bitforms gallery 529 west 20th st ny ny t f w bitforms.com Installation view: bitforms gallery nyc
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1 Installation view: bitforms gallery nyc Quayola Topologies, 2010 two-channel HD video, stereo sound, computer 3 min 20 sec, loop dimensions variable Edition 1 of 3, 1 AP In Quayola's works such as Topologies the viewer is dislocated in time. In this piece, the painted surfaces of two pieces from the Museo del Prado collection, Las Meninas (1656) by Velázquez and The Immaculate Conception (1767) by Tiepolo, transform into animated movement. Produced in high definition for a commission by the British Film Institute and onedotzero, this video installation interrupts our expectations of space, re-imagining the calculation behind such masterpieces. The Topologies installation boldly challenges, yet still submits to, the art object's myth of perfection and aura, hanging in a church or museum. Transporting this beauty into a virtual realm, Quayola rigorously investigates the surface details of each object. Pure geometry and abstraction take over, as he reframes his subjects using a computational method of triangulation. In the format of a diptych, Velázquez is positioned on the left and Tiepolo on the right. In each panel, hundreds of thousands of polygons and points comprise a wire frame core that mathematically contorts and regenerates, driven by a soundscape that visually is determined. This piece is the first in Quayola's Strata series to break a composition down into complete abstraction. It can be displayed vertically or horizontally (as pictured above). Sound design by Matthias Kispert.
2 Installation view: British Film Institute Gallery, London Quayola Topologies, 2010 two-channel HD video, stereo sound, computer 3 min 20 sec loop dimensions variable Edition 1 of 3, 1 AP In Quayola's works such as Topologies the viewer is dislocated in time. In this piece, the painted surfaces of two pieces from the Museo del Prado collection, Las Meninas (1656) by Velázquez and The Immaculate Conception (1767) by Tiepolo, transform into animated movement. Produced in high definition for a commission by the British Film Institute and onedotzero, this video installation interrupts our expectations of space, re-imagining the calculation behind such masterpieces. The Topologies installation boldly challenges, yet still submits to, the art object's myth of perfection and aura, hanging in a church or museum. Transporting this beauty into a virtual realm, Quayola rigorously investigates the surface details of each object. Pure geometry and abstraction take over, as he reframes his subjects using a computational method of triangulation. In the format of a diptych, Velázquez is positioned on the left and Tiepolo on the right. In each panel, hundreds of thousands of polygons and points comprise a wire frame core that mathematically contorts and regenerates, driven by a soundscape that visually is determined. This piece is the first in Quayola's Strata series to break a composition down into complete abstraction. It can be exhibited vertically or horizonatally (as pictured above). Sound design by Matthias Kispert.
3 Quayola Topologies - Velazquez, Las Meninas, 2010 HD video, stereo sound, video player 3 min 20 sec loop dimensions variable Edition of 6, 1 AP Produced in high definition for a commission by the British Film Institute and onedotzero, this piece premiered in 2010 at the BFI Gallery, London. Originally produced as a two-channel animated video installation, the work also exists as a single-channel piece. Interrupting our expectations of space, the Topologies video installation re-imagines the calculations that go into crafting a masterpiece. In this work, the painted surfaces of two pieces from the Museo del Prado collection, Las Meninas (1656) by Velázquez and The Immaculate Conception (1767) by Tiepolo, transform into animated movement. Dislocating the viewer in time, this work boldly challenges, yet still submits to, the art object's myth of perfection and aura, hanging in a church or museum. Transporting this beauty into a virtual realm, Quayola rigorously investigates the surface details of each object. Pure geometry and abstraction take over, as he reframes his subjects using a computational method of triangulation. Hundreds of thousands of polygons and points comprise a wire frame core that mathematically contorts and regenerates, driven by a soundscape that visually is determined. This piece is the first in Quayola's Strata series to break a composition down into complete abstraction. It can be exhibited vertically or horizontally (as pictured above). Sound design by Matthias Kispert.
4 Process: Topologies - Velazquez, Las Meninas
5 Quayola Topologies - Tiepolo, Immacolata Concezione, 2010 HD video, stereo sound, video player 3 min 20 sec loop dimensions variable Edition of 6, 1 AP Produced in high definition for a commission by the British Film Institute and onedotzero, this piece premiered in 2010 at the BFI Gallery, London. Originally produced as a two-channel animated video installation, the work also exists as a single-channel piece. Interrupting our expectations of space, the Topologies video installation re-imagines the calculations that go into crafting a masterpiece. In this work, the painted surfaces of two pieces from the Museo del Prado collection, Las Meninas (1656) by Velázquez and The Immaculate Conception (1767) by Tiepolo, transform into animated movement. Dislocating the viewer in time, this work boldly challenges, yet still submits to, the art object's myth of perfection and aura, hanging in a church or museum. Transporting this beauty into a virtual realm, Quayola rigorously investigates the surface details of each object. Pure geometry and abstraction take over, as he reframes his subjects using a computational method of triangulation. Hundreds of thousands of polygons and points comprise a wire frame core that mathematically contorts and regenerates, driven by a soundscape that visually is determined. This piece is the first in Quayola's Strata series to break a composition down into complete abstraction. It can be exhibited vertically or horizontally (as pictured above). Sound design by Matthias Kispert.
6 Process: Topologies - Tiepolo, Immacolata Concezione
7 Installation View: Topologies, diptych. La Gaite Lyrique, Paris, France. June The Creator s Project
8 Installation View: Topologies, diptych. La Gaite Lyrique, Paris, France. June The Creator s Project
9 Quayola Strata, May 11 - June 16, 2012 installation view at bitforms gallery, left to right: Topologies - Tiepolo, Immacolata Concezione, 2012 process drawing, inkjet on paper with illustration 18 x 24 / 45.7 x 61 cm Topologies - Velazquez, Las Meninas, 2012 process drawing, inkjet on paper with illustration 18 x 24 / 45.7 x 61 cm Related to Quayolaʼs process of geometric interpretations, this series of drawings depicts the two subjects appearing in the Topologies video installation: Velázquez, "Las Meninas" (1656) and Tiepolo, "The Immaculate Conception" (1767).
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