Vidéoformes Festival 2004, Clermont-Ferrand Biały Mazur Künstlerinnen aus Polen, Neuer Berliner Kunstverein, Berlin Integration, Galeria Program, Warsaw Love movies, CCA Ujazdowski Castle, Warsaw Warsaw - Moscowa, CCA Ujazdowski Castle, Warsaw 2002 Semiotic Landscape, Charim Galerie, Wien (artlab) The Young are Realists, Really, CCA Ujazdowski Castle, Warsaw Łódź Lotka Bold, Manhattan Gallery, Łódź 2001 Woman about the woman, Bielska Gallery, Bielsko-Biała Male, The Gallery of Contemporary Art Celje, Slovenia 2000 Scene 2000, CCA Ujazdowski Castle, Warsaw Eight, Zachęta Gallery, Warsaw 1999 In the Face of the Apocalypse. The Kiss of Heath, Bielska Gallery BWA, Bielsko-Biała World s Women On-Line, Talk. Berlin- Warsaw, CCA Ujazdowski Castle, Warsaw Public Relation, CCA Łaźnia, Gdańsk 1998 At the Time of Writing, CCA Ujazdowski Castle, Warsaw 1997 In the Face of the Apocalypse, Spiż Gallery, Gdańsk 1996 Biennial of New Art, BWA, Zielona Góra Avantgarde Delicatessen, Kunstraum, Dusseldorf Status Quo, National Museum, Warsaw WRO Media Art Biennale, Wrocław PERFORMANCES 1996 Kontperformance, Kont Gallery, Lublin 1995 Fulguration, S Galery, Toruń 1995 Here Performance, Performance Festival, Toruń 1995 Fort Transit, Cracow OTHER Anna Baumgart / bio 2012 Conquerors of the Sun, screening on the conference Between the Comintern and Artintern. Artists in Revolution, MoMA Warsaw Fresh Cherries, cycle of screenings: Muranów Cinema, Warsaw; lokal_30, Warsaw; CCA Ujazdowski Castle, Warsaw; Arsenał Gallery, Poznań 2000 How the trained girls made a love movies, show at the universities in Warsaw, Toruń, BWA Słupsk, Bunkier Sztuki Gallery, Cracow Wanted. International Video Programme, Bunkier Sztuki, Cracow 1998 Pólnoc-Południe/Video Art Festival, Bunkier Sztuki, Cracow 1997 WRO Media Art Biennale, Wrocław Salon Sztuki Wideo, BWA, Sopot Video Art of 90s from Poland, Art In General, New York

3 Anna Baumgart / sculptures I ve Got It From My Mother, 2002 plaster, ca 164 cm high

4 Anna Baumgart / sculptures Bomberess, 2004 plaster, ca 180 cm high

5 Anna Baumgart / sculptures Warrior, 2005 acrylic resin, ca 100 cm high

6 Anna Baumgart / sculptures Veronica A.P., 2006 acrylic resin, ca 100 cm high

7 Anna Baumgart / sculptures Natascha Kampusch, 2007 acrylic resin, ca 100 cm high

8 Anna Baumgart / sculptures Hypothesis of the Stolen Image, 2008 six sculptures in acrylic resin each ca 100 cm high

9 Anna Baumgart / sculptures My Europe, 2008 acrylic resin, ca 100 cm high

10 Anna Baumgart / sculptures Hypothesis of the Stolen Image (Bresson), 2009 acrylic resin, ca 100 cm high

11 Anna Baumgart / outdoor installations ( ), 2009 in collaboration with Agnieszka Kurant Mylar baloons, ca 12 x 20 m Chłodna street, Warsaw A gigantic inflatable punctuation mark elypsis (...) made of mirror Mylar baloons (12 m high). The work is for hire and travels to all places where cultural taboos or unsolvable problems exist. This ephemeral light anti-monument has first appeared in Warsaw at the place of the former wooden footbridge merging small and large ghetto, where the Poles were confronted with the Jews imprisoned in the ghetto. The memory of being a mute witness to genocide and then in the 1968 to the exodus of the remaining Polish Jews forced to leave the country by communist government lays at the basis of Polish-Jewish relations. Elypsis merges all taboos and excluded narratives and discoursed.

12 Anna Baumgart / installations Chinese Whispers, 2010 in collaboration with Agnieszka Kurant wallpaper, dimensions variable lokal_30_warszawa_london Wallpaper based on famous El Lissitzky s agit prop painting Hit the Whites with the red Wedge here turned into repetitive pattern in which the original colors are sometimes replaced by other colors.

13 Anna Baumgart / installations La revolution n est pas un diner, 2010 two sculptures in acrylic resin on wooden postument, four models of airplanes and poster; dimensions variable lokal_30_warszawa_london

14 Anna Baumgart / installations La revolution n est pas un diner de gala, 2010 neon sign, 150 x 50 x 15 cm lokal_30_warszawa_london

15 Anna Baumgart / video The Conquerors of the Sun, min, Ed AP The Conquerors of the Sun is an artistic-research project. Baumgart invited a historian of the avant-garde, who was to evaluate with academic methodology the artist s hypothesis related to a propaganda train packed with works of art, sent from revolution-stricken Russia to Berlin around Their cooperation resulted in an installation embracing a mockumentary film and a historical fiction book. The project should be treated as a continuation of La revolution n est pas un diner, where Baumgart analyses the de-politicisation of Polish avant-garde. Drawing on Godard s La Chinoise she attempts at a critical investigation of the political iconosphere of France and Poland of the 60s, juxtaposing the fascination of Parisian youth with the politics of the communist China with the resistance of Polish intelligentsia. She broaches the collective fascination with icons and the battle of symbols.. EXHIBITIONS 2012 Conquerors of the Sun, uqbar, Berlin Conquerors of the Sun, Atlas Sztuki Łódź OTHER 2012 Conquerors of the Sun, conference and screening, MoMA, Warsaw

16 Fresh Cherries, min + Appendix 10 min, Ed AP Anna Baumgart / video Anna Baumgart s film project was created for the exhibition at the Art Centre in Falstad, Norway location of a German concentration camp during the Second World War. Mostly Russians, Serbs and Poles were detained here. Baumgart s film merges the style of a false documentary, documentary, para-theatrical staging and a record of Hellinger s Constellations. The main film is accompanied by Appendix, a sort of making of and an extension of the thread related to prostitution at the camp. The video Fresh Cherries pertains primarily to the phenomenon of stigmatisation and hierarchisation of the victims of the Second World War, which shapes the image of the war in the eyes of the younger generation. The tabooisation of prostitution at concentration camps as forced labour is based primarily on the common conviction concerning the voluntary character of the choice of women recruited to Sonderbau (the camp public house, also known as puff ). In the post-war discourse, discrimination of women forced to become prostitutes was common and consisted in depriving them of the victim status. The suffering of these women did not come to an end the moment the camp was liberated in many cases they were completely eradicated from common consciousness. From a broader perspective, Baumgart s work also pertains to the phenomenon of trauma and ways of dealing with it. The film was selected for Videonale 13 in Bonn. EXHIBITIONS 2011 Videonale 13, Kunsmuseum, Bonn EMAF, Osnabrück LOOP, Barcelona (prize for the video Fresh Cherries presented by LOKAL_30) Videobrasil, International Electronic Art Festival, Sao Paulo 2010 Falstad Art Project, Falstad Center, Norway DKF Muranów, screening and debate, Muranów Cinema, Warsaw Films Not Only About Love, screening and debate, CCA Ujazdowski Castle, Warsaw Watch Docs, screening and debate, Kino Lab, CCA Ujazdowski Castle, Warsaw Fresh Cherries Around The Video Oeuvre Of Anna Baumgart, Galeria Arsenał, Poznań PUBLICATIONS Falstad Kunst 2010 catalogue, Falstad, Norway, 2010 Dorota Jarecka: W imieniu pani B., w obronie pani W., Gazeta Wyborcza, Katarzyna Bojarska: Responsability for the Story, Dwutygodnik, 41 / 2010

17 Anna Baumgart / video Supplement to Piece on Mother and Motherland by Bożena Keff, min, Ed AP The video was made specifically for the exhibition My Mother Is Not Holy (Bunkier Sztuki, Cracow, 2008, curators: Anka Sasnal, Martyna Sztaba) inspired by Utwór o matce i ojczyźnie [Piece on Mother and Motherland] by Bożena Keff. The work revolves around the dance of two women both in white dresses. They alternately pull closer and push away one another. This brings to mind a struggle of two bodies that are both willing to dominate. One of the exquisite elements of this formally refined film is the composition with the window/door in the upper right corner of the frame. The women climb on one another to the hole, as if they wanted to jump out. It turns out that the window is really a door, so they can go through and easily come back. The escape is not ultimate, it might be just a joke, a power struggle or a warning. Baumgart presents the scenes of combatting traumas, impotence, one s own shadow and the past. EXHIBITIONS 2010 Films Not Only About Love, screening and debate, CCA Ujazdowski Castle, Warsaw 2008 My Mother Is Not Holy, Bunkier Sztuki, Cracow PUBLICATIONS Aleksandra Jach: Broń z arsenału języka. Moja matka nie jest boska w Bunkrze Sztuki

18 Anna Baumgart / video Ecstatics, Hysterics and Other Saintly Ladies, min, Ed AP The work was premiered during the exhibition Collection of Shameful Gestures. Birgit Brenner / Anna Baumgart at the Zachęta National Gallery in Warsaw. It is the first of Anna Baumgart s staged films, marking a new direction in the artist s video oeuvre, which found its continuation with, among others, Fresh Cherries. Ecstatics, Hysterics and Other Saintly Ladies is a story of self-aggression, female fears of loneliness, lack of acceptance, intimate rituals carried out at home. Event though the scenes of self-aggression are staged here, they are taken from real life. In conversation with Agata Jakubowska, Anna Baumgart said: I m tempted by the possibility of redefining the notion of hysteria, the transformation from a word that offends into a compliment. For me hysterics sounds interesting, it s a synonym of a creative approach of women to the world, a rebellious or even revolutionary stance. Something that feminism has already discovered and analysed on the basis of the 19th century hysteria it s a sort of self-art it has never been accepted in the social consciousness. EXHIBITIONS 2007 Global Feminism, Brooklyn Museum, New York 2005 Ecstatics, Hysterics and Other Saintly Ladies, Galeria Potocka, Cracow Ecstatics, Hysterics and Other Saintly Ladies, PGS, Sopot 2004 Collection of shameful Gestures, Anna Baumgart and Brigit Brenner, Zachęta National Gallery of Art, Warsaw PUBLICATIONS New Phenomena in Polish Art after 2000, eds. Grzegorz Borkowski, Adam Mazur, Monika Branicka, CCA Ujazdowski Castle, Warsaw 2007 Collection of Shameful Gestures, Anna Baumgart and Brigit Brenner, Zachęta National Gallery of Art, Warsaw 2004

19 True? (The Cranes Are Flying), 2001 ca. 3 min, Ed AP Anna Baumgart / video Anna Baumgart uses the strategy of found footage to become the heroine of the renowned soviet film by Mikhail Kalatozov The Cranes Are Flying from Tapping into the potential offered by the technique, the artist replaces the actress s face with her own. The video, lasting less than three minutes, presents the scene of a dramatic quarrel between two lovers. Their passion cannot be fulfilled he is in love with the fiancée of his own brother, who fights at the front. Viera rejects the feeling screaming niet, niet, niet. Is that not the peak of girlish dreams of being adored and desired by men? Yet the act of fitting one s own face into a landmark motion picture also makes the dreams of fame, beauty and attraction come true. Baumgart critically analyses the impact of the media on the imagination. True? is a significant work in the Polish history of art. It was presented at numerous group and individual exhibitions in Poland and abroad. The cycle comprises two parts The Cranes Are Flying and Teddy Bear. EXHIBITIONS 2009 We Would Like You To Know That We Are Not Them, Royal Scottish Academy, Edinburgh Love, City and Catastrophe, N&N Aman Gallery, Tel Aviv 2007 Videozoom BizArt, Shanghai Global Feminism, Brooklyn Museum, New York 2006 Mise en Scène, MAMA Showroom for Media and Moving Art, Rotterdam You Can t Come Closer, lokal_30 at Cell Project Space, London Real?, Polish Institute, Rome 2005 Projected Visions. Video Art in Poland, Goethe-Institute and Macedonian Museum of Contemporary Art, Thessaloniki POLKA - Medium, Shadow, Image, CCA, Warsaw Absolwent, Wyspa Institute of Art, Gdańsk Madonna, Kunsthaus Dresden, Städtische Galerie für Gegenwartskunst 2004 Under the White and Red Flag. New Art from Poland, Estonian Art Museum, Tallin; CAC, Vilnius, Lithuania; NCCA, Moscow Beyond the Red Horizon. New Art from Poland and Russia, CCA, Warsaw; NCCA, Moscow, Made in Poland, Strasburg Terra Polska, Galerie am Kino, Berlin Videozoom Polish Video Artists, Sala 1, Rome Videospriz/Studio, Tommasco - Triest Pretty communications, Gallery Presstor, Bratislava Coop-Festival, Bucharest Videozoom, Viterbo Terrapolska, Berlin Videoformes 2004, Clermont Ferrand Made in Poland, Stuttgart 2003 Coop Festival, MNAC, Bucharest Videozoom Polish Video Artists, Palazzo San Carluccio, Viterbo Bialy Mazur Künstlerinnen aus Polen, Neuer Berliner Kunstverein, Berlin Warszawa - Moskwa, CCA, Warsaw Videospriz, Studio Tommasco, Trieste Pretty Communications, Galéria Priestor for Contemporary Arts, Bratislava 2002 Semiotic Landscape, Charim Galerie, Vienna (artlab) Lodz Lotka Bold, Galeria Manhattan, Łódź 2001 Woman About Women, Galeria Bielska BWA, Bielsko-Biała True?, Zachęta National Gallery of Art, Warsaw PUBLICATIONS Hypothesis of the Stolen Image, Fundacja Lokal Sztuki, Warsaw 2008 New Phenomena in Polish Art after 2000, eds. Grzegorz Borkowski, Adam Mazur, Monika Branicka, CCA Ujazdowski Castle, Warsaw 2007 Ewa Toniak, Olbrzymki: kobiety i socrealizm, Korporacja Ha!art, Cracow 2008 Izabela Kowalczyk, Matki-Polki, Chłopcy i Cyborgi. Sztuka i feminizm w Polsce, Galeria Miejska Arsenał, Poznań 2010

20 True? (Teddy Bear), 2001 ca. 2 min, Ed AP Anna Baumgart / video EXHIBITIONS 2007 Videozoom BizArt, Shanghai Global Feminism, Brooklyn Museum, New York 2006 Real?, Polish Institute, Rome 2004 Made in Poland, Strasburg Terra Polska, Galerie am Kino, Berlin Videozoom Polish Video Artists, Sala 1, Rome Videospriz/Studio, Tommasco - Triest Pretty communications, Gallery Presstor, Bratislava 2002 Semiotic Landscape, Charim Galerie, Vienna (artlab) 2001 True?, Zachęta National Gallery of Art, Warsaw PUBLICATIONS Hypothesis of the Stolen Image, Fundacja Lokal Sztuki, Warsaw 2008 New Phenomena in Polish Art after 2000, eds. Grzegorz Borkowski, Adam Mazur, Monika Branicka, CCA Ujazdowski Castle, Warsaw 2007 Izabela Kowalczyk, Matki-Polki, Chłopcy i Cyborgi. Sztuka i feminizm w Polsce, Galeria Miejska Arsenał, Poznań 2010

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