Northern European Baroque, 1600 to 1750

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1 Northern European Baroque, 1600 to

2 Europe in the 17 th Century 2

3 Goals Recognize the distinctive characteristics of the Baroque style Understand the diversity of cultures and artistic styles throughout Europe Identify representative Baroque artists and their works Identify representative Baroque architects and their works Recognize and cite artistic terminology from this period 3

4 24.1 Baroque Art Northern Europe Recognize the distinctive characteristics of the Baroque style in Northern Europe (Holland, France, England) Understand the diversity of cultures and artistic styles throughout Northern Europe Identify representative Baroque artists and their works Identify representative Baroque architects and their works Recognize and cite artistic terminology from this period 4

5 Rubens, Laocoon,

6 Figure 25-2 PETER PAUL RUBENS, Elevation of the Cross, from Saint Walburga, Antwerp, Oil on wood, /8 x /2 (center panel), 15' 1 7/8" x 4' 11" (each wing). Antwerp Cathedral, Antwerp. 6

7 Figure 25-3 PETER PAUL RUBENS, Arrival of Marie de Medici at Marseilles, Oil on canvas, /2 x 9 7. Louvre, Paris. 7

8 Samson and Delilah

9 Figure 25-4 PETER PAUL RUBENS, Consequences of War, Oil on canvas, 6 9 x /8. Palazzo Pitti, Florence.. 9

10 Figure 25-5 ANTHONY VAN DYCK, Charles I Dismounted, ca Oil on canvas, 8 x 11 x /2. Louvre, Paris. 10

11 van Dyke, Equestrian Portrait of Charles I, , oil on canvas

12 The Dutch Masters 17 th Century

13 Flemish Heritage

14

15 Dutch East Indies Company

16

17 Pieter Saenredam

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22 Genre: scenes of everyday life Jan Steen, The Feast of Saint Nicholas

23 JAN STEEN, The Skittle Players Outside an Inn, ca. 1652

24 Still-Life or Vanitas Paintings Transience of life

25 Harmen Steenwyck The Vanities of Human Life

26

27 Willem Claesz Heda

28

29

30 Jan de Heem

31 Jan de Heem Vase of Flowers ca. 1645

32

33 Audrey Flack Marilyn (Vanitas)

34 Audrey Flack, Marilyn: Elegy (1980). Cibachrome /4 inches.

35 Wheel of Fortune (Vanitas),

36 ETS STRIKES AGAIN

37 The most famous LANDSCAPE painter of the 17 th Century! Jacob van Ruisdael

38 View of Haarlem with Bleaching Grounds

39

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44 Frans Hals

45 FRANS HALS, Portrait of Willem Coymans, 1645

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54 Figure 25-9 FRANS HALS, Archers of Saint Hadrian, ca Oil on canvas, approx. 6 9 x 11. Frans Halsmuseum, Haarlem. 54

55

56 Figure FRANS HALS, The Women Regents of the Old Men s Home at Haarlem, Oil on canvas, 5 7 x 8 2. Frans Halsmuseum, Haarlem. 56

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61 Regents of the Old Men s Almshouse

62 Figure JUDITH LEYSTER, Self-Portrait, ca Oil on canvas, 2 5 3/8 x 2 1 5/8. National Gallery of Art, Washington, D.C. (gift of Mr. and Mrs. Robert Woods Bliss).

63 The Jolly Toper

64 Young Flute Player

65 JUDITH LEYSTER, The Last Drop, ca

66

67 Rembrandt

68

69

70 Self-portrait Leaning on a Sill, 1640

71

72

73 Figure REMBRANDT VAN RIJN, Anatomy Lesson of Dr. Tulp, Oil on canvas, 5 3 3/4 x 7 1 1/4. Mauritshuis, The Hague. 73

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80 Danae, 1643

81 What is the subject of this painting? The Sacrifice of Abraham Rembrandt, ca. 1635

82

83 Figure REMBRANDT VAN RIJN, The Company of Captain Frans Banning Cocq (Night Watch), Oil on canvas (cropped from original size), x Rijksmuseum, Amsterdam. 83

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88 A New Style

89

90

91 Figure REMBRANDT VAN RIJN, Return of the Prodigal Son, ca Oil on canvas, approx. 8 8 x 6 9. Hermitage Museum, Saint Petersburg. 91

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95

96 Figure REMBRANDT VAN RIJN, Self-Portrait, ca Oil on canvas, approx /4 x 3 1. Kenwood House, London (Iveagh Bequest).

97 A Master at Etching

98 Self-portrait in a Cap, Openmouthed, and Staring, 1630

99 Self-portrait Grimacing, 1630s

100 Self-portrait Leaning on a Stone Sill, 1639

101 Figure REMBRANDT VAN RIJN, Christ with the Sick around Him, Receiving the Children (Hundred Guilder Print), ca Etching, 11 x 1 3 1/4. Pierpont Morgan Library, New York. 101

102 Vermeer

103

104 CAMERA OBSCURA Device used to aid in drawing pictures from nature; contains a tiny pinhole, acting as a lens, projects an upsidedown image on a screen or wall of a room

105

106 Officer with a Laughing Girl

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111 The Little Street

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114 Allegory of the Art of Painting

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120 The Milkmaid

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125 Young Woman with a Water Jug

126

127 The Love Letter

128

129 Baroque France

130

131 131 Figure NICOLAS POUSSIN, Et in Arcadia Ego, ca Oil on canvas, approx x 4. Louvre, Paris.

132 Et in Arcadia Ego

133 Figure NICOLAS POUSSIN, Burial of Phocion, Oil on canvas, 3 11 x Louvre, Paris. 133

134 The Rape of the Sabine Women

135

136 Poussin,The Assumption of the Virgin, 1650, oil on canvas

137 Raphael, Sistine Madonna, , Oil

138 Raphael, Sistine Madonna, , Oil

139 Poussin, Assumption of the Virgin, ca. 1626

140 Poussin, Assumption of the Virgin, ca. 1626

141 Figure 25-2 PETER PAUL RUBENS, Elevation of the Cross, from Saint Walburga, Antwerp, Oil on wood, /8 x /2 (center panel), 15' 1 7/8" x 4' 11" (each wing). Antwerp Cathedral, Antwerp. 141

142 Figure CLAUDE LORRAIN, Landscape with Cattle and Peasants, Oil on canvas, 3 6 x /2. Philadelphia Museum of Art, Philadelphia (George W. Elkins Collection). 142

143 Poussin Claude Lorrain 143

144 Figure LOUIS LE NAIN, Family of Country People, ca Oil on canvas, 3 8 x 5 2. Louvre, Paris. 144

145 Figure JACQUES CALLOT, Hanging Tree, from the Miseries of War series, Etching, 3 3/4 x 7 1/4. Private collection. 145

146 Figure GEORGES DE LA TOUR, Adoration of the Shepherds, Oil on canvas, approx. 3 6 x 4 6. Louvre, Paris. 146

147 Baroque French Architecture

148 Figure CLAUDE PERRAULT, LOUIS LE VAU, and CHARLES LE BRUN, east facade of the Louvre, Paris, France,

149 Figure PIERRE LESCOT, west wing of the Cour Carre (Square Court) of the Louvre, Paris, France, begun

150 West Wing, 16 th Century Reflects Italian Renaissance classicism of Bramante; diminishing height of stories, large scale windows and steep roof are Northern European features East Wing, 17 th Century Blend of Italian and French Classical elements created a new design formula.

151 Figure Aerial view (looking west) of the palace and gardens, Versailles, France, begun

152 Versailles from garden: Compare to Inigo Jones Banqueting Hall

153

154

155 Bernini, Louis XIV

156 Figure HYACINTHE RIGAUD, Louis XIV, Oil on canvas, 9 2 x 6 3. Louvre, Paris. 156

157 157

158 Figure JULES HARDOUIN-MANSART and CHARLES LE BRUN, Galerie des Glaces (Hall of Mirrors), palace of Louis XIV, Versailles, France, ca

159 Figure JULES HARDOUIN- MANSART, Royal Chapel, with ceiling decorations by Antoine Coypel, palace of Louis XIV, Versailles, France,

160

161 Figure FRANÇOIS GIRARDON and THOMAS REGNAUDIN, Apollo Attended by the Nymphs, Grotto of Thetis, Versailles, France, ca Marble, life-size. 161

162 Figure JULES HARDOUIN-MANSART, Église de Dôme, Church of the Invalides, Paris, France,

163 Maderno, Santa Susanna, Rome Figure JULES HARDOUIN-MANSART, Église de Dôme, Church of the Invalides, Paris, France,

164 Baroque England

165 Figure INIGO JONES, Banqueting House at Whitehall, London, England,

166 Figure SIR CHRISTOPHER WREN, new Saint Paul s Cathedral, London, England,

167 Discussion Questions Compare the values of the 17 th century Dutch Republic to 17 th century France. How did their different values affect the art created in each culture? How does 17 th century Dutch art compare to that of 17 th century Italy? 17 th century Spain? How does 17 th century architecture in the Northern European countries compare to the architecture of Baroque Italy? Consider appearance, form, and function. 167

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