Northern European Baroque, 1600 to 1750
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1 Northern European Baroque, 1600 to
2 Europe in the 17 th Century 2
3 Goals Recognize the distinctive characteristics of the Baroque style Understand the diversity of cultures and artistic styles throughout Europe Identify representative Baroque artists and their works Identify representative Baroque architects and their works Recognize and cite artistic terminology from this period 3
4 24.1 Baroque Art Northern Europe Recognize the distinctive characteristics of the Baroque style in Northern Europe (Holland, France, England) Understand the diversity of cultures and artistic styles throughout Northern Europe Identify representative Baroque artists and their works Identify representative Baroque architects and their works Recognize and cite artistic terminology from this period 4
5 Rubens, Laocoon,
6 Figure 25-2 PETER PAUL RUBENS, Elevation of the Cross, from Saint Walburga, Antwerp, Oil on wood, /8 x /2 (center panel), 15' 1 7/8" x 4' 11" (each wing). Antwerp Cathedral, Antwerp. 6
7 Figure 25-3 PETER PAUL RUBENS, Arrival of Marie de Medici at Marseilles, Oil on canvas, /2 x 9 7. Louvre, Paris. 7
8 Samson and Delilah
9 Figure 25-4 PETER PAUL RUBENS, Consequences of War, Oil on canvas, 6 9 x /8. Palazzo Pitti, Florence.. 9
10 Figure 25-5 ANTHONY VAN DYCK, Charles I Dismounted, ca Oil on canvas, 8 x 11 x /2. Louvre, Paris. 10
11 van Dyke, Equestrian Portrait of Charles I, , oil on canvas
12 The Dutch Masters 17 th Century
13 Flemish Heritage
14
15 Dutch East Indies Company
16
17 Pieter Saenredam
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22 Genre: scenes of everyday life Jan Steen, The Feast of Saint Nicholas
23 JAN STEEN, The Skittle Players Outside an Inn, ca. 1652
24 Still-Life or Vanitas Paintings Transience of life
25 Harmen Steenwyck The Vanities of Human Life
26
27 Willem Claesz Heda
28
29
30 Jan de Heem
31 Jan de Heem Vase of Flowers ca. 1645
32
33 Audrey Flack Marilyn (Vanitas)
34 Audrey Flack, Marilyn: Elegy (1980). Cibachrome /4 inches.
35 Wheel of Fortune (Vanitas),
36 ETS STRIKES AGAIN
37 The most famous LANDSCAPE painter of the 17 th Century! Jacob van Ruisdael
38 View of Haarlem with Bleaching Grounds
39
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44 Frans Hals
45 FRANS HALS, Portrait of Willem Coymans, 1645
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54 Figure 25-9 FRANS HALS, Archers of Saint Hadrian, ca Oil on canvas, approx. 6 9 x 11. Frans Halsmuseum, Haarlem. 54
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56 Figure FRANS HALS, The Women Regents of the Old Men s Home at Haarlem, Oil on canvas, 5 7 x 8 2. Frans Halsmuseum, Haarlem. 56
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61 Regents of the Old Men s Almshouse
62 Figure JUDITH LEYSTER, Self-Portrait, ca Oil on canvas, 2 5 3/8 x 2 1 5/8. National Gallery of Art, Washington, D.C. (gift of Mr. and Mrs. Robert Woods Bliss).
63 The Jolly Toper
64 Young Flute Player
65 JUDITH LEYSTER, The Last Drop, ca
66
67 Rembrandt
68
69
70 Self-portrait Leaning on a Sill, 1640
71
72
73 Figure REMBRANDT VAN RIJN, Anatomy Lesson of Dr. Tulp, Oil on canvas, 5 3 3/4 x 7 1 1/4. Mauritshuis, The Hague. 73
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80 Danae, 1643
81 What is the subject of this painting? The Sacrifice of Abraham Rembrandt, ca. 1635
82
83 Figure REMBRANDT VAN RIJN, The Company of Captain Frans Banning Cocq (Night Watch), Oil on canvas (cropped from original size), x Rijksmuseum, Amsterdam. 83
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88 A New Style
89
90
91 Figure REMBRANDT VAN RIJN, Return of the Prodigal Son, ca Oil on canvas, approx. 8 8 x 6 9. Hermitage Museum, Saint Petersburg. 91
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96 Figure REMBRANDT VAN RIJN, Self-Portrait, ca Oil on canvas, approx /4 x 3 1. Kenwood House, London (Iveagh Bequest).
97 A Master at Etching
98 Self-portrait in a Cap, Openmouthed, and Staring, 1630
99 Self-portrait Grimacing, 1630s
100 Self-portrait Leaning on a Stone Sill, 1639
101 Figure REMBRANDT VAN RIJN, Christ with the Sick around Him, Receiving the Children (Hundred Guilder Print), ca Etching, 11 x 1 3 1/4. Pierpont Morgan Library, New York. 101
102 Vermeer
103
104 CAMERA OBSCURA Device used to aid in drawing pictures from nature; contains a tiny pinhole, acting as a lens, projects an upsidedown image on a screen or wall of a room
105
106 Officer with a Laughing Girl
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111 The Little Street
112
113
114 Allegory of the Art of Painting
115
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120 The Milkmaid
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124
125 Young Woman with a Water Jug
126
127 The Love Letter
128
129 Baroque France
130
131 131 Figure NICOLAS POUSSIN, Et in Arcadia Ego, ca Oil on canvas, approx x 4. Louvre, Paris.
132 Et in Arcadia Ego
133 Figure NICOLAS POUSSIN, Burial of Phocion, Oil on canvas, 3 11 x Louvre, Paris. 133
134 The Rape of the Sabine Women
135
136 Poussin,The Assumption of the Virgin, 1650, oil on canvas
137 Raphael, Sistine Madonna, , Oil
138 Raphael, Sistine Madonna, , Oil
139 Poussin, Assumption of the Virgin, ca. 1626
140 Poussin, Assumption of the Virgin, ca. 1626
141 Figure 25-2 PETER PAUL RUBENS, Elevation of the Cross, from Saint Walburga, Antwerp, Oil on wood, /8 x /2 (center panel), 15' 1 7/8" x 4' 11" (each wing). Antwerp Cathedral, Antwerp. 141
142 Figure CLAUDE LORRAIN, Landscape with Cattle and Peasants, Oil on canvas, 3 6 x /2. Philadelphia Museum of Art, Philadelphia (George W. Elkins Collection). 142
143 Poussin Claude Lorrain 143
144 Figure LOUIS LE NAIN, Family of Country People, ca Oil on canvas, 3 8 x 5 2. Louvre, Paris. 144
145 Figure JACQUES CALLOT, Hanging Tree, from the Miseries of War series, Etching, 3 3/4 x 7 1/4. Private collection. 145
146 Figure GEORGES DE LA TOUR, Adoration of the Shepherds, Oil on canvas, approx. 3 6 x 4 6. Louvre, Paris. 146
147 Baroque French Architecture
148 Figure CLAUDE PERRAULT, LOUIS LE VAU, and CHARLES LE BRUN, east facade of the Louvre, Paris, France,
149 Figure PIERRE LESCOT, west wing of the Cour Carre (Square Court) of the Louvre, Paris, France, begun
150 West Wing, 16 th Century Reflects Italian Renaissance classicism of Bramante; diminishing height of stories, large scale windows and steep roof are Northern European features East Wing, 17 th Century Blend of Italian and French Classical elements created a new design formula.
151 Figure Aerial view (looking west) of the palace and gardens, Versailles, France, begun
152 Versailles from garden: Compare to Inigo Jones Banqueting Hall
153
154
155 Bernini, Louis XIV
156 Figure HYACINTHE RIGAUD, Louis XIV, Oil on canvas, 9 2 x 6 3. Louvre, Paris. 156
157 157
158 Figure JULES HARDOUIN-MANSART and CHARLES LE BRUN, Galerie des Glaces (Hall of Mirrors), palace of Louis XIV, Versailles, France, ca
159 Figure JULES HARDOUIN- MANSART, Royal Chapel, with ceiling decorations by Antoine Coypel, palace of Louis XIV, Versailles, France,
160
161 Figure FRANÇOIS GIRARDON and THOMAS REGNAUDIN, Apollo Attended by the Nymphs, Grotto of Thetis, Versailles, France, ca Marble, life-size. 161
162 Figure JULES HARDOUIN-MANSART, Église de Dôme, Church of the Invalides, Paris, France,
163 Maderno, Santa Susanna, Rome Figure JULES HARDOUIN-MANSART, Église de Dôme, Church of the Invalides, Paris, France,
164 Baroque England
165 Figure INIGO JONES, Banqueting House at Whitehall, London, England,
166 Figure SIR CHRISTOPHER WREN, new Saint Paul s Cathedral, London, England,
167 Discussion Questions Compare the values of the 17 th century Dutch Republic to 17 th century France. How did their different values affect the art created in each culture? How does 17 th century Dutch art compare to that of 17 th century Italy? 17 th century Spain? How does 17 th century architecture in the Northern European countries compare to the architecture of Baroque Italy? Consider appearance, form, and function. 167
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