v i s u a l e f f e c t s

Size: px
Start display at page:

Download "v i s u a l e f f e c t s"

Transcription

1 v i s u a l e f f e c t s i n h u n g a r y f r o n t p r o d u c t i o n r e f e r e n c e b o o k

2

3 Visual Effects In Hungary front production reference book 2010 Front Production contents All rights reserved. No part of this book may be reproduced in any form in any media without written permission of the copyright owners. Not commercial sample. Use strictly limited to marketing purposes of publisher. Not for resale. Published by Front Production Budakeszi út Budapest Hungary Publisher I Csaba Juhász Design I Bettina Tigyi and Csaba Juhász Design consultants I Barbara Krisztics Editors I Barbara Krisztics and Bettina Tigyi Assistant Editors I Ágnes Magyar and Dalma Farkas Data managers I Kriszián Gulyás and András Takács Art Direction I Csaba Juhász 7 introduction 9 company full service references la belle époque I Noah's Ark dirty fred I m&m film I dawn sacra corona I panic I chameleon adrienn pál I dreher Mattie the Goose-boy 72 information full list of References I Clients 85 special thanks First edition: May 2010

4 from 1998 Introduction 300 projects 150 partners 1500 VFX shots 10 restored arcive movies 100 headlines cups of coffee Welcome! You are holding Front Production s reference book in your hands. We are a digital post production house delivering visual effects. This publication, which is also an adventure for us into the world of design, self expression and desktop publishing, aims to give an overview of our most successful projects over the last decade and also highlights services and systems we use. It might serve as food for thought or reference on a meeting but we hope that it also offers an easy and exciting travel to the world of visual effects. We hope that you will find answers to questions as follows: What have we done so far? How was one or the other effect created? Are we able to solve one or the other request? Is it possible to capture the essence of our work on a few pages so that readers get a good understanding of it within a few minutes? Csaba Juhász, CEO Front Production 7

5 some tasks can cause big headache even if they seem very simple at first sight! company Our company has been on digital post production market for more than ten years. We created the first digital effect in Hungary back in We are based on the same site as Hungarian Film Lab, the strongest fortress among production and post production companies in Hungary. Thanks to continuous development in cooperation with Hungarian Film Lab we are a complex post production house taking a leading role in the region. Our strength lies in the scale of our services; we provide full scale service including all analogue and digital technologies, hence we can address any needs of film industry and handle even the most complex projects within one facility. An integrated and proven environment that is run by a team of professionals this makes us unique in Central Europe. in many cases it was proven that productions can save money by charging professionals instead of looking for home made solutions. in many cases we were requested to improve quality of home made solutions to have the desired end result. in many cases we were contacted frighteningly close to deadline and were given materials prepared half through. We have solved all these cases with a high level of confidence relying on our expertise since this our job. We are post production professionals. We complete post production works of 15 to 20 Hungarian and foreign movies per year, additionally we have numerous assignments for shorts and advertisements. In many cases we are responsible for all post production works of a movie including design of main title and visual identity, also creation of effects from simple retouches to challenging interferences. We are delighted to contribute to pre-production and cost calculation of projects. In many cases we can significantly reduce costs by finding smart ways to simplify tasks that seem to be really complex at first sight. We also strongly believe that well applied digital effects at well chosen scenes can also be a way of cost reduction. There can be further cost savings achieved by keeping all post production works; from negative developing to production of digital movie copies, in one building. This also saves time as deliveries of copies become unnecessary. It is also important to note that productions that come to Hungary and use the facilities or work with Hungarian partners in coproduction have a benefit of 20% rebate of tax and tax base within the so called Tax Relief System. We believe that small sized post production companies working with a stable team are on one hand effective, on the other hand provide an atmosphere that nurtures creativity. To provide the most cost effective solutions to our clients, size of our team is flexible, tailored to needs of the specific project. This way we can also complete tasks that require a sizeable team because of their complexity. Over the last ten years we have worked with internationally known representatives of Hungarian film industry; Nimród Antal, Krisztina Goda, Miklós Jancsó, Lajos Koltay HSC ASC, Kornél Mundruczó, Pál Sándor, Béla Tarr, Vilmos Zsigmond HSC ASC to name a few. 9

6 full service Everything at one place UNIque in central europe DIGITAL FILM, DI TELECINE - SPIRIT HD DAVINCI 2K NORTHLIGHT II BASELIGHT FOUR SUITE WITH CHRISTIE 2K DCI PROJECTOR BASELIGHT ONE SUITE WITH JVC HD PROJECTOR ARRILASER DCP MASTERING WITH DOLBY SCC2000 DCP REDRUSHES BETA SP (NTSC ALSO) / DVCAM (NTSC ALSO) HDCAM SR / HDCAM / DIGITAL BETACAM LTO ARCHIVING VFX VISUAL DESIGN MAIN TITLE 3D MODELING 3D TEXTURING 3D LIGHTING 2D & 3D ANIMATION RENDERMAN RENDERING (RENDERFARM) MENTALRAY RENDERING VIRTUAL SET / SET EXTENSION MATTE PAINTING SIMULATION FLUID / CLOTH DYNAMICS RIGIDBODY / SOFTBODY / PARTICLES NATURAL PHENOMENON DEMOLITION EFFECTS CUSTOM EXPRESSIONS SOFTWARE DEVELOPMENT COMPOSITING (RENDERFARM) RESTORATION ARCHIVE FILM RESTORATION SMOKE FINISHING / PRESENTATION CHARACTER SETUP / ANIMATION 2D TRACKING / STABILIZING 3D TRACKING GREENBOX / BLUEBOX KEYING ROTOMASK PHOTOSHOP - 2D (CLEAN)PLATE CREATION EDITING SMOKE/AVID COLOR CORRECTION WIRE REMOVE ADMINISTRATION PREPRODUCTION EDITING AVID MEDIA COMPOSER ADRENALIN WITH DNXHD OPTION (WIN) AVID MEDIA COMPOSER MOJOSD (WIN) AVID MEDIA COMPOSER MOJODX (MAC) AUDIO GASTON STUDIO DOLBY SR / DOLBY SRD / DTS OPTICAL SOUND MWA LLK3 LASER OPTICAL SOUND CAMERA DOLBY SR / DOLBY DIGITAL / DTS NUENDO FILMLAB NEGATIVE DEVELOPING NEGATIVE CUTTING COLOR TIMING POSITIVE COPIES / PRINTS COMMERCIAL COPIES OPTICAL BLOW-UP PROJECION (80 SEATS, DOLBY SRD & DTS) SUBTITLE SPOTTING LASER SUBTITLING LOGISTICS PRODUCTION SERVICE

7 la belle époque 3 D e n v i r o n m e n t NOAH'S Ark s y n t h e t i c r e a l i t y dirty fred V I R T U A L S E T & S E T E X T E N S I O N m&m film creating visual design references On the following pages you can find a selection of pictures that give a taste of our work Dawn s i m u l at i o n s i t u at i o n sacra corona 3 D a n g e l a n i m at i o n panic v i s u a l d e l i c a c i e s chameleon f u l l s c a l e p o s t adrienn pál PERFECT LOOK dreher producing commercials with PRO staff Mattie the Goose-boy a r c h i v e f i l m r e s to r at i o n 12 13

8 category I Short film La belle époque 2006 Dor-Ka Media Director I Csaba Szekeres DOP I Máthé Widamon Tóth H.S.C. Producer I Gergely Fodor La belle époque is a thirteen minute short film about Beslan school siege (2004); in name of their fight for freedom of Chechnya, Chechen separatists stormed a school and were holding more than 1000 hostages. The short film focuses on hostage-takers cruelty, to dramatize this strong visual effects were needed. From plaster on the wall we unnoticeably enter into the inside of a body. From inside we see how the bullet reaches the heart and following the blood through the trachea, finally through the mouth we return to reality, i.e. to shot material, from damaged human body to location of hostage drama. In this project we had to address various challenges: liquid simulation, blending of liquids, anatomic modeling, detail-rich texturing, lighting of internal space, merging of real and computer created shots. We set ourselves accuracy of a heart surgeon as a standard as we aimed to create a realistic set for a human drama. The director wanted to tell the story in one single shot without any cut. We made transitions between different camera movements and used enlarged textures to create one single shot and thereby an impressive short film. 3D environment pushing it to photoreal 14 15

9 16 17

10 REALISTIC LOOK special fluid simulations blending of fluids I blood sticking I flakes in the fluid at heartbeats RenderMan rendering with interior occlusion 40 render passes anatomical modeling into & back from 3D space seamless between steadicam shots transitions tracking and matching the movements pre-visualization smoothing camera movements & rotations CREDITS VFX supervisor, technical director, compositor, Smoke artist I Csaba JUHÁSZ 3D Maya Artist, Textures I Mátyás Szabó 3d fluid simulation, render management I Attila SZALMA MAIN TITLE, COMPOSITOR I Dániel BARTHA 18 19

11 category I Noah s ark 2007 Hunnia Filmstúdió Director I Pál Sándor DOP I Gábor Szabó H.S.C. I Gábor Marosi H.S.C. Producer I Pál Sándor syntheticreality THE COST EFFECTIVE SOLUTION 20 We delivered main title and visual effects in this movie; most challenging scene was the final one in that the grandfather rides a Harley Davidson on a road in the pampas accompanied by his dead friend. Director wanted to give the impression that bikers were traveling on the eternal hunting grounds. For this we had to create a dream like atmosphere. Production considered using stock footage, however uncontrollable motion and other details of such material would have made this option too risky. To shoot in Arizona would have been simply too expensive. Finally we used green screen technology with track points for the bikers. Pampas were created with 3D technology, in other words we created synthetic reality. Computer generated landscapes of large scale have always been a challenge for digital studios because of high complexity. To perfectly recreate nature would have been too detail-rich so we had to optimize. After several rounds of optimization we still had to handle and render a 3D model of more than ten thousand elements. We had to pay special attention on making virtual pampas look real both from big and small distance. 21

12 22 over TEN THOUSAND ELEMENTS numerous DIFFERENT PLANTS i ROCKS i SOILs REPEATLESS large scale GROUND & 3D REPEATLESS ROAD SPECIAL OCCLUSION & SHADOW SOLUTION 5 LAYERS OF 3D CLOUDS i 3D DUST i 3D DISTANT FOG MOTORCYCLE 3d tracking greenbox keying & difficult rotomasks flying from 3d track data & keeping the right angle dust, shadow, occlusion main title design & compositing 50 PASSES IN THE 250 NODE COMPOSITING simulated real camera SHAKING I distortion I lens flares CREDITS VFX supervisor, technical director, compositor I Csaba JUHÁSZ Compositor, production manager I Dániel BARTHA 3D artist, designer I Olivér Auguszt Smoke artist I Antonin Krizsanics 3D pre-visualisation, on stage compositor I Attila Szalma Compositor I Levente BarthA 23

13 category I pre-production dirty fred 2009 greenworks Writer I P. Howard director I Tamás Sas We were given the thrilling task to build up the set of an entire series in 3D. According to plans the entire series would be shot in front of green screen. Virtual set and set extension was chosen after thorough considerations of both financial and visual aspects. We conducted tests as part of pre-production. The director imagined a misty, tale-like and somewhat grotesque atmosphere. We were provided drawings as a base for 3D modeling. As a test we built up virtual scenes and inserted an actor shot in front of green screen to one of these scenes. We built models and created textures of various objects striving to keep grotesque style of drawings still giving a realistic impression. To achieve the best result we created textures based on high resolution photos of objects and environment. One of the most interesting experiments was to see how the oversized Moon was reflected on a virtual water surface. Taking adventage of RenderMan rendering system we created several effects; lamps drawing stripes of light into wreathing fog, real looking rugged plaster crackles. Closer parts of the scene were more detail-rich whereas further parts were rougher. VIRTUAL SET & SET EXTENSION LOOK & FEEL FOR AN IMAGINARY WORLD 24 25

14 26 27

15 RENDERMAN PIPELINE GLOBAL ILLUMINATION & SHADOW BAKING WREATHING VOLUMETRIC FOG & LIGHTS WITH SHADOW RENDERING PASSES KEEPING grotesque style OF DRAWINGS creating TEXTUREs from HIGH RESOLUTION PHOTOGRAPHS HIGH QUALITY DISPLACEMENT MAPS WATER SIMULATION physical interaction with columns MOON REFLECTIONS ON THE WATER GREENBOX KEYING WITH lot of ROTOMASKS RENDERMAN PASSES & Z DEPTH USAGE 28 CREDITS Technical director, 3D artist I Csaba JUHÁSZ 3D artist I András Takács 3D artist, render management I Krisztián Gulyás 29

16 category I Company id M&M Film 2008 M&M Film Producer I Monika Mécs Sound I Gábor Madarász M&M Film has produced quite a few popular Hungarian movies. Management of the company decided to develop a company ID that could be used before movies, instead of the simple logo they had been using. We were really pleased to work on a task where we could unleash our creativity and appreciated flexible approach of M&M Film. Logo of M&M Film is a lotus flower which is an important Buddhist symbol. Lotus flower was given but not mandatory, we still felt that it was a good basis for a short animation to be widely used. First frames of animation were prepared by an in-house developed DeFocus effect. Among others this effect is able to select highlights and supports high dynamic range processing. Number seven, another important Buddhist symbol also appears in the logo. To emphasize this we developed a seven sided kaleidoscope which created a picture without breaks. We placed the logo into the middle of the flower as the leaf of the lotus symbolizes the fertile earth; the middle of the flower represents the mother's lap and eternal renewal. Creating visualdesign our creativity unleashed 30 31

17 CREATIVE IDEA extensive COLLECTIon OF MATERIALS UNDERSTANDING THE SYMBOLISM drafting 5-10 BASE IDEAS DESIGN in-house developed defocus in-house DEVELOPED, 7 SIDED KALEIDOSCOPE c++ compositing node plug-in special hilite selection method colored bokeh effect high dynamic range realistic aperture 250 NODE BASED COMPOSITE 7 SIDES WITHOUT BREAKS mental ray rendering SPECIAL SHADERS TO GET COLORED LEAVES HIGH DYNAMIC RANGE COMPOSITING with managing transparency & depth MULTI FORMAT VERSIONS 32 33

18 34 CREDITS Technical director, designer, 3D artist, render management, compositor I Csaba JUHÁSZ Design consultant I Bettina Tigyi Smoke artist I Krisztián Gulyás 35

19 category I TV Fantasy Serial Dawn 2008 PCN Film Director I József Sipos DOP I Márk Győri H.S.C. Producer I József Sipos Due to budget restrictions there were only a few simple effects requested for Dawn, a TV fantasy serial. There was one scene however for that a more complex effect was needed; in a valley two characters are escaping from flooding water. At that time we were internally experimenting with liquid simulation systems, so we valued the opportunity to work on a real case and set ourselves especially high standards. Parameters such as quantity and speed of water, splashing, foaming, etc. can be freely set in computer simulation but would be really hard, if at all, to control in reality. To give the impression of big quantity of water, several hundred thousands or even few million particles have to be moved. This requires extensive and time consuming calculation as particles are interacting with each other and also with the environment. After completing first phase of simulation we obtained a set of moving data as particles do not have any surface. In the next phase we added surface to particles. For main water streams we created a certain surface, while for parts of smaller density, e.g. for splashes, we created a different surface with volumetric, foam-like material, again for vaporized water we created a third type of surface. simulation situation imitating nature with hard computing 36 37

20 WATER SIMULATION MILLIONS OF PARTICLES RenderMan based workflow IMAGE BASED LIGHTING REAL OCCLUSION & DEEP SHADOW PASSES VOLUMETRIC FOAM SHADER CAMERA LENS REACTing WITH WATER ADDITIONAL WATER VAPORIZATION PASSES SCRIPTS FOR FOAM GENERATION & CHANGING BACK TO WATER MAYA PARTICLE EXPRESSIONS to refine some passes in total 150 HOURS FOR SIMULATION STEPS ANOTHER 150 HOURS FOR TEXTURES & RENDERING CREDITS render management, compositor I Csaba JUHÁSZ Fluid simulation I Olivér Auguszt, Csaba Juhász Designer, production assistant I Bettina Tigyi 3D modeler, compositor I Krisztián Gulyás COMPOSITOR I András Takács 38 39

21 category I Feature film Sacra Corona 2001 Korona Film Director I Gábor Koltay DOP I Emil Novák H.S.C. Producer I Gábor Koltay Digital post production was in its infancy at the time director and producer of Sacra Corona contacted us. In one of the key scenes of the movie he imagined to visualize a dream with help of animation. This became the first Hungarian movie including sophisticated visual effects. Visualization required 3D character animation, including detail-rich simulation of cloth and water drops which was a major challenge for softwares of those days. The fact that it took us two months of multi machine rendering to complete this sequence makes us smile today. Thanks to revolutionary development of post production systems nowadays the same calculations could be completed in one or two weeks with an average PC. For another scene we had to make the battle field look more real by showing the entire army. For financial reasons mass was multiplied digitally. 3 to 20 extras were shot in various costumes and groups in front of blue screen. In the first phase of composition we spread these equestrians in time and space. In the second phase we spread 2D plates of equestrians in 3D, finally these created bulk of the background. We developed a script which spread movements in time. 3D angel animation pioneers of digital post production 40 41

22 3D CHARACTER ANIMATION CLOTH SIMULATION RAIN DYNAMICS & INTERACtions RENDERMAN RENDERING VOLUMETRIC LIGHTING & FOG SHADOW 3D PRECISE MODEL of the HUNGARIAN HOLY CROWN DIFFICULT ROTOMASKS SPRITE BASED MASS MAIN TITLE DESIGN & COMPOSITING 42 43

23 44 CREDITS VFX supervisor, compositor I Csaba JUHÁSZ Lead 3D artist I Gergely Vass 3D artists I Szabolcs Horváth, Mátyás Szabó 3D crown model I Dániel Bukovec Compositor, rotomasks I Pál Tauszig Graphic artist, storyboard, rotomasks I Gergely Cziráki Graphic artist I Annamária Tamók 45

24 category I Panic 2007 Inforg Studio Director I Attila Till DOP I Imre Juhász Producer I András Muhi Opening scene of the movie Panic was a visual delicacy, tracking shot around a woman in front of a mirror. Despite of making a 180 move behind her in front of a mirror, i.e. covering 360 with the camera, no crew was to be seen. We separated the actress and her picture in the mirror from the original background but this way we lost details of her hair. We virtually painted layers of hair and inserted these into the shot. Insertion of details of the hair meant challenges for 2D and 3D tracking. We also had to create a background to be seen in the mirror as a replacement of the original background with the crew. Background followed camera movement, for this we had to create a special tracking method as there had not been any tracking points used at shooting. Furthermore for manipulation of hair and background we had to create a lot of animated masks. Style of visual effect used in this opening scene set the style for all other visual effects of this movie such as the camera rushing through underground cars or the mother s back steaming where the steam was created in 3D. visualdelicacies shot saved with ideas and hardwork 46 47

25 TRACKING SOLUTION WITHOUT ANY MARKERS PRECISE ROTOMASK FOR actress I actress reflection i replacements FACE AND REFLECTED FACE 3D MATCHMOVE 3D HAIR RENDERS by 3D TRACKS PAINTING HAIR DETAILS 3D SCENE MODELING & 3D ANIMATED ACTRESS FOR STEAM MOVEMENT I COLLISIONS I FORCES PRECISE ROTOMASKS FOR THE ACTRESS & OBJECTS 25 VFX SHOTS MAIN TITLE DESIGN & COMPOSITING 48 49

26 50 CREDITS VFX Suprvisor, Compositor, Smoke Artist I Csaba JUHÁSZ Smoke artist, finish I Antonin Krizsanics 3D artist, simulations, render management, main title design I Olivér Auguszt Compositor, production assistant I Dániel BARTHA Roto masks, compositor I Csaba Zubonyai 51

27 category I Chameleon 2008 Megafilm Director I Krisztina Goda DOP I Buda Gulyás H.S.C. I Tamás Babos H.S.C. Producer I Gábor Kálomista Production team of the movie Chameleon involved top professionals of Hungarian film industry. Standards of such a professional team are obviously the highest, thus several effects, refinements, corrections, retouches were requested to have perfect end result.thanks to thorough pre-production we had a deep understanding of our task before starting the work. At post production we were in a favourable situation as editing took place in our studio, this enabled us to continuously harmonize various needs and solutions already at editing phase. There were quite a few displays in the movie into that visual content had to be inserted. We created a different look for each type of display, e.g. TV screen, PC and laptop monitor, hidden camera and mobile phone display. These looks were differing in pixel structures, color correction, dirts and light reflections. An interesting visual effect was needed at the very end of the movie; we had to make the main character disappear. For this shot we had to recreate the background of the main character. We prepared a rough model of the environment in 3D, created the shot without character and spent a few days on preparing manual rotomasks to insert back the actor. full scale post Working with top professionals 52 53

28 CREDITS VFX supervisor, Technical director, compositor, Smoke artist I Csaba JUHÁSZ Compositor, production manager I Dániel BARTHA Design consultant, production assistant I Bettina TIGYI Smoke artist I Krisztián Gulyás Compositor, 3D artist I András Takács 54 IN TOTAL 160 VFX SHOTS MAIN TITLE CONCEPT & COMPOSITING effective, clear but chiseled look I 40 node composite per title 5-10 design steps to the FINAL CONCEPT FACE RETOUCHES DIFFERENT KIND OF DISPLAYS mobile phone camera i laptop monitor television i computer monitor i web page perspective DISAPPEARING EFFECT 3d tracking i 3d environment modeling i 3d texture projection i precise rotomasks ALTERNATIVE ENDING VFX FOR DVD 55

29 category I adrienn pál 2010 kmh film Director I Ágnes Kocsis DOP I Ádám Fillenz H.S.C. Producer I Ferenc Pusztai End result refined till perfection this is how we could best describe working on the visual effects of the movie Adrienn Pál. The director paid attention to even the tiniest detail or mistake. On our meetings all digital interferences were examined a few times under magnifying glass to achieve perfect result. In long static shots of few minutes even the smallest mistakes can be spotted, accordingly all our trackings, masks, color corrections, film grain structures, etc had to be perfect. We were set a challenge by sequences of dead bodies that were shot with real people; we had to remove all breathing, swallowing, eye movements and other unavoidable fine movements. Resuscitation and use of defibrillator could not be performed by real actors or actresses, thus digital interference was needed to enhance these sequences. Animation of crows fluttering at the arrival of the tram was another exciting task; individual crows of various behaviors were sitting on the lines forming a mass as they flew out of the picture. Further effects included seamless transition between two shots of different camera movements. Perfectlook every nicety counts 56 57

30 A LOT OF DIFFERENT BEHAVIOR 555 CROWS 3D CHARACTER ANIMATION & DYNAMICS MASS BEHAVIOR SCRIPT DRIVEN TURNING OF CROWS Z DEPTH COMPOSITING MULTIPLE KEYER BASED KEYING TREES DEFIBRILLATOR DISPLAYS DEAD PEOPLE RETOUCHES 8-12 DIFFICULT RETOUCHES PER SHOT CHANGING EYE I MOUTH I FACE I COMPLETE BODY OTHER RETOUCHES, CORRECTIONS 58 59

31 60 CREDITS vfx supervisor, compositor, 3D artist I Csaba Juhász VFX project manager I Péter Závorszky Smoke artist, compositor I Krisztián Gulyás Compositor, 3D artist I András Takács 2D artist I Barbara Krisztics, Bettina tigyi 61

32 category I TVC Dreher 2009 Dreher sörgyárak zrt. Director I Krisztina Goda DOP I János Vecsernyés H.S.C. client I DREHER Agency I JWT Budapest production company I film positive Extremely short deadline set us a real challenge in this project. Experience of crew members and thorough preparations helped us to meet the deadline. Discipline in following storyboard and pre-production agreements was another important condition for us to finish on time. Few small scale retouches and packshot were the easiest bits of post production tasks. To create seamless visual transitions between shots was more complicated. According to the visual idea of the adverisement a bottle of beer is placed from one frame to the other in eye catching ways. Thanks to experience of crew members blue screen shots were well keyable. In such cases setting accurately the bluebox keying is essential to avoid that foreground becomes damaged and to ensure that blue areas have correct transparency, similarly to ensure that transparency of liquids and glasses is kept. We had to pay special attention to keying of the glasses as our eyes recognize glass material but we immediately spot falseness if fine details are missing. Furthermore we must see details of background in the glass distorted based on principles of light fraction so that our eyes are misled and we believe what we see. producing commercials with PRO staff when everything goes as planned 62 63

33 spectacular VISUAL TRANSITIONS KEYING OF SENSITIVE & SEMI-TRANSPARENT AREAS OF GLASS & BEER multiple keying passes USED FOR A SINGLE SHOT ADDITIONAL KEYING TO BRING BACK DETAILS NODE COMPOSITING PER TRANSITION creating PANORAMIC TEXTURE using 4 shots BACKGROUND REFRACTIONS TO THE GLASS REFLECTIONS ON THE TABLE AT THE PUB SCENE FULL HD WORKFLOW & BIG SCREEN PRESENTATION 64 65

34 66 CREDITS Technical director, compositor, Smoke artist I Csaba JUHÁSZ Production assistant I Bettina Tigyi Compositor, rotomasks I András Takács Smoke artist, compositor I Krisztián Gulyás 67

35 category I HUNGARIAN ARCHIVE FILM Mattie the goose-boy 2005 hungarian national film archive Director I Kálmán nádasdy, László radnóty DOP I Barnabás hegyi Producer I Vitéz Miklósné Mattie the Goose-Boy is a truly Hungarian story written by Mihály Fazekas in the early 18th century. The movie itself was the first Hungarian color movie produced in After fifty years raw material of the film was severely damaged. 98% of colors of nitro negatives had been lost, furher signs of damage were 1-2% shrinkage, damaged perforation, traces of chemicals and glue, tears, few missing frames. Already in the 50 s it was impossible to produce color copy of the movie using traditional laboratory technology, that s why management of Hungarian National Film Archive decided to digitally restore the material. Digital restoration took a full year including six months of digital picture restoring. After manually cleaning the raw material we scanned the material using a scanner that we had developed in-house. We started the next phase by improving and restoring colors with help of software that we had also developed in-house. After digital cleaning and correction of typical archive damages we manually restored colors by masking and modifying. We worked for several months on the manual color restoration. ARCHIVEFILM RESTORATION A WONDER OF DIGITAL TECHNOLOGY 68 69

36 6 MONTH PROCESS SEVERAL RESTORATION STEPS physical cleaning color gaining & transforming restoration of flickering, dusts, scratches, instability & noise rotomasking color correction pipeline di colorist giving final look in-house developed & STANDALONE color restorer software in-house developed filmscanner SOFTWARE & HARDWARE CREDITS VFX project manager I Balázs Schifter Technical director, lead developer I Csaba Juhász Developer, rotomasks I Róbert Csík Rotomasks, compositor I Attila Szalma, Mátyás Szabó MAIN TITLE RESTORATION 70 71

37 information On the following pages you can find information from our database full list of references clients d i r e c to r s, d o ps, p r o d u c e r s special thanks 72 73

38 references 2010 czukor show Director I Tamás Dömötör DOP I Máté Tóth Widamon Producer I Ferenc Pusztai, Inez Mátis PRESSZÓ 10 ÉV Director I Tamás sas DOP I Márton Miklauzic Producer I Attila Faragó, Tamás SAS így, ahogy vagytok Director I Károly Makk DOP I Gábor Medvigy Producer I András Ozorai Pál adrienn Director I Ágnes Kocsis DOP I Ádám Fillenz Producer I Ferenc Pusztai talán EGY MÁSIK ÉLETBEN Director I Elisabeth Scharang DOP I Jean-Claude Larrieu Producer I Dieter Pochlatko, Nikolaus WISIAK Morgen Director I Marian CriŞan DOP I Róbert Köteles, Tudor MIRCEA Producer I Anca Puiu czukor show Director I Tamás Dömötör DOP I Máté Tóth Widamon Producer I Ferenc Pusztai, Inez Mátis így, ahogy vagytok tv main title Director I Károly Makk DOP I Gábor Medvigy Producer I András OzoraI 2009 így, ahogy vagytok Director I Károly Makk DOP I Gábor Medvigy Producer I András OzoraI látogatás Director I Róbert Pejó DOP I Gergely POHÁRNOK Producer I Andreas HRUZA, Erich LACKNER 41. magyar filmszemle logo animation PRODUCER I Gábor GARAMI A Zöldsárkány gyermekei Director I Bence Miklauzic DOP I János Vecsernyés Producer I József Berger a SÍRÁSÓ Director I Sándor KARDOS DOP I Sándor KARDOS Producer I András muhi Adás Director I Roland VRANIK DOP I Gergely POHÁRNOK Producer I Gábor KOVÁCS, Ági PATAKI Oda az igazság! Director I Miklós Jancsó DOP I Nyika Jancsó Producer I József Berger Utolsó jelentés Annáról Director I Márta Mészáros DOP I Emil Novák Producer I Pál Sándor 1 Director I Pater Sparrow DOP I Máté Tóth Widamon Producer I Zoltán Kamondi David and Kamal Director I Kikuo Kawasaki DOP I Itamar Hadar Producer I Fuminori Hayashida, Mike Cline Kentaur archive film Director I Tamás Szentjóby DOP I János Gulyás Writer I Tamás Szentjóby The Chosen One Director I Rob Schneider DOP I Kees Van Oostrum Producer I Joe Q. Bretz, Boon Collins, Scott Dolezal Szuperbojz Director I Barna Kabay DOP I Tibor Máthé Producer I Barna Kabay Utolsó jelentés Annáról Director I Márta Mészáros DOP I Emil Novák Producer I Pál Sándor Köntörfalak Director I Zsombor Dyga DOP I Gábor Marosi Producer I György Durst, István Major Dreher commercial Director I Krisztina Goda DOP I Buda Gulyás production company I Film Positve Company agency I JWT client I Dreher Sörgyárak Zrt. Hitvallók és Ügynökök documentary Director I Katalin Petényi DOP I Péter Jankura Producer I Barna Kabay Svik Director I Haakon Gundersen DOP I Hans Kristian Riise Producer I Haakon Gundersen The Chosen One Director I Rob Schneider DOP I Kees Van Oostrum Producer I Joe Q. Bretz, Boon Collins, Scott Dolezal Második jelenlét archive dokumentary Director I Miklós Jancsó DOP I János Kende Dirty Fred preproduction Director I Tamás SAS The Loners Director I Renen Schorr DOP I Renen Schorr Producer I Assaf Amir Kaméleon DVD Extra Director I Krisztina Goda DOP I Buda Gulyás, Tamás Babos Producer I Gábor Kálomista A hetedik kör Director I Árpád Sopsits DOP I Márk Győri Producer I Pál Sándor Az aranyember archive film Director I Béla Gaál DOP I István Eiben Producer I Lajos Hirsch, Imre Tsuk Goda Krisztina showreel 2009 showreel dvd Director I Krisztina Goda superdigital short movie Director I István MADARÁSZ DOP I Gábor MAROSI Producer I István MADARÁSZ Director I Pater Sparrow DOP I Máté TÓTH Widamon Producer I Zoltán Kamondi Delta Director I Kornél Mundruczó DOP I Mátyás Erdély Producer I Viktória Petrányi Dimarson commercial Egykéthá short movie Director I Balázs Krasznahorkai DOP I Mátyás Erdély Producer I Ferenc Pusztai Eszter hagyatéka Director I József Sipos DOP I Franciscó Gózon Producer I József Sipos Every Breath You Take Director I Igor Sterk DOP I Simon Tansek Producer I Danijel Hocevar Papírkutyák Director I Bence Gyöngyössy DOP I Tamás Sas Producer I Barna Kabay Gyengébb napok Director I Ádám Császi DOP I András Gábor Szőke Producer I László Kántor Hitvallók és Ügynökök documentary serial Director I Katalin Petényi DOP I Péter Jankura Producer I Barna Kabay Hitvallók és Ügynökök Director I Katalin Petényi DOP I Péter Jankura Producer I Barna Kabay Hyppolit, a lakáj archive film Director I István Székely DOP I István Eiben Producer I Albert Samek Kaméleon Director I Krisztina Goda DOP I Buda Gulyás, Tamás Babos Producer I Gábor Kálomista 74 75

Since 1998 the Megafilm Ltd. made the largest number of films in Hungary. Megafilm is delighted to offer its exceptional experience gathered during

Since 1998 the Megafilm Ltd. made the largest number of films in Hungary. Megafilm is delighted to offer its exceptional experience gathered during MEGAFILM SERVICE LTD. Since 1998 the Megafilm Ltd. made the largest number of films in Hungary. Megafilm is delighted to offer its exceptional experience gathered during this period and its outstanding

More information

Humboldt College for. Protection of the Environment and Climate

Humboldt College for. Protection of the Environment and Climate Program Humboldt College for Protection of the Environment and Climate Thursday, the 21 th of October 2010 H-940 0 Sopron Cházár András tér 1, Building P Opening Address: Large Lecture Room of the Faculty

More information

Customer Success Story

Customer Success Story Client: Industry: Products: Akama Studio Animation & VFX V-Ray for ds Max October 011 Working with V-Ray has changed our way of conceiving images. In an industry where clients demand ever more beautiful

More information

New Media production week 9

New Media production week 9 New Media production week 9 How to Make an Digital Animation poonpong@gmail.com Hardware PC or Mac with high resolution graphics and lots of RAM Peripherals such as graphics tablet Digital Camera (2D,

More information

ANIMATION & VISUAL EFFECTS

ANIMATION & VISUAL EFFECTS ANIMATION & VISUAL EFFECTS F I N I S H I N G S C H O O L P R O G R A M The Basics of Compositing for Production brought to you by Rhythm & Hues is a multiple Academy Award winning film production studio

More information

Programme Schedule YRS 2015

Programme Schedule YRS 2015 SZENT ISTVÁN UNIVERSITY GÖDÖLLŐ, FACULTY OF ECONOMIC- AND SOCIAL SCIENCES SZENT ISTVÁN UNIVERSITY GÖDÖLLŐ, PHD SCHOOL OF MANAGEMENT AND BUSINESS ADMINISTRATION J. SELYE UNIVERSITY, FACULTY OF ECONOMICS

More information

Realization and construction of establishments that will serve people for centuries, and help them to make their life more comfortable.

Realization and construction of establishments that will serve people for centuries, and help them to make their life more comfortable. COMPANY BROCHURE OUR MAIN ACTIVITIES General construction Building, bridges, tunnel, Highway, road, airport, sport and playground construction Reinforced concrete structures Special underground works Tunneling

More information

F I K U S Z C O N F E R E N C E

F I K U S Z C O N F E R E N C E F I K U S Z C O N F E R E N C E T E C H N I C A L P R O G R A M November 3, 2006 (Friday) 9.00-10.00 Registration Hall 10.00-10.10 Opening Ceremony F19 10.10-10.40 10.40-11.10 Industry and Sciences in

More information

HUSK 0801/1.6.1/0003. Tanuljunk egymástól! / Učme sa jeden od druhého!

HUSK 0801/1.6.1/0003. Tanuljunk egymástól! / Učme sa jeden od druhého! Members of the Editorial Board: Hungary István Mezei (project manager) Tamás Hardi Bálint Koós Slovakia Dušan Barabas (project manager) Michal Gallay Viktória Kandráčová Maps edited by: Máté Mády Translation

More information

3D Animation Graphic Designer

3D Animation Graphic Designer Goal of the program The training program aims to develop the trainee to get him to the level of professional and creative in designing models three-dimensional and move with all respect to this art and

More information

Members of the Hungarian Section of The Combustion Institute 2011, before June

Members of the Hungarian Section of The Combustion Institute 2011, before June Members of the Hungarian Section of The Combustion Institute 2011, before June Name: István Barótfi Spec.: bioenergetics, protection of environment Company/Affil.: Szent István University, Gödöllő Address:

More information

Production Design / Art Direction. TV Animation / Shorts

Production Design / Art Direction. TV Animation / Shorts 12 Head of 14 Head of Animation Studio 16 Top Creative Story Generates and develops story ideas, sequences, storyboards, elements and enhancements throughout production. TV Animation / Shorts Manages the

More information

Szent István Egyetem. 2100 Gödöll, Páter Károly u. 1., Tudástranszfer Központ (GPS: 47.596149, 19.361354) Szent István University

Szent István Egyetem. 2100 Gödöll, Páter Károly u. 1., Tudástranszfer Központ (GPS: 47.596149, 19.361354) Szent István University 8. Magyar Nemzeti és Nemzetközi Lifelong Learning Konferencia 8 th Hungarian National and International Lifelong Learning Conference Szent István Egyetem 2100 Gödöll, Páter Károly u. 1., Tudástranszfer

More information

3D DESIGN // 3D ANIMATION YES, WE DO VISUALIZING REALITY

3D DESIGN // 3D ANIMATION YES, WE DO VISUALIZING REALITY 3D DESIGN // 3D ANIMATION YES, WE DO VISUALIZING REALITY 3D DESIGN RENDERINGS AND ANIMATIONS A NEW PHOTOREALISM 3D visualizations and animations provide opportunities that can barely be achieved with conventional

More information

ATTORNEYS (June 2008)

ATTORNEYS (June 2008) ATTORNEYS (June 2008) Embassy of the United States American Citizens Services 1054 Budapest Szabadsag ter 12. +36-1-475-4164 acs.budapest@state.gov This list of lawyers and law firms is provided by the

More information

Hungarian Animation CONTACT GUIDE 2010

Hungarian Animation CONTACT GUIDE 2010 Hungarian Animation CONTACT GUIDE 2010 IMPRESSUM Published/Copyright by: MEDIA Desk Hungary Information Office of the MEDIA Programme H-1068 Budapest Városligeti fasor 38. Tel: +36 1 413-1269, +36 1 413-1270

More information

CROSSING BORDERS. International Conference to Commemorate the 350th Anniversary of the Death of Miklós Zrínyi (Budapest, 18 20 November, 2014)

CROSSING BORDERS. International Conference to Commemorate the 350th Anniversary of the Death of Miklós Zrínyi (Budapest, 18 20 November, 2014) CROSSING BORDERS International Conference to Commemorate the 350th Anniversary of the Death of Miklós Zrínyi (Budapest, 18 20 November, 2014) CROSSING BORDERS International Conference to Commemorate the

More information

Clinical Pharmacology Unit Ist. Department of Internal Medicine 1083-BUDAPEST, HUNGARY Korányi Sándor u. 2/a.

Clinical Pharmacology Unit Ist. Department of Internal Medicine 1083-BUDAPEST, HUNGARY Korányi Sándor u. 2/a. SEMMELWEIS UNIVERSITY Faculty of Medicine I. Department of Internal Medicine Director: Prof.Dr. Szathmári Miklós 1083. Budapest, Korányi Sándor u. 2/a. HUNGARY Tel: +36-1-210-0279 Fax: +36-1-313-0250 e-mail:

More information

Coming Soon. EFM 2008 EFM Exhibitors Offices at Potsdamer Platz 11 Suite 539. World Premiere in Cannes 2008

Coming Soon. EFM 2008 EFM Exhibitors Offices at Potsdamer Platz 11 Suite 539. World Premiere in Cannes 2008 EFM 2008 LINE UP Coming Soon HUNGARICOM LTD. HungariCom Ltd. is delighted to present its film portfolio at the European Film Market 2008. We are proud to represent the most successful independent films

More information

Making the Dictionary. The Electronic Version

Making the Dictionary. The Electronic Version Proper terminology preparation is essential to efficient translation, especially when more than one translator works on a single project. Before starting the translation, each translator should receive

More information

PRODUCTION YEAR 2011 RUNTIME 82 min COUNTRY Hungary LANGUAGE Hungarian GENRE Animated comedy COMPANY Csorba and Lakatos Ltd.

PRODUCTION YEAR 2011 RUNTIME 82 min COUNTRY Hungary LANGUAGE Hungarian GENRE Animated comedy COMPANY Csorba and Lakatos Ltd. THE DISTRICT! 3D PRODUCTION YEAR 2011 RUNTIME 82 min COUNTRY Hungary LANGUAGE Hungarian GENRE Animated comedy COMPANY Csorba and Lakatos Ltd. ANIMATED COMEDY SYNOPSIS The District literally, Eightdistrict

More information

Our One-Year 3D Animation Program is a comprehensive training in 3D using Alias

Our One-Year 3D Animation Program is a comprehensive training in 3D using Alias 1 YEAR 3D ANIMATION Illusion is the first of all pleasures Oscar Wilde Our One-Year 3D Animation Program is a comprehensive training in 3D using Alias Oscar Winning software, Maya, the industry standard

More information

XIX. Chief Executive Officers Meeting

XIX. Chief Executive Officers Meeting XIX. Chief Executive Officers Meeting THE MARKET AND THE STATE An old problem in the reflection of a new crisis R ö j t ö k m u z s a j, S z i d ó n i a M a n o r - H o u s e M o d e r a t o r : D r. B

More information

Graphic Design. Background: The part of an artwork that appears to be farthest from the viewer, or in the distance of the scene.

Graphic Design. Background: The part of an artwork that appears to be farthest from the viewer, or in the distance of the scene. Graphic Design Active Layer- When you create multi layers for your images the active layer, or the only one that will be affected by your actions, is the one with a blue background in your layers palette.

More information

3D Animation & Video Production Powerful solutions for corporate marketing, training & communication.

3D Animation & Video Production Powerful solutions for corporate marketing, training & communication. 3D Animation & Video Production Powerful solutions for corporate marketing, training & communication. executive summary Provis Media Group produces engaging 3D animation and video for a variety of industries

More information

NAPCS Product List for NAICS 51219: Post Production Services and Other Motion Picture and Video Industries

NAPCS Product List for NAICS 51219: Post Production Services and Other Motion Picture and Video Industries National 51219 1 Postproduction Providing computerized and electronic image and sound processing (film, video, digital media, etc.). Includes editing, transfer, color correction, digital restoration, visual

More information

List of Courses Eligible for MDA's Grants Please enter the exact course name, listed below, in your grant application.

List of Courses Eligible for MDA's Grants Please enter the exact course name, listed below, in your grant application. List of Courses Eligible for MDA's Grants Please enter the exact course name, listed below, in your grant application. No Sector Training Provider Course Name Website 1 Animation Animation Mentor Classic

More information

1 Animation Animation Mentor (online)* Classic Animation Class 1 - Animation Basics www.animationmentor.com

1 Animation Animation Mentor (online)* Classic Animation Class 1 - Animation Basics www.animationmentor.com List of Courses Eligible for MDA's Grants No Sector Training Provider Course Name Website 1 Animation Animation Mentor (online)* Classic Animation Class 1 - Animation Basics www.animationmentor.com 2 Animation

More information

IME-META 7TH ADVANCED TRAINING AND CONFERENCE ON HEALTH ECONOMICS

IME-META 7TH ADVANCED TRAINING AND CONFERENCE ON HEALTH ECONOMICS IME-META 7TH ADVANCED TRAINING AND CONFERENCE ON HEALTH ECONOMICS Is the crisis an opportunity or a curse? BEST WESTERN HOTEL HUNGARIA (1074 BUDAPEST, RÁKÓCZI ÚT 90. CONFERENCE FLOOR) 19-20.JUNE 2013 DRAFT

More information

Certificate Courses in Animation

Certificate Courses in Animation UNIVERSITY OF PUNE Certificate Courses in Animation 1) Certificate Course in Animation using Flash 2) Certificate Course in Animation Using Photoshop 3) Certificate Course of Animation using Maya (To be

More information

Jul 5, 2012, Sep 13, 2012, Oct 11, 2012, Jan 10, 2013, Mar 1, 2013, Jul 11, 2013, Sep 12, 2013, Oct 10, 2013

Jul 5, 2012, Sep 13, 2012, Oct 11, 2012, Jan 10, 2013, Mar 1, 2013, Jul 11, 2013, Sep 12, 2013, Oct 10, 2013 FILMMAKING: TUITION: $18,000* (USD)/Semester / 13,747 (EURO)/Semester YOU GRADUATE WITH: Diploma/Certificate, DVD Film Reel LOCATION: New York, Los Angeles, USA Jul 5, 2012, Sep 13, 2012, Oct 11, 2012,

More information

THE HUNGARIAN NATIONAL FILM FUND WARMLY WELCOMES YOU AT THE EFM

THE HUNGARIAN NATIONAL FILM FUND WARMLY WELCOMES YOU AT THE EFM EFM 2012 LINE UP THE HUNGARIAN NATIONAL FILM FUND WARMLY WELCOMES YOU AT THE EFM Hungarian National Film Fund filmalap@filmalap.hu Phone:+36 1 795 14 72 Fax: +36 1 795 03 75 Visit us at MGB #139 DRAMA

More information

Stereoscopic Services

Stereoscopic Services Stereoscopic Services Excellence in 3D STEREOTEC is an innovative service provider for stereoscopic productions, founded by stereographer Florian Maier. Having done many high-end 3D productions for years,

More information

CERTIFICATE IV IN I.T. (MULTIMEDIA) VIDEO PRODUCTION

CERTIFICATE IV IN I.T. (MULTIMEDIA) VIDEO PRODUCTION CERTIFICATE IV IN I.T. (MULTIMEDIA) VIDEO PRODUCTION Australian College of Information Technology Gold Cost Brisbane AUSTRALIA www.acit.edu.au overview CERTIFICATE IV IN I.T. (MULTIMEDIA) VIDEO PRODUCTION

More information

HEAT ENGINES AND ENVIRONMENTAL PROTECTION

HEAT ENGINES AND ENVIRONMENTAL PROTECTION 8 th INTERNATIONAL CONFERENCE ON HEAT ENGINES AND ENVIRONMENTAL PROTECTION May 28 30, 2007 Hotel Uni, Balatonfüred, Hungary SECOND ANNOUNCEMENT Supported by: Hungarian Power Companies Ltd. Hungarian Chamber

More information

newsletter MAGYAR FILMUNIÓ CONTENTS Newsletter of Magyar Filmunió May 2007 No.12 The Man from London Hungarian Pavilion in Cannes

newsletter MAGYAR FILMUNIÓ CONTENTS Newsletter of Magyar Filmunió May 2007 No.12 The Man from London Hungarian Pavilion in Cannes newsletter CONTENTS Newsletter of Magyar Filmunió May 2007 No.12 3 MAGYAR FILMUNIÓ Hungarian Pavilion in Cannes 4 60 th Cannes Film Festival The Man from London by Béla Tarr 6 The MEDIA Programme and Hungary

More information

Press Kit. Moving Day

Press Kit. Moving Day Press Kit Moving Day Synopsis: A small girl embarks on an exciting journey of moving into her new home, an enchanting and lavish estate filled with wonder. The simple discovery of a forgotten box of toys

More information

How To Choose A National Team

How To Choose A National Team DÖNTŐ 10m PUSKA Nő 030/A302/05 Rk Bib No Name Nat 1st Comp. Stage 2nd Competition Stage - Elimination Total Remarks 1 2108 BANYAC Tatjana 97 NOVI SAD 1790 2 60.0 80.3 100.4 121.2 142.0 162.2 182.6 9.3

More information

VIDEO PRODUCTION- COURSE OVERVIEW TECHNOLOGY EDUCATION DEPARTMENT BALDWIN HIGH SCHOOL

VIDEO PRODUCTION- COURSE OVERVIEW TECHNOLOGY EDUCATION DEPARTMENT BALDWIN HIGH SCHOOL VIDEO PRODUCTION- COURSE OVERVIEW TECHNOLOGY EDUCATION DEPARTMENT BALDWIN HIGH SCHOOL VIDEO PRODUCTION COURSE DESCRIPTION This course will allow students to develop professional skills in video, film,

More information

V. SÁRKÁNY-ARANYTÍZ INTERNATIONAL MASTER TOURNAMENT AND IV. BUDAPEST OPEN

V. SÁRKÁNY-ARANYTÍZ INTERNATIONAL MASTER TOURNAMENT AND IV. BUDAPEST OPEN V. SÁRKÁNY-ARANYTÍZ INTERNATIONAL MASTER TOURNAMENT AND IV. BUDAPEST OPEN Budapesti Sakkszövetség Aranytíz Kultúrház Sárkány DSE Belváros-Lipótváros Önkormányzata Budapest Főváros Önkormányzata Magyar

More information

MEDICINE BASIC AND PRE-CLINICAL MODULE

MEDICINE BASIC AND PRE-CLINICAL MODULE ER=ination BASIC AND PRE-CLINICAL MODULE 2014/20151st year, 1st (fall) semester (9001AK_N_2013) AOK-KUA011 Anatomy, Histology and Embryology I. Dept. of Anatomy Prof. András Mihály 2 - ination 5 - AOK-KUA012

More information

Curriculum vitæ. This summer I moved to Istanbul so I had the opportunity to taste some sweets of turkish commercial delights...

Curriculum vitæ. This summer I moved to Istanbul so I had the opportunity to taste some sweets of turkish commercial delights... Curriculum vitæ Janó Fekete date of birth 1974.12.12. cell +90 538 405 17 58 (Istanbul) +36 30 2121181 (Budapest) website www.janofekete.com e-mail colorist@janofekete.com LinkedIn www.linkedin.com/pub/janó-fekete/42/b02/507

More information

Cannes 2008 Lerins Stand R 9

Cannes 2008 Lerins Stand R 9 CANNES 2008 LINE UP HUNGARICOM LTD. Cannes 2008 Lerins Stand R 9 HungariCom is the coolest, most easy-going and extremely successful Film Distribution company in Hungary, Budapest; ran by great, caring,

More information

Develop Computer Animation

Develop Computer Animation Name: Block: A. Introduction 1. Animation simulation of movement created by rapidly displaying images or frames. Relies on persistence of vision the way our eyes retain images for a split second longer

More information

Republic Polytechnic School of Information and Communications Technology C391 Animation and Visual Effect Automation.

Republic Polytechnic School of Information and Communications Technology C391 Animation and Visual Effect Automation. Republic Polytechnic School of Information and Communications Technology C391 Animation and Visual Effect Automation Module Curriculum This document addresses the content related abilities, with reference

More information

After color timing, the film is printed. Different printing methods are used for different purposes:

After color timing, the film is printed. Different printing methods are used for different purposes: OPTICAL WORKFLOW The traditional film process can be described as an optical workflow the process that existed before digital technology. Film was replicated and special effects were created optically.

More information

newsletter MAGYAR FILMUNIÓ CONTENTS Newsletter of Magyar Filmunió February 2006 No.8 2005 Prizes Hungarian Film Critics Prizes Film Sales Abroad 2005

newsletter MAGYAR FILMUNIÓ CONTENTS Newsletter of Magyar Filmunió February 2006 No.8 2005 Prizes Hungarian Film Critics Prizes Film Sales Abroad 2005 newsletter CONTENTS Newsletter of Magyar Filmunió February 2006 No.8 4 2005 Prizes 7 MAGYAR FILMUNIÓ Hungarian Film Critics Prizes 8 Film Sales Abroad 2005 9 Competition program of the 37 th Hungarian

More information

VI. SÁRKÁNY-ARANYTÍZ INTERNATIONAL MASTER TOURNAMENT AND V. BUDAPEST OPEN

VI. SÁRKÁNY-ARANYTÍZ INTERNATIONAL MASTER TOURNAMENT AND V. BUDAPEST OPEN VI. SÁRKÁNY-ARANYTÍZ INTERNATIONAL MASTER TOURNAMENT AND V. BUDAPEST OPEN Budapest Chess Federation Aranytíz House of Culture Sárkány Youth Sports Club City Council of Belváros-Lipótváros The Municipality

More information

Video Production Glossary Some of the most common terms used in the industry An ST16 Ltd. White Paper

Video Production Glossary Some of the most common terms used in the industry An ST16 Ltd. White Paper Video Production Glossary Some of the most common terms used in the industry An ST16 Ltd. White Paper V2 SC Action! (From Director) Go / Do it now!. Audio post- production or Audio dubbing Audio sweetening

More information

RESEARCH PAPERS FROM THE FIELD OF ECONOMIC SCIENCE. Editorial Board: Head: János SZLÁVIK. Members:

RESEARCH PAPERS FROM THE FIELD OF ECONOMIC SCIENCE. Editorial Board: Head: János SZLÁVIK. Members: PERIODICA OECONOMICA OCTOBER 2010 VOL. 3, ISSUE 1 RESEARCH PAPERS FROM THE FIELD OF ECONOMIC SCIENCE Editorial Board: Head: János SZLÁVIK Members: J. Markham COLLINS Erzsébet H. KACSÓ István KÁDEK Tibor

More information

R O L L O F A R B I T R A T O R S (June 1, 2011 May 31, 2014)

R O L L O F A R B I T R A T O R S (June 1, 2011 May 31, 2014) R O L L O F A R B I T R A T O R S (June 1, 2011 May 31, 2014) Dr. KECSKÉS, László President of the Court of Arbitration attached to the Hungarian Chamber of Commerce and Industry, Professor and Head of

More information

Miklós Szendrői Franklin H. Sim (Eds.) Color Atlas of Clinical Orthopedics

Miklós Szendrői Franklin H. Sim (Eds.) Color Atlas of Clinical Orthopedics Miklós Szendrői Franklin H. Sim (Eds.) Color Atlas of Clinical Orthopedics Miklós Szendrői Franklin H. Sim (Eds.) Color Atlas of Clinical Orthopedics Miklós Szendrői 1113 Budapest Franklin Sim Mayo Clinic

More information

How to Produce a Television Commercial Without Spending a Fortune (or Wasting Money) And Still Get the Results You Want.

How to Produce a Television Commercial Without Spending a Fortune (or Wasting Money) And Still Get the Results You Want. How to Produce a Television Commercial Without Spending a Fortune (or Wasting Money) And Still Get the Results You Want. Read this report to learn the 7 things you must know before you produce a TV spot.

More information

ENERGY ARBITRATION COURT ROLL OF ARBITRATORS

ENERGY ARBITRATION COURT ROLL OF ARBITRATORS ENERGY ARBITRATION COURT ROLL OF ARBITRATORS PRESIDENT: MEMBERS OF THE BOARD: Dr. Faludi Zoltán Dr. Berzeviczi Attila Dr. Grmela Zoltán Dr. Lajer Zsolt Dr. Szentkereszty Ákos ARBITRATORS: 1. Dr. Balog

More information

EMBEDDING VISUAL EFFECTS IN 3D ANIMATED ENVIRONMENT DESIGN FOR SHORT MOVIE. Zahari Hamidon Kong Ho Abdullah Mohd Noor

EMBEDDING VISUAL EFFECTS IN 3D ANIMATED ENVIRONMENT DESIGN FOR SHORT MOVIE. Zahari Hamidon Kong Ho Abdullah Mohd Noor EMBEDDING VISUAL EFFECTS IN 3D ANIMATED ENVIRONMENT DESIGN FOR SHORT MOVIE Zahari Hamidon Kong Ho Abdullah Mohd Noor ABSTRACT Visual effects are commonly referred to as Visual F/X or VFX, which comprise

More information

ttautodesk Smoke Productivity Benchmarks Real World Productivity Data for Video Professionals

ttautodesk Smoke Productivity Benchmarks Real World Productivity Data for Video Professionals Autodesk Productivity Benchmarks Real World Productivity Data for Video Professionals Autodesk Productivity Benchmarks Introduction About this document This document presents key findings of a benchmarking

More information

NOVEMBER 28 - DECEMBER 1, 2013 MILLENÁRIS, BUDAPEST, HUNGARY

NOVEMBER 28 - DECEMBER 1, 2013 MILLENÁRIS, BUDAPEST, HUNGARY Contemporary Budapest Contemporary Budapest CONTEMPORARY BUDAPEST 5 CONTEMPORARY BUDAPEST YOUNG EUROPE, YOUNG ART INTERNATIONAL CONTEMPORARY ART FAIR The world holds a wide variety of attractive art scenes,

More information

Travel With Care Local Campaign Guidelines

Travel With Care Local Campaign Guidelines Travel With Care Local Campaign Guidelines 1 TABLE OF CONTENTS 2 INTRODUCTION LANGUAGE Headlines Example Headlines Body Copy VISUALS Composition: Primary Composition: Alternate Headline Treatment Footer

More information

The Animation Production Process. by Randy Gossman

The Animation Production Process. by Randy Gossman by Randy Gossman Animation is a media staple. One would be hard pressed to watch television, see a movie or visit a website without encountering it. Sometimes it s just a word moving across a webpage.

More information

Programme Schedule YRS 2012

Programme Schedule YRS 2012 Szent István University Gödöllı PhD School of Management and Business Administration Programme Schedule Breakthrough Points of World Economy in the 21st Century YRS 2012 12-14 November, 2012 Szent István

More information

20 Producing a Video. Media 20

20 Producing a Video. Media 20 LESSON PROJECT IDEAS COPY MASTER Video Book Report Choose a key scene from a story you have read. Write a script for the scene, sticking closely to what happens in the story. Then prepare a storyboard

More information

Film and Television. Film and Television 299

Film and Television. Film and Television 299 Film and Television 299 Film and Television Degree Associate in Arts Degree, Film Production Program Description Film is a universally recognized medium that has a profound impact on how we view the world

More information

09. 30-10. 00 Regarding competitiveness is LEAN a medicine? Zoltán Király, managing director - JABIL CIRCUIT MAGYARORSZÁG KFT.

09. 30-10. 00 Regarding competitiveness is LEAN a medicine? Zoltán Király, managing director - JABIL CIRCUIT MAGYARORSZÁG KFT. Dear Sir/Madam, LEAN FORUM COMPETITIVENESS "The best practices in the field of Lean management " 14-16 April, 2011 The national Lean Forum Competition Conference will already be held the fourth time this

More information

The 3D Animation Process at Framework Media

The 3D Animation Process at Framework Media 7 Welsh Road Sutton, MA 01590 PHONE: 508.865.7060 FAX: 508.714.2287 WEB: http://www.frameworkmedia.com The 3D Animation Process at Framework Media Thank you for your interest in technical animation and

More information

SAMI 2006 FINAL PROGRAM

SAMI 2006 FINAL PROGRAM SAMI 2006 FINAL PROGRAM 4 th Slovakian-Hungarian Joint Symposium on Applied Machine Intelligence January 20-21, 2006 Herl any, Slovakia General Information General Information General Information General

More information

Designing a Pixar Film

Designing a Pixar Film At Pixar Animation Studios, we think our entire filmmaking process is a design process, alternating iterations of planning and implementation, all centered on storytelling. Like a painter, imagining the

More information

CG: Computer Graphics

CG: Computer Graphics CG: Computer Graphics CG 111 Survey of Computer Graphics 1 credit; 1 lecture hour Students are exposed to a broad array of software environments and concepts that they may encounter in real-world collaborative

More information

Advanced Diploma of Screen - 3D Animation and VFX (10343NAT)

Advanced Diploma of Screen - 3D Animation and VFX (10343NAT) The Academy of Interactive Entertainment 2013 Advanced Diploma of Screen - 3D Animation and VFX (10343NAT) Subject Listing Online Campus 0 Page Contents 3D Art Pipeline...2 Modelling, Texturing and Game

More information

Advanced Diploma of Professional Game Development - Game Art and Animation (10343NAT)

Advanced Diploma of Professional Game Development - Game Art and Animation (10343NAT) The Academy of Interactive Entertainment 201 Advanced Diploma of Professional Game Development - Game Art and Animation (10343NAT) Subject Listing Online Campus 0 Page Contents 3D Art Pipeline...2 Grasping

More information

MINISTRY OF AGRICULTURE OF HUNGARY DEPARTMENT FOR EU AND FAO AFFAIRS

MINISTRY OF AGRICULTURE OF HUNGARY DEPARTMENT FOR EU AND FAO AFFAIRS MINISTRY OF AGRICULTURE OF HUNGARY DEPARTMENT FOR EU AND FAO AFFAIRS DRAFT SCENARIO Knowledge Exchange and Coordination Workshop on Agricultural Biotechnology Organisers: Gödöllő, 27-29 October 2015 Ministry

More information

COURSE GUIDE. CUF60107 Advanced Diploma of Screen and Media (Animation & VFX)

COURSE GUIDE. CUF60107 Advanced Diploma of Screen and Media (Animation & VFX) COURSE GUIDE CUF60107 Advanced Diploma of Screen and Media (Animation & VFX) Table of Contents Overview... 3 Delivery Mode... 3 Contact Hours... 4 Assessments... 4 Recognition of Prior Learning and Credit

More information

17th Building Services, Mechanical and Building Industry Days Exhibition and International Conference HURO WORKSHOPS 13-14-15 October, 2011

17th Building Services, Mechanical and Building Industry Days Exhibition and International Conference HURO WORKSHOPS 13-14-15 October, 2011 HURO S 13-14-15 October, 2011 MECHATRONICS MECHATRONICS MECHATRONICS MECHATRONICS EPRAS 13th October 10.00 10.15 Eugen Ioan GERGELY, Alexandru GACSÁDI, Zoltán Conference opening (AULA Tamás NAGY, main

More information

Hungarian Combustion Meeting HCM2006

Hungarian Combustion Meeting HCM2006 Hungarian Combustion Meeting HCM2006 October 06, 2006 University of Szeged, Study and Information Centre Organised by the Hungarian Section of The Combustion Institute Hungarian Combustion Meeting HCM2006

More information

Introduction. Miskolc, October 2011. Prof. Dr. György Kocziszky

Introduction. Miskolc, October 2011. Prof. Dr. György Kocziszky Introduction According to the decision of the Senate of the, the Department of Regional Economics was established on 1 September, 1996 within the framework of the Faculty of Economics, which is the legal

More information

Film & TV Production Roles and Departments

Film & TV Production Roles and Departments KEY CREATIVE TEAM Film & TV Production Roles and Departments Producer The producer initiates, coordinates, supervises, and controls matters such as raising funding, hiring key personnel, contracting and

More information

DIGITAL FILMMAKING Apoorva Creations, Andhra University

DIGITAL FILMMAKING Apoorva Creations, Andhra University Welcome to the art of digital filmmaking! This handout tells you everything you need to know about the exciting four week DFM training program you are about to enroll. Submit your DD for Rs.500/- with

More information

TRAFO OFFICE BUILDING Pasarét, Budapest, HUNGARY

TRAFO OFFICE BUILDING Pasarét, Budapest, HUNGARY TRAFO OFFICE BUILDING Pasarét, Budapest, HUNGARY The term TRAFO is a hungarian expression, a shortcut to electrical generator. The former electrical generator house shown here, had been transformed into

More information

Colorado State University. Guide for 4-H Photography Judges

Colorado State University. Guide for 4-H Photography Judges Colorado State University Guide for 4-H Photography Judges Photography Criteria Use the following criteria to help you judge 4-H photography. TECHNICAL FOCUS Adjustments of the distance setting on a lens

More information

Understand career planning in a digital media environment.

Understand career planning in a digital media environment. Objec&ve 201.01 Understand career planning in a digital media environment. Course Weight : 5% 1 Careers in Digital Media Skills and knowledge in the digital media field can be applied to a wide variety

More information

Photography of Cultural Heritage items

Photography of Cultural Heritage items Photography of Cultural Heritage items A lot of people only get to know art pieces through photographic reproductions. Nowadays with digital imaging far more common than traditional analogue photography,

More information

SAMI 2007 Final Program

SAMI 2007 Final Program SAMI 2007 Final Program January 25, Thursday 8:00 9:00 Registration Hour 9:00 9:20 Opening Ceremony 9:20 10:00 Plenary Session Session Chair: Imre J. Rudas Geometric Theory and Control of Linear Parameter

More information

EDUCATIONAL. interview with. Sofia Delis

EDUCATIONAL. interview with. Sofia Delis Spotlight interview with Sofia Delis Program Director Digital Visualization Campus i Campus i Tell us a bit about the school s history and the courses taught. Digital Visualization is based in Eksjö, managed

More information

A Short Introduction to Computer Graphics

A Short Introduction to Computer Graphics A Short Introduction to Computer Graphics Frédo Durand MIT Laboratory for Computer Science 1 Introduction Chapter I: Basics Although computer graphics is a vast field that encompasses almost any graphical

More information

Recommendation. Dear Reader,

Recommendation. Dear Reader, Recommendation Dear Reader, Low employment and the problem of unemployment have been of evergreen problems since the end of the 1980s in Northern Hungary. This problem, that had seemed to be moderating

More information

Visual Storytelling, Shot Styles and Composition

Visual Storytelling, Shot Styles and Composition Pre-Production 1.2 Visual Storytelling, Shot Styles and Composition Objectives: Students will know/be able to >> Understand the role of shot styles, camera movement, and composition in telling a story

More information

APPENDIX B. Exercises & Projects as stipulated in the Film Wing Syllabus, with resources required for each FIRST YEAR

APPENDIX B. Exercises & Projects as stipulated in the Film Wing Syllabus, with resources required for each FIRST YEAR APPENDIX B Exercises & Projects as stipulated in the Film Wing Syllabus, with resources required for each FIRST YEAR EXERCISE NAME DESCRIPTION DURATION RESOURCES REQUIRED Theory Classes These are common

More information

NORTHERN VALLEY SCHOOLS Office of Curriculum and Instruction Technology Education Department Demarest and Old Tappan HYPERMEDIA II GRADES 10 12

NORTHERN VALLEY SCHOOLS Office of Curriculum and Instruction Technology Education Department Demarest and Old Tappan HYPERMEDIA II GRADES 10 12 NORTHERN VALLEY SCHOOLS Office of Curriculum and Instruction Technology Education Department Demarest and Old Tappan HYPERMEDIA II GRADES 10 12 Philosophy Statement...2 UNIT I Computer Use Policy, Plagiarism

More information

FULL VIDEO PRODUCTION SERVICES RATE SHEET:

FULL VIDEO PRODUCTION SERVICES RATE SHEET: FULL VIDEO PRODUCTION SERVICES RATE SHEET: VIDEO PRODUCTION AND EDITING SERVICES Corporate and Commercial Video Production Videography Full Day Rate $700.00 Up to 8 hours of setup and/or production. per

More information

Digital Video-Editing Programs

Digital Video-Editing Programs Digital Video-Editing Programs Digital video-editing software gives you ready access to all your digital video clips. Courtesy Harold Olejarz. enable you to produce broadcastquality video on classroom

More information

PROGRAM. 8:30 9:20 Registration Location: Hall, Babeș-Bolyai University, Sfântu Gheorghe

PROGRAM. 8:30 9:20 Registration Location: Hall, Babeș-Bolyai University, Sfântu Gheorghe PROGRAM International Conference NATURA ECON 4 Environmental Dynamics under the Impact of Economic Trends Realities and Perspectives 7 th March 2014, Sfântu Gheorghe, Romania 8:30 9:20 Registration Location:

More information

Expert-Quality Congress&Travel Agency

Expert-Quality Congress&Travel Agency Exper t-quality. Expert-Quality Congress&Travel Agency One of the oldest congress organiser of Hungary introduces itself! After decades of trying for rejuvenation we got a new period again int he recent

More information

2014 / INSTITUE OF APPLIED ARTS

2014 / INSTITUE OF APPLIED ARTS 2014 / INSTITUE OF APPLIED ARTS CLICKABLE IMRESSUM: Electronic illustration BA program: Nikolett Mária Andráska 6 Viktória Antal 7 Krisztián Bajusz 8 Gabriella Berta 9 Eszter Both 10 Dóra Chikán 11 Annamária

More information

THE FREEDOM TO CREATE, THE POWER TO RENDER

THE FREEDOM TO CREATE, THE POWER TO RENDER THE FREEDOM TO CREATE, THE POWER TO RENDER What is BOXX Innovative Integration? Innovative integration is a unique BOXX concept describing the process BOXX Labs and BOXX Engineering apply to leverage the

More information

Animation and Visual Effects New Official University Degree

Animation and Visual Effects New Official University Degree Animation and Visual Effects New Official University Degree BARCELONA CAMPUS KEY POINTS OF THE UNIVERSITY DEGREE IN ANIMATION AND VISUAL EFFECTS Thorough education Active professors We offer you a complete

More information

INTRODUCTION TO RENDERING TECHNIQUES

INTRODUCTION TO RENDERING TECHNIQUES INTRODUCTION TO RENDERING TECHNIQUES 22 Mar. 212 Yanir Kleiman What is 3D Graphics? Why 3D? Draw one frame at a time Model only once X 24 frames per second Color / texture only once 15, frames for a feature

More information

Photography 2. Rachael Turner Co-Editor Mountain Pointe High School Phoenix, AZ. Yearbooks depend on PHOTO- JOURNALISM,

Photography 2. Rachael Turner Co-Editor Mountain Pointe High School Phoenix, AZ. Yearbooks depend on PHOTO- JOURNALISM, How do you find out what students in your school like in their yearbook? The best thing to do is get out and talk to the students. They are the prime source and are able to tell you what they d like to

More information

DOLBY SR-D DIGITAL. by JOHN F ALLEN

DOLBY SR-D DIGITAL. by JOHN F ALLEN DOLBY SR-D DIGITAL by JOHN F ALLEN Though primarily known for their analog audio products, Dolby Laboratories has been working with digital sound for over ten years. Even while talk about digital movie

More information

Lesson 3: Behind the Scenes with Production

Lesson 3: Behind the Scenes with Production Lesson 3: Behind the Scenes with Production Overview: Being in production is the second phase of the production process and involves everything that happens from the first shot to the final wrap. In this

More information

art new media Graphic Design Certificate Art New Media Degree Illustration Certificate

art new media Graphic Design Certificate Art New Media Degree Illustration Certificate Area: Fine & Applied Arts Dean: Dr. David Newnham Phone: (916) 484-8433 Counseling: (916) 484-8572 Art New Media Degree The Art New Media program emphasizes visual arts produced in a digital environment.

More information